I KNEW THEY DIDNT KEEP A STRAIGHT FACE 🤣

Since Fake Pep has a few cat-like attributes like purring, there’s something I gotta know…

Does he knead like a cat?

well of course! isn't that an essential part of making a pizza?

those skills come pretty handy, until you're Peppino at midnight when a certain Fake decides he wants to share the bed with you.....

my mom really tried to make me a disney princess girl growing up as a kid and now when someone asks me who my fav princess is i say jim hawkins since he’s literally the t-boy blueprint disney protag save for like mulan

ANYWAY… i had never heard of disney’s trading card game called lorcana before until i spotted cards of jim and you know i had to get those. LOOK AT HIS GAY LITTLE ADVENTURE OUTFIT?!?! I WAS GOBSMACKED.

Hi Hello!

The recent chapter for The Neon Void had me dying again (as every chapter does /pos) and since I had to photograph some sketchbook pages for a school assignment, I decided to show you some sketches I did of your boy! Your son! The danger himself:

Excuse the random deer and some canon Donnies on the side (too lazy to crop lol) but YEAH! hope you enjoy crude little Void sketches :)

Have a wonderful rest of your day!!!

YO???? THE INK STYLE IS SO NEAT??? i also love the mask that is so fun kajsdlakdja THANK U SO MUCH 🩵‼️

“I love you,” Eddie says firmly. “Please stop saying that,” Steve begs.

A summer storm, Eddie back from beyond and outside Steve's house again, and this new thing between them that Steve's terrified to trust.

(inspired by this post)

bucchigiri?! episode 8 or as I like to call it - Matakara and the Terrible, Horrible, No Good, Very Bad two days :)

⋆.˚⭒⋆.˚ “…and i break down,

then he’s pulling me in,—

in a world of boys,

he’s a gentleman…” ⋆.˚⭒⋆.

“slut!” by taylor swift. alex and henry

Dont get on a mystic's warrior bad side.

Hey buckos, I'm on the train with people who believe that Mikey with his powers can be soft and beautiful and amazing as well as TERRYFYING and chilling. Especially once he gets to grow older in the middle of the war, many aspects of his personality will level out and my boy will be able to snap and when he does, oh that is impossible to describe (ok some amazing people describe it pretty well I'm jealous, and in awe and I thank everyone who describes Mikey in this special special powerful way cough cough @personne-writes f.ex)

I guess it is becoming a lil PNG series?

Oh btw today is World turtle day! 🐢

It’s been 7 years since Civil War and I still mourn for the Bucky Barnes story we should’ve gotten.

I mourn for how quickly they showed him integrated back into society after CATWS. One moment he’s almost killing his best friend... and the next moment he’s living on his own and seems just fine. Sure, he’s a little quiet and awkward and sad, but he’s mostly pretty normal. Outside of the first half of Civil War, there’s very little evidence at all that would lead anyone to believe Bucky used to be the world’s most feared assassin, who was trained and molded into the perfect weapon through unimaginable pain and psychological manipulation. This man spent the better part of his life as a ruthless, mindless killing machine programmed to do nothing more than follow orders. You don’t just walk away from that without being fundamentally and irreversibly psychologically altered. Even the removal of the trigger words wouldn’t change that.

To clarify, I’m not talking about his lingering feelings of guilt and sadness. I think Seb has done a great job with getting that part across at least. I’m talking about his behavior. About way he interacts with other people and how he handles situations. He doesn’t act like a formerly-brainwashed ex-assassin who was treated as less than human for literal decades and who, by all accounts, should have the most severe form of PTSD known to man.

I just don’t buy the Bucky we see post-CATWS and particularly post-Civil-War. I don’t buy that Bucky would be joking around and flirting and basically acting like Just Some Guy – a grumpy guy but still Just Some Guy – and his recent haircut sure isn’t helping the situation either. That he wouldn’t always be a little bit on edge, a little bit animal (kinda like the way we see him at the beginning of Civil War but then never again). That being in the heat of battle wouldn’t sometimes make him either shut down or completely snap and go into a violent fugue state where he subconsciously reverts back to the brutally efficient methods of the Winter Soldier (we almost got this in TFATWS but they couldn’t commit).

Now maybe he received some absolutely incredible therapy in Wakanda. Maybe it worked wonders on him! The problem is I don’t buy it because I never saw it. I never got to see him struggle to learn how to be a person again. I never got to see him fight back against the thing Hydra turned him into.

It just sucks because I love everything about the concept of Bucky and the Winter Soldier, but the parts they’ve chosen not to show or address are, in my opinion, the most interesting parts of his character. But more than that, the lack of follow through and disconnect between what he was and who he seems to be now makes it really hard for me to see him as a fully-realized person in canon. It’s like my brain registers perfectly who he was in CATFA/CATWS and even kinda sorta now in TFATWS, but there’s this giant chasm in between them that mentally feels like fuzzy static.

How long did it take him to fully shake off the brainwashing and conditioning? When did he start thinking of himself as a human being with agency again? Did he ever have to fight the desire to return to Hydra, the only thing he’s known for 70 years, or was it an easy choice? How long did it take him to start recovering his memories? Has he recovered all of them? Does he now remember everything that happened before and during his time at Hydra? How long did it take him to stop flinching at every sound and expecting Hydra to track him down? How long did it take him to relearn how to interact with people like a normal person? How did he afford food and shelter between CATWS and CACW? How and why did he end up in Romania? Did he travel there immediately after CATWS or did he live somewhere else first? Did he get actual therapy in Wakanda or did they just work their science-magic to remove the trigger words and send him on his way? Is the the soldier still in there? Does he still have to consciously stop himself from using deadly force every time he’s in a fight? Is that why he deliberately avoids carrying any weapons now?

I have so many questions.

Fortunately we have fic and fanon to help fill the void but we shouldn’t have to. Bucky Barnes is one of the most interesting and unique characters to ever exist. There’s so much good stuff to dig into here and it’s been wasted.

They squandered the original opportunity to explore this part of his character when they turned Cap 3 into an Iron Man film, a decision I will forever be mad about (fuck you RDJ/Tony for stealing Bucky’s movie), but they finally had the perfect chance to make up for that with TFATWS! Bucky was getting his own show (6 hours of content!), and with it, plenty of time to really dig into his psyche and lingering trauma! I had hoped to see him relapsing a bit and falling into old patterns. Or maybe being triggered by something and having a panic attack. Or even just talking about his time in Hydra and how it felt to be used like that and his struggles to regain his humanity afterwards (instead they fucking gave Hawkeye the emotional “I was a weapon” speech that Bucky rightfully deserved). But other than that opening nightmare, a few brief teasing lines from Zemo about the solider still being in there (which was never followed through on), and the shittiest excuse for “therapy” I’ve ever seen, we really got nothing.

From everything they’ve shown us, and particularly from the ending of TFATWS, it’s clear Marvel believes Bucky has already “healed” and there’s little left to discuss or explore and it makes me incredibly sad.

It’s a sensation felt on his back that he would compare to the soft ripples that come from the first few drops of rain upon the water's surface. The raindrops begin to fall more rapidly and eventually reach a point where it feels as though the sky opened up, releasing every bit of rain it contained at the same moment that the feathers are pushing through the surface of his skin with grace and ease and urgency. There's desperation in how eagerly they escape the confines of their hidden space, emerging much akin to how their avian counterpart emerges from the water after a dive.

i BEG you for intern @numberonezeefan with your internsona internactions

i feel like they would be friends since they're both sleep deprived little people

also did you see his redesign post or did he forget to post it😓

—markus' friend kieran / @numbertwodonfan

Won't stand for this kind of tomfoolery, this job is dangerous enough when you're not sleep deprived.

...I may have slipped a sachet of melatonin into his water bottle.

@numberonezeefan

This but make it GenRika👀⁉️

NO CUZ WHEN I TELL YOU I MELTED AND SQUEALED WHEN I FOUND OUT ABOUT THIS INFORMATION A WHILE BACK-

I can now ramble a tiny bit about the little thought that has been on my mind FOR MONTHS👏👏👏

Rika has a tiny garden of bonsai trees…each are gifted by her one and only💜 all sorts of shapes and colors, beautifully decorating their estate🥺…Genya even teaches her how to properly take care of them!😭💜💜💜

IT IS OFFICIALLY SAFE TO SAY, IN THE MODERN AU AND RED RIDING HOOD AU

HE LOVES TO GARDEN!!!🌷🪻🌻

My boo 🍒Cherri🍒LITERALLY ADDED THAT HE GARDENS IN THIS POST WITHOUT ME EVEN TELLING HER THAT IT WAS CANON😫🥺 BABY GORL KNOWS ME SO WELLL💕

How do you interpret US Papyrus? I'm always curious how others interpret him because there's a good range of them!

Ooh, in general?? Hm, I guess mostly the way I try to interpret him is sort of like if you gave UT Papyrus chronic fatigue and issues tied to having to act as the judge in his world! Which, to me, basically makes him very silly, kind, sassy, but also very insecure and very lonely.

I should explain- ough this is gunna be an essay so there'll need to be a readmore soon aha, but I should explain how the whole "judge" thing usually works in my interps!

It's not an inherent thing, or some "angel given" power, there has always been an acting Royal Judge, someone the crown had appointed that they felt they could, well, trust the judgement of, who they could consult about crimes and justice and whatnot. The prior judge Fell some years ago, but since Toriel/Asgore had already left, Asgore/Toriel never appointed another, as a sort of self punishment as well as a promise they would continue with their task of collecting the human souls without the assistance (or interference) of someone else.

That was until Sans/Papyrus came along. The "judging" effect was caused by one of the many methods Gaster used to make the brothers, involving the justice soul trait. This is where the KR came from, as well as the unique ability to "see" the sins in others' souls. After discovering this unique ability, eventually the king/queen asks Sans/Papyrus to act as the new judge (as well as some other reasons that vary depending on AU).

Now, the kr and "judge" ability manifested in Stretch much later than the sanses in non-swapped AUs, which made it a much more difficult transition that only made it much harder for him to socialize with others. He basically couldn't "turn it off", which, on top of feeling incredibly guilty about the invasion of privacy, made him feel anxious and stressed out and couldn't help but put the negative thoughts front and center in his attention, making him also feel like those were the most prominent thoughts and feelings of those around him.

So like, you know how anxiety and self image issues make you feel like everyone secretly hates you or finds you annoying or etc etc etc, basically, he had "proof" that was true, and despite trying his best to ignore it, things are already hard enough for a pre-teen/teen, on top of his physical health taking such the dip it did around that time, too, he quickly became anxiety riddled, isolated, and miserable.

Before then, he was actually a lot like Rus (UT) when he was a kid! And it was hard on Blue, too, since he was practically just a teen himself, so for all of that to land on his brother as well as needing to work harder to take care of him when he had bad health flares, things were rough for a while there.

That being said, Blue did help in keeping Stretch's mental health from completely plummeting, always trying to keep his mood up, encouraging him, trying to find him friends (how he met Undyne aka Sylv!), etc etc, and the brothers grew a lot closer in that time, as Stretch had always admired Blue, and it meant a lot to him.

That was until, of course, things never got any better. His health continued to decline into older teendom/young adulthood, and there was some personal drama here and there, especially involving Sylv, and when Blue joined the guard, that was the last straw. Stretch was sick of feeling like such a burden on everyone, so even though he'd initially turned Toriel down to act as judge (knowing his brother absolutely hated that she'd even asked him in the first place), he went back to her and accepted. That was really when the distance between the brothers started, which wasn't helped by the resets starting up soon thereafter.

(Quick aside, as he got older, he did get the hang of controlling his "judging" ability, and "turning it off" is no longer an issue for him later on)

So in his efforts to become more independent, he worked a lot on his social life and how to interact with others and make himself well liked. Sure, maybe he doesn't really have any real friends, and people forget his name all the time, but he'd finally learned how to utilize his heightened intuition to get along with people, rather than weird them out.

He’s still riddled with anxiety and self worth issues, but he’s gotten incredibly good at masking, and typically comes off as very relaxed and friendly. He’s a big fan of wordplay and very mild practical jokes (like those types of gags where you put on Groucho Marx glasses and pretend to be someone else. Blue always plays along for the bit), but he has a tendency to hold people at arms length, and tries to avoid others actually getting to know him.

Very few people know he’s the judge, and he prefers it that way, he'd rather everyone underestimate him so he never disappoints. That being said, he does still make quite an effort to help those around him without their knowledge, and he’s still lowkey very interested in engineering and computer science. Him and Rus are definitely two peas in a pod when it comes to interests, they could talk about comics for hours on end, but the primary difference is that Stretch tries much harder to hide how much he cares, where as Rus will shout it from the rooftops.

I'm not a big fan of the characterizations that make him a huge brat, sometimes even an outright jerk, I don't really understand them since neither Sans nor Papyrus are like that, but w/ my guy, he’s definitely a huge dork and sweetheart, who just also happens to be very sassy at times ahdjfjsksk

He also still holds on to his belief in others, like Rus. Even despite literally knowing better, he’s also been proven right too many times to lose that hope, which is why, in his fight, as opposed to UT Sans, he gets very quiet and looks miserable. He genuinely doesn't want to hurt them, but he knows he’s out of options. When he offers an out before the fight, he won't spring a surprise attack, and just offers a genuine hug. The player doesn't get a choice after accepting, they kill him, and his final words are pretty similar to Rus' about knowing they can do better, and he believes in them anyway, though he makes a comment about that sounding pretty stupid with a laugh before he collapses off screen.

WOW this got longer than I meant it to I'm sorry huge lore drop instead of just general facts ough BUT ! Idk, hopefully this gives a half decent feel for how I interpret him! I love him a lot I'm mixing him into a salad like a crouton <3

Blue Eye Samurai: regarding Mizu’s “plot armour” or her “ridiculously over-powered” abilities.

“Mizu is way too overpowered, it doesn’t make sense.”

I feel like a lot of people don’t realize just how much the mind over matter mentality plays a roll in Mizu’s “abilities”. Mizu isn’t the best because she’s physically the strongest, or had the best training, or the most experience, or whatever. Mizu is the best because she has single-minded focus and immense tenacity that borders on psychotic due to how intensely dedicated to revenge she has been for almost all of her life. All the years she spent training, all the time she spends taking out enemies, she is being driven by single minded focus and iron willed determination that never wavers. She has been sharpening and honing not just her body, but her mind, for exactly this. She has dedicated her entire life to her quest for vengeance, and in her own words, there is no room in it for anything else.

People also seem to be making a lot of assumptions about what kind of training and how much training Mizu has or has not had. As the audience, we’ve only been shown bits and pieces of Mizu’s past, which includes her experience learning martial arts. Asking shit like “how is she so good with a sword if she’s only self taught?” is like asking “how can she read and write if Master Eiji is blind?”. The answer is that Mizu has obviously learnt these things from more than one source, but documenting her entire education in detail doesn’t exactly serve a purpose to the narrative. We are explicitly shown in one of Mizu’s flashbacks that she’s been practicing with a wooden sparring sword since she was very young. It’s actually her child self that we see in that brief particular flashback. Not her teen/tween self, her child self. She’s also following the movements and instructions of an older man that is clearly a skilled samurai or warrior of some kind based on context (which y’all love to ignore). Besides, who else would want/need a sword from a master sword-maker besides an expert swordsman? How many skilled fighters from all over Japan have come to Master Eiji’s forge hoping for a blade, and wait with nothing better to do but train while their blade is being made? How many of them have divulged information about certain fighting styles (like Shindo-Ryu, which Mizu was familiar with despite never having been to the dojo before). Or practiced around her and with her? We are clearly shown through Mizu’s flashbacks that receiving training from a visiting client has not been unusual for her throughout her apprenticeship with Master Eiji, and her little spar with Blood Soaked Chiaki was no one time event. Yet Mizu is never given the benefit of the doubt by the audience, despite context clues indicating that she should be.

“Taigen has way more training in an actual dojo, so why is Mizu better?”

Whereas Taigen, while he was determined to become more than just a fisherman’s son and was driven to rise through the ranks of the Dojo and become a skilled samurai, did not have that same desire or determination to hone every part of himself to be the most deadly weapon he could possibly be, like Mizu did. Taigen believes in the samurai code of honor and upholds it in his own way (preventing him from learning how to “fight dirty” so to speak) and he also had a life outside of his training (he had a social life, he drank, he partied, he snuck around a lot to see Akemi presumably, etc). In fact, we actually never see Taigen practice, train, learn, hone his skills, or anything (to my recollection) throughout the whole season, until he’s bested by Mizu in combat. I’m assuming Taigen had to work quite hard for several years to become as good as he is, but I get the sense that ever since he has been regarded as a prodigy he has allowed himself to get cocky and maybe a bit too comfortable. He has always been the best and always thought himself to be the best, so he never needed to give 150% effort when he fought. In fact, as he got older and more practiced, and it became more and more apparent how much better he was than everyone else, he probably stopped giving his 110% and allowed himself to get a bit comfortable putting in 100% effort, and then eventually 80% effort (which is part of the reason why I think he’s so pissed he lost to Mizu in their first fight, because he knows he could have done better: been less cocky, been more tactical, more driven, etc).

We also never see Taigen meditate or mentally or physically prepare himself the way we do with Mizu. Mizu will pray before a major upcoming battle, not because she’s religious, but because she’s mentally, emotionally, and spiritually preparing herself. We even see Mizu submerge herself in very cold ocean water (during the winter mind you) as a ritual/practice of sorts that serves to center herself and prepare mentally and physically for what’s ahead when she feels herself getting “too emotional” or too stressed or unfocused or even just slightly off kilter. Mizu sacrifices every part of her life, so that she can be the deadliest version of herself possible. She has no social life. She has no friends, or significant others (Mikio aside). She has no other activities to participate in, because she’s been completely alienated and thus being anything but the best is not an option in her mind because she has no options. She tried married life. She had the best possible life that she could have had as a biracial woman in Edo era Japan. She did as she was told by her “mother”. She showed her true self to Mikio, just as he desired. Yet the blood and vengeance still caught up with her. She has no other options anymore. Pursuing revenge is the only thing she knows how to do, because every other avenue in life has been cut off from her. So she has to be single-mindedly focused on her vengeance, which means being as skilled and as dangerous as she can possibly be. She has no hobbies or jobs or responsibilities beyond sword-making (which allows her to become as familiar with the blade as possible) and training herself. If she has extra time, she uses it to practice, to train, to improve, to simply maintain peak performance. Such as when she was hacking through those trees in episode 2. Afterwards, we see Taigen attempt to replicate her training (by cutting down trees with his sword). Though even then, it was more about curiosity and trying to suss out Mizu so he could gauge her skill level, then it was about actually honing his own abilities (until episode 3 when he practices with Chiaki’s broken blade). Which does count as training in its own way (assessing your enemy), but my point still stands. Taigen does not have the same unwavering focus and force of will that Mizu does (partially because he does not actually want to kill Mizu, as we do see Taigen go cold blooded with focus when he kills Heiji Shindo, but those are whole other discussions).

“Mizu just has ridiculous plot armour, that’s the real reason she survives every encounter.”

I feel like people that think Mizu has ridiculous plot armour are just not at all familiar with the Samurai or Western/Cowboy sub-genres at all, or even action as an overarching genre on its own. I don’t believe I have ever engaged in a single piece of action media in which the protagonist didn’t have “plot armour” in some way. Basically half of all male protagonists from any and all modern western action movies ever, have been way too over-powered and been able to take a ridiculous amount of damage that should have killed them multiple times over. These action heroes (who in western media are almost always cis-het white men) have ridiculous plot armour in the most classic sense. Yet no one complains when it’s a white man. Only when it’s a queer-coded biracial woman of colour. Shocking.

In fact, you could argue that every main character in every fictional story ever told has plot armour to a certain degree, because having an entire narrative revolve around one character is inherently “unrealistic” and therefore the main character has plot armour, yes? No? Yeah, that’s what I thought. Oh, and on the topic of the samurai genre specifically (and many martial arts based action media) there are certain genre specific tropes that are nearly integral to the genre. One of the most prominent being the samurai/ronin/warrior/martial arts master that is “ridiculously over powered”. It’s literally part of the genre. In fact, the western/cowboy genre is quite similar to the classic samurai genre. Now, how many westerns have you watched in which Clint Eastwood or John Wayne shoot 5+ guys with one pistol before any of the guys they shoot even get a shot off? A lot I bet. Is that not the definition of “over-powered” and “unrealistic”? Or is it just a genre trope, or even perhaps, a genre staple? No one thinks Arthur Morgan (Red Dead Redemption 2) is over-powered. No one thinks that Joel (The Last of Us) is over-powered. In fact, when the TLOU show came out, people actually complained that Joel, the fifty-something year old man that has been living in a post apocalyptic wasteland for 20 years, was not badass or strong enough (he kills dozens of humans and super zombies and he’s legally a senior). So, who is the “judge” of what is and is not realistic in action media that borders on sci-fi/fantasy based on how “over-powered” the protagonists “realistically” are?

“It’s just weird that Mizu is so powerful when other characters within the story are not. It makes Mizu such a Mary Sue.”

Okay… so, with all that in mind, let’s circle back to where I started when referring to Mizu as someone driven by unwavering determination, and how that affects her “abilities”. That facet of her personality and motivation is nothing new when it comes to the action genre, especially for protagonists of revenge storylines. Think of Kill Bill or John Wick. Why does John or the Bride keep going and keep winning even when they are constantly getting injured and always fighting. Is it because they are simply that much better than everyone else? Yes and no. No, because they are not superheroes (technically), but also yes. Because their single minded determination and need for revenge drives them to push that much harder than anyone else on their skill level. They are the best, but they win against everyone else that is also “the best” because they want it more. They need it more. Mind over matter. They are willing to endure what others are not through sheer will and pure cold rage. Mizu, Beatrice Kiddo, John Wick, and so many more similar protagonists in action-revenge narratives don’t keep winning and keep getting back up no matter how inured they get because they are just “that much stronger and more talented than everyone else”. Yes, they are extremely skilled and would probably be one of the strongest and most deadly combatants/killers in their respective universes regardless… but their refined skill and raw talent and power are not the only reason they win. Their unwavering force of will, extreme determination, ice cold fury, and single-minded focus on revenge is what drive them to be that much tougher. Their tenacity is their superpower. They want to win more than their opponent does. They need to win, because this is their one and only goal in life as of now. Mizu (Blue Eye Samurai) Beatrice (Kill Bill), John (John Wick), they all share a philosophy in life when it comes to their revenge, which basically boils down to “Either I kill you, or I die trying. There is no middle ground, there is no negotiating, no other choice, no path of least resistance, no other goal or motivation. You will die, because I ain’t fucking dying until you do.”

Mizu doesn’t have plot armour and she’s not over-powered. She is an archetypical protagonist of the action-revenge narrative and the samurai/western genre as well. She arguably even has better reason to be completing the feats that she does than John Wick or The Bride, because the medium of Blue Eye Samurai is animation and not live action, and the genre borders on magical realism far more than Kill Bill or John Wick. Now, how many anime protagonists (probably almost all male) can you think of that are “ridiculously over-powered” especially compared to any live action counterparts, but no one complains about it? Why does no one complain about it (aside from misogyny)? Because the medium of animation inherently has different “rules”, expectations, and set standards for suspension of disbelief, than the medium of live action film or television. For example, is it ridiculous and unrealistic when you’re watching a Looney Tunes cartoon and Bugs Bunny’s legs pinwheel in super-speed for 3 seconds straight before he starts running, or when he runs off a ledge and gravity just lets him hang there for a sec so he can look straight at the camera before he falls? No, it’s not “unrealistic” or emersion breaking, not even a little, but why? Is it because any of those things seem even remotely probable or “realistic”? Of course not! It’s perfectly acceptable because the medium, genre, target audience, atmosphere, art/animation style, narrative choice, storytelling style, and more, have all established that Bugs Bunny defying physics is normal in Looney Tunes, and therefore not a “plot-hole” or “unrealistic”. In fact, if Bugs Bunny or Tom and Jerry didn’t defy physics in ridiculous ways all the time, then it feels far stranger and off-beat than if they did. Same goes for pretty much all action anime. If the characters in those stories were strictly limited to what is 100% humanly possible in real life, most of those animes wouldn’t even have storylines anymore. They’d be turned into completely different content that may be unrecognizable from the original source material. Or wouldn’t even have any material anymore because all the characters would be dead after their first fight scene. So why is Blue Eye Samurai being held to a different standard?

Now, do y’all get it yet?

You guys should try to actually analyze Julian’s character and not write him like he’s this obsessive alpha male dickhead. Just a thought