I saw your post on your dislike for the Sirens concept, could you expand on why you think comics Selina would not be interested in working with Pamela and Harley? Genuine curiosity.
on a very personal petty level it is kind of hard for me to get over the fact that selina and harley’s first meeting in comics involved harley slitting selina’s throat and drugging her to incite her towards violence 😭 i feel like selina at least at her post-crisis origins was very protective of her personal agency and control and abhorred anyone who would dare override it (and that interaction even ended in her saying as much, as did the book as a whole a few issues later) so while i’m sure you could argue the instability of harley’s mental state played a part in that interaction i’m not sure that selina would so easily overcome her suspicion and distrust
on a more general level though i don’t think selina’s scope of crime really matches up with pamela and harley’s at all. volume two’s a tricky book for me bc there are parts of it i like and parts of it i hate and something that definitely falls into the latter category is this idea that selina is so power hungry as to go to delusional lengths to acquire it and wreak havoc thereby. i imagine writers were trying to maintain her golden/silver age motivation about being the queen of the underworld but i do think more considerations needed to be made in light of her post-crisis revamp and more narrowed focus on survival (and even then selina’s golden/silver age crimes weren’t awful, mostly only cartoonish and silly; her silver age rendition made her murderous for some reason but i would ignore that personally bc her creators argued her mercy distinguished her villainy). it’s true there was a stick-it-to-the-man element that was a part of that revamp and that i’m sure was also partly used to draw the overlap between these three characters, but even then, i think what pamela and harley are willing to engage in is well beyond what selina is
modern selina’s very internally focused. she’s reactive more than she is proactive. ig you could argue she’s as loath to the system as pamela and harley are, but i don’t think she’s intent to waste her time or resources doing more than she needs to to live a comfortable life (so no investment in some impassioned mission statement like pamela, and no investment in over the top, excessive chaos like harley). even beyond that, she’s generally opposed to senseless murder. so overall i kind of fail to see why she would have an interest let alone the energy to engage with both of them. to me she’s very much a one woman show whose walls only occasionally come down bc she meets children who remind her of herself and whom she takes it upon herself to protect. maybe i could be open to her interacting with pamela and harley in a purely civilian context where she faux begrudgingly looks out for them, as she always does with her strays, but i don’t think she’d be interested in committing crimes with them
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I know that you talk about antiblackness amongst Asians, but can we step back for a moment and talk about antiblackness amongst Latinos because holy shit
https://x.com/bthetsunami/status/1730731475736375399?s=46&t=QiKHdDdvKoMxWGyakqTvxA
https://x.com/basedvasco/status/1730321408348369358?s=46&t=QiKHdDdvKoMxWGyakqTvxA
https://x.com/basedvasco/status/1730712739503558765?s=46&t=QiKHdDdvKoMxWGyakqTvxA
I know that there’s Afrolatinos, but people act like their existence disproves antiblackness amongst Latinos.
A couple of weeks ago a Mexican classmate dropped the n-word and justified using it because he was Mexican. I hate it here so much.
They’re holding hands and running through a field of colorful flowers when it comes to their levels of antiblackness and it’s not even funny. Sm of them love saying nigga and then when confronted about why they chose to use the word, all that they say is that “they’re Mexican,” or whatever, just like you said, and would be dead serious. Almost smugly. As if being a poc absolves them somehow and it’s just very sad.
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Man, I've been obsessed with the isekai trope lately. I've been imagining a scenario where the reader gets isekai'd into a yandere romance story as a side character. You're not the main character or a love interest. You replaced a nameless character who was solely created in the story to be killed off by the yandere love interests to further the plot.
After realizing that's the role you took on, you devise a plan to re write the story to keep yourself alive.
In the official plot, your death was the cause of getting too close to the main character. Your positive relationship with them was considered a threat to the yanderes, and so they wiped you out of the picture.
So, as any semi intelligent individual would do, you decided to avoid the main character completely.
I'd like to imagine the reader wasn't well informed of this story, didn't know who the yans were, and accidentally befriended them before they even got a chance to develop any feelings for the main character. You jumped into their lives before the events that led into the original storyline. Earning their trust and unfortunately causing some peculiar emotions in them to develop.
This fucks up the whole plot. I mean, that was your plan. You just weren't trying to fuck it up so bad that you unintentionally attracted multiple yans who decided you were the perfect match for them. You were a joy to be around. You were far more intertwined in their lives than the previous main character ever was. It was generic with them and their story. A boring, "yan see's their darling from afar for the first time and falls in love on sight." Type plot.
But with you, it was so much more personal. They grew to love you for way more than just your looks. They got to know you as a person before any sort of feelings of devotion could form.
This made their efforts to claim you so much worse than they ever were in the original plot. They were much more sinister and brutal. They usually only did massive amounts of stalking, blackmail, and the occasional murder when it came to the canon story, whereas they went all out for you.
Kidnap, murder, torture, blackmail, stalking, theft, harassment, etc. Everyone around you was a threat in their eyes. Everyone around you didn't deserve you.
By the time you realized what you've done, what you've created, its far too late to fix your mistake. You attempted to break off the friendships, avoiding them at all costs, closing yourself off and spending your time trying to find a way back to your original world.
But they don't take kindly to that. Not after everything you guys have been through. Before you could find the key back home to your world, you'd be whisked away, having your new world be the confines of your yans humble abode, away from society.
Bonus option: You attempt to bring the original main character back into the plot in hopes they could redirect the yandere back into chasing them and get them off your back. But why would they need this stranger? They don't know them like they know you. And they could care less to even try to get to know them. So, the original main character ends up taking on the role you were supposed to be. The side character who was meant to die to further the plot.
You're the main character now.
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