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#yeehaw worldbuilding
jayyydez · 4 months
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"There was a reason a far simpler, kinder necromancy was still allowed. Still using the body and the bones, while still allowing the spirit to pass to either the Underwhere or the Overthere. A sign of great debt or punishment, to not allow the body to rest until their sentence had been served and their debts worked off. It was still quite a bit less cruel than watching the person themselves come undone, little by little. He didn’t regret outlawing the other practice, as most had opposed it long before he’d come into power. 
If only that meant Bowser could have kept the subject of his nightmares dead too. With any luck, he’d come undone on his own too, and those whispers amongst his people would be laid to rest with him."
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sonneblume07 · 16 days
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So i was thinking about fallout and wondered, what if there was more futuristic games but aesthetically based on eras of modern history??
The i came up with a biopunk wild west apocalypse, and now that's all i can think about. LIKE IMAGINE??? Desert towns using succulant plants as water storage?? Hooking plants up to machines that use their photosynthesis to make power from sunlight?? SEXY MODERN-ISH COWBOYS, COWGALS AND COWNON-BINARY PALS??
instead of colt single actions they could have more modern revolvers and early rifles? That way we still keep the west aesthetic guns while making them fit the future-esc vibes??
I would just LOVE to see a town in the desert that looks like a mix of western and modern architecture, with plants all kver the roofs, balconies and porches.
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kyngsnake · 6 months
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Forgot I made that wasteland rodeo culture post ages ago and here I am 110k words into a fic with wasteland rodeo culture as a primary focal point. don’t let ur dreams be dreams
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butchfalin · 1 year
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i want to write something post-apocalyptic but i don't have any fully fleshed out ideas.... ☹️
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snowybyrd · 9 months
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Capes in a worldbuild I'm currently doing. One of the cities (countries) is located in a self-made hellscape where capes are necessary to prevent skin cancer because of the burning sun. Except the poor people under the city. They're fine.
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frameshiftworks · 1 year
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Roaming Revolvers
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If you know anything about me and my design habits, you’ll know I love revolvers. They just look cool as shit, okay? So a decision I made early on was that Frameshift was a world where the revolver is queen. Magazine-fed guns, and all other alternatives, are rare enough to not even consider seriously.
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Naturally, given that Frameshift is almost always about Frames, revolvers on the human scale are less likely to show up in any meaningful capacity in the main story. But they’re so fun to design, omg.
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... Even if they get a little cursed sometimes. Revolvers represent a notable deviation of Hellenan philosophy from ours - a mindset of honourable warfare. Without an equivalent world war to jump start major military invention, the need for high firerate, high capacity firearms has never been the priority. Instead, the power of an individual round is almost revered. One might say that to fight like a Hellenan, you wish to end your enemy swiftly, directly, and rightly. Even Frames use revolvers. With limited exceptions, most ranged Frame firearms fall into this category - Aim With My Heart being a noted example with it’s massive twin 12-shooters. It will be interesting to see, however, if this concept of honourable, knightly warfare will survive the current military climate. The Free States War changed everything with the blood it spilt, and now things may only escalate...
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adriartts · 1 year
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For no reason other than I feel like it here's the fur (or feather) pattern of humanoids, color-coded by how long it grows.
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springcatalyst · 1 year
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*banging on your door* I'D LIKE TO HEAR ABOUT JULIAN, LILIANA, UND BROOKE PLEASE PLEASE PLEASE.
What are their final thoughts in the dark silence of night before they sleep? How do they sleep?
How do they choose their clothes when purchasing and dressing?
What is a fear that they cannot pull themselves away from? They need it, and they hate it.
OMG HELLO HI HELLOOOOOOOO i am taking ur coat like a victorian gentleman and inviting u inside.  These are so specific and dramatic i love
AHEM
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Sleep, rather, the moments right before it, is when a person is at their truest.  You can’t really hide from it.  So those final thoughts are typically a lens into the basal forms that make up a character.
Liliana is a character that’s very true, very genuine, so her sleeping mind doesn’t show much that you wouldn’t expect, because there’s not a lot that she hides, at least not from herself.  She’s obsessive: stuck (though ‘stuck’ implies that she’s here by some force other than her own) in this quest that she’s been trailing for years, getting closer but not in any way that’s tangible.  She goes to sleep with ‘what next’ floating around in her skull, and dreams of a goal reached.  And she sleeps like the dead, but only because she puts it off for as long as she can.  Not that she avoids sleep itself, though, rather she stays up and works until she can’t stay upright anymore.  She is laser-focused, set on her task.  It can benefit her, in certain conditions, but mostly it leaves her running on so little sleep she has trouble functioning. Her being a satyr means her sleep schedule doesn’t quite align with a ‘typical’ one anyway, but she definitely fucks it more and also that’s not set in stone atm.
Julian, on the other hand, is a liar and he hides just about everything about himself, including from himself.  Julian and Liliana are similar in a lot of ways but this is not one of them.  So his unconscious truth doesn’t always align with what he appears to be.  It’s careful.  It’s somatic: a sort of ‘is the door locked is the knife within reach is the cane by the bed,’ but it’s also theoretical: more a ‘who here do I trust (in the most basic sense of the word) or who do I watch out for.’  He absolutely is the impulsive asshole he looks like, but the little bit of careful caution that remains beneath plays a role in his continued safety (relatively speaking).  Julian is also a pretty light sleeper, growing up with five siblings (lmao) there’s a good amount of noise in the mornings or if something is wrong at night, so he’s just kind of grown accustomed to waking up, even if it’s that barely-awake state, to evaluate the noise.  And he rises with the sun- mostly old habit, but it’s also convenient for guaranteeing some time unobserved, for safety or just for some quiet.
Brooke is different in that the thing that follows her into sleep isn’t as much a thought as it is a feeling.  Brooke spends a lot of time busy, not necessarily with the intent of keeping her mind securely in the present, but that’s the effect it has, no matter.  So when she isn’t doing something- following or fighting or helping or hurting -she gets that little moment of quiet calm and it’s occupied by guilt.  The weight of it kind of lingers above her, the knowledge of what she was a part of, the remembrance of what she’s constantly trying to undo.  Brooke lives in the shadow of a debt to repay, and it catches up to her when she has a moment of still.  She is an uneasy sleeper, heavy to the ongoings of the waking world, but she rarely sleeps straight through the night, nevertheless.  She doesn’t dream, just wakes with the feeling that she did, even as it evades her. 
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I feel like this is already so long and that’s just the first thing but like, you gave me the opportunity so I’m taking it <3.  Choice of fashion is a little less dramatic but I’m sure I’ll find a way to make it anyway.  Clothing basically serves three functions: utility, expression, and comfort.  For the sake of character designs I usually focus on the first two unless it’s particularly relevant, which it isn’t for these three so much. 
Brooke is mostly utility.  She has casualwear, of course, but honestly I haven’t really designed much of it and usually just draw her in her armor.  Which is pretty obviously utile, but it’s also familiar.  She keeps this leather armor, embossed around the edges (that I’ll actually design and make mean something eventually but... not yet apparently) and either similar or just the same to the kind she wore with her family, their guild.  Familiar isn’t always a good thing, but it’s all she knows.  If I’m being real she’s still being developed, especially storyline specifics, so not a lot is decided.  I’ve thought about switching around the colors, the blue I typically give her can be a changed version, removed from its ties to before, which was maybe a gold or a purple, something more implicative of importance.  Or of having her rid herself of the armor completely, so caught up in breaking her bonds that she makes herself vulnerable... but I’m a little too attached to how the armor looks... basically, she’s just balancing the safety of utility with the unrest of something recognizably hunter. 
Liliana is mostly expression.  She doesn’t need anything particular from her clothes, so chooses what makes her feel good.  Nothing too extravagant, because she is still wrecking shit and needs to not be hindered by what she’s wearing, but she dresses to look good and be scary, when the need arises.  She wears dresses and skirts despite the fact that, as a satyr, she really doesn’t... need to?  Because satyrs, post-cataclysm, live closely tied with humans in particular, though fauns as well, depending on locale, and as such have absorbed some social elements of theirs- like clothing and gender norms.  She abides by those norms, gender in particular (to a certain degree), not because she has to but because she wants to- because, you know, trans.  She carries a good amount of things with her on average- swords and knives and lockpicks and money and various other whathaveyous -but rarely carries them all at once, taking them on or off her person whenever she thinks she may or may not need them, but her belt remains on no matter, because that’s what she needs to have any of them at all.  Her compass, too, stays on her at all times, but that’s more sentimentality than use. 
Julian is a bit of both, but with him, a lot of the expression melts over into utility.  The puffy shirts, while inherently pirate out-of-universe, are conveniently the opposite of form-fitting.  They make him look bigger than he is like a cat puffing out, but also hide, you know, trans.  Typically they’re white or otherwise lightly colored, because it’s cheap and function-over-form, but later era when he’s particularly full of himself he trends towards darker colors and black.  Black, as a dye, is expensive to make, so wearing it is a way of making it clear that he is either important or dangerous or both- he strives to command respect or fear and it doesn’t always matter which.  Julian, like Liliana, also carries some stuff with him, but the difference is that he has less, and so almost always has all of them.  The exception is his sword, which is bulky enough to always have that unless he for sure needs it, he’ll leave it in favor of a knife (or two, counting the one in his cane).  And because his right hand is typically occupied by his cane, his things are all strapped to his left, another reason he doesn’t always carry the sword- it gets in the way.  Finally, depending where storyline-wise he is, he wears a couple little gold earrings- mark of a pirate.  Been considering having it be a status thing, too: one for crewmate, two for first mate, three for captain, or something similar. 
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Fear is a really interesting one.  I dig where you’re going with it, and I’m sure I’m about to exhibit some mental illness, but like, fear is possibly one of the most important things in a character, because it’s what’s really behind at least 90% of a characters’ motivations, isn’t it?
Gotta start with Julian for this one.  He is afraid of a thousand entwined things in a way he will never admit and might not even be aware of.  The way he is perceived is so important to him that he lives with the constant threat of what he’s built for himself being taken away.  He’s so... I can’t call him exactly fake, because it’s not all false... he’s so constructed.  Everything he is, is exaggerated.  He is angry, and impulsive, and fast and rude and detached, but the way those things are presented is curated to be viewed in the way that he wants it to be.  And because of that, because everything he is is built on a not-quite-lie not-quite-truth, he runs the risk of having it all crash down around him.  That’s what follows him: the fear of being seen past it all, because he thinks that with that, he’ll end up right back where he was before.  Not to be too insane but in my silly little character.doc that I have for fun there’s this segment that’s pretty much what I just said:
He is afraid of no longer being taken seriously
He is afraid of losing the image he has created
He is afraid of trust being broken and secrets getting out
He is afraid of being patronized or the subject of pity
He would have you believe he is afraid of nothing
Liliana, now that I’m thinking about it, is actually pretty similar to him.  I didn’t even do this one on purpose oops.  Her difference, though, is that what she is isn’t fake.  She has this legacy, this name, that she reigns- people know of her, she commands that same respect or fear that Julian has to try so hard to.  Part of that, though, is taken from her.  She has her... I don’t want to call it a birthright, because that sounds entitled, but she has her birthright, then it’s stolen from her, and she rebuilds it even as she is on a hunt to reclaim it.  And so her fear stems from the possibility of failure.  If she never reaches her goal, if she truly loses what should never have been taken in the first place, then it’s all been for nothing, not only her work, but her father’s.  And the longer she goes without reaching that finish line, the more she is afraid of ‘what if it’s too late’ and ‘maybe it’s already over.’  Because her failure is also his, what she’d lose is also his, and that’s worse than if she just failed herself, because she feels the need to honor what he built, what he left, and what he was, in his absence.
Brooke is afraid of exactly what you’d expect.  A thousand what you’ve done’s follow her.  She terrified of never making it right, of the possibility of her wrongs being something that she never can make right.  She made a vow and she intends with all her being to keep it, but there is no endgoal, there is no ‘finished.’  It’s constant, and as such the constant threat of failure, of breaking that promise, whether by action or inaction, stays with her.  She lives with it for so long that it begins to leech into her, more than it already was, so it becomes what drives her.  But also... it’s what’s always driven her.  For a long time, she’s driven more by what’s behind her than what’s before her, and all that does is make her steep in this guilt and fear, fighting for a repentance that she doesn’t even know if she deserves. 
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Okay I’m done being insane now, I hope my fucked up little guys provide enrichment to your enclosure but either way you’ve given me the GIFT of LETTING ME BE ANNOYING so THANK U AGAIN BESTIE. KISSING U KISSING U KISSING U KISSING U K
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having read a book about wolf shifters and how they have their own doctors to take care of them as opposed to going to see a human doctor because their physiology is different and would scare the hell out of a human doctor, i think that would be a really cool thing to explore somehow in the cats shifter au.
cats, rats, and dogs have a naturally higher heart rate than humans (cats are in the 180-200bpm range, dogs in the 60-120, rats in the 330-480), so a human doctor would be rightfully concerned if their patient came into their office with a heart rate of 330, because that’s not normal and they need to get to an emergency room last week. i think it would be really interesting if the shifters, who know each other exist but the humans don’t, had their own network and circuit of doctors to go to, smaller urgent care clinics/hospitals to go to as opposed to the larger human hospitals.
all of these doctors i guess would technically be veterinarians, all of them having gone to vet school to be able to understand animal anatomy and physiology, and are all DVMs, which honestly is kind of a hilarious thought. and they’ve also had to do some kind of stint in human medicine, somehow. and i’d like to think that while they each primarily stick to their own species (cats to cat doctors, dogs to dog doctors, etc), they also share knowledge on how to care for each others species. so yeah, a rat having to see a cat doc isn’t going to be thrilled with it, but they’re also not going to be a clown as pass up the chance to see a doctor asap.
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sporesgalaxy · 1 year
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I've been seeing a lot of Trigun posts around and ngl it's got me interested in the show! What's your recommendation for what to start with first? Like reading the manga first or starting with Stampede?
I actually really recommend MY experience, which was Trigun 1998 -> Trigun Stampede -> Trigun & Trigun Maximum manga
I'll explain why under the cut :) But tl;dr the order is
Very Little Lore Explained -> Some Lore Explained -> All Lore Explained And Woven Beautifully Into The Themes
Trigun 1998
the Trigun 1998 anime was made before the manga was finished, so some major plot points towards the end are very different because they were at least partially improvised. There is also very very little worldbuilding lore revealed in the 1998 anime-- but when they did touch on it, it really piqued my interest!
I'd imagine the 1998 anime might be a bit disappointing to watch after Stampede or the manga, when you're aware of all the cool characters and worldbuilding you're missing out on. Going into 1998 blind, I just felt vaguely confused yet emotionally compelled & willing to accept it because YeeHaw Space Cowboy, yknow?
Stampede
Trigun Stampede was made after the completion of the manga, and was clearly more than excited to dig into the worldbuilding and villain buildup that the original anime missed out on. But as I've said it ends up so tightly paced that it's missing the weight 1998's slower pacing could lend to the Average Human Lives around Vash.
It will offer you much more worldbuilding and some very strong character introductions, which I think are good lead-ups for meeting the characters in their Fullest Forms in the manga.
The Manga
Now, the animes are gonna leave you with a lot of questions. About character motivations and Plants, mostly. You'll feel the themes were well-delivered, but have the distinct feeling that they could be stronger. They're also going to leave you wanting more time to spend with these charming, lovable characters.
I am delighted to say that the manga delivers everything you could possibly be left wanting for after the animes BEAUTIFULLY, AND THEN SOME!!!!!!! I've been devouring it at a record pace and it has yet to disappoint. The themes and their spectacular deliveries are changing my brain chemistry. I'm absorbing it into my soul.
Please Please Please even if you dont like either anime, read the manga anyway. Especially if you don't like either anime because you feel they don't deliver on their philosophical musings adequately. Because the manga DOES deliver. So much. Please I'm begging. It's so good it's so fucking good
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kaivasita · 3 months
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Book 2 update!
I've been writing a little bit more lately, so here's the latest changes I've done summarized
Finally finished chapter 22 after literally forever
A character now suffers for longer and slightly more impact-fully
Poor Ryker is finally described having his change of clothes
Albin now has a diagnosed eyesight issue
Finally wrote the reveal for the first of the big spoilers
Zero gets to suffer more
Slight design tweak to a certain "special" place and it's inhabitants :)
The cause of the power outage in chapter 23 is now more reasonable
"Red herrings"
Also! Bonus, other changes I've made to the series as I worldbuild more, especially for book 3:
A long scrapped character has been reused and completely reworked. Please look forward to seeing a character named Chip! They no longer get to be happy.
Redesigned a sophont a bit
Got some ideas from me and my friend's scape and run parasites session the past few days that have definitely inspired some scenes for book 3, as well as... other things ;)c
Something Big now has a proper design
Something that Neowise gains later on now has a proper design
Yeehaw added
Removed herobrine
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vacantgodling · 2 months
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pros and cons of deciding to work on certain wips
paramour
pros: i love those idiots more than myself, i have a decent idea of the story and just need to update the outline to be more detailed, sex yeehaw
cons: worldbuilding and having to work on the outline aren’t currently sparking joy
vampires don’t take road trips
pros: third times the charm with trying to work on the draft right. i have a much more succinct idea of what to focus on, plot wise, no real worldbuilding bc the vampire species i already have laid out and it’s a “modern ish wip”
cons: i may need to tweak the structure (ie: is darren going to be the SOLE narrator or will i alternate between him and dave once i have the split between the kids and the adults? questions), i need to make an actual outline and figure out the order of events. just a Lot of work needs to happen.
donut wip
pros: great roadmap of the story already laid out (15 chapters already written) just need to add more details and tighten up juls’s narrative voice
cons: certain things i need to decide how to change like i’m tweaking andres’s character some and making him a little less mean than he was in the first draft so just figuring that out.
the virgin of mt heredosa
pros: short story, already have a full outline, sex, not serious
cons: there aren’t really i should probably just work on this first to ease myself into shit
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@nyoka-gorefell
I'm going to take this opportunity to talk about Logan! Yeehaw!
I mained human so I kinda liked Logan. I've always been biased toward him. I didn't necessarily think he'd made the right decision, but I supported his right to make it. Like he said in the Dream-vision of him: you would have made the same choice, any of you, if the one you loved was in danger!
Basically, it was a bad spot all around. Lose-lose situation. He made the most of it. That was my view.
I'm planning a rewrite of Edge of Destiny (someday lol) to make it better + clearer what was going on with Logan + etc.
And I found something: the narrative in the book does not condemn or exalt either decision. Either decision would have been bad, no way around it.
One problem: that's not how books work.
The way the climactic decision-point works is that you make a personal sacrifice for the good, moral quality being extolled by the narrative. If the thing you sacrificed was, itself, considered good by the narrative, there would come a surprise twist that would mean the thing wasn't actually sacrificed, as a "reward" for making the selfless decision to uphold good and moral purity or whatever.
The problem with Logan's story is that neither option was presented as the 'moral, good' option. As Logan was leaving, Eir said "you have to do what is right," but beyond this, no indication is given to Logan which option is morally superior. You can? sorta? infer that of course the main conflict with the dragon is the preferred one. Rytlock and Eir's dialogue after Logan leaves also clarifies this.
But Logan himself was never presented with a clear moral dichotomy; he was merely given the trolley problem, which is bad however you slice it.
I bet Logan would have haters even if he'd stayed; Kryta would have fallen into disarray. The Ministry would have taken power. We'd have Caudecus in charge. Human/charr relations would heat up. We'd have the return of the White Mantle like snap, or else all-out anarchy. Humanity would be toast. Logan would get all the blame from the playerbase.
So in my rewrite of Edge of Destiny, I'm fixing the problem. I'm going to assign a clear moral status to each option, and make it clear where Logan stood on that moral issue when deciding. How did I pick which option was favored?
Easy. I look at the rest of ArenaNet's storytelling. Their centuries of lore and worldbuilding. The lessons of the other story arcs. Anet's message is consistently unity. Stand together. Stand strong. The races stand unified. The Orders stand unified. With unity, many impossible things [slaying an Elder Dragon] may be achieved.
So the preferred option, the morally good option according to the storytellers, was that Logan stay. Stand with his allies. Represent human/charr unity. Defeat an Elder Dragon.
And, somehow, Queen Jennah would survive, because love and protecting people is not morally bad. If Logan sacrificed the queen for the sake of the moral truth of the narrative, proving his selflessness and commitment to the ideal of the narrative, then the queen would survive to "reward" him for his virtuousness.
It doesn't seem in-character for Anet to write Jennah as a typical damsel-in-distress, hero-gets-the-girl type of story, BUT: he didn't. Logan DIDN'T choose the morally-good option.
Typical Corruption arc: hero begins with the ideal of the story (unity is good), then over time, some negative trait overtakes him. Greed, selfishness, over-protectiveness, whatever - and leads him to destroy everything he holds dear (Destiny's Edge; his broship with Rytlock; Snaff dying; Glint, hero of humanity, dying; Kralkatorrik surviving).
I think if the book had actually written Logan like this (with the base game of GW2 being his redemption arc), he would have a lot less hate. I think a lot of the hate comes from the fact that the Edge of Destiny narrative DIDN'T outright condemn Logan's actions. And even the base game is a bit vague.
Logan didn't get his comeuppance for his bad choices (beyond the queen ditching him a few years down the line, I suppose). That's where the hate comes from.
Because nuanced, flawed characters exist, and those are the best kind. I really like Logan's character. He's one of the most human characters in the game. I like that for him.
(Also, perhaps, some of the hate stems from the assumption that Logan was simping the whole time. I'd be fed up with him too, actually, if that were true. But the queen for sure returned his feelings. Logan was acting within the bounds of an established relationship.)
This has been
Character Study: Logan Thackeray (part II)
thank you for reading!
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scare-ard--sleigh · 3 months
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Tag Game: 9 People You'd Like to Get to Know Better (tagged by @shehungthemoon
💖 last song:
ghost / gunship ft. power glove
it's on my buggy/self-insert playlist yeehaw
💖 currently watching:
literally just put on real housewives of beverly hills lmao, also watching real housewives of potomac, just started the traitors last night, attempting and failing a midnight mass rewatch, and one piece is kinda sorta my entire life now oops
💖 three ships:
okay u hhhh how about zoro/sanji (one piece), cyril/archer (archer fx), brian/joseph (dream daddy) mwahh
💖 favorite color:
i love teal so much :' )
💖 currently consuming:
just had peanut butter toast <3
💖 first ship:
i was WAY too young to be watching tenchi muyo when i did, but i really wanted him to get together with ryoko 😭 her extremely big unwieldy emotions and the way that she loves so, so, so hard was um,,, something i really needed to see for Reasons thanks .
💖 relationship status:
married <3
💖 film:
jupiter ascending and hear me out ; she has everything. space bureaucracy? check. werewolf fucking? check. astrology? check. wedding aesthetics to dieee for? check, check, check. the worldbuilding is so good, the characters are so,,, like they're layered, they're so weird, they're so regular. the scenery, the costumes, the love that went into this film -- i watch it and i feel like I've eaten a big bowl of mashed potatoes.
💖 currently working on:
i'm about to dig into work on some prom dress articles and some dog training article edits <3
💖 tagging:
anyone who wants to !! <3
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demonic-narwhale · 11 months
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Guh introduction? Yeah
Ghello I'm Eel and this is my tumblr. *Kaboom SFX* I'm 21. Japanese and Filipino.
I DRAW GORE/BLOOD AND IT WILL BE TAGGED AS JUST #guts galore
Little animations or something is just tagged as #animation
Ideas I spout will go under: #eel ideas
Doodles will just be #doodles oodles
If you wanna send some stuff to the ask or something, go right ahead (i don't wanna come off as like some cold "do not interact with" sorta person) working on it
I like drawing HS Intermission funkies you can find them in the tags like
#Midnight Crew
#The Felt
#The Exiles
#Problem Sleuth
I also will list like the individual characters in the tags
Some AUs: (totally me not being a lil ill in the membrane. Also. Will perhaps add other silly ideas AUs what? oh Eel)
#Intermission Yeehaw
#Intermission Small Town
#Intermission Hooked
#Intermission But Trolls
I have a Carapace + Leprechaun "group" they are: #Common Midnight Swing
And another Carapace focused news editorial thing yeah: #Night Times
I also have an oc that is thrown into The Felt #hk She's in a polycule with Trace and Fin and I will tag any art focused on them in #sharkbait (just so if you don't dig it, just go ahead and block it lol)
I have some homestuck troll ocs as well that I haven't really posted much here (yet)
My "main gang" will be #main10gang And the rest just #troll ocs
I have a Toyhouse as well:
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Alright, Eel out
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cotyledonal · 4 months
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time to make more massive changes to my worldbuilding. yeehaw
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