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#(That everyone wants from her. in her opinion.)
fumifooms · 2 days
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Falin who cares too much and too little - analysis
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Been stewing on Falin thoughts for a while, I know I have an interpetation on her that differs from many but I’m jumping into the fray. I think there’s a lot to be said about what we do see of Falin. This shorter Falin analysis I made is pretty much essential prior reading. This analysis mainly explores her complex relationship with caring and so it’s sort of structured in two halves, with Faligon at the crux of it all.
Falin cares too little :
A lot of people assign Falin a people pleasing mindset and I… Don’t agree. We never see her care at all about people in her town or at the academy not liking her.
We do see her worrying about what people think of her… ONCE. And Laios comforted her, told her they didn’t matter and she should be proud of herself. She latched onto that hard. That’s why this scene was so important to be included during the dragon fight, relationship-defining; it’s always been them against the world. She grew to not care what others thought, to only focus on her close loved ones. No one else matters.
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Laios’ words were her world. Her older brother who taught her how to feel comfortable with herself, who told her, you’re great, others are the ones in the wrong to not see that, I’ll always be with you, always be there for you. Older brother who always made great plans, who always knew more, who was better at wrestling to name the dogs, who she has always idolized. Laios who always spoke of traveling the world, to which she always said she wanted to follow. And she would, she’d follow him even if it meant leaving the academy and all she knew behind, she’d follow him to the ends of the world, and that’s what she did.
She didn’t care about showing to her classes or keeping up such appearances, she doesn’t even think of toning down her jumping into bushes when Marcille recoils, etc. She acts like an obedient pawn often, to her parent’s directives and then following Laios around no matter what he decides to do, but I don’t think the motivation is people pleasing, rather it’s being with & caring for her loved ones, and her go-with-the-flow attitude enhances the impression. Not that it’s as simple as that, mind you, but let’s talk about this for now.
Falin is perceived as selfless because we, the audience, have our perspectives revolving around the main people in her life (Laios, Marcille). They’re the ones she’s devoted to and people who care about her back a lot too, but to people like her classmates or the towspeople she probably must have seemed like someone who didn’t care about the people around her or her surroundings a lot, who just went on alone and did her own thing.
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What matters to Falin? From what place does her kindness come from? Is a part of her keeping up appearances? And I think that’s the point, the horror of Faligon as well, that we can’t tell just how in control Falin the person is as the chimera (because we are shown that she’s in there, we just don’t know at what degree), that we don’t know her enough to be able to tell when she’s at her most genuine, her most raw. That even if you do settle on none of her being present as Faligon, we have to at least consider it, consider that she may be able to do something like this and have a part in it, brutal and uncaring. That even the lenses we see her through, the people who love her, may be unreliable.
And this is what’s very interesting about her too, she truly is so idealized by people around her as a saint. She’s so good and kind and caring to everyone etc etc etc. Laios, Toshiro and Marcille all see her as the paragon of goodness in the world. More cynical characters like Namari and Chilchuck have more layered opinions on her, the latter finding her somewhat unnerving because he can’t read her well. But then with that one flashback scene we see that… Her priorities are intensely focused on Laios and Marcille, she doesn’t care all that deeply about anyone other than them (+ maybe her parents). The rest of the party is in the same danger here but only Laios and Marcille who she’s speaking to get the special ,ention, and if they don’t cross her mind then of course she’d be ready to sacrifice strangers through a risky teleportation. That doesn’t make her not kind or caring!! Just that greater good isn’t exactly her priority. Any means is alright if the end result is her loved ones safe, it usually takes the form of healing and caring, but we see she’s ready to fight and make dangerous calls too. To me there’s this aspect to her that she isn’t as pure and magnanimous as everyone thinks she is, both in-world and interestingly enough meta wise as well, and there’s something interesting to that.
People pleasing implies a need to be liked, needs for the motivation to be that. A yes-man, etc. But if we analyze Falin, her general kind, smiling demeanor is more a matter of passivity I yhonk. Conflict avoidance is easier, so she’s friendly and hopefully things’ll be smooth sailing. It’s easy to be kind to classmates even if they act wary and rude if you don’t care about what they think either way. Of course she prefers good things happening to people over bad things, she is genuinely kind, but I think people tend to assign her a very grand altruistic way of life when to her the motivation is pretty self-centered. She doesn’t do what she does because she loves them, but because she loves them.
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One situation that’s interesting to dig into for her way of thinking, and what I’m trying to get at, is Shuro’s proposal to her. I’ve seen people saying she hesitated because she didn’t feel comfortable saying no even though she wanted to, "I can’t say no, I don’t want to hurt him", something that sounds sensible and familiar, but it’s actually canon in the Adventurer’s Bible that the reverse was the case, that she didn’t feel comfortable saying yes. Because the offer was tempting, but it’d have been a loveless agreement on her end. And it makes sense she’d want to say yes too, like we see with the Toudens, marriage is very much a political strategical economical thing in their village, there’s even a bit on it on Laios’ Adventurer’s Bible profile about dowries, and both siblings were engaged very early. They lived poorly for a long time, it’s an enticing idea to marry rich, to have not only yours but your brother’s needs met forevermore easily, which at one point in their careers was their main worry and goal. Why shouldn’t she accept a life of leisure and wealth handed to her by a lovely friend?
So her hesitance was "yeah that’s convenient for me, but where it’s everything to him and heartfelt I’m able to be detached because I don’t care about it that much… Can I do that? I’m not reciprocating, not saying yes in the way that matters. Can I do that to him?" Very caring even though it’s not what you’d expect, isn’t it?
And central to my analysis, where I’m going with this is, I feel like that’s the thing with her character, that she doesn’t feel as strongly as she "should" sometimes, or feels a different way than she "should", or at least that she feels that way and others say she does. She didn’t mind suddenly leaving the academy, leaving Marcille behind and not seeing her for 4 years. She acted like it was no big deal that she sacrificed herself after getting resurrected after the red dragon fight. And in both those cases it upset the people around her greatly that she didn’t seem to get why it was such a big deal, didn’t seem to care about how they’d experienced her choices.
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So it’s a tendency… And it’s not that she doesn’t care, it’s just that the way she measures what’s good for the ones she loves isn’t the same as what they themselves think it is (like Laios and Marcille not wanting to be apart from her). It’s an overt but quiet kind of care, it’s doing things like following them around and making sure they bathe and have a meal, even if that means she has to be dragged into misery too.
So yes she probably would know "not caring enough/the right way" is one of her perceived flaws, and that informs how she tries to handle her response to Shuro’s proposal. Her not wanting to accept like her first gut instinct, is because she’s thinking about reciprocity, about if it’d be right to go into this knowing that they have different priorities and she might not be able to keep up with the type and amount of emotions he wants/expects from her. And that’s a big part of her character isn’t it, having expectations pushed onto her. Her trying her best, but in her own way that may seem odd or even unfeeling. Not unlike when she exorcised the ghost as a kid too, unblinking and matter-of-factly, and not seeming to understand why people stared the way they did.
Even though she answered his proposal only post-canon, she’d been pondering it for a while even pre-canon and the Adventurer’s Bible explanation was released midstory, so I’m hesitant to assign her much growth about her hesitation and what I went on above, since she still didn’t react "right" with Laios after the red dragon fight (even if she apparently doesn’t remember sacrificing herself) and put herself in that situation in the first place. She hasn’t finished her arc on that flaw of hers is what I’m saying, she for sure still has it, but I certainly think her thoughts on Shuro’s proposal shows awareness, both of herself and social.
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And awareness is a big analysis key word with Falin, especially here it can be hard not to conflate not caring with not knowing. How socially aware is she? It’s rather layered, because canonically she wasn’t aware of her ostracization in her hometown at all, and we’re not sure if she knew Shuro was interested in her before he proposed, but she generally seems more socially aware than Laios. She tags along on his caravan job to make sure he isn’t being mistreated (though doesn’t ask he get a salary), she catches social faux-pas more easily like in the genderbend magic mirror omake with Shuro, and interestingly enough she’s very good at empathizing with her parents and understanding their perspective. We see when she’s worried about Marcille coming that she does know about propriety and how appearances shape impressions. Being a chief’s daughter must at least have taught her a thing or two on that front.
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She never stands up for herself, but when it comes to defending others she worries, strategizes and explains.
And this sort of understanding is part of why I think she’d notice the expectations pushed onto her like I was saying earlier, notice how she makes people feel when she’s careless. But if she changes anything about herself in response to noticing is for her to choose, and generally I think it’s a sort of inbetween of yes and no: that she becomes more complacent but also more reserved, complying but by hiding more of herself passively. She’s not sure wether to accept or reject Shuro’s proposal, doesn’t want to lead him on? She’ll just be taking a while to silently consider it, try to keep things as they are for the time being. The third, less conflicting option. She doesn’t feel heard by Marcille who keeps infantilizing her? Just bear with it. Retract yourself emotionally. Settle for it.
We see that when she was young she had a tendency to not read a room, and I think that’s here too. She doesn’t get why her nonchalance upset others but that doesn’t change that she doesn’t want them upset or hurt, so she tries, albeit in maybe a roundabout way. She always had a hard time deeply connecting with people, often keeping herself some amount of emotionally distant: erasing herself from the equation, from the two-way trade that relationships are and making it a onesided thing instead, where all their needs and emotions are directed towards her but she only lets out a bit of her own show. She takes everything upon her and deals with it and tries not to give others this same burden, though not on a conscious level, it’s just that she’s learned growing up that she doesn’t have much agency.
Like I went into with my analysis linked at the beginning, I think Falin is used to just taking what she can get and not asking for more, when it comes to social bonds. She’ll take spending time with her mother no matter what it is they do, she’ll follow Laios to the graveyards and stick by him even when he’s pushing her away (because he doesn’t want her borrowing his book or "No copying!" or such). Her father was always distant, cold and uncommunicative, her mother was considered sick from anxiety and the exorcism attempts were the main way they spent time together, at dinner tables there were only her and Laios. The dogs picked on her too even if she loved them— And so did the townspeople, maybe that being normal to her at home is why she didn’t notice the ostracization she suffered.
She’s always been the last to be asked about decisions or what she wants, never asked to play with at recess, neither her father or Laios asked before sending her to the academy or leaving the village. At home, in the hierarchy she was considered to be below the dogs by the dogs themselves, as someone they can disrespect. Dogs learn from example and behavior, so this means Falin must have been pushed around a lot, and that the family didn’t try hard to rectify the dogs’ misconception, likely worsened by Laios regularly wrestling with her as a competition.
So for example when Falin showed Marcille food, it was her way to implicitly ask to have lunch with her without voicing that question, without daring to take up space. Someone’s presence isn’t something you ask for, it’s something that’s bestowed upon you, you can follow them around but you can’t ask them to stay or to come with.
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She’s used to her needs and wants not being listened to, so she’s learned to have less wants. Caring less about herself, caring less about other people beyond her safe zone, was a defense mechanism in part. She has a sense of learned helplessness too, like how when Marcille came to take her away from Laios, even though she didn’t want to leave with Marcille it felt so determined and unshakable to her that whatever Marcille decided Falin would have to comply with.
And still, it’s the "marrying you would be awfully convenient if it wasn’t that I’d feel guilty for not loving you back, the way you wanted me to when you proposed to me" and the "I don’t regret leaving the academy and leaving you behind without goodbyes but I’m sorry that you’re so much more upset about it than me". It’s the guilt of not loving people back the way they want to be, with the same intensity or fervor.
It’s the autism it’s the aroace of it all, it’s the emotional stunting and confusion but the pit in your stomach telling you you did something wrong again. The no object permanence even for people you love even for 4 years, it’s the feeling like you’re somehow at fault for someone having fallen for you and not knowing what to do with any of it. I’m not joking btw it isn’t uncommon for autistic people to not see their close friends for a long while, not having missed them all that much and for that to be really hurtful for the other if they notice/ask about it. "Hiii bestie! Oh umm you’re uh more emotional about this than I expected, hopefully you won’t feel alienated by me not feeling as intensely about it…"
So… Yeah. I think she thinks of things and relationships in a different way than most people, and beyond "good things happening to people is good" I don’t think she actually cares about people all that much. I’d argue that Laios shows more desire to connect with others and make relationships. And just like with Laios and his own issues with humans, that doesn’t mean her kindness is a lie or ungenuine or worthless! It just means that like, well it’s pretty straightforward really, she’s not all that social and doesn’t see casual bonds as meaning all that much and whatnot. She does want to see people happy, but it’s not as much like… A conviction or goal. She’s too laser focused on a select few people. "It’s not that they’re bad people, they just aren’t interested in humans."
And sometimes it feels like people get defensive about Falin in a meta way too, like if you ever so much as imply Marcille isn’t her whole world or that she isn’t the kindest soul out there then you’re saying she doesn’t care at all or she’s evil. And that’s actualy exactly the sort of vibe I wanted to get through with my analysis above here actually haha, that she does care and she is kind but it’s not in a way that’s quantified or understood in a way that makes people feel comfortable. In a way, that makes people feel insecure because they don’t have the same logic as her, don’t show love the same. And I think this is another stellar depiction of autism, of parts of it that feels unpalatable to many, if I’m making sense. The fandom idealizes her as well, which isn’t uncommon or surprising for the character embodying the trope of the perfect beloved to rescue.
And disclaimer, as I said in the tags I feel like the details of Falin are pretty vibe based when it comes to analysis, there’s absolutely a valid angle where she does super care about everyone always, feel free to disagree with me on the overarching angle of my analysis. There’s enough supporting evidence to tip the balance either way I think, and the reason I’ve chosen this angle is I feel it’s more compelling for the themes in Dunmeshi of idealization and being different, of desires vs wants, and because I think it neatly ties up Falin’s character arc as I’ll go over throughout the next section…
So.
Not feeling as much as she should. And……. Is this not Faligon pushed to the max?
You can’t tie down a dragon. As the chimera, she gets to just not care about everyone else and be on her merry way.
Part of it I think is finding comfort and freedom in the mindlessness, in not having the burden of feelings and connections and a consciousness (despite still ending up seeking those in a stranger, Thistle). Like when she’s dead in the purgatory as well, she gets to just… Hang around and do whatever. Similarly to when she played in the forest instead of going to class in her academy days. That’s what freedom and peace of mind looks like to her. Why she decides to roam post-canon, if only now with the goal to find herself instead, with her mind in tow and somewhere to go back home to.
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There’s excellent analytic framing out there about how of course, Dungeon Meshi has a big theme of grief and letting go, and… Falin was always a symbol narratively, idealized by characters and often underconsidered by them despite their love. It was Falin’s choice to sacrifice herself for Laios, she thought it was worth it, knowing that it would be her end. Her resurrection and the process of it intertwining her soul with a dragon’s wasn’t done with her consent, and the subsequent opening it gave her to become a chimera puppet. She’s stripped of her agency consistently, and so… It’s very noteworthy that the final choice, of wether to go back to life or to stay dead, in that purgatory scene, was up to her. And she chooses life, but I do think about her in those fields and how at home she seemed there. Peaceful, by herself in a vast calm expanse she could explore, free.
Personally, I think freedom is Falin’s own subconscious selfish desire. And though to us becoming the chimera is obviously a shackle, I think it felt like freedom to her somewhat, too.
And if you think I’m going wildly off the rails here I want to talk about Laios’ wish of becoming a monster. And to be clear before getting into it, being mentally a monster is absolutely a big part of the appeal for Laios, it’s something that’s consistently referred to, something especially pointed out in the werewolf monster tidbit with Lycion. Right panel is from that, but left panel is from the extra with Izutsumi where Lycion talks about suppressing souls in a beastkin body, the human or the beast soul.
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Finding comfort and freedom in being mindless, less sentient, less aware? While being unaware in her hometown might have saved Falin a lot of heartache although perhaps stunted her emotional growth, it’s always been Laios’ curse.
Actively, through his choices, he seeks to grow closer to people, to form deeper bonds, to understand and be undertood, but… On a deep seated level, what he desires is to leave humanity and civilization behind. He has an irrational hatred for humans, born from the trauma of ostracization, being different, being beaten up and rejected consistently through his life. Running away from problems is easier. He wants to be free from being a social animal from a social species who has deemed him the black sheep, he thinks it’d be simpler to just leave it all behind, people and his own humanity. At its core, to Laios becoming a monster is a power fantasy, a coping daydream of "if only I could be strong enough to never be hurt again, the power to destroy anything I want, the power to go somewhere better, if only it was possible for me to never feel hurt again. If only I could be someone, something, that can never be hurt". "If there’s someone you don’t like, you can gobble ‘em up in one bite. If you could fly, you’d be able to leave this village right now." It’s a childhood fantasy, from a deep sense of being misplaced and a desire to be able to stand fearless, thinly covering up resentment that Laios represses.
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But you’ll notice, when the Winged Lion is enticing him in the last page, even now with his lifelong wish of becoming a monster on a silver plate, he still cares about his friends. He still has that sense of responsibility to his friends, doesn’t want to leave knowing they’ll be in danger and alone. The offer that his friends may be left unharmed is already good, but Laios also visibly flinches when the Winged Lion offers to specifically care after Marcille and rid her of her biggest fear. Laios’ care runs that deep. Not unlike with the succubus, he resists temptation until he gets reassured that everyone will be okay. But see, what he desires isn’t to stand alongside Marcille until her last days, it isn’t to stay and see how well his friends will live, it’s to go. It’s to leave. It’s to fly away, a monster both in body and mind. He wants to be free from caring here, wants to not have to worry about his friends, wants to just go do his own thing, but for that he needs to feel safe in the belief that said friends will be safe even without him being there to see it, because despite everything else he cares, he does. It’s again that dichotomy about caring and wishing you didn’t, or not caring and wishing you did.
In the end, it’s Falin who achieves that wish. Both by becoming a chimera during canon, and by going traveling post-canon. In the latter, being both free of human relationships as something chaining you while still being uplifted by them, by the knowledge that there are people out there you love and that love you. It’s a theme that can also be connected with Marcille, because she gets anxious over people she loves getting out of her sight, worrying they’ll get themselves killed, that time is passing while they’re away from her. But before she can get to the point where she can both have her freedom and being uplifted by her social bonds, regaining both her individuality and her connections, she has to get a taste of just one at a time. Before they can find balance in her life, she has to see what it’s like to have what she’s never had on its own. Unapologetic freedom, and power.
No one can blame you for not caring enough or caring right if you’re a fricking dragon!!!! You make the rules when you’re a beast and you can just… Fly away. From anywhere, from anything. And if a dog bites you you can just crush it. Instead of being pushed around by the dogs because you’re at the bottom of the hierarchy, you’re now at the top, the one with the power to be heard and do what you want without consequences.
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I think she’s on autopilot. I think she’s on autopilot a lot of the time, even before being a chimera, and it’s partly why her will is so weak compared to regular dragons. (Again, read my shorter analysis.) It’s familiar to slip back into the role of following someone around unquestioningly. And that’s what is weaponized when she’s a chimera, that instinct she’s been nursing all her life to unconditionally support, defend and follow someone. Only now, that someone doesn’t matter in itself, only the symbol of it. She doesn’t mind, either way is fine. Her will is weak after all, because she’s trained it to take as little place as it could.
Falin cares too much
She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life.
So you’re probably seeing the duality I’m talking about here, Falin is very self-sacrificial but for specific people in ways that they often don’t recognize or appreciate. She cares but selectively, both in people, putting all her eggs in the same baskets, and in the ways she cares after them. She doesn’t care a lot, but when she does she cares a lot. Falin doesn't have a lot of earthly attachments, but when she does, they're her world.
In canon her arc, especially post-canon, is to grow beyond Marcille and Laios. Her caring for her close loved ones held her back from looking after her own self-fulfillment needs. And this is what I mean when I say she cares too much; she could gain from caring more about the world besides Laios and Marcille, both lands wise and people wise. She cares too little, but her arc centers her flaw around caring too much instead. Her pitfalls that Kui highlight over the course of the story, while of course her selflessness is appreciated for how she saved Laios and everyone, on a personal level is shown to be self-effacing and damaging. She’s undermined by Marcille, without the courage to voice her thoughts and wants, she would dedicate her whole life to Laios. And I mean, it’s text, in the response to Shuro’s proposal extra no less. And she’s so laser focused on her most loved people that she’s fine with being callous and risking others’ lives, even.
Post-canon, she needs to leave to find herself, away from them.
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Herself. What if she wants to just be with herself for a while.
And this is me reaching but I feel like, not unlike Izutsumi who learns to feel this sense of never being alone, always having someone on your side what with having two souls, the dragon in her would make her consider herself more. She finds it easier to care after other people after all, and in the purgatory fields sequence she takes care to bring the bit of dragon left with her… Not unlike with Izutsumi, having two souls forces you to think about your identity and figure yourself out. Besides being this sort of duo now, where if she wants to care after herself she can channel it to that other side of her too… In meta dragons are symbols of greed, and I think the bit of dragon would push her to want more and listen more to her desires, primal and self-serving as they might be. The dragon soul which warped her human body with feathers and draconic features, her image of perfection marred, her weirdness externalized in a way that’s not palatable. But she doesn’t care, about if her appearance is palatable for most people, she hasn’t for a while now, and that’s great.
Notes & nuance
I’m struggling with the structure of this post, making my points organized, concise and strong at once. It’s difficult to make any statement without going "things are generally like this, but there’s this time that this contradicting thing happened too" or "it’s ambiguous enough that you should just follow my interpretation for the time of this analysis" haha, so this is the pit where I put all the stuff that wouldn’t fit well in other places but are interesting for Falin’s character. This section is pretty separate from the main thesis of the post, it’s just more Falin observations. The post has reached the 30 pics limit so I can’t just pull it up whenever it’s relevant but I really encourage scrolling up to read the stuff I highlighted in her Adventurer’s Bible profile if you haven’t already.
I think with the shy-looking loner type autistic kid archetype, and knowing she didn’t seem to mind others ostracizing her, it’s easy to lose sight of how she was by no means an unemotional child. In all the bits we see of her as a kid she’s bursting with energy and emotions. Canon confirms Laios leaving the village did affect her and make her lonely and she cried a lot, too. She may not be social in the traditional sense, but she was clingy with her brother, and she also never was all that shy about who she was, wearing her heart on her sleeve.And okay. Okay okay okay. Speaking of appearances. About what I said of her not caring about what people think of her, even seeming defiant with the caravan leader… There’s one istanxe of her caring actually, and it’s about how her face blushes easily. I remembered it as being because Laios’ said it and as I rambled Laios’ words are her world, but actually it’s ambiguous. It’s only Marcille imagining up this scenario where Laios says Falin looks weird because of it, there’s no evidence Laios said or thought that at any point. And on the other hand…
Her Adventurer’s Bible says: "5, Lovely Skin. She isn't particularly careful with it, but Falin's skin is fair and beautiful. Possibly as a result, her cheeks seem to flush easily. Marcille's always saying she's cute, and she secretly has a sizable complex about it." The phrasing makes me think the complex she has over her blushing might have developed because of Marcille more than Laios. "Marcille's always saying she's cute, and she secretly has a sizable complex about it." It could be related to how Marcille gets swept away and infantilizes her, calling her cute wanting her to wear cute feminine outfits etc. Again this feels like it relates to Falin’s struggle to be seen for who she is and what she wants to be seen as, her struggle to be recognized, having ideals and perspectives pushed onto her. Here Falin is insecure over her blushing implicitly because she doesn’t like being called cute over it, but that’s not how she wants people to see her. She doesn’t want Marcille to always see her as her 10 years old adorable friend. Like if your friend said you had puppy energy, it can be flattering, but it can also make you insecure.
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Here’s a link to what I mentioned about her being uncomfortable wearing feminine outfits. It does seem to be more about comfort than the aesthetic perse, to me. Interestingly the shirt & shorts don’t seem like they show much more skin than her beach outfit, so maybe it’s more about the shirt and shorts being tight-fitting. Like the skirts and heels they feel stifling. Again a bit with themes of freedom and not wanting an aesthetic pushed onto her. So yes just to reiterate, I think this is more about self-affirmation and how her identity and self-image gets shown to others, rather than wishing to hide parts of her body like her blushing etc for people pleasing reasons. Makeup was a way for her to appear how she wants to and feel more confident. It was a way to take control over her own image. She didn’t keep doing it, the narrator stating the process to be ‘troublesome’. Ultimately she still prioritizes her comfort, and it was a lot of recurring efforts to go through.
And on the topic of appearances… A friend once asked me: "Does she really hide herself or not? I keep thinking about "falin is herself first and foremost" (in her Adventurer’s Bible profile) it’s just so. Hmmmmmmmm... I just keep seeing people say she hides her real self from people when I feel like the issue is more about her charitable traits straying too far into becoming flaws but people around her dont realize that..."
Imo the thing is, I don’t think she hides her identity, but I do think she suppresses her individuality for others’ sakes if that makes sense. In the way that only post-canon does she allows herself to go see what the world is like, but that’s not personality wise it’s needs and wants wise. And I do feel like that’s the closest interpretation of canon, she says it herself she doesn’t know what she wants because everything she’s done was always about Laios or Marcille, but she doesn’t change her demeanor or personality for others. But she *will* like, not ask for things she wants directly, like sharing lunches with Marcille at the academy, she suppresses her wants, doesn’t ask things from people and doesn’t hope for more, hope for better. I don’t think we ever see her actively repress her personality, except like what, being more laidback than enthusiastic but I do feel like unlike Laios with her it’s less ‘appearing stoic to fit in more’ and more ‘yeah i’ll just chill until I’m needed or something activates my enthusiasm’.
And speaking of passivity… I want to speculate about Shuro’s proposal some more. Shuro and her got along well though we don’t know how much, or how often they hung out, she even saved him from a nightmare. Why did she take so long answering Shuro’s proposal? Was it an effort to preserve or was she really just that conflicted? Procrastination probably yes, but what is the core motivation of itl Considering she ended up saying no to travel the world instead, I don’t think it was as simple as ‘she wanted to say yes for convenience’. Logically it’s what would have been best, but it’s not what she wanted for herself, but it was and still is hard for her to even know what she wants. Probably, since like she states it was a great offer and she doesn’t think she’ll get proposed to again, it’s that self-effacing tendency that yes it’d be convenient and logical, and that makes her want to say yes even if her spirit isn’t in it, because if it’s convenient then that’s more important than her feelings on the matter.
AND speaking of passivity!!! How much Falin is "there" as the chimera, just how much she’s master of her actions, is left ambiguous and intentionally so imo, but she’s for sure there & influencing the dragon’s action to some degree. Having a dragon’s foot on her in purgatory that keeps her from moving for sure visualizes how it must have been like, but there’s Falin calling out to her brother Laios, there’s the kind attentions towards Thistle that are so Falin-like, and most explicitly there’s the Adventurer’s Bible stating "Even after becoming a chimera, she has a soul that's as kind as ever", which I honestly dislike, a fantranslation puts it as "Even as the chimera, her caring nature remains" and either way to me it feels like confirmation that it’s her giving those berries to Thistle. Now, wether or not she has the mental capacity of a chicken or something closer to human Falin, no clue, there has to at least be some kind of mind bond between monsters and the dungeon lord, compelling or forcing them to go along with orders, or calling her to him in distress like with the fight on the first floor. But yes, it’s interesting to wonder what it is that a Falin, with her kind soul but without her human mind, would willingly do. On her profile, she’s described as Thistle’s guardian and servant. The power dynamic between the two are very interesting, I already went into how it might have felt like freedom to her while being fake so I’ll reign myself in and just mention it again. She’s still at the heel of someone, only now it’s someone who doesn’t care about her back. Going from being cared for so strongly that it’s suffocating and they would defy death and the world for you, to being devoted to someone who has not one feeling about you besides your utility as a paw . She has all this care to give and to focus onto others and he has none to send back to her and I think that’s part of it. In a way, being left with only her own feelings and a void, without expectations or feelings or ideals pushed onto her, it might have been soothing in itself, and eye opening. But yes the way I think of it, her care for Thistle isn’t unlike the care she gives the ghosts.
Interestingly, the care she extends for the ghosts is sending their soul to a peaceful death, freeing them, of life and any earthly attachment. Take that as you will with the themes of freedom and burden of life and mind, immortality and becoming a warped version of who you were, and such and such.
But going back on the topic of connections and bonds for a bit, I think academy days Falin & Marcille is super interesting bc we’ve never really see Falin form a connection besides with Marcille and even that is kept pretty ambiguous. When was the point that Falin started seeing Marcille as a friend and seeking her out? When was the "I’ll lay down my life for you" point? I’m so fascinated by how she wanted to share lunches with Marcille but never truly asked, only made little "hey want this? I found it isn’t it cool?" gestures of showing things to her… It’s the only way she knows to ask, or maybe it’s the only way she feels comfortable to. In all the scenes of young Falin and Marcille Falin seems comfortable in her friendship with Marcille, but at the same time… I think we see Falin at her most insecure around Marcille, because she really does care about Marcille and what she thinks of her so much, and while Marcille is a bit of an unstoppable force tornado style (affectionate) Falin is something of a doormat. I’d usually say showing her berries was her earnest way to connect and be like "Hey bestie look at this! :]" , but there’s a real possibility that she was self-conscious and holding herself back.
Friendship and Marcille! Involving Laios into this too but, again with the autism thing of not showing you care in ways that others understand, Marcille being very overtly affectionate and clingy was so so soo important… Marcille keeping on hanging out with Falin and caring after her, and being undeterred/unbothered by Falin not always seeming like she cares all that much back in the conventional way, as in Falin acts nonchalant and a bit like she didn’t mind wether she was there with her or not during her outings to the cave dungeon. Caring and being clingy and so affectionate despite that in such a classic Marcille way is soo needed, because so often people will get discouraged by say, their friend not keeping in contact regularly/well, seeming disaffected or as happy-go-lucky as ever even if you haven’t seen each other in a while or when they’re alone, and yes there’s potential for a strong friendship there but someone like Falin won’t be committed enough to reciprocating attention the same way… I hope I’m making sense but yes this angle in particular strongly correlates to autism. And the way Marcille always initiates physical affection, both Toudens being awkward about initiating touch because they don’t know if that’s allowed, if they’re going about the social interaction the right way, if they’re allowed to ask that out of someone…
Another fun observation to make is about the 4 years Falin and Marcille spent apart. Marcille despite being of a long-lived race treated these 4 years of separation with more gravity than Falin did. Falin brushed it off very dismissively to say the least. But then you remember that the amount of time Falin and Laios didn’t see each other after he left the village was 8 years. Double the years, double the time. And that reminder makes Falin’s actions so starkingly understandable. Of course she wouldn’t see 4 years of separation as a long time if 8 years of separation with her beloved brother is her point of comparison. Of course she’d see it as worth it to leave Marcille for 4 years if it meant ending those 8 years instead, especially if she was worried about him (the reason why she followed him into his caravan job).
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A friend always says that while Falin is the center of Marcille’s world, Laios’ is at the center of Falin’s, and I tend to agree.
It’s fun to think of how her career dreams had always been shaped by Laios, even when they were kids. Of course there’s how traveling the world began as a dream they talked about and shared, but there’s how he reassures her by listing cool jobs she could do like traveling exorcist, etc. And then of course, she gave up on her magic academy and career path to follow him and do odd jobs, etc etc.
I should go into the violence of Faligon more tbh, because I think there’s an interesting parallel to how she has no problem wacking things with a mace, wether a ghost when she was a kid or a walking mushroom as an adult. Something that often surprises fans when they remember, I don’t really want to get into the whole " Falin hates violence and hates seeing people in pain to an intense degree. ‘If you die do it somewhere where I can’t see’ style’ interpretation, it has some weight but on the whole I don’t vibe with the theory she has a particular aversion to violence, she seems to be fine resorting to it as much as any other adventurer as long as it isn’t needlessly against ghosts. And Falin’s sudden mace hits are fun to me too because it’s not her becoming a berserker when the need arises as much as her becoming active because something she cares about is threatened, and that brings her out of her passivity from 99% of the rest of the time. Thistle included. Falin always could be violent, she just dislikes senseless carnage. The Shuro party vs chimera fight is a bit ambiguous on it, because you can argue she only attached after being provoked, presumably offscreen as well while the ninjas went off to fight the harpies. Falin becomes the most active when she needs to protect someone, she has no qualms doing whatever’s needed for that, wether it be leaving the academy & Marcille without notice no matter the consequences or what her parents think, or teleporting the party, etc
I’m working on a post specifically pointing out all the differences between Falin and Laios, but yes I think both of them selfishly desire freedom in different yet similar ways. Falin’s dark secret is "Ethics and risks are optional if it means I can protect those I love" like the teleportation, and Laios’ is "Ethics and risks are optional if I can be free of all this bullshit" aka humanity aka his wish with the winged lion.
Conclusion
Tldr: Falin doesn’t care all that much, she’s very go with the flow. For example if someone hates her she doesn’t really care because that’d require her caring about what they think of her in the first place, and she only cares about her loved ones. She smiles, but it’s more a state of being rather than out of active goodness: she’s canonically very genuinely kind, but it’s more out of a general want for pleasantness than active care itself. She’s passive, and softspoken because that’s just how she seems, but she has no problem hopping into bushes or getting heated if something calls to her enthusiasm or calls for action and a hit of the ol’ mace. Her loved ones needing tending or protective is what makes her go from passive to active. That familiar autopilot mode of making someone the center of her world and following their every move is what made her so easy to be controlled as the chimera, even ferociously defending him with her life. Faligon is most interesting to me with the theme of freedom. She’s shackled to Thistle and out of her mind, but there’s also a sense of empowerment and freedom from expectations and society. She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life. There’s a way of caring after others that can be selfish, not unlike Marcille being overly coddling and not listening to Falin. In Falin’s case, I think it was so selfless that it ended up looping back around to erasing her sense of self. In losing sight of herself, that devotion becoming neither quite selfish or selfless but a fact of life and a state of nature, muddled by its lack of direction.
She’s sooo used to never being able to ask things out of others, you get the crumbs of affection and approval that others offer to you unprompted and that’s it don’t hope for more don’t ask for more. (Also reflected in how she follows her loved ones around without complain or personal opinions and how she’s not willing to rock the boat and affirm herself in her relationships like with Marcille during canon)
Falin cares so much, so much and so laser focused on her few loved ones that it blinds her and she loses sight of everything else, she ends up neglecting herself and the rest of the world. As Kui puts it, Falin is herself first and foremost. She just had to remember the importance of that.
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I see her as an enneagram 9, which can be surprisingly accurate and fun to research through the lense of Falin. Excerpt below from this book, but like my god, good way to put it
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That’s it, ty for reading. Even if it’s a bit of a mess, hopefully you’ll have gained a thing or two from it. Falin is a character hard to pin down, but it is very gratifying when you find the way that the puzzle pieces fit together right for your own understanding of the story. Fantranslation of the shuro proposal comic by @/thatsmimi here.
Here’s my spotify playlist for her if you’d like
Sometimes love is about letting go, a lesson a lot of the cast needed to learn. Self-love’s important too, and just like with diets we need a healthy balance.
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#I find it hard to express myself right on the topic of Falin. Both because the issue is pretty vibe based and because we don’t#get that many moments with her. So there’s ambiguous scenes up to interpretation addressing a layered topic and like. Save me. Save me#As always falling down the rabbithole of starting an analysis about a specific facet and then needing to explain everything else around it#I’m doomed. I’m getting lost in the sauce.#dungeon meshi#delicious in dungeon#falin touden#analysis#character analysis#meta#autistic reading#aroace reading as well. Sort of. It’s mentioned#The aroace autistic guilt of not caring back in the way/with the intensity you’re expected to#As always this is just my interpretation blablabla#Spoilers#dungeon meshi manga spoilers#She loves like a dog aka unconditionally and happy with eating scraps of affection and attention off the floor#Laios touden#he’s here too bc they are an unit#If you’re not capitalizing on the uncanny vibe autistic effect for Falin’s character u are missing an opportunity imo#Fairy’s child is written all over her. Her cryptic-ness is the point so why am I surprised she’s hard to fully pin down#Even with the graveyard scene it was Falin following Laios… Sob. Laios could feel responsible her powers were found out#I’d like to rework this at some point if i get better at structuring. I’m not satisfied by the level of clarity#Will 90% for sure edit stuff in if i find more to say.#Fumi rambles#Crazy style
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ayakashiz · 3 days
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Reposting this from my twitter thread because it hasn't left my head (and adding a tiny bit more).
Seen so many questionable takes lately about the ivantill kiss, and I know everyone is allowed to have different opinions and interpretations but.
No, Ivan didn’t just pretend to kiss Till for the show. And no, he wasn't trying to make Till hate him either or trying to trigger him over his implied SA to snap him into action.
I think the whole point of the scene (confirmed by the creators) is Ivan finally breaking his mask of perfection and control and giving in to his messy, all consuming feelings, being selfish for once.
Yes, by the end before the strangling starts, he appears more clear headed and now focused on the objective of manipulating the score. But he doesn't really look at it until AFTER he starts strangling Till.
The kiss itself wasn't part of the strategy, or at least not entirely something calculated. Ivan could have skipped the kiss and strangled Till right away and gotten the same result.
The fact that he kissed him AGAIN after he started strangling him, more softly and 'personal', almost like a goodbye or an apology (whether for his selfishness or for their past), tells me he wanted it.
I think a last selfish act doesn't diminish the love he had for Till, it just shows the tragedy of ALNST. Ivan is only human after all. And no matter what kind of mask he built for himself and what illusion of control he had over his life, when faced with the real, imminent possibility of losing Till, he crumbled and did something unexpected.
I have more to say about the Ivan and Sua parallels and how he finally understands her in the Confession comic etc etc but I think I've yapped enough.
I just don't like it when people try to mold the narrative because they're uncomfortable with an unconsensual kiss. It's meant to be painful and heartwrenching, a reflection on Ivan's one sided-feelings and his desperation at the moment —to be seen for the first (and last) time, to not be left behind, to convey his emotions in the only way he could when being seconds away from death.
After all the team confirmed that Ivan is clumsy with emotions and only knows to convey them in 'childish' ways (the nuzzling against his face, the picking fights with Till and teasing him).
I think some people like to think of the kiss as something purely calculated and selfless because it makes it more 'palatable', but in my opinion this take washes out Ivan's character and the flaws that make him just as human, vulnerable and complex as the rest of the cast. He was willing to throw away his life and his perfect image because he wanted something that badly.
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queenvhagar · 2 days
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My perhaps controversial take on the HOTD characters, the GOT characters the writers are trying to mold them into, and the GOT characters they actually most resemble in the books (in my opinion - feel free to disagree).
Disclaimer: these are entirely disconnected series with unique characters, so it's impossible to do what the writers of HOTD seemed to be trying to do in season 1 i.e. mold the characters from Fire and Blood to fit the characters of GOT to try to recreate the success of the early seasons. Given this, I tried to choose one single character analogue from GOT that each HOTD/FB character is most like, but oftentimes the reality is that if any single character from Fire and Blood resembles a Game of Thrones character it is likely that they are a combination of more than one. All of this said, here is who I think the writers are trying to fit certain HOTD characters into vs the character they are actually most like (according to Fire and Blood):
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Rhaenyra Targaryen: obviously the show wants her to be the new and improved Daenerys, a protagonist everyone can root for who wants to revolutionize the existing order. In reality, Rhaenyra is most like Cersei: a woman who seeks to use her three bastards to usurp thrones and gain even more power than she already has, all while committing incest with a family member and using her power to punish and silence her enemies. She uses the existing system to raise herself up and keep others below her. She does reach her goal of ultimate power but ultimately she is unable to hold it. In pursuit of holding onto power or gaining more of it, she watches as her children die early deaths. The smallfolk despise her for her methods of ruling. Eventually, she will cause her own downfall and die before her time.
Alicent Hightower: the show wants her to be Cersei, a mean-spirited, jealous woman protecting her problematic children and using her status as queen to put others in their place (they even used Cersei scenes as audition material for the role). In reality, I see Alicent as most like Catelyn - a flawed woman, mother to a king, seeking to further the rights of her son in the hopes of protecting her family from those who would harm them, guided by her own sense of justice, honor, and understanding of the laws of the land (and of course, hyper aware of the bastards in the room). All she wants is her and her children's safety, and she is willing to go to war for it. In the end, however, she watches as every last child is taken from her before she herself dies alone.
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Viserys I Targaryen: the show wants us to see him as the ultimate father who loves his child unconditionally and always supports her, and that his view of right and wrong should be what guides the world. In reality, he is most like Robert Baratheon: a weak king unsuitable for rule whose mistakes and complacency lead to civil war after his death. His preoccupation with past events and people, and his role in a former love's demise, leads him to neglect his current wife and their children and make decisions that create long-term issues for his family and the realm.
Criston Cole: as soon as Criston turns away from Rhaenyra, the show wants you to view him as a Meryn Trant type of Kingsguard - a man unconcerned with honor and violently anti-women, more than willing to carry out terrible acts commanded of him. In reality, Criston is like more like Jaime: he seeks to make a name for himself as a knight, guided by his own sense of honor and justice, though he is judged by others as lacking such principles. His devotion to his position on the Kingsguard and his love for the royal family motivates him. Occasionally his self-confidence and delight in goading his enemies can make him appear callous and proud. Although he is not officially the royal children's "father," he has guided and protected them and their mother from early on in the absence of their official father.
Daemon Targaryen: the show wants you to both love and hate Daemon. It seems he should fill many roles that Jaime did - a sword fighter whose swagger and danger mix together, whose dishonorable acts follow him through the world. He acts primarily out of love or his pursuit of it, whether for his brother or his lover and her children. The viewer is supposed to see that deep down he is a good guy, no matter how many characters say that he's not. In reality, I see Daemon as a more capable Viserys III: a man adamant in his family's racial superiority, who believes he and his loved ones should have access to unchecked power because they're better than everyone else. A man who enjoys exercising his power over others and demanding obedience out of fear of his wrath. A man who uses his younger family member to further his own interests without much thought to her own wishes or agency and willing to hurt her if she doesn't act the way he wants her to.
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Otto Hightower: the show wants you to view Otto as a new Littlefinger, someone sly about his intentions who uses spies, information, and unsavory methods to take advantage of the ruling family and further his own interests and increase his own power. I see him instead as more similar to Tywin: a Hand of the King seeking to put his family close to the throne in pursuit of legacy and advancing his family's station, a man who arranged for his daughter to marry the king so his blood would sit the Iron Throne and bring his family power for generations, a man acutely aware of the political world and how the game is played and willing to get his hands dirty to play it.
The Strong boys: the show wants you to root for Rhaenyra's perfect, good natured and pure intentioned sons as if they were the Stark boys (mixed with Jon Snow). Raised in a good family, these boys know right from wrong and love each other. Yet some people unfairly think less of them for their birth. In reality, the Strong boys are closest to Joffrey, Tommen, and Myrcella. Bastards set to inherit positions they have no claim to, they are coddled by their mother and protected from any consequences to their actions. When one attacks another child, their mother demands that the other child's family is punished for their actions (and doesn't even reprimand the child for his role in the conflict). The result is the child has no remorse for the harm done, and the other child's family festers resentment against the child. Some people uncover the truth of their birth and object to their place in the line of succession, and these people are killed for speaking the truth. Eventually, a war is fought to keep them and their mother away from the throne, resulting in all of them being killed.
Aegon II Targaryen: the show wants you to see him as Joffrey 2.0. A man interested in viewing sadistic acts for his own pleasure, who abuses women for his own enjoyment, and who is unfit to rule. In reality I see Aegon as closest to Robb: a first born son reluctant to rule as king once his father dies but who rises to the occasion to try to keep his remaining family safe. A king willing to fight his battles alongside his men, no matter the risk it might pose to him. A king who tries his best to rule but makes mistakes along the way that cost him dearly. In the end, he watches as he loses everything, and he dies young.
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jungshookz · 1 day
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yoongi's getting a lot of attention at the mall and y/n doesn't like it very much
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➺ pairing; demon!yoongi x y/n
➺ genre; all of the usual demon!yoongi antics & a little more :-)
➺ wordcount; 1.8k
»»————- 🥨 ————-««
something is… off.
you can’t quite put your finger on it, but something is off and you can quite literally feel it in the air
“do you think navy blue washes me out?” jungkook holds a shirt up to show you before pursing his lips, waving his hand in your face when he doesn’t get a response from you, “helloooo-“ you guys came to the mall today to do some shopping but for the last ten minutes you’ve been distracted by something which isn’t helpful to jungkook because he values your opinion when it comes to his style!
“you look great in navy blue and that’s a good shirt for summer, linen is a great material-“ you hold a finger up, turning your head slightly, “do you hear giggling?”
jungkook frowns, shaking his head slightly before looking in the same direction you are, “…no. i just hear generic pop music coming out of a set of shitty speakers- hey, do you think these stores play these songs on purpose so that you’ll shop faster and leave faster?”
“uh-huh, gimme a sec, kook-“ you poke your tongue against the inside of your cheek before spinning around to face the exit, “where did you say yoongi went?”
“oh! he went to get some pretzel bites, i think.”
you weave in between the racks of clothes smoothly, your
your nose twitches as you pick up on the faint scent of yoongi’s cologne and cinnamon sugar (your favourite flavour for pretzel bites, of course) and you step out of the store, your eyes narrowing in suspicion when you spot yoongi heading in your direction
the black button-down he's got on hangs nicely on his frame and as he reaches up with his free hand to push his dark hair back, head tilting as a lopsided smirk makes its way onto his face when he spots you, “did you miss me so much that you had to come out and greet me? i was only gone for like ten minutes.”
you don’t respond, getting up on your tip toes to look over his shoulder only to notice that almost everyone is looking at yoongi, people pausing in the middle of what they’re doing to stare at him with lidded eyes and flushed cheeks
“what the hell…?” you don’t know how yoongi hasn’t noticed the fact that he has people drooling over him, and your face scrunches slightly when you see someone cross her legs and suck her bottom lip into her mouth as she stares at the back of yoongi’s head, “get a room-“
has it always been this bad???
how have you never noticed this???
maybe the reason why you never noticed all these things before is because you just had regular old human capabilities, but ever since you’ve been blessed (or cursed, however you want to see it) with some demonic abilities you’ve noticed a few things have changed about yourself: you can literally float (though, it only lasts a few seconds before gravity takes over), your eyes flicker black whenever you’re really upset, and all of your senses have heightened significantly — like today, you could hear the familiar purr of jungkook’s car from two miles away and he was more than surprised to see that he didn’t have to text you to get you and yoongi to come down like he usually does (you still haven’t broken the news to him that both you and yoongi are… not human, but you’ll get to it eventually)
“what’s wrong?” yoongi frowns, turning to glance over his shoulder, “what are you looking at?”
“people are… looking at you.” your jaw clenches slightly when another girl walks past the two of you, your ears picking up on the sound of blood rushing to her cheeks and her heart skipping a beat, “people are like- like, really looking at you.”
now, you’d like to clear things up and say that you’re not worried about yoongi running off to someone else because you know that yoongi loves you and also the two of you are literally bonded by blood or whatever — you know that yoongi is very attractive and most of the time you’re happy to walk around with him and have him admired by strangers but this is too much
this is like- well, to be honest, it looks like people are just about ready to pounce on yoongi at any given moment and now you feel like you need to defend him
in fact you’re pretty sure you heard someone growl at some point so now you’re wondering if the keys in your purse are going to work as a sufficient tool to ward people away
“of course they’re looking at me.” yoongi snorts, finding it amusing how flustered you’re starting to get, “they… i mean, not to toot my own horn here, baby, but i’m not lying when i say that everyone in this mall wants me to fuck the shit out of them, that’s kinda my whole thing, which, in my defense, you knew when we got together-" his eyebrows raise slightly when you whip your head back around to look at him, your eyebrows set in a glare as your eyes flicker black for a second
oh.
(he likes that.)
“well, i don’t like it.” you grumble, and yoongi knows you must be really upset because you haven’t attacked the cup of fresh pretzels he has in his hand and usually you’ve already popped like eight of them in your mouth
“you’re cute when you’re jealous. and you know i only have eyes for you, you’re being silly-” yoongi smiles, reaching down to pinch your chin in between his thumb and pointer finger to turn your head towards him, “hey, look at me- what’s going on in that pretty little head of yours?”
“what’s going on-“ you smack his hand away (yoongi’s demonic charm isn’t as strong now that you’re not entirely human) “is that i think we should buy whatever we need and then go home before everyone starts chasing after you-“
“you know, there is a way to offset the pheromones, or, whatever you wanna call it.” yoongi kisses his teeth, tossing a pretzel up into the air and catching it with his mouth as he chews thoughtfully, “i don’t evphen know what it is. my aura? i don’t know. whatehver demon thing is happening-“ he swallows, “i usually just have to fuck someone. then it takes like thirty minutes before the pheromones come back and everyone’s pining after me again.”
there’s a brief moment of silence between the two of you and the corner of yoongi’s mouth twitches in a smirk when he notices your throat bob as you swallow
“…that’s really the only solution?” you ask suspiciously, “because you got a paper cut last week and you said your body will heal itself faster if you go down on me, which i’m still struggling to see the connection-“
“well that was very obviously a lie, y/n, i just wanted to bury my face in between your legs and you were like, too busy writing a paper but it makes sense in this case, doesn’t it? get some good sex outta my system and people won’t pay as much attention to me because the tension inside of me has been released.”
“hm. i… guess you have a point. and you swear people will stop for a little while if you have sex?”
“pinky promise. but, you know, we don’t have to do anything if you don’t want me bending you over in the dressing room. i know you like having privac-“ yoongi stops halfway through his sentence, his own eyebrows furrowing when he picks up on the fact that there’s a group of guys checking you out and almost instantly he feels jealousy swirling in his system
“-nice ass.”
he catches the end of a sentence and his eyes darken as he loops an arm around your waist and tugs you towards him, making direct eye contact with the group, “yeah, and you’re never gonna get your grimy fucking hands on it, you freaks-!” he calls out, and you don’t get much of a chance to say or do anything else before he’s dragging you down the opposite direction, setting the cup of pretzels down atop the garbage bin
“hey- where are we going?? jungkook’s still in the- okay, well, i don’t see why we had to abandon the pretzels, but fine-“
“what do you think? we’re finding a washroom and i’m fucking the shit out of you-"
“see, this is exactly what i was talking about!” you let out a laugh of disbelief at yoongi’s shift in mood as you let him drag you towards the washrooms, “and you had the gall to make fun of me for feeling some type of way about other people staring at you!”
»»————- 🥨 ————-««
(“oh, fuck- fuck me, fuck me-“ you whimper, head dipping as you grip onto both sides of the ceramic sink, your eyelids fluttering shut as yoongi slides a hand from your lower back up before grasping the back of your neck, shoving you downwards as he continues thrusting, very much enjoying the view of your ass bouncing off of him at this angle
“good girl- so fucking good for me, always so good-“ he growls, sweat glistening off his brow bone as he tangles his fingers in your hair, grabbing a fistful before yanking you back up to press your back against his chest, the back of your head slotting against the crook of his neck, “nuh-uh, i want you to watch me fuck you-“
your eyes immediately flicker down and you make eye contact with him in the mirror, your cheeks flushed and lips slick and swollen and god you look hot-
“you- you swear this is gonna- gonna work-" your eyebrows crinkle together as you let out a particularly high moan when yoongi’s hand slides down in between your legs, the tips of his fingers pressing into your sensitive clit
“of course it’s gonna work, my girl.” he grunts, flashing you a boyish grin in the mirror, “don’t you trust me?”)
🎙️ ask y/n and yoongi if they had a good time (talk to my characters!) 
📚 why not explore the rest of the library while you're here? (go say hi to yoongi and y/n in la vie en bonsai!) 
💫 or perhaps you want something shorter to read? (drabbles and mini series!)
🌟 or something even shorter? (teeny tidbits like this!) 
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himbo-buckley · 2 days
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Unpopular opinion but of course Pen had an easier time keeping her love in these past two seasons, of course she wasn’t broken by it the same way he was, comparing his feelings from s3 to her‘s pre 2.08 is not possible especially cause they were more of a crush she needed to survive
she needed them cause she‘s trapped in this abusive life and she‘s a wallflower and she just wants out and he‘s this galant hero in her fantasies saving her and he‘s perfect and she daydreams about him coming to save her to keep herself sane and whole(ish)
It‘s not … sexual, it‘s not about him, not really it’s not sth that’s set in a reality that she expects to ever be fullfilled, it‘s about this romantic ideal, of being saved from her wall and she just happens to be casting him as the hero cause he‘s just about flawless and charming enough while also absolutely unattainable keeping it a save save fantasy
While he fell into all consuming, unconditional love (alongside her) in season 3 the minute he let himself acknowledge her as an adult woman
Which is not to say that it wasn’t hard and soulcrushing at times for her or less real and less worth and not to say that by the end of part 1 she doesn’t feel about him as he does for her but it‘s different, it‘s not love love
And then he says those things in 2.08 and suddenly he’s no longer perfect but he‘s human and then he comes back from his travels and he‘s a man and he acts like everyone else and and he‘s so flawed and and she’s so unimpressed but also she‘s finally letting herself see that and acknowledge that cause for all this talk about how she knows him so very well she‘s never let herself see that he‘s also got a less than perfect dark side … and when she does that’s when she truly starts to love him unconditionally the same he does her
(it‘s the same for him btw and it‘s precisely why he doesn’t have acknowledgable romantic feelings for her cause to him Pen is perfect and she‘s clean and therefore she’s to be kept in a separate box from everyone else away from any and all mansly urges so to speak)
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destinygoldenstar · 2 days
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'Jax is an NPC'
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Hm... ... ...
No.
It's a good theory, don't get me wrong, I see the evidence, I see where you're coming from.
But it's not a theory I agree with. Let me explain.
Caine's line "But if I start losing track of who's a human and who's an NPC who knows what could happen" is very vague as is. This could mean a whole lot of things.
I said this in another post of one of my own theories. I think it's possible that Caine could've killed a human player and his trauma of that was showing.
We know A.I's can shed traumatic emotions. Look at Gummigoo.
Now, yes, Caine couldn't 100% kill a human. Otherwise he would delete the abstractions. And it seems like human players abstract when they die and that's the only way they CAN die.
So therefore Caine having killed a human player should be thrown out as a possibility.
BUT. Hear me out.
Abstractions are shown to be able to glitch several in game objects because of their abstraction. And we actually do NOT see if all the abstractions look exactly the same as Kaufmo's abstraction.
They could very well not.
Going to biblical text, Caine was the first murderer and received a permanent consequence.
Could a permanent consequence be, idk, failing at your programmed job over and over again and be forced to watch these humans abstract and perish forever?
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Especially if because of the human player death's abstraction glitch, is WHY the other human players cannot leave the game!
If you look at Pomni's room in one shot, there's a couple of blocks that are stacked from top to bottom 'ABXEL'.
Could it be that the human player Caine killed was named Abel?
But there is also the other possibility that somehow, there is an NPC among the circus. So let me explain my thought on that possibility.
I don't think it's possible.
I think Caine would've noticed, especially if he immediately recognized GummiGoo wasn't supposed to be there.
If one of the circus folks were an NPC, their figure would've appeared with the others in the backrooms.
Now, there is the possibility that it was placed somewhere else, that place is huge after all. So take that with a grain of salt.
I'm not completely eliminating the 'Jax is an NPC' theory.
I get the evidence. He's constantly breaking the fourth wall. But I think that more so has to do with what I’m about to say.
He has keys to people's rooms. I get that one. That is definitely sus as hell and I'm not denying it is sus.
He also ‘lacks human physics.’
So does everyone else in the cast. Pomni can stretch her body out like Elastagirl. Ragatha has stuffing instead of blood. Kinger has his own glitchy moments. Gangle has two faces. Zoobles body can fall apart.
I’m just saying. These are not human physics either. So Jax being able to keep in place whenever he wants being only a Jax thing is not too far fetched compared to all these other examples.
But I also think, and this is my opinion, that he's much more compelling as a character as a sociopathic human player that is beyond saving and MENTALLY cannot be humanized again.
What I mean by that is that while he is TECHNICALLY a human player, MENTALLY, he is so detached from his humanity and moral code often associated with humanity that he acts more NPC-like as a side effect.
Jax is not designed to be a morally grey character. He is written to be the least moral of the entire show.
It would be SO EASY to excuse those moral wrongdoings as 'well they were never human to begin with'.
But I think that's the lazy way out, and I think this show is smarter than that.
Because here is the thing, there ARE some really REALLY terrible humans. Evil humans in fact.
WHY they're so terrible varies, but that doesn't make them less terrible.
And yes while some terrible people can get redeemed if they themselves can, this is NOT absolute. There are people that are just plain beyond saving. So beyond saving that they ditch their moral code, a code drilled into the human mind, that they SEEM inhuman to humans who can't relate.
This is a very real psychological thing.
With how many morally grey characters get thrown around as compelling these days, Jax NOT being written that way and instead being written as the morally worst would naturally make people go 'he must not be human'.
In psychology, behavior like that doesn't physically inhumanize them, but it MENTALLY does, they behave in a set of rules so different from the normal that it's corrupt to the normal.
So I think he is a human player like the others. But his MENTALITY is not, so he ACTS NPC-like as a side effect to that mental loss.
Not every human is morally grey and get cozy redemption arcs. There are some truly awful people in the world with no redeemable qualities whatsoever. I like that he represents that. I like that there's a character on this show that acts as that huge wake-up call of 'Yeah some people just plain suck and you shouldn't have to deal with them.'
But while I don't think Jax being an NPC would be the best route to take. That is just my opinion and I am not the one writing the show. If that IS the route they are taking, I am fine with that so long as it is written with proper care. I could definitely be reading this wrong.
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bethanydelleman · 2 days
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do you have any theories on why wickham turned out the way he did? his background sounds humble but not dirt poor as i know steward was a really valued job at the time. and as the elder mr. darcy liked him, he probably had a better life than plenty of boys. correct me if i'm wrong but i don't recall any mention of a mom or siblings, so darcy was probably his main childhood companion. it's just horrible to think that over the years he went from seeing darcy as a friend to someone he could ruin. and he was prepared to ruin georgiana's life, not just take all her money but cause a scandal so she might not ever get married again. and if darcy hadn't found lydia he'd probably just leave her where she was with no way of getting home and destroyed the bennets. like why? everyone was nothing but nice to him his whole life and all he does is hurt them and enjoy doing it. when you think about it kind of sounds evil.
From what I understand, Wickham was a failure of a system whereby a rich person would choose someone poorer to patronize. We can see other examples of this in Emma (Jane Fairfax & Harriet Smith) and especially Mansfield Park (Fanny & William Price).
The idea was that the rich would find someone worthy of improvement, sponsor their education, and give them the ability to raise into the gentry class. This sounds like what Mr. Darcy Sr. tried with Wickham, but in this case it was a failure. What ended up happening isn't that Wickham was grateful, but he ended up feeling entitled to the life of a Darcy. The novel's implication is that Wickham had a bad character, which education could not improve, and that Mr. Darcy Sr. was deceived in because Wickham had a veneer of decency.
From Darcy's Letter:
Mr. Wickham is the son of a very respectable man, who had for many years the management of all the Pemberley estates, and whose good conduct in the discharge of his trust naturally inclined my father to be of service to him; and on George Wickham, who was his godson, his kindness was therefore liberally bestowed. My father supported him at school, and afterwards at Cambridge; most important assistance, as his own father, always poor from the extravagance of his wife, would have been unable to give him a gentleman’s education. My father was not only fond of this young man’s society, whose manners were always engaging, he had also the highest opinion of him, and hoping the church would be his profession, intended to provide for him in it. As for myself, it is many, many years since I first began to think of him in a very different manner. The vicious propensities, the want of principle, which he was careful to guard from the knowledge of his best friend, could not escape the observation of a young man of nearly the same age with himself, and who had opportunities of seeing him in unguarded moments, which Mr. Darcy could not have.
Wickham's account:
“We were born in the same parish, within the same park; the greatest part of our youth was passed together: inmates of the same house, sharing the same amusements, objects of the same parental care."
In Mansfield Park, Sir Thomas talks about how difficult it will be to maintain the distinction between his daughters and Fanny, their adopted niece, and when I think about how Wickham turned out, I think this is meant to be taken seriously (even though Sir Thomas and Mrs. Norris screwed up massively):
“There will be some difficulty in our way, Mrs. Norris,” observed Sir Thomas, “as to the distinction proper to be made between the girls as they grow up: how to preserve in the minds of my daughters the consciousness of what they are, without making them think too lowly of their cousin; and how, without depressing her spirits too far, to make her remember that she is not a Miss Bertram. I should wish to see them very good friends, and would, on no account, authorise in my girls the smallest degree of arrogance towards their relation; but still they cannot be equals. Their rank, fortune, rights, and expectations will always be different. It is a point of great delicacy, and you must assist us in our endeavours to choose exactly the right line of conduct.”
Fanny feels grateful for what the Bertrams give her, even though it's scraps of a real education. Wickham ends up feeling entitled, even though he is "liberally bestowed" and that may have been the problem. He was treated too similarly to Darcy and felt that he was a Darcy, only to find out the patronage didn't go as far as he wanted.
Wickham comes off to me as one of those people who is ALWAYS innocent in his own mind, someone else is always the cause of his misfortunes (he's like Willoughby in that respect). So when he tells Elizabeth about how he lost his inheritance, I think he believes what he is saying. He does think Darcy cheated him somehow even though he was in the wrong. Darcy becomes the tyrant because Wickham refuses to be the villain of his own story.
In addition, I don't know if he would have seen Darcy as a friend. Darcy is one of the few people who can see through Wickham and a con man would hate that. Wickham's dislike of Darcy may well have started because he hates that Darcy can perceive and judge the real him.
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creesask · 14 hours
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Posted it on accident and now I have write this whole thing from the start
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True. But I ship her with V3-V4 Eclipse only. He never did anything bad yet and you can see that he actually respects her. She's the one he goes to when he needs someone to talk to. He opened up to her more than any other character. Her opinion and words are important for him enough to try therapy, he asks for her advices, he wants to know the way she thinks and sees the world around her and why she loved Solar so much. I truly believe he's trying to bring Solar back just for her
I don't ship "just because" or out of spite. I genuinely think Eclipse is a better option than Monty. He changes for HER because he LIKES her and that's how healthy relationships work
You might think "oh but they both act nice around her while being dicks to others" well yes but:
Eclipse doesn’t deny the fact that he is a bad person while Monty is just two-faced. Monty treats badly everyone, even his friends. Should I remind you what he did to Foxy? Eclipse hates Sun, Moon and Lunar because of how they left him behind in the past. This doesn't justify his bad actions (I hope you read this clear👁️👁️, I don't consider him a good person) but it does makes him a more understandable and likeable character than Monty who is just a jerk
And a cherry on top? I liked Monty when I just started watching sams! He used to act like a guy that would laugh at you when you fall down the stairs but still visit you at the hospital when you're lying there with a broken leg. Which is how I see Eclipse right now. To Earth at least. And that's enough for me
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munsonsmixtapes · 9 hours
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could u do a fic where it's rockstar!eddie and maybe like popstar!reader and reader and eddie announce their relationship by attending an award show like the grammys or something together and everyone's like "omg" "they're so cute"
Absolutely! I love this pairing!
This takes place in present day!
You and Eddie had been dating for quite a while but agreed to keep it on the down low for as long as possible. You knew that people would just weigh in with their opinions and none of that mattered. You just wanted to be in each other’s attention and not have anyone tell you what they thought.
But over time, you realized that maybe it would have been a good idea to do as much since you were going to be each other’s dates to the Grammy’s and people would just speculate anyway. So, you planned subtle matching outfits and decided that you’d mention each other in your acceptance speeches if you were to win.
So, you walked the carpet either hand in hand or having your arms wrapped around each other. You posed for the cameras, but Eddie couldn’t take his eyes off you. You looked absolutely breathtaking in your dress and he couldn’t believe that he was lucky enough to have you.
“Give her a kiss,” one of the paparazzi shouted and the others caught on, chanting that the two of you share a kiss. You looked at each other and your gazes moved to the other’s mouth, supposing that it was the best way to show your affection for each other.
With that, you both leaned in and your lips met just long enough for the paparazzi to get their photos, but you both got so caught up that you had forgotten where you had even been.
You were the first to pull away and the two of you posed for more of pictures until it was time to head inside. You had been assigned to sit next to each other at a table right near the stage and you both took a seat, both of you thinking about the kiss you had just shared.
“So, I guess now people know,” you told him and he smiled, his Bambi eyes looking at you with so much love.
“I guess so,” Eddie shrugged before taking your hand in his and pressing a kiss to it before letting them sit on the table for anyone to see.
Throughout the night, you either sat in each other’s company or danced along to the performances, happy to be able to enjoy being together now that you were public. To your shock and surprise, you had won your only nomination which was for Best New Artist and Eddie cheered and whistled for you as you headed to the stage.
The coveted award was set into your hands and you had to wiped away your tears as you headed to the microphone. Your eyes locked on Eddie’s and he nodded at you, encouraging you to speak from your heart.
“I honestly can’t believe that I’m up here right now,” you started. “I have wanted this for so long and will be forever grateful to have been put in the same category as some of my favorite artists. I just wanted to thank my parents, my fans, and most importantly, my boyfriend, Eddie. I love you so much and it fills me with so much joy that you are my biggest fan. Thank you all so much.”
With that, the audience erupted in cheers and you stepped down to the floor, making a beeline for Eddie. He pulled you in for a kiss then wrapped his arms around you in a hug, telling you over and over how proud he was of you.
The night ended and after the after party, you two headed home to your shared apartment to have a celebration of your own, but before that, you decided to make a post on instagram to let people know that you were officially off the market with the photo of the two of you kissing on the carpet.
@y/nl/n: taking home the real award of the night ❤️
@/eddiesbaby: pardon??
@/munsonupdates: I deserve financial compensation for having to see this
@/eddiemunsonsbitch: ma’am you can’t just pat something like this with no warning?
@/eddiemunsonupdates: I called it! Love you guys so much
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Aelwyn Abernant Might Go Blue Dragon(born) Hunting
———————————————————————— Summary: What if The Rat Grinders got revivified and Oisin had a crush on Adaine. Well more so what if Aelwyn knew all the shit he put Adaine through and she wanted to send a message.
Also available on Ao3
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Aelwyn Abernant, a woman reformed, hadn’t thought of murder in like two weeks. Which honestly was a super big deal for her, had she done a shit ton of extorting and taken like six people’s bones to try and find the one pirate in Leviathan that dies if you pull out their bones, well maybe. But who can blame her? It's how she was raised. But now she was starting to slip back into old habits. 
The whole world was saved once again by her beautiful baby sister and the rest of The Bad Kids. Aguefort had come back and fixed all the weird shit that had happened, though the school was closed for the rest of the year so everyone just had to take the Last Stand to try to pass the year. But one of the many unfortunate things that happened, in Aelwyn’s opinion, was that those stupid Rat Grinders were revived. Adaine had said something about second chances and manipulation and corrupt adults and blah blah blah whatever. Something about them failing the year and doing remedial classes monitored by the Bad Kids to make it up or you know. Aelwyn knew all about villain reformation, being a reformed villain herself, but something about the Rat Grinders set her teeth on edge. Especially that waifish nerdy-looking Dragonborn, he was giving Adaine a look that Aelwyn found disturbing. Aelwyn was well aware of Adaine’s fleeting crush on the boy, though, after the whole Porter-Ankarna debacle, she was so very sure that the crush had faded. Even when Aelwyn tried to tease her about it Adaine looked absolutely disgusted.
“Why the fuck would I fancy some old money turncoat? He literally was just using any affection I had for him to end the fucking world. I’d punch that spoiled bitch in the face again just like I did with the dragons he sent to ruin Fabian’s birthday,” she spat.
It started over that summer, Adaine and some of the Bad Kids had taken to “tutoring” the Rat Grinders on how to adventure properly. Adaine had brought Oisin over to the tower in Mordred to discuss some sort of thing to do with Adaine’s mephits, the ‘Dry Guys’ if Aelwyn recalled correctly. Before she had left for work Aelwyn had made sure to bolster the Nemesis ward in Adaine’s room before she left. She would not be having that boy mess with her baby sister, not in a millenia. Aelwyn spent the next hours of her shift at the Compass Points feeling the arcana of the ward for anything amiss. Though she felt nothing that didn’t stop her from texting Zayn to peek in on Adaine and Oisin to see if he was pulling any funny business. She received a photo back from the ghostly fellow of Adaine looking down at a piece of parchment on the floor of their shared room, quill tip set between her teeth in concentration. Next to her was Oisin, who sat cross-legged with his face leaning up against his clawed hand gazing doe-eyed at her sister. God, Aelwyn could see that look that now followed Fabian whenever he talked about Mazey. She looked at the clock and decided that the library would just close early that day because she had a pest to scare.
As she walked through the door back into Mordred she was greeted by Sandra-Lynn and Jawbone before she stormed up to the tower, rocketing past Fig and Kristen who coincidentally were also spying on Adaine. As she walked through the door she did so calmly, years of repressing any feelings other than jealousy and pettiness really did give her a good resting bitch face. 
“Adaine, I see you have a guest over,” she smiled, though the glare she was giving Oisin was anything but subtle. 
Adaine of course shot her a dirty look as Oisin’s scaled face blushed purple, “Aelwyn I thought you were working late tonight. I didn’t expect you to be back so early with Ayda not being there to run it today?” 
“Adaine you’re so funny, dear sister. Now let me have a look at this spellcraft, you know I’ve always been so good with these things.”
Aelwyn sat down with the two, purposely placing herself in between the teens. Adaine had taken it in stride, literally nothing about the interaction changed for her. Aelwyn truly just joined in on their spell crafting, she could tell Adaine was grateful for the extra set of eyes. However, Oisin was notably more shut off. He really kind of just ignored Aelwyn, trying to lean in toward Adaine when he was asking questions about Adaine’s rune work. The night went well otherwise, she had successfully defended her sister from the boy clearly all moony eyed over her. 
As Adaine sees Oisin out the door Fig and Kristen both leap at Aelwyn in the halls.
“So what happened in there Aelwyn, why did you come home early? What. Did. He. Do.”
She is bombarded with all the possible questions and observations that Fig and Kristen had made and in return dishes out all that she noticed back. She hadn’t remembered the last time someone had fancied Adaine but Kristen and Fig did. Apparently, the last person was that freak Biz Gilitterdew. Aelwyn shuttered in disgust and mentally noted to take a trip down to Hell to kill the tiny little pipsqueak basement scum for trying to put the moves in her sister even when they hated each other and she was evil at the time. She also got the download about all the history with Oisin that Adaine had conveniently left out when Aelwyn had pressed to know about the boy her sister fancied. So to say that Aelwyn was contemplating hunting Dragonborn for fun wasn’t a lie. From what she got from Fig and Kristen was that Oisin had used the cover of being a love-struck idiot (or maybe he was a love-struck idiot) to lead Adaine on so that he could plan a bunch of arcane whatever to make Seacaster Manor go airborne. Then after he had supposedly tried to cover for his friend for being assholes and then killed one of his party members he had said that she ‘must not be a very good oracle’ because she didn’t forecast that there was going to be a storm at Fabian’s birthday. Now that was something that Aelwyn could not forgive, not only was she the only one who was allowed to tease her sister about oracle things but he wasn’t allowed to say those exact words to Adaine, especially about storms and oceans. Aelwyn knew what Adaine saw in the Nightmare King’s forest and she knew that anything about the previous oracle and storms haunted her sister. 
Adaine soon made her way back up to where the little cabal of the girls of Mordred Manor had been gossiping. She yelled indignantly and threw a book at Fig when she started teasing. Aelwyn could tell from the look on her sister’s face and her voice, no hot flush or any enamoured quiver in her voice, that she really had gotten over Oisin completely and that this was all just in the name of sister bonding.  
“Kristen was the one who said we should try to fix the Rat Grinders, I’m just doing this so that they won’t join another teacher’s weird cult,” Adaine shouted indignantly. 
— — — — — — — — — — — —
It had been many weeks since Oisin had started to come over for tutoring, of course, the ever patient Adaine Abernant was gracious to the fool even while he was literally (to Aelwyn) staring at her like a lost puppy. Aelwyn made a habit of always crashing their little study sessions. Sometimes it was a text to Adaine telling her to get away so that she could gossip and other times it was Aelwyn straight up just coming home early. 
Every time Oisin gave her a smile that she could tell was laced with the ‘you ruined my life’ vibes, not that he’ll ever be able to pull off that smile like Penelope Everpetal. He was always polite but always insisted that he and Adaine were fine on their own.
“I’m sure you have so much stuff to do, me and Adaine have got this one.”
“Oh I’m sure my sister has everything under control but you seem to be lacking- I mean look at your rune for conjure elementals. This linework- here let me.”
Most of their interactions were passive-aggressive at best and outright venomous at best, Aelwyn had offered to see Oisin out one night, and Adaine had to take care of business relating to Gilear and some cursed object he had found at a yard sale. 
“Sorry Oisin, good work today! By next time I’m sure your party is going to be fine during the Last Stand,” Adaine shouted as Fig was literally pulling her out the door.
The room was silent, just Aelwyn perched on her bottom bunk holding Boggy in her hands. Oisin got up and started to pack his things, heading for the door. As he did, clawed hand on the doorknob to leave. With a click, Aelywn pushed the door closed with a mage hand.
“Hakinvar, you and I have something to discuss.”
Aelwyn didn’t look up, her eyes glowed as did the runes she had lovingly, carefully painted onto the floor. Oisin didn’t move, frozen in fear as he let out slow fearful breaths. 
Aelwyn set Boggy down, scritching under what she assumed was the frog orb’s chin, and motioned for Oisin to move away from the door. He did. Stiff as only a body once caught by rigour mortis could. He faced Aelwyn, just slightly taller than her due to his ancestry. 
“I can see you getting all ensorcelled by our dear oracle but as her older evil sister, I will have to intervene. You know the last guy who messed with her had his fingers shot off by her little rouge friend. I heard that Gorgug cleaved your ass into two. They brought you back because they are good moral people. Had it been up to me, well I’m sure you know I worked with Kalvaxus and The Nightmare King so I’m sure such a capable wizard like you could figure it out. I know what you’ve said to her, what you’ve done to her, and I’ll have you know that I can be very tricky if you cross me.”
She draws her fingers along the ground tracing the nemesis ward with a manicured hand.
“You are aware of what this ward means, yes?”
“Yes, I know what you mean,” Oisin finally replied.
Aelwyn smiled, “Good then I’m sure you’ll be far more careful in future when it comes to that blabbering mouth,” she allowed the glow to cease, picking up Boggy as she rose. 
Oisin practically bolted out of the room, nodding as he collected his gear. Aelwyn nuzzled the perfect familiar as she followed. Good, always good for people to know their place.
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eerna · 1 day
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Omg the way Eloise is written as a feminist character BOTHERS me. I can’t always put my finger on why, but a thing that sticks out to me the most is how she just says the most blatantly basic (for us 21st century viewers) things and idk it’s supposed to seem revolutionary… but it’s never clever. And it is never deep.
Anyways I saw your tag on the Eloise/Cressida post and I was curious to hear any elaboration of your thoughts on her feminist portrayal? (But no pressure!)
YEEAAAH EXACTLY! I have the same issue, Eloise just says 21st century equality stuff without ever having read a single feminist pamphlet (this is canon, she doesn't start reading them or attending discussions until she's 18). Somehow she developed a perfectly uniform idea of modern womanhood when she was isolated and raised to be a traditional lady. Her opinions should be WAY more half baked and full of holes because this life is the only one she'd ever known. That's not even mentioning the inability to discuss feminism without discussing class, something Eloise has No Idea About.
Then comes the issue of writing. This is a stupid show. No one looks smart on this show. So when Eloise drops a "smart comment", it is cringe and dumb. She is supposed to be eloquent and witty, but most of the time she looks like a mean snob belittling everyone around her.
Another issue is that everyone else around her is a horrible sexist caricature. Yes, she is snobby, but my god every other woman only cares about men and marriage and gossip so I can't even blame her all that much for it. Her friends don't really care about what she has to say and will always leave her to go chase a man. And even SHE starts fitting the description the moment she falls for a guy - she lies to her friend and puts everyone in danger, and 90% of the reason is a man with only 10% being her self actualization. You can't write a proper feminist if everyone in your story has the same goal, which is to find a husband. It doesn't help that we know Eloise is headed for marriage and babies because every time a character expresses they don't want one or both of those things, they are proven wrong by the narrative.
And finally, my last thing making Eloise a bad feminist character, is that she is SO PASSIVE. Sure, it might be the point of the show as Pen calls her out for it, but we still don't know if they are gonna fix it so I am putting it here anyway. She only talks and complains about her lot in life, but never acts against society. I was happy when she started sneaking out and hang out with The Working Class Feminists TM, but that turned out to be a short failed romance subplot instead of a character moment and she gave up on it almost right away, so it doesn't count. And now in s3 she decided to embrace society and its expectations, so I am not sure we will ever get to see that kind of rebellion again - I sure hope so! But idk.
As a "well written Eloise" character, I'd like to suggest Felicity Montague. She is a character from a 18th century romcom, a noble lady, aroace and trying to go to med school when her gender prevents her from getting an education. She doesn't use her screentime for long-winded monologues about the unfairness of the world, she ACTS on her thoughts and opinions so we know what they are. She switches covers of romance books and textbooks so she can study without being bothered, she runs away from home to try make her dreams come true, she finds alternative solutions. Her thoughts are never lauded as One Truth, in fact she is often called out for the blind spots in her opinions since she too grew up a sheltered noble and can't account for all experiences. She is surrounded by women who challenge her ideas and make her into a better friend and person. AND she is funny and reading her is just plain fun. You CAN do a feminist who doesn't belong in her era, you just have to be careful to also make her a good character.
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yuri-is-online · 13 hours
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Okay so Trey in the Blotpocalypse timeline or where Yutu comes from also Overblotted right??
And I like to imagine he became an extreme sadist or really really evil once he overbloted, and his Yutu does NOT buy the stories of Trey being actually a very chill and “I don’t want problems, don’t involve me with whatever shenanigans you have” guy.
And when goes to the timeline of now he just.
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“Wait, this guy fr??? I saw this guy overbloted and being a sadist maniac, the FUCK you mean he is just the son of the baker”
¬‿¬ you read my mind camrastuff. Overblot Trey is a sadistic bastard, and his children are three of his favorite people to pick on... because yeah the original idea for Trey! Yutu passed peer review, and Furubatsu was kind enough to give us the names Yutres and Yushi for the other two triplets. You will regret giving me this power because I am going to use it to hurt you ψ(`∇´)ψ
notes: they/them used for Yuu, for context on the fyuuture kid au can be found here and here. This post is heavier on the angst than the other Yutu posts and contains references to gore, depression, and major character death. Please engage responsibly.
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They grew up associating home with violets.
Yuu would always keep a few plants on their bedroom windowsill, but the violets spilled all over the house. "They remind me of your father." They would always say, with a gentle look in their eyes that turns sad when they reach for the memories that just aren't there. As the triplets grow, they take turns caring for them so Yuu can rest and wonder about what that man was like and how Yuu came to associate him with the flowers. Yutres is the one who brings up their association with newlyweds and wonders if they were planning a wedding.
"There would be a record of it if they got married." Yushi says it like she's searched for the license already, and knowing his sister like he does Yutu is pretty sure she has. Yutres pulls her blanket around herself in embarrassment and Yutu finds himself speaking up before she can feel any worse.
"She was just saying it's romantic." Yutu doesn't like fighting with his sisters. He likes it even less when they fight with each other, everyone who isn't the two of them says it's because he's the oldest. That he has an instinctive need to protect them as their big brother, . "A lot of the things they say about dad are very romantic." Yushi rolls her eyes, but doesn't disagree. Domestic is the word Yutu would prefer to use for how Yuu talks about his father. They think about him most when they're cooking or taking care of him and his siblings. It's not enough to give him a clear picture of the man, but it's enough to feel like he might have loved him. He's willing to go with what Yushi theorized after looking far harder than he or Yutres, that Yuu ran away from home and settled down with their dad, only for him to die and ruin the good future they were trying to build with each other. It does nothing to dissuade Yutres from seeing it as romantic, or Yushi from blaming him for all their problems. Yutu refuses to take sides, forever the peacemaker destined to drown his own opinion under the weight of not wanting to make anyone mad. Deep down though, he doesn't care about what his dad was like. He just wishes someone was there to help, to make things less financially strained so he could play a sport at school and maybe make some friends.
When he meets his father he takes it all back. He wishes he never met the man at all.
Yutu per tradition is the oldest sibling, Yutres is the second born and Yushi the third. I like to think they have darker colored hair since Trey's green hair is rather dark, their eyes are "normal" for Yuu's world but turn yellow when they arrive in Twisted Wonderland. Yutres inherits Trey's height and poor eyesight, and she's deeply insecure about both due to the large amount of bullying she received growing up. Yutu is also tall, just not as tall as his sister while Yushi is at least a half foot shorter than her siblings and enjoys complaining about it. She accuses her siblings of stealing her height in the womb, but says it's ok because she got all the brains.
The kids grew up extremely poor. Three kids on a single parent's salary is no joke, Yuu was deeply stressed for a lot of their younger years. None of the fyuuture kids like Yuu's home town but the triplets especially hated it there. They felt like animals in a zoo or cast members of a freak show with how acceptable it was to point and stare at them. When they moved away once Yuu managed to secure a place with a better middle school for them to attend they were ecstatic. It was a nice change of pace to just be bullied for being poor.
They spent a lot of time as children playing made up games with each other, a lot of them revolved around cooking since Yuu seemed to really like doing that. They used to run pretend restaurants, or ice cream parlors, or cafes, anything that served food really. They always colored the menus together and asked Yuu to give them good reviews (5 stars for the babies obviously, yuu has a bunch of them in a folder somewhere they look at when things get rough)
I really like the idea of Trey being with a Yuu who has a vague interest in candy making? Because it's a similar interest to baking but still very different and I really like the idea of one of the triplets being interested in it. As the three get older, Yutu and Yutres learn as much about cooking and baking as they can, from Yuu, from the internet and the local library while Yushi applies herself more to experimenting with making things like taffy and caramel. She convinces her siblings to sell their product on the down low at school to bring in some money they can hopefully use to start a business someday. She's the most business minded of the three of them, Yutu privately thinks she has the biggest personality in an effort to make up for being the shortest.
The three of them are obviously major sweet tooths, but they disagree about what desert is best. Yutu loves custards and ice creams, Yutres thinks cake is best especially if it's fluffy, and Yushi likes things made with jams and candied fruits. It made trying to do something for their birthday a nightmare until Yuu realized they all loved hot chocolate and was able to convince them to have a "tea party" for their birthday where they got copious amounts of hot chocolate and some homemade cookies. It's a memory they all treasure and recreate when they arrive in Twisted Wonderland.
That arrival is much easier on the three of them than it is on a lot of the other Yutus. It helps having two other siblings you're deeply connected to when learning you're from another world, your parent is dying from a curse, and that magic is real but only two of you have it. NRC has ceased to be a boys only or even a mage's only school at this point, but it's still hurts for Yutres to learn that her siblings have something special about them while she's still just her. Crewel takes her aside to speak with her as the ceremony goes on without him, asking her if she thinks poorly of Yuu for just being themselves and Yutres can't fathom why she would do that. "Because that's what you're doing to yourself. Your siblings won't love you any less and you won't be of any less help. You are your parent's child after all." Something that Crewel sees as being made all the more true when two first year Heartslabyul students burst through the door and start whining for their sister to do their make up.
Yutres draws a Spade on Yutu to represent a knight's spear, because she thinks of her brother as someone who wants to protect people, and she's deeply grateful for all of the times he's stuck up for her. Yushi gets a diamond because Yutres thinks her sister is very classy and well put together, "diamonds are a girl's best friend or something" is how she words it, but that trademark Clover smirk is there to suggest there's more to it than that. She settles in to Ramshackle almost immediately after meeting the ghosts, who are overjoyed to have another Yuu in their happy haunt.
Heartslabyul suits her siblings well enough. Yutu thinks all these rules are exhausting but he tries his best to do his best so as not to rock the boat. Yushi is more or less the same, but she sort of wants to become Dorm Leader so she can throw a bunch of Unbirthday Parties because those sound fun. The lack of fresh food available to cook with is a drag sure, but she's sure she can at least find some good teas to serve... she just feels like the people around her could use some hope and she drags Yutu into figuring out how to find it.
That journey is long, at the end of it are six known phantoms wreaking havoc on their father's world and one that so few people know about they aren't sure he exists. At some point, all three triplets join a mission to the Queendom and debriefed by S.T.Y.X. about the phantom that roams there.
"Your quest is not to kill the Queen or her mini boss level minions." Idia is a strange person, Yutu can tell he's on the same page as his sisters without bothering to look. "You're just there as support for the front line mages and to get a realistic idea of what they're fighting against." He lets his hands fall to his sides and drops eye contact, chewing on his lower lip as he hesitates. Finally he takes a deep breath and turns towards the display, flicking through footage of the various monsters he had been talking about earlier. "A phantom is a husk using what's left of an overblotted mage to find and feed off of new magic sources. They can get very creative in how they do that." He focuses on a video of the Phantom Hatter, enlarging it so the triplets can get an uncomfortable look at it's facial features and know why Idia was struggling to talk to them. The monster is tall, with glasses and a top hat that would be sort of comical if he wasn't overseeing a table filled with rotting cakes and pastires for a party attended by corpses in varying states of decay. "This one talks. Don't listen to a word it says."
Trey has lines during lessons and in various other places suggesting he could never obey the Queen, and since Riddle is more Queen now than himself Trey has a degree of independence when compared to the other card soldiers. The S.T.Y.X. staff classify him as a rogue phantom and highly dangerous. He can talk, he uses his unique magic to make people confused about their surroundings, to mimic the voices of their loved ones and lure them towards packs of monsters where he'll watch silently as they die. He's picky about who he "invites" to his mad tea party, it's difficult to get a drone close enough to his base to analyze who the victims are.
Idia was vehemently against sending the Clover triplets anywhere near an area that the Hatter could be. That's beyond cruel to them and extremely dangerous, he just knows that Trey will find them and that it won't go well. Phantoms corrupt the natural instinct of the person they're feeding off of, and while Idia thinks Trey was always a sketchy bastard he knows that he was a domestic one too. If there's enough of him left to recognize his children... his worries are soothed by Ortho promising to keep an eye on them and the fact the mission isn't in Trey's usual territory.
It doesn't help. A familiar sees the strange looking children and speeds off to fetch its master. The Phantom Hatter doesn't show himself immediately, he watches, waits for everyone to relax just a little bit before he strikes, chasing everyone into one of the Queendom's many hedge mazes and isolating them from one another. The stress causes Yushi to discover her unique magic as she desperately tries to feel for her siblings, she is able to form a brief telepathic connection with someone she knows and see things as they are. She can tell that Yutu and Yutres are in danger, and decides to run for her brother first. She's sure he'll be half way to their sister by the time she finds him, he's the oldest. He always knows what to do. And while she's right she's also wrong, by the time she finds Yutu he's already found Yutres, but someone else has too. The Hatter doesn't blink. He doesn't breathe either she notices, but her sister still shrinks back, pulling an injured Yutu closer to her.
"Well that's just rude." It's not a voice they've heard before, but he's somehow so familiar. Like they heard this voice before, sometime long ago, whispered into the warmth that existed before they were torn from this world to be born in another one. "I'm just trying to say hello." Yushi doesn't think he's noticed her yet, she focuses on holding her breath and looking for a way out. Yutres maintains eye contact with the monster as she applies a potion to Yutu's wound and prays, to who or what she doesn't know, that he heals. "Have we met before? You seem awfully familiar." The monster summons bones up from the ground, closing in around the triplets and knocking Yushi out of hiding as the phantom looks over his shoulder to tip his hat and wink. It's an opening Yutres immediately takes, throwing Yutu behind her and jumping to hit at the monster's rib cage, landing a blow that causes a sickening crunch.
"RUN!" Yushi screams, she thinks she grabs her sister and brother's hands and drags them on instinct and adrenaline back to the base camp until a senior smites down the phantom the Hatter had mimic her sister and takes an unconscious Yutu to the medical tent.
Ortho tries to track down Yutres, but he's unsuccessful. It's months later when Idia finally thinks to send drones to check what's left of the Clover family bakery and finally finds her body. She's been laid in a children's bed, covered with a blanket. He can't tell if what's left of Trey couldn't bear to look at his dead daughter or if the phantom thought he was just putting her to sleep. It's too much even for Idia, he personally retrieves her and helps the surviving kids plan the funeral. It's not the first time he's felt responsible for getting someone's child killed, but it's the most personal.
Yutu's numb. Yushi is looking to him for guidance, and he doesn't know what to say to comfort her or to make it better. They're missing a part of themselves and are much too quick to agree to Idia's plan to send them back in time, their parents are the last thing on their minds they just want their sister back. When Yushi arrives in the Queendom she's able to tell where everyone is and go searching for them. When Yutu arrives at NRC he's terrified he's lost his only remaining sister, and that's before he has to deal with his dad.
Trey is a freak, but he's a domesticated freak. A domesticated freak who is deeply in denial about being in love with you or anything other than normal. He appreciates that Riddle feels comfortable enough to invite you to Heartsabyul, whether it's for a casual tea or for an Unbirthday party since it saves him the trouble of having to do it himself and you're always so eager to help... but then Yutu arrives and suddenly your attentions are a bit split. You still come around for the parties, but casual teas are becoming less and less. He tries to tease you about it, asking where else you're going to get your cakes from and that's when you mention it. "Oh Yutu bakes a lot and he's really good at it. I always feel bad for bothering you so, it's nice to not have to do it so much anymore." Oh? Well isn't that just cute, Trey isn't bothered by this at all. He might not think there's a difference between something bought from a store or something "made with love" but he certainly thinks there's a difference between him and another guy. And he wants you to choose him.
Yutu is terrified of his father. He still has nightmares of what happened to Yutres, and he's afraid he's lost Yushi now too. No one had much to say about Trey in the future, most all of his friends were either dead or phantoms and while Grandpa Crewel was enthusiastic in describing his interest in science he didn't give them much backstory. Idia never spoke poorly of him, and tried to impress on him that what killed his sister was a monster using his dad's magic and not actually his dad but when that thing kills your sister...
He doesn't know what to make of him. Trey's extremely chill so long as no one is causing trouble, he convinces himself to keep an eye on the Phantom Hatter, but he doesn't see any signs of that. The guy is really weird about teeth, and definitely in denial about his feelings for his parent but he is, weirdly enough, closer to that word Yutu would have associated with him before he came to Twisted Wonderland than he is anything that would describe that monster. He's domestic, a guy who looks like he'd be more at home in socks and sandals than surrounded by corpses. He overworks himself and takes naps on the Guest Room couch, he confesses that he was hoping to join some sort of cooking club but settled for the science one, and the way he looks at Yuu when he thinks no one is looking is so soft Yutu wants to choke. Idia's original warning, that a phantom isn't a person anymore and that the monster will do anything to convince you otherwise. But what would his sisters think if he ever thought about forgiving him?
"Is there a specific reason you wanted to grow violets?" Trey tries to keep his voice down, but Yutu still starts when he hears him. He didn't jump 10 feet in the air this time, so he likes to think he's making progress, though towards what he doesn't know. Yutu looks at the flowers, Trey can't see his eyes, but his grip on the watering can is tense. "Not judging, just curious." He tries to soothe him in the same tone of voice he would one of his younger siblings, and it does seem to work somewhat. "I really like them myself."
"My sister..." Yutu chokes on what sounds like a half sob, and Trey immediately regrets trying to help. "My sister really liked them she... she always thought they were romantic." The past tense catches Trey's attention immediately and something in him aches, he couldn't imagine what it would be like to lose one of his own siblings and he does talk about them a lot... was he being insensitive? Did he hurt Yutu by reminding him of his sister?
"Are they?" He isolates a few particularly well tended blooms and snips them to add to his basket next to Riddle's strawberries. "I'm not really good with those sorts of things." Yutu snorts, and Trey can't help but feel slighted somehow. "To me they just taste good."
"They taste good?" Yutu squeaks. He sounds indignant and Trey just shrugs.
"Yeah, candied flowers are really popular in the Queendom of Roses. I really like candied violets, ha when I was a kid I didn't realize you needed to cook them first and my parents had to stop me from eating them off the ground." There's quiet for a moment, Trey wonders if he's pushed it too far but Yutu's mouth finally lets out a small noise before he breaks into loud peels of laughter that sound like a weight is lifting off of Yutu's shoulders.
The first thing Yutu thinks when he hears about his father eating flowers is how Yushi tried to do the same thing when she was little. The second is how funny Yutres had thought that was, how she had smiled and laughed and Yutu cannot keep himself from laughing as well. How did this man become that creature? Did the loss of his home hit him that hard? Yutu doesn't know, but he's not afraid anymore. Some of his tension lifts, Yuu tells Trey during one of their hang outs that he's started speaking about his sisters more and that they now know he's a triplet (trey: wow those poor parents yuu: i know right? i could never). He starts getting into lighthearted (from his perspective anyway) spats with Trey over who can bake better. Trey says he has no complaints because he doesn't have to make as much for Unbirthday Party's now but ooooooh he'll be so upset if you say you think Yutu is better than him. If that was the case why's the little shit so interested in listening to what he has to say huh? And how did he pick up on Trey's feelings enough to reassure him he's got nothing to worry about?
The truth about Yutu is revealed during another monster attack. It happens during a science club trip to Crane Port, the sky grows eerily dark, and Yutu tenses out of instinct. Everyone else is confused, is it going to rain? And why is Yutu sprinting away from the group like a bloodhound with a scent? Rook is the one to give chase, Trey tagging along begrudgingly determined to keep the two of them from causing more trouble. But a bunch of trouble is exactly what they find, a monster that resembles an undead, overblotted version of Yuu is thrashing about as a group of... mages they don't recognize attack them. Trey and Rook prepare to help when Yuu notices them and their eyes narrow onto Trey and two of the unfamiliar looking mages absolutely lose it.
Yutu's disguise is knocked off, and Yushi was never wearing one to begin with so it's difficult to deny the similarity between the two now that Trey has a look at them. It's the eyes that he notices first, yellow just like his but bereft of glasses. Yuu's story about Yutu being a triplet rings dully in his mind as the fake Yuu fades from view, banished back to wherever it came from and Trey closes his eyes to do some math.
"There's one of you missing." It's not the statement they're expecting clearly, all justifications for their existence die on their tongues as they exchange a painful glance. Yushi was able to use her magic to see some of what Yutu's life was like at NRC, and she warmed up to what she saw of her dad much faster than Yutu did. Yutu doesn't want to be the one to tell Trey he killed their sister, but he also doesn't want to push that burden onto Yushi so he steels himself, and explains his story. Trey listens and he thinks. He's silent, arms folded as Yutu stumbles through his story before he interrupts his grief by pulling both of his children into his arms. He's a big guy, but they're big kids and he can barely get his arms around them both but he still feels empty.
Trey hates doing work he isn't responsible for, but he loves his family and doesn't see them as constant work. Three children? That Yuu was forced to raise by themselves? Unacceptable, the closer he has been getting to Yuu the more plans he's made for the future he wants with them. He knows what he wanted for these kids, and none of it is what they're describing. Trey might not want to be the best of all time, but he still wants to be the best he can be. Changing the future sounds like a big ask, something that Trey Clover should see as none of his business and easy to ignore. But it's not, it's different when it's his own family. If Idia thinks he's scary now just wait until three Clovers show up on his doorstep demanding he get in their party and stop the apocalypse. Four technically if you count yourself, something they really hope you do.
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shatcey · 23 hours
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Smoke and mirrors
You know the feeling… a little more and you'll catch it. The thought, the meaning, the memory… the person. This feeling has settled very firmly in my heart. Alfons does everything possible to make it IMPOSSIBLE to figure him out… And it annoys as hell if I cannot understand something. So I keep stubbornly trying. As Einstein said: "Insanity is doing the same thing over and over again and expecting different results". Probably I am insane. After all... I cannot stop thinking about him.
I really like Ellis, his design and voice are just perfect, I laugh with Victor and because of Jude, I sympathize to Liam, Elbert, and Harrison. I'm even grow to love William… But none of these feelings can be compared to what I felt for Alfons from the very beginning. Yes, they were negative emotions, but their strength surprised me the most. No other character has affected me that much.
My opinion of him has slowly but surely changed from absolute dislike and wariness to respect and adoration. I realized once again that saying "Love and hate are opposite sides of the same coin" exist for a reason.
But I cannot talk about this character without spoilers. I'll try to use as little as possible though. Slightly depressing… you've been warned.
At the beginning of his route, you think of him as an asshole. I think that's the most accurate word! He's tricking Kate, using his powers on her for his own (seemingly) entertainment, calling her his toy... But... the more Kate digs in, the more time she spends with him, the more obvious it becomes that he is - the way we see him - an illusion. The real person hides so splendidly that for a very long time I couldn't even get a glimpse of him…
He makes us believe that his every action has a very simple intention. He makes us believe that he is in fact a very simple person. And he does it so convincingly that for a very long time I couldn't figure out why everything he says seems so wrong. But it wasn't until his seemingly cheerful behavior began to slip away from time to time I suddenly realized… He always wears a mask that sticks so firmly that even if it slip away for a moment, it will immediately return. And it makes me very sad. A person who, for one reason or another, cannot be himself is an incredibly lonely person.
He's philosophy is very simple. If I don't like something, I can ignore it. If I cannot ignore it, I'll create an illusion and the world will become the way I want it to be. This is in fact a defense mechanism that allows us not to sink into depression. Switch the direction of your thoughts, set a real goal that you can achieve very soon, find something interesting to look/read/do... destract yourself. This method helped him survive when he was a kid, so it's not surprising that he still thinks of it as the only option…
Starting with the cat… no, a little earlier, with his very nasty prank, the story became unbearably heavy. It's like sinking into dark, deep water, and each new piece of information pulls you deeper and deeper, and it's pretty difficult to handle. There was no simple allegory of making a decision, as in William's route, to stay in the room or open the door and move forward… Alfie, as always, decided that it would be best for everyone... except himself. I still cannot think about it without tears. This man is merciless.
When I was reading his route, I remembered a very odd (I'm not even kidding, I can't remember anything more strange than this) Korean movie "Alice: boy from wonderland" (앨리스: 원더랜드에서 온 소년). By the way, I don't recommend watching this movie unless you are prepared for very dark and depressing thoughts and a lot of blood. One phrase from it, which has stuck in my head for many years, reminds me very strongly of Alfons.
It's not scary to d**. It's scary to be forgotten.
This is a concept that we don't think about very often, if ever. But Alfons considers this not just a probability, but an undoubted fact. And despite the absolute certainty of this, living with this oppressive thought all his life, he finds a way to stay sane. I'm not happy with his choice of coping. But I respect him for that choice.
I find his route extremely interesting for many reasons. It explain not mental illness or childhood trauma, but a defence mechanism. Some moments remind me of extremely strong scenes from other projects. And the story, like Alfons himself, is full of dark drama and hilarious scenes… It's full of contrast contradictions and at the same time incredibly solid and logical.
He's not perfect like Jude or Chev. He's not a sweet kid like Yves or Liam. He doesn't have a strong life philosophy like William or... I do not know... Johann (Faust, in case you didn't know)… There's a little bit of everything in him, just like in a real person. And just like any person he has oddities. He's totally unable to understand his own feelings and show affection (nothing surprising, given his past). He avoids difficult topics by laughing it off, hides behind lies… And this constant similarity with absolutely normal real people is snowballing to such an extent that it's really hard to believe that he's NOT one of us. I don't want him to be alive, I'm absolutely sure HE IS a living person.… This is probably the best evaluation a writer could ever get.
But maybe it's just me. Maybe I just feel some kind of connection to Alfons or Kate, or to the story itself. Surprisingly, I don't look at this story from the outside, I really feel like I am Kate. And maybe that's why Alfons is so firmly entrenched in my heart…
(I cannot believe how much time I spend writing and polishing this. I can almost hear him calling me a fool for wasting my time on him. Don't worry, babe.… Now it's my turn.)
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🔝 Start page 🔝
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nettleclanstale · 2 days
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Bumbletumble, honey- we just want you to know that even if there's a lot of conflicting feelings going around, even those that might be grieving- you did right by them, and they will see it in time. Hazelstar was a tyrant, someone that ruined lives, hurt others, and didn't have the clan's best interest at heart. You saved your clan from a lifetime of suffering, and avenged those who didn't make it through Hazelstar's reign of terror. Someday, everyone will come to see that you made the right choice. Any grief that is felt for Hazelstar will soon fade into pity for the foolish she-cat and her despicable choices and instead that grief will become grief for the cats that didn't make it and their families and will only bring everyone closer together. And if there's others that hate you for what you did, they're in the wrong and their opinions of you aren't worth Hazelstar's sorry rotten hide. I'm sure if and when they find out you killed here, if they haven't already- it won't matter. You saved everyone, and you were WELL within your right to take vengeance, especially since if I remember, she hurt one of your kits.
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God i love writing dialogue <3
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bumblingbabooshka · 3 days
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Tuvok's Mother, T'Meni [Patreon | Ko-fi]
It's established in canon that Tuvok's father was a Starfleet officer (or perhaps just on the Yorktown?) but I wanted to make his mother the Starfleet officer while his father was on Vulcan. This makes more sense to me given that Tuvok's father seems more involved in his life (namechecked as banishing him). T'Meni is a Vulcan scientist who joined and climbed the ranks of Starfleet explicitly because she is so stringent about her adherence to logic. She prides herself highly on her control and the fact that being around so many different species, especially Humans, has not in any way compromised this control - which is explicitly the reason she wanted to join, to test herself. Both Vulcans and Humans find this weird. She's considered a bit of a zealot but not in a dangerous way, she's only testing herself after all and at the end of the day she's an advocate for peace and coexistence. She eventually retires from Starfleet after feeling she's learned and proven all she could. She teaches other Vulcans how to manage their emotions around other species when exposed to external stimuli for extended or indefinite periods of time and how to stay the path of a True Vulcan. Many people treat her with the reverence typically evoked by a Master. She considers herself to have no friends and prefers it that way. She is not particularly close to her family but doesn't have a bad relationship with any of them. The perception of her is 'a lone wolf' though she and Tuvok seem the closest out of everyone. He refers to her as 'Commander' when speaking with her which is why he doesn't find it strange to address Janeway, his friend of twenty years, consistently by her rank. _
Admiral: I served with your mother, you know…
[T'Meni: It is impossible for Vulcans and Humans to understand one another. It is imperative that we coexist. But we are too fundamentally different for one side to truly understand the other. Can you understand, intimately, the 'life' of a butterfly?]
Admiral: She was the strangest, coldest woman I'd ever met. But I guess she'd be pleased to hear that.
Tuvok: I doubt she would care about your opinion in any way. Nor do I…sir.
[T'Meni's picture on the Admiral's desk is stretched, cropped.]
Admiral: Ha! 'Vulcan nature', ensign?
Tuvok: Yes.
Admiral: Well…like mother, like son.
[Two butterflies.]
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666writingcafe · 16 hours
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MC's Boogeyman
Solomon
As MC leaves the stand and walks over to the chest, I look over at Diavolo and Belphegor. They look as worried as I feel. You see, the test that Craxon has assigned to MC hasn't been used in many centuries, because the boogeyman has a tendency to drive people mad from fear. Some have even died. The last time the boogeyman was utilized was as a means of torture, and that was shortly after I got kicked out of the Society.
Craxon clearly wants to know what MC's biggest fear is--his prolonged silence earlier indicates that much--but I have no idea why he'd need that information. Then again, he often keeps his cards close to his chest, so it's usually hard to tell what's going through his mind at the best of times.
MC takes a deep breath and indicates that they're ready. The chest is open, and the boogeyman flies out of it in a flash of bright purple light. The room becomes pitch black for a few seconds before revealing that the boogeyman has transformed into...
MC?
At least, I think it's MC. Between the glowing eyes and sinister grin, their features are nearly unrecognizable.
I watch my apprentice shake as the boogeyman circles them.
"You poor thing," it coos mockingly. "You just can't control yourself, can you?"
"Stop it," MC whispers, causing the boogeyman to snicker.
"What's wrong? Too scared to confront the truth?" It stops behind MC and leans close to their ear. "You're a monster, darling. How is anyone supposed to feel safe around you?"
MC clenches their jaw as a few tears escape their eyes, and I have to stop myself from launching myself at the boogeyman. Judging by the looks on Belphegor and Diavolo's faces, they're having a similar struggle.
"One day, everyone will come to their senses and realize that trying to keep you alive and sane is an unnecessary burden," the boogeyman continues. "Your death would benefit the greater good."
"Enough," MC murmurs. The boogeyman tuts in disapproval.
"Pathetic."
"I'm not pathetic."
"Sure you are. Why do you think the most powerful people in the three realms are interested in you? You're like a wounded animal that they can't help but feel sorry for. They don't actually care about you. They'll turn you out the moment you become too dangerous. After all, they can't have you slaughtering their own kind just because someone hurt your precious little feelings."
"Enough!" MC glares at the boogeyman. "I may be a freak of nature, but that doesn't mean that I'm unworthy of love."
"Is that so?" MC nods.
"I have thought about ending my life on many occasions, but each time these guys give me a reason to stay. If they didn't love me, they wouldn't even try." The boogeyman bursts out laughing, but instead of cowering, MC stands their ground.
"Oh, you're actually serious," the boogeyman states once it composes itself.
"Of course I am," MC replies. "My life is not a joking matter." The boogeyman rolls its eyes, but I can tell that it's losing its power. For one, it appears a bit smaller than it did a few moments ago.
"Furthermore, a literal reaper went out of her way to ensure my survival, even though I only knew of her existence a few days prior," they add. "If that isn't a sign that I'm meant to be alive, then I don't know what is." Silence. The boogeyman continues to shrink.
"And even if I feel helpless and weak, I know for a fact that these guys will support me every step of the way. I almost feel sorry for you, because you'll never know what it's liked to be loved by even one person, let alone several. You'll just be seen as a mere object, a tool at best." MC directly calling out the boogeyman causes it to screech loudly as it quickly disappear back into its chest. Once the lid closes, MC collapses onto the ground and begins sobbing.
I look up at Craxon, and he silently nods, granting me permission to comfort MC. Diavolo and Belphegor are close behind.
In my opinion, MC has earned their star of humility.
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