Just thinking about pervy Mark rn…. Giggles
I think he should be nasty.. a lil gross,, That would be hawt
mark should allowed to be nasty & gross as a treat!!
cw; MDNI! DARK CONTENT! yan!mark grayson x gn!reader, abusive relationships, manipulation, food tampering, drugging, somnophilia, blackmail, scent kink, rape & sexual harassment, mentions of body size (weight fluctuations, implied chub!reader, mark teases reader about it)
he should be allowed to taint your food with his spit and his cum and get hard while he watches you eat it! he should be allowed to put trackers in your car or on your phone! why can't you understand he's just wants to keep you safe?! stop being so ungrateful >:[ !!!!
how do you think it'd make mark feel if something happened to you? or are you that fucking self absorbed that you don't stop to think about how your actions affect those around you? specifically him. your boyfriend who does so much for you.
what if someone got their hands on your cute little body? is that what you want? because mark obviously doesn't want anything happening to you. . but if that's what you really want: he can make that happen.
he won't like it. but if it means teaching you a lesson, he can always hire a few low lives to scare you straight. and it's not like it's hard to find them and reason with them. mark gets a favor and, in return, they don't have to worry about mark - or invincible, as they know him - lurking on their turf.
despite their reputation, they don't do anything too bad. nothing big enough to cause any permanent, physical damage. although he's sure - and hoping - your psyche will take a hit. he specifically advised they not rape you but they do enough to leave you shaking with fear once it's over.
when you come home to him, clothes torn, sobbing about being cornered and groped, he'll be there, soothing and cooing at you,
"babe~ i told you! this is what happens when you wear that while i'm not around! you have to tell me where you are at all times! it wouldn't have happened if i was there!"
mark should be allowed to make you absolutely, completely, A HUNDRED PERCENT!!!! dependent on him!!! he should be allowed to slip things into your drinks that make you drowsy and force you to stay the night. he should be allowed to set up a cute little camera in the corner of the room, facing his bed, and film himself slipping his hand into your underwear while you sleep! you wouldn't believe the sounds you make while you're passed out <3
he should be allowed to give you medication that causes your weight to fluctuate! & he's allowed to be a little mean about it, too ;( to pinch your chubby cheeks or your softening belly, grab your rolls and say, "you're lucky i love you so much ~"
he should be allowed to use your throat as leverage when he fucks you from behind!!! he should be allowed to stick his thumb/stuff his fingers into your hole while he strokes you or eats you from the back!! he should be allowed to paint your back and/or belly with sticky white cum while you're throbbing for him. he should be allowed to make excuses !!! oh, i hafta go. cecil needs me. im tired. get yourself off, you can do that, can't you?
or just a blatant, "no. you don't deserve to."
mark should be allowed to throat fuck you until your face is covered with tears and snot and he should be allowed to laugh at you and plug your nose while you choke around him!
he should be allowed to force you to your knees & tongue at his balls the second he steps into the house despite the fact that he hasn't showered the day's worth of sweat and grime off of him! you should BE GRATEFUL HIS DICK IS IN YOUR MOUTH!!!
mark is a good bf! and you shouldn't complain!! no one will love you the same way he does!!
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My dragon is helping me figure out my proportions and stuff in art!!! 💘🥹💘
They're still very new to drawing kobolds so there's lots of "AAA I'M NOT GOOD AT THIS" while they draw, but I think it looks ✨SO GOOD✨!!!!
If you reply with compliments I'll be sure to send them over to my dragon to see too, it'd mean a lot!!! ✨🙏🥹✨
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Please, fic writers, take this to heart:
If this is the first time a character is shown to your reader, or if that character does not show any notable aspect of their personality for a while, then by all means refer to them as “the redhead”, “the brunette”, etc.
But I’m begging of you. When you’re having two characters in conversation, and they both know each other well, there is no reason to be calling one of them "the blonde". Especially not just to avoid saying their name again.
Nervous that using she and her will be confusing for the reader, when it’s two women? Just make it contextually clear. Use line breaks. Use actions to indicate it, pre-speech.
Because never ever do two intimate people think of each other such that they reduce them down to their hair colour. When you describe your partner, there’s no way the first thing you’d tell a person is the colour of their hair. I’d be willing to bet that’s one of the last things you’d mention, unless their hair was particularly striking, enough to find the person if you need to seek them in a crowd.
And don’t worry, their names are their names. It’s okay to use them. You won’t sound like Baby’s First Fanfic. Yes, it’ll take some practice to figure out the balance, but it’s worth it. Because the alternative is stripping a character of every meaningful thing you know about them, just to point and go “hair colour is different, that’s how you know”.
Heaven forfend there are two people with the same hair colour. Because then it becomes ‘the tall woman’ or ‘the freckled one’, on chapter 50 of people becoming deeply involved in each other’s existences.
Tune in next week, when I discuss how it’s okay to call a drink what it is, instead of referring to it as ‘[x]-coloured liquid.’
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those "dragon age fans are mad that baldur's gate 3 fans have something/how come they get to be happy" posts are so funny to me b/c i legit thought the venn diagram of people who would be into these two games was a circle.
like real talk, instead of pining for da4/staring jealously at bg3 enjoyers, you too can pick up bg3 (available now if you have pc, in september if you're on console), you will probably enjoy the shit out of it and it will keep you warm through the long nights/weeks/months/years until da4 comes out
(also check out divinity original sin 2 while you're about it! similar vibes, lots of hot npcs to romance, including a broody ancient skeleton man who is weirdly hot, fun combat to be had, plot to enjoy, corpses to eat ԅ(☉Д☉)╮)
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This is not only about FCG, but it is definitely about FCG.
Something I've always found incredibly attractive about fantasy narratives is that it's a safe space to explore heroic sacrifice. In real life, dying for a cause, even if justified, is rarely so fitting and poignant, and it usually involves ponderous discussions and arguments and above all, paperwork. And as with all things death-related, it's simply easier in fiction, where the grief comes with the knowledge that you can and always will be able to access every moment you had with the deceased.
I'm far too tired and halfway into my cocktail to split the hairs of what is suicide vs. heroic sacrifice, and if they're different, and why; but on a high level the difference is conviction.
I think a lot of people are really uncomfortable with or even scared of conviction, even in fiction. It's come up in some talks about Midst. It comes up when people are suspicious of the Volition, more so than the Vanguard. It comes up with Orym. It comes up in D&D whenever people shy away from paladins, who are built upon this as a premise.
One can argue FCG died a paladin; one can argue he always made, in some ways, a better one than he was a cleric. It comes up when people question the motives of the Volition. Perhaps it's the confidence that shakes people, the idea that these characters can't be molded into an easier, more comfortable ideology that suits the viewer. Perhaps it's a different take on the Trolley Problem than mine.
I do think in real life, at least most of the time, there are more options - often very boring and unglamorous but ultimately more effective one. In fiction, however, the heroic sacrifice isn't just rife with dramatic possibility - which is, in fiction, far more important in my mind than having a clear moral or telling the audience that they're good and smart little children - it's also a chance, as Matt says, to redefine the stakes and reframe everything that's been going on, because one character decided what their stakes were. Perhaps that's what makes people balk: the amount of power it grants you despite the prohibitively high price.
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