#59 Les Paul
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(via Panucci 59 Inspired P90 Heavy Aged C-082 (2021) | Ten Guitars)
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New guitar day 🎸🤘🏻
#Gibson#Gibson Les Paul#Greeny#Greeny Les Paul#59 Les Paul#'59 Les Paul#Kirk Hammett#Kirk Hammett Les Paul#Gibson Custom Shop#Les Paul#guitar#electric guitar#chris burke#chrisburke#Gary Moore Les Paul#Gary Moore Greeny#Gibson Murphy Lab
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Tom Keifer 💋and Les Paul 59 🎸🎵
okay still love him but also now I have other favs rockstars too..🤐💋]
#tom keifer#cinderella band#rockstars#vocals#guitars#80s metal#blues metal#heavy metal#hard rock#rock n roll#Glam metal#gibson les paul#gibson les paul 59#my old love
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In the late fall of 1888, artists Vincent van Gogh and Paul Gauguin lived and worked together for two months in Arles, France. Weeks earlier the two exchanged these self-portraits with each other as a gesture toward what they hoped would be a fruitful collaboration:
Vincent van Gogh Self-portrait (as a bonze, a Buddhist monk) dedicated to Paul Gauguin. September 1888. Oil on canvas: 59 × 48 cm (23 × 18 in). Inscribed "à mon ami Paul Gauguin" across the top.
Paul Gauguin Self-portrait (as Jean Valjean from the 1862 novel, Les Misérables) with portrait of Émile Bernard. September 1888. Oil on canvas: 45 × 55 cm (17 × 21 in). Inscribed "à l'ami Vincent" above the signature.
#vincent van gogh#paul gauguin#art history#19th century#icons#lit#history#painting#bohemian#community#inspiration#1800s#literature#people#les miserables#portrait#academia#aesthetic#1880s#culture#🎨 📚
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Gibson Custom Shop 1959 / '59 Les Paul Standard Brazilian Rosewood Tom's Tri-Burst Bigsby Murphy Lab Aged 2024 | Miami-Guitars
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flickr
59 - Lola T70 MK3B de 1969 by Laurent Quérité
Via Flickr:
Team OC Racing Steven BROOKS / Jamie CONSTABLE / Michael CANTILLON Les 2 Tours d'horloge 2023 Circuit Paul Ricard Le Castellet Var France IMG_0729
#CanonFrance#Canonphotography#Canon EF 100-400mm f/4.5-5.6L IS USM#Canon EOS 5D Mark II#Voiture#Automobile#Sport Mécanique#Cars#carlovers#carphotography#2 Tours d'horloge#Circuit Paul Ricard#Le Castellet#Var#France#flickr
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Guitar: 2014 Gibson Les Paul '59 reissue "Honey"
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Might as well work on this one too…
On Age in Carmen Sandiego (2019)
Or, at the very least, in the timeline of Crimson Shades.
First off, Carmen’s mother, Carlotta Valdez (aka “Vera Cruz”), was supposed to have “died” in 1999. Carmen looked around perhaps a year old at that point in time, giving her a possible birth-date in 1996 to 1997. This in turn suggests that the series takes place some time before the actual date of publication—say, 2017/2018 onwards—to maintain Carmen’s rough age.
Rough age ranges of the characters, taking Carmen’s rough birthdate for estimation:
Team Red
Isabela Valdez/Black Sheep/Carmen Sandiego: 16/17 starting at VILE, 18/19 during the Poitiers Caper, 22/23 by the end.
Fairly self-explanatory.
Pierre Bouchard/Player: 12/13 as a White Hat Hacker, 14/15 during the Poitiers Caper, 18/19 by the end.
Not quite old enough for a learner’s permit (Up Here it’s a G1) during the earlier capers.
Ivy Collins: 19 during the Donuts/Poitiers Capers, 23 by the end.
Zack Collins: 18 during the Donuts/Poitiers Capers, 22 by the end.
Zack is supposed to be around a year younger than Ivy.
Nakamura Suhara/Shadowsan: 23 when sent after Dexter Wolfe, 42 during the Poitiers Caper, 46 by the end.
Young but not too young, as it were.
VILE
Eartha McGlynn/Coach Brunt: 39 upon receiving Black Sheep, 58 during the Poitiers Caper, 61 when arrested, 63 by the end.
Gunnar Stromme/Professor Maelstrom: 37 upon receiving Black Sheep, 56 during the Poitiers Caper, 60 when arrested, 62 by the end.
Oluchi Cleopatra Okorie/Countess Cleo: 26 upon receiving Black Sheep, 45 during the Poitiers Caper, 49 when arrested, 51 by the end.
Saira Dhibar/Doctor Bellum: 33 upon receiving Black Sheep, 54 during the Poitiers Caper, 58 when arrested, 60 by the end.
Sir Nigel Braithwaite/Roundabout: 56 when appointed, 57 when arrested, 59 by the end.
Margherita Picasso/Cookie Booker: 54 when first pelted, 62 when the Hard Drive was stolen, 67 by the end.
Vlad Bobinski: 28 upon receiving Black Sheep, 45 upon letting Black Sheep get away, 50 by the end.
Boris Vladinski: 27 upon receiving Black Sheep, 44 while watching Vlad let Black Sheep get away, 49 by the end.
They may be slightly younger or older, but at least Coach Brunt’s age seems to have been confirmed at 60 by the time of the Fourth Season.
Graham Calloway/Gray/Crackle: 18 starting at VILE, 20 during the Poitiers Caper, 24 by the end.
Jean-Paul Marignan/Le Chèvre: 19 starting at VILE, 21 during the Poitiers Caper, 25 by the end.
Antonio Sánchez/El Topo: 18/19 starting at VILE, 20/21 during the Poitiers Caper, 24/25 by the end.
Sheena Landry/Tigress: 18 starting at VILE, 20 during the Poitiers Caper, 23 when arrested, 24 by the end.
Parker Morris/Mime Bomb: 18 starting at VILE, 20 during the Poitiers Caper, 23 when arrested, 25 by the end.
Sawa Jin/Paper Star: 17 starting at VILE, 18 during the Magna Carta Caper, 22 when arrested at the end.
ACME
Tamara Fraser/Chief: 26 when killing Dexter Wolfe, 45 during the Poitiers Caper, 49 when arresting VILE, 51 by the end.
Inspector/Agent Chase Devineaux: 37 during the Poitiers Caper, 38/39 when arresting VILE, 41 by the end.
Agent Julia Argent: 25 during the Poitiers Caper, 27 when arresting VILE, 29 by the end.
This is going to cause some trouble, I just know it. But the average amount of time it takes to get a university degree in the UK is around three years, and Julia has two of them. She also seems to have jumped right to an associate professorship at Oxford in Season 3, the requirements for which are around 4-6 years of study plus a thesis. Thus Julia would have had to have been in school for at least something like seven to nine years before joining Interpol, with whom she had apparently only been for a fortnight before the Poitiers Caper. The number above assumes that she skipped a year and took a year less to complete her second degree. Or took two years less. Or started two years early. You get my point. Basically, Julia has to be a fair bit older than she looks in order to actually have the qualifications she possesses.
Agent Umaira Zari: 38 during the Poitiers Caper, 40 when arresting VILE, 42 by the end.
Some additional ages:
Nakamura Hideo: 17 when his brother Suhara was born, 36 when his brother disappeared, 63 when his brother returned for good, 65 by the end.
Not an unreasonable age given his looks, I thought.
Carlotta Valdez: 27 when she gave birth to Isabela, 47 when Carmen returned home to her, 49 by the end.
Young but not too long, once again.
Any I missed?
#carmen sandeigo 2019#carmen sandeigo netflix#carmen sandiego#black sheep#cs player#cs zack#cs ivy#shadowsan#cs shadowsan#coach brunt#professor maelstrom#doctor bellum#saira bellum#roundabout#cookie booker#graham calloway#cs gray#cs crackle#Jean Paul#le chevre#antonio#el topo#sheena#cs tigress#mime bomb#cs paper star#chase devineaux#julia argent#crimson shades#countess cleo
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For WednESday, here's an outtake from my photo session with my friend's ES collection for the upcoming "ES Believers" book by Vic DaPra and David Plues:
1960 #Gibson#ES330 TC
I have grown to love these single pickup ES-330s thanks to my buddy's collection - he has 3 in total: this one in cherry, plus a '59 TN (natural), and a '61 T (sunburst).
Growing up, I thought you always needed (at least!) two pickups on a guitar or you didn't have proper control of the tone. OMG I was such an idiot lol. As the years went by I found myself playing about 95% of the time on just one pickup anyway, and now that I own several Musicmasters and a couple of Les Paul Juniors I have learned that one pickup is just fine for getting any tone you like. Besides, as a great guitar player (named @pauldeslauriers) once told me during a 4 am after hours jam session 30 years ago in Old Montreal, tone is "all in the fingers"!
This specific one pickup guitar looks and sounds especially good. In fact while I was shooting something else, the owner was strumming on this one, unplugged, in an adjacent room, and I honestly thought he was playing one of his flattops! It sounded that loud, resonant, and full. I couldn't believe it when I walked in and saw he was playing an unplugged ES thinline...these no way so much acoustic sound should be coming out of a guitar that thin! 🤣
#guitar#guitars#guitarra#chitarra#guitarre#electricguitar#vintageguitars#vintagegibson#gibsonguitars#guitarphotography#burstbelievers#esbelievers#vicdapra#davidplues
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Something “Special” just arrived for #gibsunday! It’s a an original 1958 Gibson Les Paul Special Solid Body. This limed mahogany beauty comes in a black hard shell case and it’s original brown alligator soft shell case is included. Link in our profile. - This is a very clean and completely original 1958 example of a single-cutaway Les Paul Special, looking little used even nearly 65 years on. 1958 was the last year for this original single-cutaway Les Paul Special design, which was transformed in to a double-cut instrument for the '59 model year. This is a late example of this perennial favorite rocker's guitar made close to the end of the run. - - - - #gibsonlespaul #gibsonlespaulspecial #gibsonlespaulspecialp90 #limedmahogany #lespaulspecial #1958lespaul #1958lespaulspecial #gibsonp90 #p90pickups (at Retrofret Vintage Guitars) https://www.instagram.com/p/CoAhG_XuTXA/?igshid=NGJjMDIxMWI=
#gibsunday#gibsonlespaul#gibsonlespaulspecial#gibsonlespaulspecialp90#limedmahogany#lespaulspecial#1958lespaul#1958lespaulspecial#gibsonp90#p90pickups
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hey man, i've been wondering about les paul style pickups i can get to install in my guitar to replicate jonny's smile tone. any ideas that are relatively cheap?
alternatively, how would getting p90s be in comparison to that?
The Gibson Humbucker is probably the most popular and most replicated pickup of all time. Officially, there was just one model from its introduction in 1957 until the 1990s. But Gibson made some tweaks over the decades. Jonny’s Les Paul looks to be from 1977-1978, so it probably has what are known as “T Top” humbuckers.
Jonny playing his late-70s Gibson Les Paul Standard in natural finish, from during the recording of Junun at the Mehrangarh Fort in Rajasthan, India.
Compared to the average late-50s “PAF” pickup, the 70s "T Top" is said to have a slightly more aggressive sound. That said, the difference isn’t dramatic. A T Top still has the warm, rich sound that we associate with a vintage PAF. It’s not like a 70s hot-rodded humbucker, let alone a modern rails humbucker. And it's worth remembering that 50s PAF pickups could themselves vary noticeably in sound due to inconsistent winding.
Jimmy Page’s circa-1959 Les Paul originally had PAF pickups, but, when the bridge pickup malfunctioned on tour in Australia in 1972, he replaced the 50s PAF with a 70s T Top. Page kept the T Top in the guitar for the rest of Led Zeppelin’s career. That should suggest how slight the differences are between the versions.
So if you’re really picky, you could track down a T Top replica or reissue. There are plenty available at nearly every price point. If you’re less picky, grab one of the countless PAF replicas and reissues. If you're on a budget, perhaps consider the the Seymour Duncan '59 (a PAF replica): it's extremely popular, and thus pretty cheap on the used market.
Unless you've got the exact same amplifier as Jonny with a mic in the exact same position on the grill, then I wouldn't worry too much about the subtle differences between various vintage Gibson humbuckers.
For a comparison of P90s and Humbuckers, I’d recommend searching other sites and forums, it’s an extremely well-trodden topic.
Jonny playing his Les Paul during Open The Floadgates on KEXP (youtube). This was from a brief period of a few shows when the pickup selector was taped in the bridge position — presumably the neck pickup had some issue. Jonny can't stick picks into the pickguard of the Les Paul (as he does with his Tele), so he has a Dunlop 5005 pick holder velcro'd to the guitar.
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Discover Jimmy Page
A complete list of his most famous electric guitars - pt. 2
from pageysartgallery
1953 Fender Telecaster
Finish: Brown
Years used: 1970s and 1980s, it’s still in his collection
Jimmy bought this Telecaster in November 1975 and first used it with Zeppelin for “Hot Dog” and “Ten Years Gone”. Later on, in the 80s, he used it as one of his main guitars with The Firm.
Apparently, he got the guitar from Robb Lawerence, who at one point left a comment on a Led Zeppelin fansite, explaining the story. According to Robb, the Telecaster was acquired with the intent to install the B-Bender system on it immediately.
The Telecaster originally came with a maple neck, which stayed on it up until late 1979. At that point, Jimmy replaced it with the rosewood neck from his 1959 Telecaster from the Yardbirds era.
“I still have it (referring to the Dragon Tele), but it’s a tragic story. I went on tour with the '59 Les Paul that I bought from Joe Walsh, and when I got back, a friend of mine had kindly painted over my paint job. He said, ‘I’ve got a present for you.’ He thought he had done me a real favor. As you can guess, I wasn’t really happy about that. His paint job totally screwed up the sound and the wiring, so only the neck pickup worked.
I salvaged the neck and put it on my brown Tele string bender that I used in The Firm. As for the body… it will never be seen again! [laughs]”
— Jimmy Page
1967 Vox Phantom XII
Finish: Black with a large white pickguard
Years used: Late 1960s to now
Jimmy acquired this guitar while he was working as a studio musician. He first used it in the studio with the Yardbirds, on their album “Little Games”, on the songs “Tinker, Tailor, Soldier, Sailor” and “Glimpses”. Later on, he would use it with Zeppelin, on “Livin’ Lovin’ Maid” and “Thank You” from Led Zeppelin II, and “Stairway to Heaven” from Led Zeppelin IV.
“I used a Fender 12-string in the studio. And before the Fender, I used a Vox 12-string. You can hear the Vox on things like “Thank You”, and “Living Loving Maid”. On “Stairway” I used both my Vox Phantom that I used on “Thank You” and my Fender Electric XII.
They both sort’ve sounded the same. It was more about how they played. They felt different. On “The Song Remains The Same”, it’s just the Fender.”
— Jimmy Page (x)
1952 Gibson Les Paul Standard - ‘Second Number Three’ - Used exclusively on the 1977 tour as a backup guitar. Used on “Achilles Last Stand” and possibly “Heartbreaker”, but mainly on “Over the Hills and Far Away”
This guitar was always assumed to be his '69 No3. As more photos/videos became available online in the early 2000's, people noticed slight differences between his '77 red Les Paul and his No3 Les Paul. The main differences are:
- its 50s era Goldtop - re-finished as well, the colour is more cherry red as opposed to the more purple/red of the original No3
- it's a non-pancake body
- slightly smaller headstock
- different binding
This might be the 1952 Les Paul that Jimmy bought in December 1974 from Mike Corby, guitarist of the band “The Babys”. They deduced that this was the guitar that would become his second red No3. This would also fit in with the time frame as Page would have needed time to refinish and customise it, hence not seen until the '77 tour (acquired too late to be used on the '75 tour, they didn’t tour in '76).
Gibson Les Paul TransPerformance - used on “Kashmir” from the 1994 album “No Quarter” and occasionally for live gigs and in the studio
Finish: Metallic gold
Years used: Early 1990s to now
For better or for worse, Gibson did a lot of experimentation over the decades. Things really became interesting in the late 1980s and the 1990s. With the rise of the company’s Les Paul TransPerformance guitar, Jimmy Page quickly became its endorser. However, reactions to this particular model were very mixed. The TransPerformance guitar has basic features that you’d find on most Gibson Les Paul models. There’s the mahogany body with a maple top, mahogany neck, rosewood fretboard, as well as pretty-looking aesthetic additions, like the metallic golden finish, binding, and trapezoid pearl inlays on the fretboard.
But what was really groundbreaking at the time, was that it features a self-tuning system. This includes special Grover tuning machines and a TransPerformance bridge and tailpiece system. The system also includes controls on the body’s front side tied to the bridge and tailpiece that can tune-up automatically according to the set parameters.
Jimmy has three guitars with the Transperformance system built-in – one orange, one gold, and one purple. His favorite among them seems to be the gold one, at least based on how frequently he used it compared to the others.
Gretsch 6122 Country Gentleman
Jimmy used this guitar in the very early 60s, around the time he played with Neil Christian & the Crusaders.
“I went to see Jimmy with Neil Christian in 1961-1962, it was a lunchtime gig at The Boathouse in Kew Bridge. All I saw was this human beanpole with a Gretsch. It was four times bigger than he was…”
— An acquaintance of Page’s, ‘No Quarter: The Three Lives of Jimmy Page’
1959 Fender Telecaster - before the dragon design was painted
When Jimmy first got the Telecaster, it featured just a regular white finish. At some point in 1967, he glued eight circular mirrors on the body – four of them behind the bridge, three below the pickups, and one on top of the body. He was possibly inspired to do this by Syd Barrett of Pink Floyd, who was famous for playing a Fender Esquire with the exact same mirror setup.
That's all - if you made it this far, thank you so much & I hope you enjoyed this!
#jimmy page#pageysartgallery#60s#70s#80s#90s#led zeppelin#the firm#robert plant#john bonham#john paul jones#classic rock#classic rock fandom#rock and roll#rock music#70s rock#hard rock#paul rodgers#jeff beck#discover jp#guitars#guitar#fender#gibson#telecaster#les paul#gretsch#by dee dee 🌺🕯️
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100 of my favorite beat tapes. by no means an all inclusive list but these are just some recommendations in no particular order in case you're looking for something to bump. let me know what you think and if you have any favorite beat tapes or instrumental albums that i should check out. you can click on the name of one of the projects below and it'll take you to bandcamp/youtube/soundcloud or wherever you can hear it. i could also do another one of these in the future if anyone is interested. peace.
Chart with names included
1. Oh No - Oh No Vs. Now-Again
2. 10th Letter - Primitive Shapes
3. cOlD sElTzEr - AHOY/LANDHO
4. Vik - (sub)conscious
5. Ohbliv - Lewse Joints VI
6. Dak - youstandit / leftrecord
7. Adventure Time - Of Beyond
8. Dutchy - Traversal
9. Delofi - CLOAK
10. Whoarei - Thoughts Blunted
11. foisey - NowOrNvr.
12. Grap Luva - Neva Done
13. Maker - Maker vs. Now-Again
14. Dday One - Heavy Migration
15. Budamunk - Baker's Dozen: Budamunk
16. brainorchestra - Labrynth Winds
17. ewonee - Molecular Structure
18. Dirty Art Club - Basement Seance
19. Rah Zen - Midnight Satori
20. Devonwho - Betaloops
21. Dr. Quandary - Wayfarers
22. SadhuGold - The Gold Room
23. Dimlite - Runbox Weathers
24. spacemayor - guilt milk
25. S.Maharba - Pure Eternal Light
26. Dr. Who Dat? - Beat Journey
27. A.M. Breakups - Out of Four Came Many Soldiers
28. Dibia$e - Sound Palace
29. Paul Hares - Blurred
30. Dil Withers - Studies
31. Sir Froderick - The Eclectic Spanking of War Babies
32. Paul White - Paul White And The Purple Brain
33. DJ Rozwell - NONE OF THIS IS REAL
34. EAR.DRUM aka QTHREE - DEAF RAY
35. GrayMatteR - Tao Te Gray
36. Damu The Fudgemunk - Vignettes
37. Kankick - Warped Dis Strict Project, Vol. 1
38. The Midnight Eez - The Midnight Eez
39. dakim - sleeptight
40. K, Le Maestro - Lab Sounds
41. aaronmaxwell - aaronmaxwell
42. Mecca:83 - NinetyFour
43. EvillDewer - Caliginous Sky 1.5
44. Swarvy – Shadows Remixes
45. Dirty Tapes - DT002: OHBLIV / DIL WITHERS
46. Spectacular Diagnostics - Raw Visions
47. EDAC - DITTOS
48. George Fields - Beyond Realm
49. Bluestaeb - Everything Is Always a Process
50. Massimo e Massimo - Massimo e Massimo
51. Tuamie - Masta Killa
52. LuvJonez - Messengers
53. Ill Sugi & Tajima Hal - Illmahal
54. olasegun - JUST A SLICE
55. Ahwlee - dead[ist]
56. EYTREG. - Chasma.
57. Eludem - A.dvanced B.alcony M.aneuvers
58. Elder Orange - All My Friends Believe in Ghosts
59. Small Professor - A Jawn Supreme
60. Bugseed - Quiet Times
61. Kutmah - A Tribute to Brother Ras G
62. Shamana - To All Hell
63. ΔKTR - LALA
64. AshTreJinkins - Zone of the Enders
65. SPELLWRKS - Transitions
66. Wowflower - feverdream
67. Jansport J - Soulfidelity
68. Jitwam - selftitled
69. Kenja & RXN - C O Z Y
70. ELWD - TOO MANY DAYS
71. lo_tek - It Will All Make Sense One Day
72. z. - torn
73. Astro Mega - WARP LOUNGE
74. phedee - i hope you're doing okay
75. TMCT - LAND CRUISER
76. Poptartpete - 8 cavities
77. Jemapur - Dok Springs
78. D-Styles - Noises in The Right Order
79. Nosmo King - Drawn Out
80. Fuzzoscope - Earwax Shelf Life
81. Javier Santiago - Javi's Beats Vol. 4
82. AKEEDRO - House Of Spirits
83. Odeeno - Diamond Sand
84. ILLingsworth - Worth the Wait
85. PRGMAT - HAPPY HERBAL HARVEST
86. Kent_Williams & iLL SCOTT - Golden Coast
87. TOSHIKI HAYASHI(%C) - b(ackr)oom sounds
88. Kenny Keys - Everything Must Change
89. Emapea - Zoning Out Volume 2
90. Dpee - Garbage Day
91. Letherette - Brown Lounge, Vol. 1
92. Fuzzoscope - Earwax Daydream
93. Elusive - Headspace
94. nipple tapes - aaa
95. Randal Bravery - Hamaon
96. RND1 - Brain Clustrs
97. Scruffnuk Dust - Moods
98. Meaty Ogre - Grenades!
99. yungmorpheus - A Glimpse Of Power
100. Nothing_Neue - RE: Collections
#music recommendations#favorite albums#beat tapes#instrumental hip hop#oh no#ohbliv#ewonee#foisey#brainorchestra#whoarei#dakim#tuamie#kankick#damu the fudgemunk#dirty art club#sadhugold#illingsworth#budamunk#dday one
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tom
#cinderella band#tom keifer#so cute#aww#gibson les paul 59#rockstar#80s metal#Glam metal#blues metal#heavy metal#hard rock#rock n roll
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2023 reading list
Braiding Sweetgrass (2013) by Robin Wall Kimmerer
2. The Other Mothers (2021) by Jennifer Berney
3. Changing Planes (2003) by Ursula K. le Guin
4. Conflict is Not Abuse (2016) by Sarah Schulman
5. Can't Pay, Won't Pay (2020) by Debt Collective
6. Convenience Store Woman (2016) by Sayaka Murata
7. Oranges Are Not the Only Fruit (1985) by Jeanette Winterson
8. How Yiddish Changed America and How America Changed Yiddish (2020) edited by Ilan Stavans and Josh Lambert
9. The Rise of David Levinsky (1917) by Abraham Cahan
10. The Great Soul of Siberia (2015) by Sooyong Park
11. Among Tigers (2022) by K. Ullas Karanth
12. Passing (1929) by Nella Larsen
13. Rat Bohemia (1995) by Sarah Schulman
14. In the Dream House (2019) by Carmen Maria Machado
15. Through a Window (1990) by Jane Goodall
16. Like Water for Chocolate (1989) by Laura Esquivel
17. Detransition Baby (2021) by Torrey Peters
18. After Dolores (1988) by Sarah Schulman
19. Israel/Palestine and the Queer International (2012) by Sarah Schulman
20. The Botany of Desire (2001) by Michael Pollan
21. Let the Record Show (2021) by Sarah Schulman
22. The Color Purple (1982) by Alice Walker
23. Cruising (2019) by Alex Espinoza
24. Giovanni's Room (1956) by James Baldwin
25. Why Be Happy When You Could Be Normal? (2011) by Jeanette Winterson
26. Miss Major Speaks (2023) by Toshio Meronek and Miss Major
27. Are Prisons Obsolete? (2003) by Angela Y. Davis
28. A Fragile Union (1998) by Joan Nestle
29. Gentrification of the Mind (2012) by Sarah Schulman
30. Against Memoir (2018) by Michelle Tea
31. Moby Dyke (2023) by Krista Burton
32. Sister Outsider (1984) by Audre Lorde
33. Oedipus in Brooklyn and Other Stories (2017) by Blume Lempel
34. The Bluest Eye (1970) by Toni Morrison
35. Paul Takes the Form of a Mortal Girl (2017) by Andrea Lawlor
36. Interpreter of Maladies (1999) by Jhumpa Lahiri
37. The Temple of My Familiar (1989) by Alice Walker
38. Zami: A New Spelling of My Name (1982) by Audre Lorde
39. Nevada: A Novel (2013) by Imogen Binnie
40. Skin (1994) by Dorthy Allison
41. The Faggots and Their Friends Between Revolutions (1977) by Larry Mitchell and Ned Asta
42. Ties That Bind: Familial Homophobia and Its Consequences (2009) by Sarah Schulman
43. Sula (1973) by Toni Morrison
44. Here Because We're Queer: Inside the Gay Liberation Front of Washington, DC, 1970-72 (2020) by Brian Miller
45. The End of San Francisco (2013) by Mattilda Bernstein Sycamore
46. Assata: An Autobiography (1987) by Assata Shakur
47. Transgender Warriors (1996) by Leslie Feinberg
48. Persistence: All Ways Butch and Femme (2011) edited by Ivan Coyote and Zena Sharman
49. Future Home of the Living God (2017) by Louise Erdrich
50. The School for Good Mothers (2022) by Jessamine Chan
51. This Bridge Called My Back (1981) edited by Cherrie Morgana and Gloria E. Anzaldúa
52. Little Fish (2018) by Casey Plett
53. Women, Race, & Class (1981) by Angela Y. Davis
54. Parable of the Sower (1993) by Octavia E. Bulter
55. You Can't Keep a Good Woman Down (1971) by Alice Walker
56. The Truth That Never Hurts (2000) by Barbara Smith
57. How We Get Free (2017) by Taylor Keeanga-Yamahtta
58. Spellbound (2020) by Bishakh Som
59. Freedom is a Constant Struggle (2016) by Angela Y. Davis
60. Hijab Butch Blues (2023) by Lamya H
61. Wild Girls: How the Outdoors Shaped the Women Who Challenged a Nation (2023) by Tiya Miles
62. In Search of Our Mothers' Gardens (1983) by Alice Walker
63. Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth Century America (1991) by Lillian Faderman
64. The Life-Changing Magic of Tidying Up (2010) by Marie Kondo
65. Moses, Man of the Mountain (1939) by Zora Neale Hurston
66. H Is for Hawk (2014) by Helen Macdonald
67. Rubyfruit Jungle (1973) by Rita Mae Brown
68. Care Work: Dreaming Disability Justice (2018) by Leah Lakshmi Piepzna-Samarasinha
69. Bastard Out of Carolina (1992) by Dorothy Allison
70. The Living is Easy (1948) by Dorothy West
71. Abeng (1984) by Michelle Cliff
72. Vietnam (1967) by Mary McCarthy
73. Anything We Love Can Be Saved (1997) by Alice Walker
74. Shubeik Lubeik (2023) by Deena Mohamed
75. The Blue Road (2019) by Wayde Compton and April dela Noche Milne
4 notes
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