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zephyrrr101 · 5 days
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Totally not struggling between the choices of either writer or studying for exam 👀
How's everyone doing?
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zephyrrr101 · 6 days
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A take on Rhaenyra's usurpation and the coming line of succession
I don't usually take sides. I do not. And I'm sorry for the long scroll you've got to do. But reading the succession line page of Fire and Blood kind of makes me very sad.
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People can argue whatever they want but saying 'Aegon's ascent was disputed by his half-sister Rhaenyra' rather than 'Rhaenyra's ascent was disputed by her half-brother Aegon' is the worst thing that could happen to her.
Everyone can say whatever they want and I'll take your opinions in consideration, respecting it with grace, but Rhaenyra was the rightful heir till the end of Viserys I's reign. Whether it is the show or book, she remained being one. Despite Alicent doing it willingly or mistakenly, Rhaenyra does get usurped.
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This sentence here makes it quite clear that Viserys didn't care about what the Lords of Westeros thought and to be honest, as a king he really does not need to. (And it really does not goes into the point of Maegor doing as he wanted) The king's is the final word when it comes to Monarchy. If Viserys says Rhaenyra is the heir, she is the heir. Jaehaeyrs, named Baelon his heir instead of Rhaenys, Aemon's daughter, because he wanted to, he brought the Council of 101 because he wanted to. Just as Viserys names his daughter his heir because he wanted to. For if he didn't, had Aemma not died, had he not married Alicent, Daemon would be his heir. But this was his first and foremost decision after losing his wife and child.
Many say that if Rhaenyra couldn't bear to do sacrifices then she should have given up her claim but there is one thing that we need to realise.
Rhaenyra was the first ever woman to officially named heir.
Surely, there have been many women who were names heir presumably before.
Aerea/Rhaella Targaryen was heir to both Maegor and Jaehaeyrs.
Rhaena, Aenys' daughter, could have been also considered his heir until Aegon the Uncrowned was born.
But Rhaenyra's accession as the heir is pointed out in book being lavish and how many lords did bend their knee to her. Rhaenyra's accession as the heir and future reigning Queen was a way to open a door, to pave a path for all the other woman born in House Targaryen to be able to get the heirship.
It is not a small thing. It is a duty that she has been given. A duty not just for herself but for all the girls, all the women who might have been born before their younger brothers and could be passed over by them just for the fact of them being woman.
I won't say she didn't make mistakes. She did. But even as a character we need to understand that we read about a human. She did what she had to, to salvage from whatever she was given.
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She was given a shitty situation, to be honest. Married to a man who unofficially known to be gay, even the council knew of this when the matter of her marriage was called upon the discussion.
And to be honest, if I were in Rhaenyra's place, being given the ability to change the laws of succession, being able to prove that I could be better than what everyone thought if me, even I would give up my stubbornness and deal with hand that I'm dealt with.
Rhaenyra had more to lose than anyone in this situation. And she would not only bring herself down in this situation but also the other women who would come after her too.
And that's what exactly happened even after trying everything she could.
The line of succession page in the first two images is exactly what ends up happening because some people couldn't bare the thought of Rhaenyra, a woman, ascending the throne.
Because either willingly or mistakenly, Alicent Hightower wanted her blood on the throne as Viserys himself says this in the book.
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When we read this highlighted line, we must understand this that Alicent either had talked to Viserys about it or showed it from her actions. And this is being talked pointedly about the book. Not the show. The book.
Rhaenyra's refusal to accept Aegon's accession is no way wrong. She is the rightful heir. It is her right. Something she is given by her father. Something her father didn't want another person, much less his own sons, to have.
And this is usurpation.
This usurpation, The Dance Of The Dragons, it leads to the future kings, Viserys II and his council to consider not putting Aegon III's daughter Daena at the throne after all her older brother were dead. He rather installs himself as the king and then his son, Aegon IV.
Of course, she and her sisters were kept away from the world, all the thanks to Baelor the idiot (I refuse to call him blessed), she could still have learned. She was loved by small folk. Some lords even supported her. But only because her grandmother had been usurped, only because men were too afraid of what would happen if she were to become a reigning queen, too plauged with past to even do the right thing, she too was passed over for her Uncle.
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Well here ends my Ted talk.
And for my works and a very shameless self-promotion here's my masterlist
Lots of love 💕
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zephyrrr101 · 6 days
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You want me? Check into my level of insanity. 🤣🤣🤣
no i will not make separate blogs for my fandoms, everyone who follows me must experience ALL my insanity
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zephyrrr101 · 6 days
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I did this too and I don't regret it. At all.
god daemon is the worst. i adore him
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zephyrrr101 · 6 days
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This combined with the fact that even Alyssanne Targaryen, Jaehaeyrs I's sister wife had golden hair of her maternal grandmother Alarra Massey rather than the typical silver gold hair of Targaryens.
I really detest the show for changing Rhaenys' hair color because in the books there is literally no proof for other to say Rhaenyra's sons are bastards when Rhaenys stands there with her dark hair.
So this whole 'if rhaenyra insisted on having bastards then she should at least have chosen someone who looked more targaryen/velaryon' argument actually doesn't make much sense when you think more about it. This idea that the problem with rhaenyra having bastards was that they had dark hair, like if they didn't there wouldn't be a problem, it was the dark hair that gave them away and caused suspicion etc. I feel like some in the fandom, and I also think the show can be a bit guilty of this too, assume that the white hair and purple eyes of the targaryens are a dominant trait like the baratheons black hair, but actually it's not. There are several targaryens who don't have the white hair, baelor breakspear targaryen had his dornish mother's dark hair which he in turn passed on to his son valarr, elia martell's daughter with rhaegar targaryen, rhaenys, also had dark hair as did jon snow. Another rhaenys that had dark hair, at least in the book, is the rhaenys from hotd, and I'm sure there are others too. In fact the only reason these 'targaryen' features were common amongst targaryens was because of the inbreeding.
This is where I think hotd messed up with the character design of rhaenys because, as I said above, in the book she has dark hair on account of her mother being a baratheon. If they had kept rhaenys dark hair then whenever anyone questioned jace, luke or joffrey's dark hair, rhaenyra could just shrug and go they get it from their grandmother. Even though they changed how rhaenys looked I do still wish that we had seen rhaenyra play the 'it's their baratheon genes coming through' angle in the show because it's the most logical explanation she could have given.
Another thing that I find kind of amusing about the assumption that the targaryen genes are dominant like the baratheon genes is that the founder of house baratheon, the very first baratheon, was orys baratheon who was actually a targaryen bastard himself, born from the same targaryen father as aegon the conqueror. So dark-haired targaryen bastards have existed since aegon the conqueror came to westeros and baratheon dark hair genes have been cancelling out the white hair of targaryens from the very first time a targaryen and baratheon crossed bloodlines.
So I don't think rhaenyra having dark haired children should be that big of a deal when they have close baratheon relatives and again I really wish the show had played into that more. I think the suspicion should have more been centered around maybe their facial features looked like harwin strong's, they had the same nose or the same mouth shape, but them merely having dark hair should have been a non issue in my opinion. Also where exactly would rhaenyra have found someone with targaryen/velaryon features who she could also trust to keep quiet about it afterwards? Just practically I don't think that makes sense nor would it have been safe for her or her children, so choosing someone who had similar features, ie dark hair, like a baratheon which could be explained away due to her sons having baratheon blood through rhaenys, was the most logical next step.
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zephyrrr101 · 7 days
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I don't know people think like me or not about this but Matt Smith in this episode during this scene looked beautiful.
Ethereal. It was like seeing a blonde, long haired Ares. Just so pretty. Specially the second still on the right side. It is hard for me look away.
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House of the Dragon S01x03: Daemon Targaryen (1/2).
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zephyrrr101 · 7 days
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So in my next episode of I just can't stop talking about Dune part 2, lets talk about the ending scene, specifically about the positioning of the characters during the duel and kiss the ring scene, because I think there's some really interesting symbolism there.
At the start of the scene we see everyone enter the room and take their places and what is interesting is the characters are in groups with each representing part of Paul's journey. The best image I could find of where everyone is positioned is this wide shot where everyone is bowing to Paul towards the end of the scene:
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It's not the best image but you can just about make out that on the left, where the blue arrow is pointing, you have Chani and the Fedaykin, then in the middle along the back wall, where the orange arrow is, you have Jessica, Gurney, Stilgar and the fundamentalists and then finally on the right with the black arrow is the emperor, irulan and the bene gesserit. Three separate but important groups.
Just before the emperor enters, Paul approaches Chani and we get that exchange, 'this isn't over yet' and 'I'll love you as long as I breathe." To me its really interesting that this final showdown starts with Paul directly in front of Chani, looking at her, with his focus on her. Another interesting detail is that when the emperor enters Paul does not immediately turn to face him, in fact he stays looking at Chani, lingering on her, even when he first begins to speak his focus still remains on her. It is only when he says that the great houses may be curious to hear his side of the story that he begins to move. Again it's interesting that its when he is talking about 'his story' that he moves across the room and that story or journey is visually set out for us. He starts with Chani, expressing his love for her, the fedaykin are also there, the people who took him in and accepted him as one of their own, they very much represent the path that he had chosen for himself. The path that he then steps away from.
Paul begins to approach the emperor and as he does we see him walk past Jessica, the mother that he followed south, whose footsteps he followed in when he drank the water of life leading to him becoming the kwisatz haderach, Stilgar the man who was constant in his belief that Paul was the Mahdi and who became teacher to him, helping him learn the ways of the fremen, Gurney who is a connection back to his identity as the son of Leto and the house Atreides, and the fundamentalists who became the army that he was able to control in order to overthrow the emperor and who will also fight the holy war.
Finally he arrives in front of the emperor and his daughter, the final obstacle in his way, his way of getting vengeance for his father's murder and, through his marriage to Irulan, the title of emperor of the known universe. Of course the emperor isn't going to give up his throne easily which is when we have the duel between Paul and Feyd and once again their positioning throughout the duel is interesting.
At the start of the duel Feyd is positioned here:
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You can see he is standing in front of the emperor and irulan, who are outlined in the grey box. Also if you turn the exposure up:
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You can make out the bene gesserit there as well in the black circle. This is a visual representation of what it is Feyd is fighting for, he is fighting on behalf of the emperor but his end goal is that he wants the emperor's throne for himself. The way he gets there is the same way paul would, marrying the princess. The bene gesserit being there also shows how they are on Feyd's side, they know how to control him and so would rather have him as emperor and as a prospect for the kwisatz haderach than paul. So in the shot above we have Feyd, and then a visual representation of what he is fighting for but also everyone that is depending on Feyd winning this duel.
The same can be said of this shot here of Paul where you can clearly see Chani (in the blue circle) and the fedaykin behind him:
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Like Feyd, Paul's ultimate goal is to be emperor, however whilst Feyd wants the throne for his own selfish reasons, I think for Paul his motivations are that he wants to protect Chani and the Fremen. Paul has seen multiple futures thanks to drinking the wol and he wants to guide them down the one where all his friends and loved ones live. But once again we are being shown a shot that represents what Paul is fighting for and the people whose fates are depending on him winning this duel.
So at the very start of the duel, the two sides are clearly set out and we know what the stakes for each side are. I also like how they are both almost standing guard over the side they are fighting for, like a shield protecting those behind him.
As for Jessica, Stilgar, Gurney and the fundamentalists I do think its intriguing that they are kind of separate in this scene, they way they are position makes it seem like they are almost an audience in a theatre watching to see how it plays out. I did wonder what significance this might have as they do still have stakes in this fight. But I think, and I could be wrong this is just speculation, I think it might be because even though they have stakes in the who wins the fight their fates are already sealed. I think at this point irregardless of who wins they will still unleash a holy war on the universe, the only difference would be whether Paul is actually leading them or whether they are doing it in his name as an act of vengeance for his death. Whereas the emperor, irulan and the bene gesserit's fates still depend on whether paul or feyd wins, if paul wins they lose their power, if feyd does they can control him and stay in power. Chani too I think her fate is dependant on who wins once Feyd takes notice of her, if paul wins she has choices, stay or leave (and she choses to leave) but if feyd had won you can bet she would have been taken by Feyd as some kind of prisoner of war or pet for him to play with. But like I siad that is speculation on my part.
Throughout the duel itself there are also some interesting positions and symbolism going on. For example at first when they are fighting and are evenly match they maintain their positions of Paul being in front of Chani and the Fedaykin and Feyd in front of the emperor etc. However if you watch closely whenever it appears like Feyd is getting the upper hand on Paul and like Paul may lose its whenever Paul is on the side of the emperor. When Feyd knocks him down, Paul is in front of the emperor and lands pretty much at the emperor's feet.
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I interpreted this as showing Paul's downfall, showing how he lost his way, it was his pursuit of revenge against the Harkonnens and the Emperor, his desire to claim the throne, that pulled him onto the darker path he is taking. It's again that visually representation of what Paul is going through emotionally/internally. We are seeing him being pulled and pushed away from Chani and the Fremen and that life that had made him happy and being, quite literally, thrown onto this path of becoming emperor and starting the holy war.
It can also represent the emperor's and Feyd's on desires to see the House of Atreides quite literally brought down, laid at the emperor's feet and defeated. It's like we are getting a glimpse of what one potential outcome/future could have looked like, Paul defeated.
Another way you could look at this is that when Paul is kicked to the floor, Feyd is now in between Paul and what he is fighting for, his motivation for fighting. I mentioned earlier that to me their positions at the start of the fight were like they were guards, well now Feyd has broken through that shield and is a direct threat to those Paul loves.
Paul falling down at this position also means that he is now directly facing Chani and the path he's left behind. It is as Feyd approaches Chani, a looming threat getting closer and closer to her, that Paul finds the strength to get back up and continue the fight. Seeing the threat to Chani makes Paul move away from the emperor and towards her and Feyd. I think this shows the shift in Paul's motivations and what is keeping him fighting, what is giving him strength, at first he was fighting to get revenge and the throne or at least I think that was his priority, there were other reasons too but in the moment it was his wish for justice that was driving him, but here it shifts to wanting to protect Chani from a more immediate danger, I said in another post that at this moment dying is no longer an option as it will leave Chani vulnerable to Feyd if he does which is something Paul will not let happen.
Another interesting moment is that when Feyd stabs Paul he first drives him backwards, back towards the emperor, so similar to when he is kicked down the first time, we have this imagery of Paul losing and him standing with his back to the emperor and the bene gesserit, the people who have been the cause of his suffering, and who represent this path of becoming the kwisatz haderach, the madhi and the holy war etc. When they are closet to the emperor, Feyd pushes the knife in deeper.
But then Feyd flings Paul away from him and Paul stumbles back so that he is once again standing with Chani and the Fedaykin at his back. As Feyd menacingly approaches him to finish him off, instead of focusing on the incoming threat Paul looks to Chani, to get a reminder of why he is fighting, why he is doing this and to draw strength from her. When he finally defeats Feyd it is again when he is standing closer to Chani.
I just think its really interesting that during this duel whenever Paul is at his lowest we are shown him on the side of the room with the emperor, bene gesserit, the people who are seeking to destroy him, and then when he is at his strongest and at his moment of victory in the duel he is standing on the side of Chani and the Fedaykin, the ones who give him strength and who he loves.
Once he's pulled the knife out we see him once again look to Chani, all of these looks to me make it very clear that she is his motivation behind his actions, he's doing it for her, he's doing it all because of that vision he had of her death, to keep her alive, which is really heartbreaking because its his actions to keep her safe and alive that are breaking her heart and that ultimately cause her to leave him. But I digress.
After this look to Chani we then see him repeat the same journey we saw him take at the start of the scene. He starts close to Chani and the Fedaykin, crosses the room passing Jessica, Stilgar, Gurney and the Fundamentalists and arrives before the emperor. Only this time he completes the next step, making the emperor bow and kiss his ducal ring.
When everyone else in the room bows, three stay standing, Princess Irulan, the woman who is his key to the throne, Chani, the woman he loves, who taught him the ways of the fremen and the desert and Jessica, his mother who fuelled his legend amongst the fundamentalists and trained him in the ways of the bene gesserit allowing him to become the kwisatz haderach. Not only is it symbolic that its these three women alone that remain standing but their positioning is again really interesting.
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They are each a point of a triangle. Triangles have alot of symbolism and often represent three sides of a whole or a cycle. There's religious connotations to it too with the triangle often being used to represent the holy trinity in Christianity. Some meanings that I think could be relevant here though is the cycle of birth, life and death. Jessica representing birth, she is his mother but also she orchestrated the 'birth' of the kwisatz haderach in the south. Chani I think would represent life, she was the life he chose for himself. Then Irulan would represent death, she's the key to the throne and the Paul we knew had to die in order to become the man he is now. She represents the death of his old life.
Another meaning is beginning, middle and end, its similar to the life cycle triangle but this one is a reminder that everything has a process, there's the start, the journey and the end. I think this ties in well with what I was saying about how Paul merely crossing the room showed his journey throughout the film. So too does the positioning of each of these women in his life. Chani was the start of his journey, where he learnt from her, where he fell in love, then he drinks the water and becomes the mahdi, represented by Jessica and it ends with Irulan and him becoming the emperor.
Triangles can also represent protection, power and strength which I think each of these women provide Paul in their own unique ways. They can also mean creation which you can argue that each of these women contributed to who he is and has become, in a way they are the ones who have created him.
What is ironic is at this moment as the emperor is bowing, Jessica communicates with Mother Mohiam and tells her she chose the wrong side to which Mohiam replies there are no sides. I just found this kind of funny considering the room is set up into three very clear sides.
But anyway, moving on, after the emperor and everyone bow we then see Paul, yet again look back to Chani, even after everything he still can't completely let go of that link back to who he was, the life where he was happy and loved as a man and not a prophet. But then Chani walks away severing that last link. Paul keeps his eyes on her until she is completely out of sight, then he half turns, looking down and closing his eyes so that he is front on with the fundamentalists and Jessica. It is at this moment that Gurney tells him that the great houses are refusing to honour his ascension. Paul then turns his back to Stilgar and facing Irulan and the emperor, he looks to the floor and takes that final step when he says lead them to paradise, unleashing the holy war from his nightmares onto the universe. His only hope now being that the fundamentalists believe in him enough that he is able to control this war in his own favour. I think its significant that Paul turns his back to Stilgar, the friend who became a fanatical follower, and looks down to the floor at this moment of declaring the holy war. It's indicative of his shame, of his pain and shows how much its hurting him to make this choice, so much so that he can't look at the fremen as he gives the go ahead.
Honestly I could be looking into this way too much but on a rewatch of the scene I just found it all very interesting the way it was all laid out and how Paul navigating the room seemed to reflect his own personal journey from Paul Atreides to Usul Maud'dib the fedaykin to the Lisan al gaib to the emperor of the known universe and how that is reflected in the people around him.
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zephyrrr101 · 8 days
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reblog if you’ve read fanfictions that are more professional, better written than some actual novels. I’m trying to see something
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zephyrrr101 · 8 days
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The devastating difference between how much time it takes to write something vs how fast people read it lol
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zephyrrr101 · 8 days
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zephyrrr101 · 8 days
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at the core of my being i'm a girl that loves sitting on the balcony
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zephyrrr101 · 12 days
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Me with every fandom I join
I fell in Love with you the day i met you. Since then you have my heart and my soul is still connected to you. There are times where i literally crave you and can´t stop thinking of you.
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zephyrrr101 · 12 days
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Moral of story: Daemon is interested in his family Tapestries
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KING OF THE NARROW SEA (1X04) THE LORD OF THE TIDES (1X08)
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zephyrrr101 · 13 days
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ATTENTION EVERYONE!!!!!
The person who reblogged this from me needs a hug. Reblog to hug the previous person. 💕
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zephyrrr101 · 13 days
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Since GOT fandom is already here
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really love dynamics that are like 'it honestly doesn't matter if you view them as romantic or platonic, the point is that they love each other. the type of love is inconsequential, all that matters is that it's there'. gotta be one of my favorite genders.
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zephyrrr101 · 13 days
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AAAAAAAAAAAAAAAAAAAAAAA
RYAN AND HUGH! RYAN AND HUGH! RAYANANDHUGHRYANANDHUGH!!!
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Deadpool & Wolverine dir. Shawn Levy | 2024
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zephyrrr101 · 13 days
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God this is brilliant. I always love Demon Dean. Normally it's self he's scary but this is awesome. Loved it.
HIDE N SEEK’ / DEMON!DEAN WINCHESTER
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Pairings: Demon!Dean Winchester x Fem!Hunter!Reader
Summary: Sam had placed you in a safe home when learning that Dean had somehow gotten away. But Dean promised you, a few games have to be played, and maybe you might just get away. Silly you, a Demon never keeps his word.
Warnings: Dark themes per usual, established relationship, chasing, taunting, use of force, threats & anger, hair pulling, threats, dacryphilia, sexual implications, vulgar language
Word count: 1.7K Words
A/N: Here it is! My first Supernatural fic, I’m so excited to write for these two! I'm still on season one so forgive me for any inaccuracies <3
Gif not mine, credits to the owner!
Your heart was beating erratically, and rightfully so.
The literal demon version of your own boyfriend, Dean, was currently chasing you around your place. So much for safe home.
“The more you run, the more angry I get Y/n/n.” His voice sent chills down your spine but you knew you had to keep going. You rounded the corner and grabbed the stair case banister to haul yourself upstairs. You could hear his footsteps, loud and clear.
“I gave you a chance, remember that.”
The house that was now trapping you inside, used to be your safe haven.
“Why won’t you just tell me what’s going on Sam?!” His eyes wouldn’t meet yours, the entire time he drove. Sam’s knuckles kept wrapping around the wheel, his knuckles were white and his grip unrelenting.
You’d met Dean not long ago, whilst you were still a baby hunter. Only a year had gone by since you’d lost your best friend whilst she and her boyfriend were on a hunt. It was your first time, and when you’d found out about the supernatural world. A wrong swing, a sharp knife and the dark of night caused her to pass away that night.
You were thoroughly traumatised from losing someone you were so close to, and the job wasn’t complete yet. But Jake called in reinforcements, in the form of Sam and Dean.
From then you’d continued to keep in touch with them, mostly Dean, talking to him helped you immensely when dealing with the pain of losing someone you loved. And when you’d run into them in California, and Dean asked you out, you were jumping for joy.
Within the two weeks you’d spent with them, hunting, travelling and living, you’d never felt happier. So when Dean asked you to stay with him, to be his?
You agreed with no hesitation.
But with a sick family member, you drew back. It’d been over a month and in that time you’d missed so much. So when your family got better and they all dispersed to their rightful places, you were surprised when Sam all of a sudden came to pick you up.
And you’d wound up at your safe home. With no explanation and a lack of communication, you found yourself lonely. Dean never reached out, Sam only checked in on mornings to make sure you were okay. Sam had literally taken your phone, giving you another with only his number.
Of course you’d asked questions, but you trusted Sam. So when he told you it was for the best? You’d listened. You’d wanted more information, but not like this.
The ringing of your phone had awoken you that night, you groaned as you turned over glancing at the alarm clock to your side.
3:30am.
“Sam what—,”
“Are you okay?”
You furrowed your eyebrows as you sat up in your bed, “I’m fine, what’s up?”
“You need to check the doors. The windows— god everything. You need to make sure you’re safe. Do you have access to your weapons?”
“No, I left them in my car. Most of my weapons stash is downstairs, I only have a few handguns and knifes in the bathroom. What’s wrong Sam?”
“It’s Dean, I’m so sorry I didn’t tell you Y/n. He’s not safe, he’s…” You got up from your bed, heading downstairs. You needed water if you were going to continue with this weird conversation.
You refrained from rolling your eyes, what hell is up with the dramatics? “He’s what Sam. A vampire?” You joked whilst grabbing a glass from the cupboard.
“Nope, not a vampire sweetheart.”
The glass shattered on the floor at the sound of his voice, it’d been far too long since you’d heard it.
‘Y/n? You still there?’ His voice was so close yet so far.
‘'Y/n? Is he there?" His voice was so close yet so far. Dean’s eyes were dark and black, nothing like the green you found yourself loving everyday. As if the eyes weren’t enough to tell you something was wrong, the hammer in his hand and the dark expression on his face.
Demon. 
It was the one word that seeped into your mind from Sam’s screeching through the phone. Dean’s smirk made your heart beat faster. "If I was you sweetheart, I’d get to runnin’."
So you did. 
With all the energy your drowsy body could muster, you ran past him and into the dining room before turning the corner. His taunts followed as you turned a corner, only to be met with a hard chest. “You’re making this too easy baby. How bout’ this, you hide and I seek. And if I catch you,”
You tried to pull away from him, but Dean was stronger now. “If I catch you, well you don’t wanna know.” His eyes flicked from green to black, and your heart dropped. His grip faltered and you took it as your chance to go. You ran to the back door, only to find it locked.
“Thought I told you to hide?”
“Shut up! I’m not playing!” You shouted as you ducked behind the kitchen counter, hopefully he hadn’t seen you by now.
As you peaked from behind you noticed the black boot by your foot, “You always looked best beneath me.” A wave of disgust rolled through as you grabbed onto his leg and pushed, swiping it from underneath him.
You ran back to the stairs.
“I gave you a chance, remember that.”
The words echoed through your head as you ran upstairs into your bedroom when the alarm system began blaring.
A bit late for that, you thought.
The crimson red seeped through the whole home, indicating an intruder. Shivers went up your spine at the thought of a demon chasing you, red consuming you.
You were a hunter, yes. But not emotionless, so a literal Demon chasing you through your home with the face of your boyfriend was more than enough to cloud your judgement. On one hand, all you can see is Dean. You can stare into his eyes, whether they're green or black, you can see the familiar stature that always cuddled you.
You could hear his voice, and boy was it hard to not listen.
Leaning against the door, you closed your eyes and breathed heavily in an attempt to calm yourself down. Was Sam on his way? Or were you defenceless against him?
As you calmed down, your eyes widened in terror. The bathroom door to your right was open, and led right into your room. You scrambled to your feet and rushed to the door but were knocked back down.
You were right, a Demon's much more menacing with a red glow. he was entering the bathroom with a smile on his face.
"There you are, sweetheart." He raised his arms outwards in a mock hug, those open arms were usually your safety. But now? You weren't so sure if they'd be the best place to be.
"Now I told you not to run, you can't get away. Be realistic baby." His footsteps were slow and menacing, but he hadn't entered the room yet. Your eyes flickered momentarily to the door, and an idea rushed through your mind.
Dean seemingly caught on, "Don't you dare—,"
The slamming of the door cut him off as you swiftly rose to your knees, turning the lock. A sigh of relief escaped your lips as you got up with the help of your bed. "Okay, now I'm mad."
And you sure as hell were not in the mood to experience it. So you slowly tiptoed over to the bedroom door, unlocking it. The eerie silence did nothing but raise your heartbeat. Where was he?
You turned to look back at the bathroom door, you couldn't spot any shadows. Either you barricade yourself upstairs and pray for a miracle in the form of a certain Winchester, or you take your chances with the stairs and risk getting grabbed.
You had a good feeling about the stairs, and if Dean was following then you'd for sure hear him with how loud his steps were, right?
The bedroom door closed behind you as you slowly made your way to the top of the stairs. You couldn't hear anything, or see anything besides red. So you ran.
With each step your faith in getting away was renewed.
But as you made your way to the ground an arm harshly dug into your stomach as you screamed. "Told you I'd getcha." You squirmed in his grasp, clawing at the door to pull yourself away from him. "Keep moving like that and I'll crush your skull in." That got your attention, your arms dropped to your side as you stood on the ground.
"Always so good for me baby, yeah?" You shook your head as he chuckled, "You don't want to be my good girl?" His voice was hot in your ear, and his words went straight down to your--
"I'm talking to you." Dean spun you around, you were chest to chest now, his eyes bore into yours as he awaited a response. His stare was too intense so you settled for staring at the ground. He didn't like it.
His hands dug into your chin, forcing you to look up at him, "Yes or No?" Your lips inched closer to his as he grinned, "Missed me have you?" The distraction was all you needed, the hunter in you telling you to run. Dean groaned as you ran towards the door having swiftly kneed him in the groin.
As your hands fumbled with the latch, a hand twisted around your hair before yanking you back, "You bitch, you think you're slick?" You cried out as he climbed ontop of you, his eyes flashed back to black as a scowl overcame his face.
His hold never relented as he dragged you upstairs, “Please Dean!” Despite your pleading he continued to walk, your pleas seemingly driving him. “You want to be a bitch? I’ll treat you like one.” You wheezed as you made impact with bed, courtesy of Dean’s harsh push.
You turned over, trying to crawl away as his hand wrapped around your ankle, “Stop!” His chuckle was deep and his hand bruised you. You couldn’t help the tears that ran down your face, this wasn’t your Dean.
“Fuck you look pretty when you cry. Y’know, I’ve missed this.” His hands ran down your stomach, and back up your chest as you attempted to shimmy away. A hand wrapped around your hip, digging in to hold you down.
“Missed these tits too.”
Your eyes widened as his hand unbuckled his belt.
“We’ve got time to spare, right?”
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