so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

AU where Loki doesn’t interfere with Thor’s banishment at all and it takes Thor years to prove himself worthy and when he returns to Asgard everything is just. The same. Nothing seems to have changed at all and everyone greets him like his absence was a minor obstacle that didn’t fundamentally change Thor and the worst part is Loki stepped down from the place as regent without any delay and Thor can’t help but feel there’s something underlaying the way his brother looks at him now and won’t let him touch him and Thor doesn’t know what he could have missed because he doesn’t think he would have found anything wrong with the things around him and how everyone behaves if he hadn’t spent time on Earth reflecting.

Dating sim where Noah’s the playable main character and the goal is to get with one of a wide variety of campers on the island (to his protest)

h-how do you ever finish any of your work? genuine question because you seem to be productive despite your agreste syndrome and I need to learn your ways. but also how do you ever finish any of your work

unclear. last night i stayed up and finished a report worth 25% of my grade at about 5am, arrived on time for my 9am lecture, and spent about half of it zoned out while thinking about seventeen year old emilie agreste. and i was one of the most active participants in the class discussion

Fully of the belief that Miko is only seen as an annoying character because of the dynamic between her and Jack.

Miko in isolation isn’t an annoying character. She’s reckless, and unwise, and has to be bailed out of trouble every five seconds, but this isn’t really an issue for any of the bots because as far as they’re concerned, this is Normal Human Behaviour™. They are constantly having to work with and around humans or bail them out of trouble.

Bulkhead adores Miko. He is exasperated by her like a parent is of their toddler, sure, but I wouldn’t say he is annoyed by her in any way. Her interaction with wheeljack is another example. When she exists with the bots by herself, she doesn’t come across as burdensome. She’s just limited, as every human is, by the curse of being small.

It’s only through her interactions with Jack, and his continuous challenging and calling out on her behaviour, that Miko becomes an annoying character. Frankly, it’s the tension between them which annoys the audience. We can only watch the same cyclical bickering between children before it gets old.

I have noticed that there actually are a lot of people who do like Miko, and find Jack super annoying instead. It seems like people pick one or the other depending on how you interpret which one is causing the tension. When I watched tfp as a kid, I loved Miko and hated Jack. Like, hated hated him. Because I saw Miko as a fun punk rock kid and Jack as the one needlessly calling her out. Upon rewatching tfp as an adult (who works with kids a lot) I related far more to Jack, and so the situation flipped; I saw Miko’s actions as more frustrating to watch.

The writers did eventually try to fix this, with the one heart-to-heart scene between Miko and Jack. But it was kind of rushed, and didn’t leave any lasting change to their dynamic. They went right back to arguing.

Tldr: Miko and Jack are annoying together. Fans usually pick one of em as the cause to be annoyed at but honestly, they are both fine on their own. Children bickering is annoying even in a fictional cartoon lmao

“white mourning.”

Ok so I think my favorite part of the Papa Rei arc was that he has really bad memories of a father figure, so he refuses to accept that role for Miri, yes - but when Miri redefines the meaning of that type of relationship the word she uses is Papa.

Why is that relevant? Because later the cops ask him is he’s her father first and he says no. What does he tells them instead? He says “I’m her Papa”

Poetic. Fucking. Cinema.

need something from natsus perspective after the year skip where he realises that Lucy’s way more shorter than him and her hair is longer and small stuff like that

something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.

“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”

Idk if this is a hot take but why is it always “Kai slaved away and worked his ass off to raise his sister” and never the other way round or them working hard together?

Like, I know he’s older but in the show, does he really… act older? Like if you think about Kai and Nya’s dynamic yknow? Because from my understanding:

When Kai and Nya are introduced we see Kai fail at making a sword and Nya being the one to chide him for it. Kai makes an overconfident statement about wanting to be a better blacksmith than his father. This suggests that one, Kai is rather rash as well as inexperienced (something that lines up with the rest of his character arc in the pots and also generally), with Nya being the more mature figure in contrast

Also just a note but in the shorts: “I can handle it!” “No you can’t, stupid”

Kai frequently being very good at neglecting people or things: leaving Lloyd at an arcade whilst being focused on finding samurai x, not even knowing samurai x was Nya or that she only did it because she felt left out by him, completely abandoning both Nya and Lloyd in s3 (and Ik he was going through it at the time, but in line with the fandom’s characterisation of him)

Kai in season 5: “After I lost my dad, I lost my way. But I was lucky to have my sister watch over me”

Generally, their dynamic isn’t one where Kai really provides for Nya at all. In fact, judging by the fact that Nya can make entire mechs and Kai struggled to make a sword, Nya was probably busting her ass to provide for Kai. And judging by the s5 quote, that’s probably true. I’m not saying Nya raised Kai, it just rubs me the wrong way when she’s treated like a decorative flourish to a narrative that paints Kai as a burnt out child who was forced to grow up too soon especially since that is such a mischaracterisation of him in the first place.

I’ve been thinking a lot about what a Hazel and Jason friendship would look like.

Hazel tentatively reaching out after finally understanding that Jason isn’t everything she built him up to be in her head, influenced both by Nico and by what she actually observed of Jason herself

Jason assumes she just wants tips on leadership or maybe how to fight better, so he obliged by offering to train with her

Hazel expects Jason to go easy on her like Percy and Annabeth and Piper do, but instead she gets taken down within a few minutes and has Jason ruthlessly pointing out what things she could improve on.

(Cue: Hazel finally having an opponent who doesn’t underestimate her. Hazel who finally feels like she has somebody she can spar against who will help and not just let her win because she’s young and small. Hazel who finally gets why Nico spends so much time talking about how kind and helpful Jason is, even if what she’s seeing isn’t necessarily kind.)

Jason starts hanging out with Hazel outside of sparring but in other groups, like with Piper, or Nico. He learns that she loves dancing and horses and likes to test the hardness of a stone against her fingernails, likes to collect shiny non-precious things just like Nico does, likes to swear loudly whenever possible as if she’s doing it to purposely piss people off.

Hazel asks Jason if he wants to go hang out one day after the Argo quest is over, maybe go to some museum in NYC that she’s heard Percy talk about, or find metaphysical shops to walk through (I HC that Hazel really loves modern mortal interpretations of magic and that she’s fascinated by the ways mortals accidentally connect to the gods etc.) and Jason assumes she means with someone else and agrees, only to find out they’re going alone.

Jason panicking for a moment about potential misinterpretations, once he realizes, and stammering out some garbled thing about how he really likes her but not like that because ofc all he’s known so far is that being alone with a girl = someone will assume romantic intent. Hazel openly laughs in his face and rather boldly states that she KNOWS Jason is in love with her brother.

Hazel, eventually, being the first person Jason feels safe coming out to. Jason, in return, being the first person Hazel feels safe to talk about being asexual with. The two of them discussing their feelings more and more often while exploring new places together, like Hazel talking about how she did so much researching into queer history and labels when she first found out Nico is gay, Jason telling her that he still doesn’t feel like Thalia is his sister as if he might not be the same Jason Grace she remembers, the two of them coming to terms with being on the aromantic spectrum together.

Jason talking Hazel out of joining the Hunters when she’s having a very very bad day. Hazel stopping Jason from disappearing back out into the mortal world to finish school without first giving his other friends a chance to have input.

(Hazel and Jason inadvertently saving each other’s lives by tweaking fate, thus making their friendship literally woven into their lives forever indisputably. Hades/Pluto patting Jason on the back and telling him thank you with no context or clarification the next time they meet. Hera/Juno, tight lipped and silent, offering Hazel some kind of gift or blessing the next time she returns to New Rome. Hazel and Jason laughing it off when they tell each other because wow, their godly parents are weird as hell.)

shadowheart is a werewolf you CANT change my mind

I was rewatching The Stone Forest and I really like to think that Hilda had to pass by the Bell Keeper’s outpost on her way out of the city limits. I like to think that idiot looked at what was happening, shrugged, and said ‘eh, she’s the scariest thing out there’

Me thinking about flashlight duo and their connections to Elizabeth because everyone explores Michael knowing I genuinely cannot figure them out

the fact that Dean is so gentle sometimes and so terrifyingly violent others is what is so compelling about him to me.

i don’t think rose sees roy as a father (more like an older brother) but i know with my whole heart she WOULD call him dad in front of slade just to piss him off. and it always works