You remind me of Chuck Grant.
Huh…wasn’t expecting that one
Not mad about it, though
He’s an underrated fave and I think he’s a real sweetheart
1 note
·
View note
"The great and the good are gathering to watch the planet burn"
"What for?"
"Fun."
...
"Mind you, when I say 'the great and the good', what I mean is the rich."
According to the archives, this was called an i-pod. It stores classical music from humanity's greatest composers. Play on :)
453 notes
·
View notes
The thing about the fandom’s interpretation of Data and Pulaski is that it makes both characters extremely flat and boring while also erasing their whole relationship. Data’s made into this flawless, naive baby that can’t defend himself (when he does - when Pulaski mispronounces his name, he tells her exactly why she should pronounce it correctly), while Pulaski is an ugly bitch-hag who is morally reprehensible. Most fanfics portray Data as being uncomfortable or scared of her, while Pulaski’s chomping at the bit to break him into parts. Their whole relationship in season two is based around the fact they both have flaws, and that Data is still learning about what exactly he is capable of as an android.
In “Elementary, My Dear Data”, the big question of the episode is if Data can solve a narrative mystery without it being based on his knowledge of the original stories. Geordi doesn’t know the answer. Pulaski doesn’t. Data doesn’t. From what they know of Data, Pulaski outright dismisses the possibility that Data can, which sparks the episode’s plot.
So when Geordi goes back later and prompts the computer to alter the program to be more challenging, both Data and Pulaski are excited! They want to see where this goes! They are openly having fun with this.
In her first episode, Pulaski dismissed Data when he tried to stay during Troi’s labour, and only relented when Troi said she wanted him there. But by “Penpals”, she assures Sarjenka that Data will be at her side the whole time. When Data expresses doubts, she assures him that this is what’s best for Sarjenka, but that his memories of her will still be important. This is also the same episode where Pulaski defends both her and Data’s personal involvement in the situation to Worf.
In “Measure of A Man”, the game opens with some of the crew playing a poker game. Data and Pulaski are obviously friendly and comfortable enough to socialize together outside of professional circumstances. And again, the scene shows Data calling the game simplistic and assuming he will win, but he turns out to be wrong.
Later in “Peak Performance”, Pulaski sets up Data to compete in Strategema, only for him to end up losing, to everyone’s surprise. The reason why Data’s confidence falls is because he had the exact same assumption about his computational abilities as Pulaski. They were both wrong! When she sees how much losing has affected him, she apologizes:
Data says that he must be malfunctioning. It’s not until Picard tells him that failure can happen even when you do everything right that Data accepts he can make mistakes - and that making mistakes is okay! By the end of the episode, they both know that Data is not infallible, and that he can be affected by failure as much as any human.
Pulaski makes assumptions and mistakes, and so does Data. They learn and grow from them, and their relationship is overall a very positive one despite their very different personalities. It’s an interesting dynamic that gets rewritten by fans entirely, despite the fact that it’s weirdly one of the more developed dynamics in the show.
1K notes
·
View notes
one thing that really annoys me about a lot of les mis productions is their insistence on making the les amis de l'abc older than they are. i know it's partly a schematics thing with hiring younger actors, but to me so much of the tragedy behind the barricade comes from the fact they were kids. they were college students staring at a future they despised, desperate to change it, and they - and the hope they had for a kinder future - were slaughtered. i mean, hell, the musical talks about it! all the time! javert calls them schoolboys, turning is the mothers of paris staring at corpses of boys who could have been their sons, cosette eponine and marius are kids lost in their first loves. idk it seems like such a minor thing but to me it's so core to what makes this story so devastating
262 notes
·
View notes
Six years late, but apparently that is what was needed so I could not fail miserably at trying to draw everyone's favourite Detroit machine
I am obsessed, spent his week reading fanfics and watching various clips but still, as I'm a person of one fanart per character I think you shouldn't expect more Connor xD A shame really, cause it seems I'm just starting to learn how to draw him but I don't want to get my own hopes up.
Anyways, I'm free now, I contributed to the fandom after all these years.
185 notes
·
View notes