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#zutara should have been canon
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The Fortune in The Fortune Teller
This is an isolated look into this specific episode.
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The Fortune Teller is the 14th episode of book 1 of Avatar: The Last Airbender. It is famous for supposedly developping the show's romantic subplot between Katara and A\ang. The episode does two things: A\ang attempts to flirt with Katara, and Katara is finally willing to consider him as more than just a friend.
However, I believe that this episode could have masterfully foreshadowed the pair not getting together in the end. In this essay I will detail how each step the episode takes towards a Kat@ang endgame is actually foreshadowing the opposite.
1. Katara and the Nature of Destiny
In the beginning, the Gaang meets a person getting attacked by a bear. He is acting incredibly passive, simply dodging the bear's attemps at his life. Then, A\ang and Appa interfere to help the man. When the Gaang questions him on why he was so passive, he says it's because the Fortune Teller told him he'd have a safe journey. They then have the following exchange:
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The man's logic is obviously flawed. If the Gaang didn't interfere, if the man continued to passivaly dodge, the bear would have attacked him. Fortune and destiny come from agency – from actively shaping them.
However, Katara is delaited at the prospect of seeing the future. Her and the Gaang go to meet the Fortune Teller, Aunt Wu. Aunt Wu tells her she'll marry a very powerful bender. Later, she comes back asking more details about her future husband. Remember her excitment, fantacising about her future husband:
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After that, Katara becomes somewhat reliant on Aunt Wu's prophecies. She goes as far as to ask her what she should eat.
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And she obeys her "prophecy", despite not wanting to. She became like the man from the beginning. She knowingly follows the fortune even though it doesn't make sense. She had given up on forging her own destiny.
Although by the end of the episode, she is no longer in this state of reliance, she still believes in the prophecies. Then, Sokka says that A\ang is a very powerful bender. This reminds her of what Aunt Wu said about her future husband. I don't want to cherry pick, so I took 4 different pictures of her face when she realizes A\ang might be the powerful bender she is to marry:
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With the look in her eyes, with her mouth tilted down and with the ominous music, this could easily be read as disappointment. Especially when remembering how she fantacized about the powerful bender earlier in the episode. She doesn't smile, but looks concerned. As if she doesn't want this. Earlier in the episode, she says this:
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A\ang is like the papaya. The fortune says he's right for her, but Katara doesn't want him. Now, she isn't like the man, passively dodging the bear attacking her. She shouldn't sit and wait for the prophecy to come true point blank. She has the agency to shape her own destiny and not to choose A\ang as her future husband.
2. A\ang, Meng, and First Crushes
In this episode we're introduced to a girl named Meng. Aunt Wu told her she'd end up with someone like A\ang, and so she developped a one sided crush on him. Throughout the episode she attempts to talk to him, all to no avail. Because A\ang is not interested in her.
Interestingly, her one sided crush is directly paralleled to A\ang's crush on Katara.
Exhibit A:
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Exhibit B:
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Exhibit C:
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Please note that in exhibits B and C in particular, there is an emphasis on the other party not reciprocating their feelings.
In this parallel the show draws, A\ang is Meng, the younger, shorter one the one who is in love; and Katara is A\ang, the older, taller one who... *checks notes*... doesn't reciprocate.
But in the end, A\ang and Meng have a heart-to-heart.
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Sometimes you'll like someone, and they aren't going to feel the same way, and even though it's hard, it's okay. They're young, just kids having a crush. A\ang responds to this with "I know what you mean". Because he, just like the audience that watched the parallels, knows that Katara likely doesn't return his feelings.
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In conclusion, The Fortuneteller could have been brilliant foreshadowing to Kata\ang not being the endgame couple, and it would have done so through beautiful, mature lessons about first loves and destiny. Thank you for reading.
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firelxdykatara · 8 months
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it really is genuinely so funny how obsessed zk antis actually are with the ship. like there's a lot of embarrassing shit i'll get up to on main but one thing you'll never catch me dead doing is wasting the energy to create an entire blog and maintain it for over a year, dedicated to nothing but talking about a ship i allegedly hate.
and if i had a nickel for every zutara hate blog i've seen over the years, i might not have a lot of nickels, but i'd definitely have more than a handful, and it's very weird that it happened a lot more than once lmao
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theejael · 2 months
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something something ah shit here we go again
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Colin Trevorrow would made duel of the fates as worse if Poe and Rey together depsite little chemisty, draco and hermoine didnt have chersity depsite pairing is pouplar and i roting for zutura
Yep the Rey and Poe relationship would have been so bad. They only met for the first time at the end of the previous movie. There was no build up. I just don’t understand why Colin Treverrow thought it was a good idea to put them together? She had an established relationship with both Ben and Finn... but he was gonna put her with Poe?? 🤷‍♀️
I can see the appeal of Draco and Hermione, but the popularity of that ship is mostly fanon not necessarily canon.
And Zutara should have been canon! It’s a crime that they weren’t after all that build up.
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yourhighness6 · 7 days
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Is Katara "Motherly"? - The Discourse
The whole "is Katara motherly" discourse is a little annoying to me because for one thing its impossible to deny that in canon she acted motherly towards Aang, Sokka, and Toph, with Sokka even saying at one point when he thought of his mother Katara's was the face that came to mind.
But the other problem is that this fits into the shows themes so perfectly of children being thrust into adulthood and enormous amounts of responsibility too easily because of war and the subsequent (or end goals of) genocide, cultural genocide, and colonization. Katara's motherly characteristics are of the show's own making, they're right there in the text and their there for a reason, and although they weren't given enough attention as they should have been, there is no doubt that this is treated as, not exactly a tragedy, but as something bad and debilitating to Katara and her teenagerlike need to goof around with her friends.
But for whatever reason, the fandom seems to think that this characterization is fan made. Katara is supposedly forced into a motherly role by the fandom, particularly the zutara fandom, when in reality it is the show that does this to her. And the whole idea of momtara and dadko is that Katara doesn't have to be the mom anymore. She doesn't have to be the one solely responsible for the chores and the cooking and the emotional labor. She has a partner, and equal, who is willing to put forth the time and energy to assist her in what she feels obligated to do, and to tell her to go sit down sometimes before she burns herself out.
Could the other kids besides Zuko do this? Of course. But as we've already established, everyone in the gaang besides Suki shoves Katara into a motherlike role. Is this their fault? It's hard to say. Toph at least has a heart-to-heart with Katara about it, and Sokka's idea of her as a mother largely stems from trauma.
But my significant problem with Katara's motherly traits comes with the fact that there is no real closure to that arc in the "Runaway". Toph and Katara talk mostly about Toph's parents, and Toph tells Katara that she thinks she is capable of having fun. But other than that, there's nothing. The boys don't have to come to terms with the fact that Katara does not want to be seen (solely) as motherly or put in that position. Instead, the show gives us a few colorful explosions and subtlety implies that it is a little bit Katara's fault that she is seen that way. But again, that's not the fault of the zutara fandom or a reason the trope of momtara and dadko is problematic. It seeks to acknowledge these character traits in Katara, which a lot of kat@angers refuse to do, and give her a way to work past the trauma that caused them and help her adjust to a more healthy amount of stress and pressure on herself for a kid her age.
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geegers22 · 3 months
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I’ve seen lots of conversation on here about Zutara shippers opinions on aang and mai and i thought I’d give my point of view.
I want to start by saying that I think there should be more of a distinction between disliking a character because they are a bad person and disliking a character because they are written badly. With that being said, I can confidently say that, with the material of the main ATLA show, I dislike Aang and Mai because they are badly written characters. Meaning, if their arcs were properly finished, I would have no problems with them. This brings me to another topic of how I don’t really ‘hate’ characters who are bad people if they’re well written but that’s a conversation for another post.
I need to point out that I didn’t start disliking Aang and Mai until they had their arcs undermined when Kataang and Maiko became canon. With the arcs they were going on, they had so much potential to be really interesting and I enjoyed their personalities.
When it comes to Aang, I had no problem with him as a character until season 3 part 2 when I started to realize that his world view (which is flawed based solely on the fact that he is young and there is no way he’s going to have a nuanced pov) was not going to be challenged. Aang should have had to give up katara. Aang should not have just had everything handed to him with the lion turtle and the pointy rock.
Then there’s the southern raiders which I would argue, if Aang’s arc had been completed, would not illicit as many conversations and arguments about it as it currently has. Because his actions in that episode make sense (Sokkas don’t really but again-that’s another story) because he’s a kid. This episode should have been a big decider of his change in worldview. The problem is that the creators decided his flaws didn’t exist and that he was perfect. (At 12 years old?!?!?)
Then there’s Mai. She’s a much smaller character but that doesn’t mean she deserves less of an arc. Mai is a character whose personality I love! (I’m all for gloomy depressed women!) There’s two ways Mai’s character could have developed, and I think both options are great, the problem is that Bryke decided to go in neither direction.
On the one hand, Mai could have been a representation of unlearning the propaganda she was taught in the fire nation throughout her whole life. I think this direction would make Maiko more believable, although I still don’t think they are a good couple because their personalities create a toxic dynamic and Mai’s story with Zuko is meant to represent that toxicity.
The second option would be to have her views not change, like we see in the show, and have her not get back together with Zuko. This is the more interesting path in my opinion because it’s more realistic. I don’t think the problem with Mai’s arc lies with her personal views of the fire nation, more so with her relationship with Zuko. As we have it in the show, Mai’s views don’t change. Therefor, it doesn’t make sense for her character or for Zuko’s for them to get back together like nothing ever happened.
When it comes down to it. Both Aang and Mai had their arcs sabotaged because the creators rejected Zutara. Even without Zuko and Katara getting together these were the wrong decisions. Both characters had potential to be well written, but in the end, the creators chose the path didn’t allow that to happen because they just couldn’t kill their darling. (Kataang)
Sorry for rambling, this is kind of just my take on the whole “Zutara shippers hate Aang and Mai” take.
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burst-of-iridescent · 2 months
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what's your opinion on whether or not canon zutara could have made sense to happen by the finale?? i can't decide if i would have preferred them getting together or just hints at it and then it's revealed in tlok that they got married (and ig the comics would include the story of them getting together then)
my stance has always been that the show should have ended with no canonical romantic relationships, or a hint of future zutara at best. we didn't need anything more than a quick, intimate scene where zuko and katara discuss their futures and promise to keep in touch, with maybe a lingering glance or two to foreshadow romantic feelings. no kiss or grand declarations necessary.
that being said, if a romantic relationship had to happen, zutara was both built up more and made more sense narratively than kat.aang and mai.ko. i wouldn't have liked a zutara kiss in the finale for many of the same reasons i didn't like the kat.aang one, but it would've at least been thematically fitting and consistent with the characterizations of everyone involved - unlike zuko ending up with someone who never underwent any of the growth he did, and katara entering a lifelong romantic relationship without even so much as a word to give us insight into her sudden change of heart.
the only way to really do justice to zutara would've been with book 4, allowing plenty of time for a proper slowburn friends-to-lovers arc, but the reason so many people ship them today is because their relationship at the end of the show is the perfect jumping-off point for a romance. canon didn't actually have to give us anything more - the seeds were all planted already, and the imagination of the fandom would've done the rest.
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darklinaforever · 4 months
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Toph & Aang (Taang), the power couple they would have made... Like Zutara, I think these two should have been canon. Even if it wasn't in the writers' heads (it seems to me), unlike Zutara, I think it would have made total sense !
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sokkastyles · 30 days
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I have a question, I know we know that shipping does not equal morality. And I get that, and I really like that. However, on my other blog, that should have been my main blog (yes I am that dumb). I have talked about Aang's non-consensual and criticized how Kataang is written, however, if you ship Kataang I won't come for your throat because that's not my style. I know the few misogynists/antis on here and on Twitter, and I don't want to let a few bad apples be my impression of a fandom, that's not fair, So now I'm side-eyeing myself over my past remarks. Likewise, I know shipping is not equal to morality, but I also want to criticize Kataang because of how flawed it is and how wrong that kiss was (and other things). I have no idea what I'm saying because at this point I'm rambling. What do you think?
Well, there is a difference between criticizing a ship and criticizing canon. I don't honestly care what people ship. I use the antikataang tag because I don't want to argue with people who do ship it, but that doesn't mean I won't be critical of what is in the show. I think expecting people not to engage critically with media is absolute nonsense. But there is a difference between engaging critically with the actual media and criticizing people's fanon or headcanons, which is where you get away from critically engaging with canon and move into the area of criticizing other people's opinions, which is how arguments start.
Like, there isn't really any actual concrete argument you can make to criticize zutara, because zutara does not exist in canon. It's all fanon and headcanons and speculation. And criticizing other people's opinions just makes you look like a dick.
You also have to take into account the intention behind something. The thing about the way Katara's relationship with Aang is presented is that we're supposed to root for Aang to get Katara, and every obstacle towards that end is just there to create dramatic tension for the male point of audience identification. That's the real problem with the noncon kiss, and people who are critical of it are right to point it out.
In contrast, when I say shipping isn't morality, I'm talking about people who write, let's say, dubcon zutara fics. Fanfiction as a genre is largely female-centered fantasy. Yes, even those lurid fics you're thinking of. People write and read these fics for completely different reasons and have completely different expectations than when watching a series like ATLA. Trying to say that someone can't criticize the way the show presents Aang kissing Katara after she said she was confused as a mistake to be glossed over (that is forgotten as soon as it happens) because they also happen to like reading darkfic is nonsense. There's also a long history of women's interests being policed that informs my views here, vs the fact that consent has only fairly recently become a conversation in mainstream media. You have only to look at the way the show itself portrays Katara having interests (especially in boys) outside of Aang as dark and dangerous to see this happening in ATLA itself. Or the way the creators got away with saying that zutara shippers are doomed to end up in abusive relationships while painting Aang as a typical Nice Guy stereotype who expects Katara to magically become his girlfriend (and gets angry when she doesn't) and seeing nothing wrong with it.
The thing is that zutara, if we look at the way it's written in canon as a metaphor for a romantic relationship, follows the same tradition of how fanfiction has historically existed as an exploration of romantic and sexual dynamics. Those conversations about consent are actually happening and being explored in fanfiction, even the dark stuff, whereas relationships that are presented as "wholesome" often push us to NOT have those conversations. So when I say shipping isn't morality, what I actually mean is that noncanon shipping and darkfic actually has more of a moral leg to stand on than uncritically engaging with relationships on the grounds that Aang is the hero so his goodness and worthiness to get the girl should just be assumed. Zuko has to work for his right to be in a relationship with Katara because he didn't start out from a place of goodness, and that, on its own, is very female centered because instead of starting out from the perspective of the male hero deserving a relationship by virtue of being the hero, we see the idea that a man has to work to gain a woman's respect and affection.
So it's not so much that I hate KA, but I hate the idea that we should engage in it uncritically. And that would be true even if it really was the most wholesome relationship in the world. The same thing cannot be true of zutara because even the darkest of darkfic are about women centering themselves in the narrative and engaging with power dynamics in ways that are subverting patriarchal norms about relationships by definition.
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turboacek-blog · 3 months
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Random: I wouldn’t mind Katara x Zuko and Aang x Toph in the Netflix adaptation
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So with the Netflix live-action Avatar series coming out soon, I figured I should get this thought out the way
Back when it was first announced I remember they said they were going to slightly age up Katara so that she would be essentially Zuko’s age and Aang would still be 12 (112) basically instead of her being 14 she would be 16 like Zuko
And people speculated that it’s because they want to do Zutara (Zuko x Katara)
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Amongst a number of other changes that’s has been revealed in the pre show premiere life cycle like the recent info they’re getting rid of Sokka’s sexism
I’ve mentioned it before but I’ve became neutral on remakes and reboots and such
Which includes changing things from the original is fine as the original still exists
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It’ll be ininteresting how they handle it as the original show had a sizeable focus on Aang liking Katara and I can see it shifting to just being friends but it would also change a lot of scenes involving the two as the Gaang's dynamic is the way it was because one of the threads is that Aang and Katara had the romance aspect
And without it, you will need to sell their friendship in a different way which can be fun with a more platonic take but I think it has to be done well as Aang getting upset he can hurt Katara with fire bending or just the Haru and Jet situations are different if there isn’t a potential romance brewing
And might be worse if it’s fully one-sided as in Aang still has a crush but Katara doesn’t like him in that way at all, which ties into the other ship's angle
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Katara x Zuko
It can work, I don’t think the people who shipped them were just crazy fans putting two characters together, there’s evidence
But without the Aang influence, it can be weird if not handled well let alone how they handled a character like Mai
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Aang x Toph
I think when people mention this, it’s mostly because she’s the only one who would likely still be in his age range meaning she's the most realistic option if Katara and side characters are off the table
And you can pull it off I think, from Aang being Toph’s first friend, and the mentor-student dynamic can be tweaked plus they also have an opposites attract dynamic like Zutara. And reshift the crush Toph had on Sokka and Zuko to Aang it's possible
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I just think it’s a case of they would have to truly commit and not tease too much / if it gets some backlash don't double back to the original canon pairs as you would basically be a season behind
Like don’t still do AangxKatara stuff if they are really going to do ZukoxKatara as the endgame
2/2/24 edit:
@vibee2001 let me know the Katara aging up was a rumor and she's more than likely still going to be 14, while Sokka and Zuko are aged up 1 year so most of what I said doesn't matter lol
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But since they have said it's going to lean more into the drama genre I think a lot of what I said can still be applied to leaning towards drama by having different pairings and such and the general they are making changes to some elements of the story like characters
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i-am-mldy · 2 months
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Am I the only zutara fan who isn't thrilled by the subtle ship bait (if it even is) done by NATLA?
Am I the only one who wants Netflix's grubby little money hungry hands off of one of the most iconic non canon ships in cartoon history, just to pander to one of the more vocal sides of the fandom?
Because with the way they're characterizing Katara in this adaptation, I don't even want to see how they would pair her up with Zuko. It would only be a half-assed surface level attempt. Whatever Netflix concocts cannot hold a candle to the fan art and fanfiction the fandom has created and shared over the years. The ship as we know it has been ours and ours alone. I refuse to surrender it and see it bastardized. The last thing we need is for antis to have more ammo.
I would rather they stay consistent with canon and proceed with kataang and maiko. I would rather they improve and evolve these couples rather than pander to "popular opinion". Zutara has thrived with us, so it should just stay with us.
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starlight-bread-blog · 14 hours
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My Interpetation of The Southern Raiders: Part 1 – A\ang
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Warning: The views expressed in this analysis will be very critical of Aang. If you aren't critical of him in this episode, you aren't going to enjoy this post. This is your chance to leave. I probably won't have a debate for personal reasons.
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The Southern Raiders is probably one of the most discussed episodes in the fandom. Everyone knows Zuko Alone is great, but the discussion surrounding this episode is a war zone. In this essay I will try to answer every question posed in the discourse. This is part 1 out of three. In this part, I will discuss A\ang. I believe that understanding both Zuko and Aang's decisions in this episode will give us great insight into Katara's. Because the this episode is hers.
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1. Is Aang's philosophy of forgiveness valid?
(1) "Revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself".
(2) "You do have a choice: forgiveness". // "It's easy to do nothing, but it's hard to forgive". // "Forgiveness is the first step you have to take to begin healing".
This philosophy is indeed morally sound. Revenge comes from rage, a negative emotion that causes harm in the long run. Forgiveness is letting go of that rage, which is healing. I cannot write a full thesis, this essay is not about that. But on paper, I do agree with A\ang. He's right to say that letting go of rage is a better alternative than getting consumed by it. (However, his philosophy might not help some).
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2. Was A\ang being insensitive when talking to Katara?
First I must reiterate, a lot of people frame the conflict of the episode as one regarding the ethics of murder. In my interpretation, it is not. During this episode Katara was in a deeply emotional place. Her rage stemmed from intense grief and those around her should treat her as a mourner - with great sensitivity.
Now, was Aang being this sensitive with Katara? Well, in my opinion, very much so.
Imagine a scenario where A\ang just happens to meet Haru, and he's about to go on a quest to find revenge on who imprisoned his father. He tries to help him with the following sentences:
(1) Um ... and what exactly do you think this will accomplish?
(2) Wait! Stop! I do understand. You're feeling unbelievable pain and rage. How do you think I felt about the sandbenders when they stole Appa? How do you think I felt about the Fire Nation when I found out what happened to my people?
(3) I don't think so. I think it's about getting revenge.
(4) Haru, you sound like Jet.
(5) The monks used to say that revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself.
(6) Haru, you do have a choice: forgiveness.
(7) No, it's not. It's easy to do nothing, but it's hard to forgive.
(8) You did the right thing. Forgiveness is the first step you have to take to begin healing.
Everything makes sense, right? The pieces fit.He just talks about his cultura\personal values, nothing about what Katara needs at the moment. He could have had this exact conversation with Haru without changing a thing.
Therefore his lines are impersonal and thus preachy. In this conversation he doesn’t show signs of trying to convince Katara not to end her mother’s killer because she is, fundamentally, a good person and couldn’t live having committed murder. He shows signs of trying to make her obey his cultural ethos. This is highly insensitive. Katara was in a very emotional place, filled with rage and grief. And his response was, intentionally or not, to impose his own cultural principles onto her.
But his lines weren’t insensitive just because they were preachy, some of them were judgmental and even harsh. When A\ang is first confronted with Katara’s intentions, he says:
A\ang: Um ... and what exactly do you think this will accomplish?
You can tell from his tone and how the rest of the conversation plays out that he does know what Katara thinks this will accomplish. He asks the question as a form of disapproval - that he thinks that going after Yon Rha won’t accomplish anything. He’s not being genuine, he’s casting judgment on her. He’s almost looking down on her and Zuko, looking down from a moral high ground and sarcastically interrogating the two. Another line that sticks out is
A\ang: Katara, you sound like Jet.
He says she sounds like the man who wanted to flood an entire village full of innocent civilians. He’s insulting her, and greatly so, all the while wanting to keep a moral high ground. This is incredibly rude and condescending.
In the next scene, right after the intense argument concludes, it appears as though A\ang comes around to the journey Katara was about to go through.
A\ang: I wasn't planning to. This is a journey you need to take. You need to face this man.But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.
While he’s still discouraging Katara, it’s not outright condescending. But it’s as clear as day that he’d just preferred if she didn’t go on the journey at all. When he sees Zuko and Katara taking Appa to find Yon Rha, he says:
A\ang: So you were just gonna take Appa anyway?
Clearly disapproving of Katara. He doesn’t want her to go on the journey to find inner peace, he wants her to forgive the man who killed her mother right here and right now. He couldn’t change her mind on the subject, so he’ll advise her the next best thing. It is worth noting that in the beginning, before he advises her, he cracks a joke.
A\ang: It's okay, because I forgive you. [Pauses.] That give you any ideas?
Overall, A\ang’s behavior is unsympathetic and callous.Instead of placing his focus on Katara’s wellbeing, he preaches about Air Nomad teachings and goes as far as insulting her. Even when he comes around, it’s not because he realized his mistakes, it’s because he knew he couldn’t change her mind. And then he makes a humorous remark while giving him his supposed new found advice. The answer is: Yes. Aang was very insensitive when talking to Katara.
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3. Did A\ang know what Katara needed?
I don’t think he did. A\ang thought Katara needed to forgive Yon Rha, and as we previously established, without going after him. But even if we look at his second advice, she still doesn’t follow it.
A\ang: This is a journey you need to take. You need to face this man. [Katara situates herself on Appa's head.] But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.
Katara explicitly didn’t forgive Yon Rha, and yet the whole point of the ending is that she’s in a better place now. No matter what Zuko says, A\ang didn’t know what Katara needed. And considering that his lines in the episode were as impersonal as they were, it isn’t a surprise.
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In conclusion, A\ang’s behavior in The Southern Raiders is questionable at best. He might have had pure intentions, and had a good message, but the way he put out the message was degrading and preachy. And in the end, he didn’t know what was the right thing for Katara.
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firelxdykatara · 1 month
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I too ship Zutara and think they should have been canon. Although for me it's important to know how such a rewrite would go down. I tried to think, and I'm lost.
After Mai betrayed Azula for him, will he just go "sorry, not interested"? He isn't obligated to date her because of this, but her redemption hinges on Zuko and I don't see it being satisfying if he ends up rejecting her after this.
I thought the solution would be to rewrite her arc in boiling rock to make her have a moral realization, but then the problem with Maiko is practically solved. Their relationship wasn't salvaged by her redemption because last time they talked, Mai still didn't understand what's wrong with the Fire Nation and only changed because she loved Zuko. So how do you make it both satisfying & logical?
With Kataang the problem is the Chakras. The problem with the original (in my opinion) is that after he opened his chakra, letting go of his attachment to Katara, he's still attached (forcing a kiss on eip). Should TCoD get rewritten so that Azula shoots him before he opens it? Then why wouldn't he just open it later? Maybe the chakra would be locked so he feels as though he doesn't need to overcome his attachment just yet. In that situation, how would his chakra even unlock? The stone thing felt like nonsense, so how would I do it?
So yeah I have no idea how to approach this. How would you? (Thanks)
I've been rotating this ask in the back of my head like a rotisserie chicken for a few days--it's interesting because I don't generally stop to think like, how would I write them out of these relationships, I either ignore the relationships completely (which isn't hard, they were barely footnotes in the cartoon) or play a little bit with jealous exes or something. Thinking about like, In A Perfect World where Bryke wasn't in charge of ATLA post-canon (because if zutara had been canon, you can be sure they would've made us regret it) is interesting, and I do have thoughts on how I'd handle their relationships in a rewrite.
(this got long, so the rest is beneath the cut)
Assuming you mostly want to keep canon intact, I think maiko would be the easiest to work around, given how little relevance their relationship has in canon. The problem with maiko as an endgame ship is that it was not set up that way--if it had been, it would not have begun entirely off-screen and their whole relationship would not have been a study in misery and utter inability to connect emotionally. His relationship with Mai was there to showcase just how much he had changed and how little he fit into the life he had been so sure he wanted more than anything since his banishment. It worked very well to highlight Zuko's growth--how that contrasted to Mai's lack of it and why she could not understand him even at his most open and vulnerable--and did not work nearly so well when she was shoved back with him in the epilogue, after he'd quite literally forgotten her existence (he never mentions her again after Boiling Rock, not even to say a word of mourning, considering he'd have every reason to believe she was killed for defying his sister).
I don't think you can fix this by giving Mai some moral realization, because there simply is no room for it. As @araeph says in the essay I linked:
As a character, Mai is very useful to the story during Zuko’s return, because she represents everything that Zuko gains by sticking by his father. A girl who cares about him; the ability to indulge her; the authority he has over others at the palace; we see it all in his interactions with Mai. But this makes Mai a tether to a life he has long outgrown. Her function is not to advance Zuko’s character development, but to obstruct it, which also unfortunately means that Mai gaining a full understanding of Zuko’s trials would be disadvantageous to the story. If she knew everything about him and still wanted him to stay, it would give Zuko more cause than he should have to remain in the Fire Nation, but if she knew and encouraged him to leave and join the Avatar, it would rob Zuko of the triumph of making this decision on his own. In other words, there are good narrative reasons for keeping Mai in the dark; it just doesn’t make their relationship any stronger.
The seeds of a genuine redemption arc (one that includes some sort of moral realization and change to her moral framework) for Mai would have to have been planted far earlier than five episodes from the end of the series, but doing so would have of necessity detracted from Zuko's own character arc and the realizations that he makes despite his attachment to Mai (or more specifically to their relationship, which I feel like he was clinging to more out of a sense of abject loneliness he couldn't shake rather than genuine feelings and emotional connection).
So, in my mind, since we're tackling this with an eye towards getting rid of maiko with the fewest ripples to the overall story anyway, the easiest way to do this would be make one slight change to the end of the Boiling Rock two-parter--have Ty Lee (who had always been the least gung-ho of the trio about bowing to Azula's whims and had to be textually threatened into joining her in the first place) save Zuko's life, and then have Mai (who showed the most genuine affection for Ty Lee anyway) save Ty Lee. I love Zuko more than I fear you always fell flat for me as some epic declaration of love, anyway, since a) Zuko is not around to hear it, and b) unlike Ty Lee, she never showed much fear of Azula to begin with, so it wasn't a very high bar to clear. It was a cool line that was entirely unearned, and I don't think it would be missed, there would be some cute mailee crumbs this way, and a throwaway line of getting them released from the prison after the war ended could wrap up their presence in the story pretty nicely.
Now, kataang is a little trickier, if only because the last leg of Aang's character arc is almost completely derailed by his refusal to let go of his possessive attachment to Katara, to the point where he never naturally reopens his chakras, he has to have the Rock of Destiny hit him in just the right place, and the deus ex lionturtle there to give him a way out of having to make a hard moral choice. (I've maintained for years that if you work the final act of your main character's overall arc in such a way that it could have been solved by one good session with a chiropractor, something got fucked along the way.)
The thing about Aang's chakras is that, narratively, his whole thing with Guru Pathik and leaving his training early to save his friends was basically his version of Luke running away from his training with Yoda on Degobah because of his Force vision, only to find out that his friends were in the process of rescuing themselves and then losing his hand because he hadn't completed the most crucial part of his training. What's missing, therefore, from the last act of Aang's character arc, is the return.
See, in Star Wars, Luke pretty explicitly makes the wrong choice when he chooses to prioritize saving his friends over attaining enlightenment and fully mastering the Force. It was the only choice he could have made, but it was still the wrong one--because, like Aang, his friends did not actually need him to save them, he actually almost makes it harder for them to get away by requiring them to save him because, like Aang, he loses a battle in a very critical way. This was a lesson he desperately needed to learn, and it is clear he has learned it by the time he makes it back to Degobah and witnesses the end of Yoda's life, his own enlightenment having already been reached.
But Aang never goes back to the Guru.
And the text refuses to allow us to sit with the fact that he made the wrong choice in prioritizing his attachment to Katara over his ability to master the Avatar State. He is actually narratively vindicated about it, because the plot bends itself into a pretzel so that he doesn't have to spend any time during the last book trying to reopen his chakras and regain access to the Avatar State, handed both in the final battle with no excess effort on his part, and handed the girl into the bargain. (The girl who never even wanted him, so far as we can tell from all the lack of cues she gave him that she actually returned his feelings.)
And I think this could have been solved with a few scattered scenes. Let Katara actually have some agency in her own romantic relationship (or lack thereof), insofar as noticing Aang's advances and clueing the audience in to how she actually feels. Let Aang struggle with the fact that he can't reach the Avatar State, that his mastery of the elements is in limbo because he can't access his full power, rather than ignoring all of this until the end of the show. If we're trying to keep the shape of the last season roughly the same, let Katara confront Aang about the invasion kiss.
This would have been the perfect time to establish that Katara actually does feel some type of way about Aang prior to the epilogue, and it could have saved us from the exceedingly cringey EIP kiss that Aang never apologized for. How it comes across now, of course, is that Katara basically pretends it never even happened, to the point where she doesn't even know what Aang is talking about during EIP until he reminds her--the death knell for any shot their relationship had at looking requited, because I can tell you, as someone who's been a teenage girl, if someone I had conflicted but burgeoning romantic feelings for had kissed me, I would not have completely forgotten about it only a few weeks later--and we never get any indication as to what she actually felt about the kiss (which was not mutual, despite what Aang's dialogue in the EIP scene implies) except for the fact that she looked away and frowned afterwards. (A change mandated by Bryke, who wanted to leave her feelings completely ambiguous; the original storyboards had her smiling to herself.)
So, with an eye towards wrapping up Aang's puppy love crush and establishing Katara's distinct lack of romantic feelings for him, have her talk to him about the kiss. A good frame of reference for this would be Meng's conversation with Aang in "The Fortuneteller", where she finally realizes that he doesn't like her in the same way she likes him. Katara and Aang's conversation about the invasion kiss could be a callback to this, with Aang having some important realizations--that just because Katara doesn't share his feelings doesn't mean she loves him any less, and just because he can't have her the way he wanted doesn't mean he has to love her any less, that she doesn't belong to him but that's ok, because she's still his family and they'll always have each other's backs. Which could have functioned well in helping him take another step towards unblocking his chakras. Going back to the Guru directly may not have worked, since by this point in the story we're hurtling towards the final confrontation and Sozin's Comet, but let Aang reflect on what the Guru told him with new understanding granted him by his experiences throughout the first half of the season.
To keep the stakes high and up the suspense, obviously, he shouldn't have fully unlocked his chakras and the AS before the final fight, but the seeds could be planted--little moments like a talk with Katara about the invasion kiss, maybe a little more empathy and understanding from him about why Katara needs closure in TSR, etc--and then, during the final fight, rather than hand him all the answers on a silver platter, have him almost lose. He still can't go full Avatar, he's out of time, he still doesn't know exactly what to do about Ozai given his own pacifism and desire to preserve that part of his culture--he tries to fight but he's pretty quickly overpowered. Idk how I would've animated this, and maybe it wouldn't have looked as cool for the final fight, but the true climax of the finale was the Zuko and Azula agni kai anyway, so it hardly matters--I'm picturing him doing the rock-shield thing and going into a brief meditative state, where he finally achieves the enlightenment necessary to unlock the AS on his own, no rock of chiropracty necessary. And at this point, I'd give Ozai a Disney Death, since leaving him alive causes more problems than it solves and it's not necessary for Aang to kill him for him to die--they're fighting on a mountain ffs--but if you don't want to change that part then him figuring out energy bending as part of becoming a fully realized Avatar would at least feel more earned than the lionturtle just handing it to him. (And that could've been foreshadowed better by seeding the idea for it earlier in the season.)
After all of that, particularly if you up the emotions during the agni kai and have Zuko and Katara kiss there (or something less explicitly romantic but still tender, like a brief forehead touch), it'd feel pretty natural to have a just friends ending for Aang and Katara. Maybe a brief, slightly awkward but ultimately amiable conversation if Zuko and Katara had a ~thing at their final fight, and then the final shot of the series could be the gaang all together, maybe zutara holding hands or Katara resting her head on his shoulder or something, but since they already kissed there wouldn't feel like a need to end the whole show on romance, something which I've always felt missed the point of the series.
And then, y'know, after that, the world's your oyster! This is how I'd do it if I were trying to keep the bulk of the final season intact. Of course, breaking it all down to its component pieces and rebuilding from the ground up is also an option, but that'd probably be a longer post lol.
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five-flavor-soup · 4 months
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Why the endgame couples in A:TLA weren’t necessary: a frustrated ramble
Listen I’m a Zutara shipper through and through (developed after my second rewatch in 2013) but by Tui Agni and La am I glad that it never happened in canon?? Like Kataang and Maiko themselves already felt so rushed and almost out-of-nowhere and their canonisation added like nothing to the plot. Aang’s crush on Katara is a plot device; Zuko’s relationship with Mai at the start of S3 is a plot device. I can barely fathom how Zutara would’ve turned out and I also kinda don’t want to. Imagine Zuko and Katara kissing at the end of the series: it feels completely out of left field, doesn’t it? Knowing that who-ends-up-with-who was an argument in the writer’s room for almost all three seasons means that it could’ve happened.
It shouldn’t have. I don’t think the Kataang kiss or the Maiko romance-reunion should’ve happened either. It’s unnecessary to add—there’s just no need for it, and my nagging here isn’t because I like Zutara and I don’t like how Maiko and Kataang turned out. It’s because the ships and couples and whatever the fuck else are NOT, and should not, be the point of A:TLA—and the ‘couple gets together in the very last scene and all is well :)’ shot suggests that it is.
A:TLA, to me, tried to show the horrifying nature of war and all its victims: the harrowing poverty, the deep-rooted trauma, the bloody violence. I interpreted the most prominent message of A:TLA to be that what was happening during those 100 years is wrong, that war is wrong—it affects the humanity within people, affects what point we offer empathy and kindness, because horrific trauma and needless violence muddies it all up. Why would you hold out a hand for someone who would’ve murdered you if they had the chance? Why would you physically support someone who hurt you and those you care about deeply? Those of the other nations can barely scrounge up empathy for someone from the Fire Nation, because those of the Fire Nation present themselves as inhuman. Those of the Fire Nation can barely scrounge up empathy for someone from any of the other nations, because the Fire Nation presents them as inhuman. And A:TLA shows that all these people are human, good and bad and all of that in between, because that’s just what humanity is. Varied and morally grey.
THAT’S what the GAang learns. That’s what the people around them learn. It’s what Iroh, a war criminal in his own right, tries to teach every child and teen who he interacts with: not in a preachy way, but in a vague way that implies he’d rather have them figure it out themselves lest they interpret his direct teachings wrong. He got indoctrinated into this terrorising, imperialist regime from the day he was born and onwards and it took a personal loss — the death of his son during a siege Iroh himself was leading, a siege in which Iroh and Lu Ten were the aggressors — for him to start thinking that maybe it’s all wrong. Maybe what he was taught is wrong. And he doesn’t want these children to take as long as he did.
The GAang and their (teenage) enemies and small antagonists have all been touched by war, almost to the point of no return. None of the need for violence, the calm in the face of battle and death, the willingness to sacrifice innocents for a sliver of retribution, the extensive knowledge of How To Fight A Battle And Win—none these qualities that these children (!!) may or may not portray are ‘normal’ teenage behaviours. They simply have to have them, or they die or freeze. Their childhoods were stopped in their tracks early because of experiences no child should ever experience. Such is the reality of war. And yet, in spite of the hurt and harm, the GAang is still capable of kindness and empathy. That’s what it’s about.
To end the series with explicit romance — Sokka/Suki doesn’t count, their relationship is not as in-your-face as The Scenes — just feels wrong. Maybe with another season of development it could’ve worked far better (and less unexpected, especially since the previous one-on-one Kataang interaction was Katara getting cross with Aang for kissing her when she was confused; and the previous one-on-one Maiko interaction was Zuko locking Mai in a cell/out of the way and then leaving without looking back). But with the three seasons that we got, it feels odd that the romance is highlighted at the end—especially when Zuko was miserable with Mai (with her being the human representation of ‘close your eyes and pretend everything’s fine’), and there ALSO was a perfectly good ending scene with the GAang bickering right there. Right before the ending kiss.
Why end it like that, when the series isn’t about romance, but about familial and platonic love and love for humanity instead? Why not just hint towards getting (back) together? What’s the point of these confirmations other than ‘the hero gets the girl’ in both instances?
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the-badger-mole · 28 days
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Okay, so I have been seeing many posts saying that Aang is the most well-written and complex character. And how Zutara and Zuko stans need to be humbled (I think what Bryke did was enough (and it was wrong and cruel)) . You have your canon, I don't see the need to humble us when you have Aang being the creator's best boy and having his "forever girl". If a difference of opinion is triggering you, then it's time to click off and look inward. Basically, they say how he breathes life into the show, and how nobody should be dissing him. I understand if your favorite character is Aang because I understand why you like him. To me, the reason we love our favorite characters is that they are flawed, and we get to see how flaws make them human (hence why I love Katara). Aang...... Aang has a lot of flaws and deserves to be analyzed like every other character. We see mass amounts of criticism (border lining hate) for other (female) characters such as Korra and Katara. However Aang....... is very flawed and he should be because that makes him a well-rounded character. But there are some things such as that unconsented kiss, being a bad father etc. That should have been widely discussed in the amount that people had to say about Katara in TSR. Putting him on a pedestal because he's the avatar and the main character, actually deems for us to be more critical since he is the centerpiece of the show.
You've come to the right place. If you want Aang salt, I've got Aang salt. My biggest gripe isn't so much that Aang is flawed. It's that his flaws are treated as virtues, or not as bad as they are, or not addressed at all (looking at Aang's blatant disrespect of the SWT culture...). The fact that Bryke had the absolute gall to come out of their own mouths and say that what Aang did to his children was not that bad and that Kya and Bumi were blowing it out of proportion is infuriating on its own. The fact that Aang's defenders have grown up in a time when going low or no contact with your parents is...I won't say common, but a well known thing that adult children do for their own mental health. That they know what the Golden Child/Scapegoat dynamic is by name. That within the show, people who borderline worship Aang as a deity don't know that he had two other children... and yet they still want to argue that Aang wasn't a bad parent???? It's wild to me that in this day and age, people young enough to have been in the target audience when the show aired go so hard to defend the blatantly problematic aspects of Aang, or argue them away completely if they can't defend them.
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skimmoons · 1 month
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I keep saying that Zutara is just Dramione in a different font. Stems from people reading too many enemies-to-lovers/bully romances to the point where they see chemistry every time two people despise each other.
The thing is, I can see Hermione getting over Draco being a piece of shit of a teenager and maybe becoming civil with him, but I don’t think Katara would ever agree to become part of the Fire Lord’s family. Not in a million years would Katara ever agree to live within the nation that killed her mother and decimated most of her tribe.
So, yeah, you can ship whomever you want. I still think you’re a little delusional if you think they should have been canon.
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