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zenosanalytic · 3 months

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Just finished The Archive Undying by Emma Mieko Candon, and in general I liked it.

I think it's a Gr8 setting(more scifi/fantasy stories pulling on non-western inspirations, plz) and a Gr8 PERSPECTIVE on a Gr8 setting(bscl everyone in it is a refugee, and it takes place almost entirely within refugee communities), and a wonderful take on Mecha, a genre you don't usually see in novels, in the metaphysically Weird Evangelion vein(which you don't often see, or see done well, in Mecha, Period). I love how unabashedly queer it and its world is, that it's a M/M/M story that isn't disinterested in, oblivious of, or actively hostile to female characters, and that all of it's characters are so MESSY and Real in their own unique ways. I love it's Compassion. It engages deeply with "faith" in all its variegated meanings in a really interesting and sustained way(tho unfortunately not one that grabbed me as powerfully as The Locked Tomb's approach to these topics does). I thought it did a Really Good Job of expressing thought, confusion, and overwhelming, shifting experiences through text. It has ALLOT of wonderful, subtle worldbuilding in it which I really adore; like the bit ~halfway through the book were a cheeky fondly-mocking comment from one character to another implies that "hermit" can also mean "homosexual" in this setting.

I DID have a hard time getting into it though. It picks up in the second half, but getting through the first half was a bit of a slog for me and I fell asleep allot(tbf: I've also been SUPER BUSY and dealing with numerous Events, so I didn't have allot of time to read and it took me FOREVER to finish this one, so maybe that was a consequence of how disjointed my reading experience was). I'm also willing to accept that getting me to care about such a male-focused story these days is a bit of an uphill battle, tho I don't have that problem with Temeraire so maybe I just didn't vibe well with the protagonist, or I'm being too hard on myself.

Part of it, though, I felt is just how resistant to being understood this book is. Not, like, in a thematic sense, that's all pretty clear, but in a Plot-events sense. Allot of stuff happens very quickly with not much explanation until the very end of the book(by which time you may have ceased to care about an explanation for it), and it relies heavily on Implication; on people Understanding things and acting on them without that being explained to the reader. If that's something you enjoy I think you'll dig this, but if it's something that annoys you, or if you don't like reading books that seem to actively "resist" you, then this is probably not for you. I also feel like(I don't want to be explicit about this as it might be spoilery) particular Shocking Discoveries in the last quarter or so of the book make its world much smaller, kind of undoing the worldbuilding done in the first three-quarters of it? I also-also feel like there are just TOO MANY TWISTS at the end, like: it got exhausting for me how many Reversals of Fortune didn't stop keep happening, though I suppose that's pretty true to its very obvious Anime/Manga roots/inspirations.

Overall though I enjoyed the read! It's being presented as the first in a series so I hope it does well enough to see the future stories Candon wants to tell in this setting get a genuine release ^v^

#Emma Mieko Candon #The Archive Undying #SciFi #Mecha #zA Reads #zA Reviews #Book Reviews #zA Writes #Our Staff #The Dreaded Animes

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estherax · 1 year

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Disco Elysium creative team VS Studio ZA/UM: the complete(?) timeline (updated on March 24th)

Recent news confused a lot of people, including me, so I made a timeline of events to understand the situation better! If you have any corrections, more info and sources feel free to reach out to me or add to this post!

Important parts are highlighted in orange, names and organizations to keep in mind are in italics, the newest corrections and updates are highlighted in green, other information elaborating on the situation is in (brackets).

October 1st, 2022. Martin Luiga puts out a Medium post announcing the dissolution of ZA/UM cultural association and confirming that Kurvitz, Hindpere, Rostov no longer work at ZA/UM studio "since the end of last year and their leaving the company was involuntary."

October 3rd 2022. Kotaku published an article, claiming "the studio hasn’t been transparent about what exactly happened with staff either." According to "two sources familiar with the situation, the studio’s internal announcement of Kurvitz’s departure late last year [2021] also contained a threat of possible legal action against him. Any split would have been made messier by Kurvitz and Rostov being shareholders in the studio, the sources said. It’s also clear ZA/UM has gone out of its way to try and keep the situation quiet. Kotaku reached out for an interview with Kurvitz in February [2022]. The studio declined on his behalf, but provided no indication the developer had already left the company." Kotaku also mentions a tweet from Martin Luiga announcing the dissolution of ZA/UM cultural association. One of Martin's tweets (further elaborating on the dissolution) was quote tweeted by user nob69691 with caption "the suits have killed disco", to which he responded with pictures of the game’s executive producers, Tõnis Haavel and Kaur Kender.

October 25th, 2022. Kotaku Australia reports Kurvitz’s company, Telomer, has filed an application against Studio ZA/UM to "obtain information and review documents." Court date is listed as November 28th, 2022.

Kotaku also reached out to Martin Luiga for a comment; when asked if the case’s purpose was to regain control of the Elysium IP, he responded, “What else could it possibly be?”

November 9th, 2022. Studio ZA/UM puts out a statement detailing the dismissed employees (unnamed) "had limited to no engagement in their responsibilities and work, created a toxic work environment, demonstrated misconduct towards other employees including verbal abuse and gender discrimination, and attempted to illegally sell ZA/UM's intellectual property".

In an Estonian newspaper, Estonian Ekspress, ZA/UM CEO Ilmar Kompus has further accused Kurvitz and shareholder Saandar Taal (Rostov's alias) of "humiliating colleagues and intending to steal IP" as well as "belittling women and co-workers."

Kompus added that their dismissal was demanded and carried out by Kaur Kender, executive producer on Disco Elysium and their direct manager at the time. Kender was placed on a leave of absence on medical grounds in late August according to Kompus.

Speaking to the Estonian Ekspress, Martin Luiga said he was "driven to drink by the unnatural work arrangement" at the studio. "The work was organised in such a way that the goal did not seem to be to make games, but rather to make people quarrel with each other."

(I am also adding anonymous claims, take them with a grain of salt)

One source that spoke to GamesIndustry.biz, who asked to remain anonymous, described the situation as "not black and white," and said that long-term staff were reluctant to speak out about Kurvitz’ behaviour because they respected him, and felt like they owed him for their positions. Sources that spoke to the Estonian Ekspress described a clash of two visions between the business team of ZA/UM led by Kompus, and the creative team formerly headed by Robert Kurvitz, which considered profit "secondary." This was corroborated by our sources, one of which described the situation as "CEO corporate scheming on one side, a toxic auteur on the other."

On the same day, Kurvitz and Rostov shared a Medium post explaining their side. Kurvitz and Rostov are minority shareholders in Studio ZA/UM, while "the majority of this company’s shares were initially held by Margus Linnamäe, who provided the initial capital. In 2021, Linnamäe was bought out by another minority shareholder," a company called Tütreke. They say this company "is a vehicle for two Estonian businessmen — Ilmar Kompus and Tõnis Haavel." Kurvitz and Rostov described Linnamäe as a trusted majority shareholder, but didn't share the same sentiment regarding Kompus and Haavel. "As soon as they became majority shareholders, we were quickly excluded from daily operations, our employment was terminated and our access to the company’s information was shut off. Our firing came weeks after we started asking for documents and financial data, which is still being kept from us. We have now learned that Tütreke OÜ must have obtained control over Zaum Studio OÜ by fraud. We believe the money used by Tütreke OÜ to buy the majority stake was taken illegally from Zaum Studio OÜ itself".

Studio ZA/UM denied any claims of fraud and insisted that dismissal of wokers "was a decision that had to be taken for the wellbeing of the collective."

Correction: Ilmar Kompus's statement came out first on Estonian Ekspress on November 8th 2022 21:06. His statement and Studio ZA/UM's statement given to GameIndustry.biz were reproduced and published in a GameIndustry.biz report on November 9th. Rostov and Kurvitz's Medium statement came out later on November 9th. GameIndustry.biz report added an excerpt from Medium on November 10th. (i used Wayback Machine to check this, the report was updated between 11:08 and 11:53)

November 9th 2022. Kotaku puts out an article, summarizing the above statments from Studio ZA/UM, Kompus, Kurvitz and Rostov. "When asked by Kotaku, a spokesperson for ZA/UM declined to elaborate beyond its original statement [about dismissal of employees over misconduct], including whether the allegations also applied to Rostov as well as Helen Hindpere."

23rd of November, 2022. PC Gamer reports a hearing was held in Harju County Court in October, where Kurvitz and Rostov argued that Kompus had allegedly sold four concept sketches (for Disco Elysium sequel), to Tütreke for just over €1 and then immediately bought them back for €4.8 million using Studio ZA/UM's money. This amount is what was apparently used to buy Linnamäe's large stake, and put it in the hands of Kompus. "Kompus allegedly hoped that ZA/UM and Disco Elysium could be resold quickly. [...] But there remained a problem: Robert Kurvitz is the creator of Disco Elysium, still owns a piece of it, and has the right to block any acquisition."

The latest legal battle was lodged by Kaur Kender, executive producer and marketing manager of the game, "who claimed in court that Kompus cheated him out of just under €1,000,000." At Kender's request, the court seized Kompus' stake in Studio ZA/UM to prevent a sale or transfer of holdings during the proceedings.

Haavel is also accused in the lawsuit of following Kompus' actions. The filing pointed out that the holder of the IP rights to Disco Elysium is a subsidiary called YESSIRNOSIR LTD, which is owned by ZA/UM UK. The director of ZA/UM UK is Anu Reiman, who is also reportedly a partner of Haavel's. Kender claims that Haavel's involvement is being "kept secret" because he's €11.2 million in debt as a result of his 2015 conviction.

Speaking to the Estonian Ekspress, Kompus denied the existence of a lawsuit against him, and Haavel called the allegations "completely absurd." Both were shown legal documents by the outlet and did not respond.

December 8th, 2022. According to GamesIndustry.biz article, Kaur Kender has withdrawn a lawsuit against Tütreke.

Studio ZA/UM provided a statement from Kompus, but could not provide a reason for Kender's withdrawal. Kompus says: "We are pleased that Kender and his attorneys have chosen to withdraw their lawsuit – one that should never have been filed in the first place. Their decision affirms there was no basis for their accusations and that I have acted appropriately and responsibly, as underscored by the corporate records I provided."

The article also mentions Studio ZA/UM was unable to provide an update on the suit's progression against Kurvitz's company, Telomer.

PC Gamer reached for comment, Kender stated that his lawsuit against the owner of Studio ZA/UM proved to be successful and provided a timeline of the lawsuit:

Kaur Kender's lawsuit against the owner of ZA/UM was successful.

Kaur Kender's (his company, Chromed Investing OÜ) lawsuit against the owner of Zaum Studio OÜ proved to be successful.

On October 25, 2022, Kaur Kender's company filed a lawsuit against OÜ Tütreke (Ilmar Kompus company), in which was demanded the seizure of Zaum Studio OÜ's share belonging to OÜ Tütreke.

On October 29, 2022, the Estonian court secured the action and shares belonging to OÜ Tütreke were seized.

On October 31, 2022, the order securing the action was forwarded to Nasdaq and the Estonian Business Register.

On November 1, 2022, Kaur Kender sent a letter in English to contacts, including Ilmar Kompus and Tõnis Haavel, stating that the minority shareholders demand the convening of a general meeting.

On November 4, 2022, Ilmar Kompus' company OÜ Tütreke paid a total of 4 million euros to Zaum Studios OÜ in two payments.

On November 11, 2022, Ilmar Kompus' company OÜ Tütreke paid 800,000 euros to ZA/UM Studios OÜ.

Ilmar Kompus referred in the corresponding payment orders: "Return of the amounts received on the basis of the contract on 12.2021-01.2022 due to the nullity of the contract".

To the extent that Ilmar Kompus returned the illegally taken 4,800,000 euros, Kaur Kender achieved the goal of the lawsuit filed, and the court proceedings in this case will be terminated.

PC Gamer also provided commentary and an excerpt from Estonian Ekspress: "Eesti Ekspress reports that Kompus "paid back" €4.8 million to Studio ZA/UM in November. The outlet says that the reason provided for the transaction was that the €4.8 million "was received on the basis of a void transaction." Eesti Ekspress points out that Kompus "controls both sides" of that void transaction. [...] By now transferring €4.8 million to the company to repay it for a "void transaction," the intended message seems to be that he didn't use company money to buy his shares. But why did he have the €4.8 million in the first place?"

Robert Kurvitz told PC Gamer that his party is aware of "Kompus’s view that the money taken from ZA/UM Studio was 'repaid'." Kurvitz says he's seen a "partial bank statement allegedly confirming such repayment," but remains unclear on the "source and legal nature of this repayment, and the further use of the allegedly repaid funds."

"Further, any 'repayment' of the company’s money which was used to illegally acquire a majority stake does not erase the main consequence of the initial injustice⁠—which is that Kompus remains the majority owner, a position that he was only able to attain by using the company’s money as his own," said Kurvitz. "In light of this, there has been no material change in our situation, and we continue to consider our legal options. We cannot comment on the decisions taken by Kaur Kender with regard to his claim, to which we were never a party."

March 14, 2023. GamesIndustry.biz reports legal dispute between Studio ZA/UM and the game's producer Kaur Kender has been resolved.

"ZA/UM has announced that ex-staffer Kender has repaid all debts owed to it. Also, per a court order, Kender has repaid CEO Ilmar Kompus for legal fees from a lawsuit that was eventually withdrawn back in December. Additionally, he's divested all his shares in the games company.

Studio ZA/UM says both Kurvitz and Rostov have dropped their "unfair dismissal" claims due to lack of evidence. However, the company says it continues to face a "series of baseless allegations from former employees" and expects more claims to "fall apart under legal and factual scrutiny."

March 16, 2023. In a statement sent to GamesIndustry.biz, Kurvitz and Taal (alias for Aleksander Rostov) said the press release is false in multiple areas. The pair maintain they are the remaining minority shareholders of the studio. The developers explained, "The press release implies that our employment claims against the studio were withdrawn for lack of evidence. They were not. We see our dismissal as part of a larger campaign against us and will pursue legal options accordingly." The statement adds that they disagreed with Kender admitting the lawsuit he withdrew in December 2022 was misguided.

"Kender's lawsuit was based on the misuse of ZA/UM's funds (€4.8 million) by the majority shareholders [Ilmar Kompus and Tõnis Haavel] to increase their own stake in the company. In the press release, Kompus and Haavel admit to this misuse, arguing only that the money has been 'paid back to ZA/UM,' " the duo explained.

"Paying back stolen money, however, does not undo the crime; here, it does not undo the majority that Kompus and Haavel have illegally gained in ZA/UM."

Additionally, they described that, unlike Kender, they will not be silenced in this ongoing legal dispute. "Unlike Kender, we have not participated in the looting of ZA/UM, and Kompus and Haavel have no power over us."

March 23rd 2023. GamesIndustry.biz updates initial post with a reply statment from ZA/UM. The studio reiterated that Kender admitted that the lawsuit was misguided on his part. It said, "In addition, as part of a court order, he also paid the legal fees for CEO Ilmar Kompus, who had to respond to that now-withdrawn claim." ZA/UM adds, "Using details like 'looting,' 'stolen money,' and 'crime' make for riveting reading but are far from reality. The actual harm to the studio is not from some fictional 'looting,' but rather from Mr. Kurvitz and Mr. Taal, while employed by the studio, refusing to do their jobs, creating a toxic workplace, demeaning colleagues, and attempting to misappropriate Studio IP."

Additionally, the studio explained that Kurvitz and Taal are welcome to challenge these facts in court.

(The next court hearing is scheduled for September 11th.)

#disco elysium #de #studio zaum #za/um #i read like 15 articles for this i hope it helps #if i got something wrong please let me know

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magistralucis · 24 days

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pronouncing the necron 'sz': personal rating list*

broke: /s/ only ('seras')

woke: /z/ only ('zeras')

provoke: /s/ and /z/ pronounced separately ('s-ze-ras')

bespoke: /ʂ/ or /ʃ/ ('scheras')

invoke: tensed fricative /s͈/ ('sseras')

misspoke: /s/ but evil ('ßeras')

(* Further notes in tags.)

#warhammer 40k #wh40k #necrons #illuminor szeras #necron #shitpost #german speakers i am so sorry you had to read that with your eyes 😂 i also speak german i do know eszetts can't start words #originally this was just for fun but it seems there are quite a lot of ways wh40k fans pronounce this #native english speaking fans usually seem to stick to 's'#whereas in languages that actually use this digraph it would be s/ʂ/ʃ #but in korean translations 'sz' defaults to 'z' so it's definitely 'zeras (제라스)' and 'zarekh (자렉)'#and sometimes the 's' and 'z' are both present and pronounced like in japanese ('s-za-rekh';スザーレク)#(i personally use ʃ because it seems the logical compromise)#in lore terms i think all or most of those pronunciations were used among the necrontyr and there is not one 'canon' version #variety is the spice of life it's fine they're all good. well maybe not the last one but still 😂#according to TDK the necrontyr didn't have a united language until szarekh came along so they must've had different dialects #i reckon that's why the silent king made his universal language. so people could pronounce his name how HE specifically wanted it #it's all becoming so clear now!!!! 😬

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hungwy · 2 months

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think im having an ex-soviet baltic countries moment

#think its a long time coming since reading about za/um among other things

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wampabampa · 2 months

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oughhh .... da brain... da brain is braining..

found all the letters just need to figure out what they are spelling

#squish the goober #welcome home #ouughhh the pain #im so tired #i would smoke some za but i must FOCUS!!#if i smoke then ima just laugh my ass off at everything and not read #i cant read when high on LIFE

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rumcajs-kin · 1 year

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Včera jsem to nestihla, tak dnes podstupuju Prezidentskou Superdebatu ČT. Slyšela jsem o ní mnohé a podělím se i o své dojmy. Následovat je budu i dojmy z debaty na Primě. Já trpěla a vy byste měli taky.

Takže ČT:

akustika jako v jeskyni, výborný začátek, jsem si jistá, že ČT nemá k dispozici lepší prostor, kde to třeba nezní jak na dně Macochy

oof Babišovo osiřelé stoleček

ok, už to chápu! ta ozvěna je, aby byl jakejkoliv zásek v řeči tisíckrát trapnější, než by musel!

Jaroslav Bašta je... skutečně tam...

Diviš vskutku mluví jako sportovní komentátor. Řídit stát jako stadión.

Sím! Sím! Fischer se hlásí! Obouruč!

Bašta už je... jinde

Diviš, sportovní komentátor z profese, co napřed kritizoval Nerudovou, že je jen ekonomka-teoretička, teď radí Pavlovi, jak investovat do armády. EBP - Energie Brouka Pytlíka

chci za prezidenta pana moderátora. a to jsem teprv v půlce debaty

"Musíme se dívat dál, za hranice Brna... a Prahy." pani Nerudová PROSIM

Možná přijde i Babiš

V druhé hodině přenosu Bašta působí dojmem, že kýchne a zbyde po něm jen sako. Jeho Masaryk, co by se postavil za ruské trolly je zajímavej obrázek.

všimli jste si někdy, jak neuvěřitelně symetrickej je Petr Pavel?

nějak mě na zbytek opustila vůle dokumentovat. rozhodování neulehčeno (krom toho, že odstoupil Středula i guess)

Pokračujeme superdebatou na Primě!

Babiš opět zastoupen sklenicí minerálky

uwu dárečky předtím, než si ti dva skočí po krku

koule Petra Pavla citovat na úvod Havla??? kámo bráško co žes dělal v osmdesátkách?...

Pavlova půlka publika je... něco asi... vono teda celkově publikum protahuje celou věc o 50 %, nepřijde mi to režijně jako dobrej nápad, ale Prima je Prima

jsem naprosto fascinovaná, že lidi doopravdy posílaj ty volící esemesky. česko vskutku hledá superstar

A JSME TADY BOŽE DRAHÁ VAJCA

už jde do tuhýho, bojuju s touhou vypnout televizi a sežrat ovladač. kdyby tam byl Babiš, byly by tam aspoň humorné vložky

TAK TO JSEM ZAKŘIKLA, PAVEL SE POKOUŠÍ O STAND UP HUMOR

Máňo podej mi brokovnici a tři pytle do koše

konečně se dostali k politickým otázkám, vůle k životu se dočasně navrací

Primě se musí nechat jedno: nevysílá z hlubin země a všichni nejsou tak příšerně žlutí. kouzlo televizních studií, to je neskutečné, Horste

přítomná Pavlova půlka publika jsou ty lidi, co nechceš, aby si k tobě sedli do kupé ve vlaku, tak, řekla jsem to

mam novou silikonovou houbu na nádobí, heč

už jen čtvrt hodiny, Rume, soustřeď se!

(ta žínka hrozně hezky voní a je strašně ňuňavá na omak btw)

no, to se ti Rume teda povedlo. už je konec. tak jo, to je všechno, držte mi palce zejtra na Novu. modlim se, aby tam nebylo živý publikum, prosim prosim mommy Novo, že tam nebude živý publikum (<<<naivní)

paradoxně debata na Primě mi přišla informativnější a přínosnější než ta ČT, což jsem fakt nečekala

#dojmy z řáholecké jeskyně #cw volby #čumblr #sorry za dlouhej post neumim na telefonu vložit keep reading předěl. přidam ho až někdy zapnu počítač

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