The choice to cap out polls at 10 options makes it impossible to use for astrological research and I'm pretty miffed about that.

I hate the sewers . jpg

hey i feel like we're really sleeping on that time Danny possessed Vlad & framed him for assaulting a minor

Editing with the clip because people don't believe me. Episode is 41: Eye for an Eye.

spreading the timives propaganda like i'm propagating the timives crops in your heads...

drew this on aggie with @strange-0 (gay?! real?!) and we're spreading timlonnie and timives everywhere we turn.

Here's a bonus doodle for clicking the read more:

man i wish gay people were real

Honestly, the craziest part of accessibility is that there aren't many abled people (and disabled people who aren't disabled in Every Way Possible) who wouldn't benefit from any of the accessibility options out there

ALT text has made it so much better to navigate image-based pages! I'm not visually-impared, but tumblr is terrible at loading images, and I'm not always connected to WiFi. People who add ALT text make it easy to satiate my curiosity when images don't load! This, coupled with actually learning how blind and visually-impared people navigate the online world, has inspired me to do my best to emulate the things I find helpful, even if the way it helps me is very different than theirs. Having a sense of scale in how it helps me versus how it actually makes the internet usable to the blind and visually-impared is something I do try to keep in mind.

Navigating a world with accessible options is primarily going to help the disabled, and it's imperative to keep this in mind. I do think, though, that illustrating just how much accessibility impacts even abled people's lives can help inspire people to think, "wow, I can't imagine a world without [accessibility option] and I don't need it, but it makes life so much easier." The more I interact with accessibility options I don't need, I still find it so helpful. I can't even imagine how amazing it is when you do need that accessibility and it's actually provided to you.

I don't think that abled people should only be in it for themselves. Again, accessibility should put disabled needs first and foremost. But I can't help but wonder how many people you can get to understand this by first saying how it impacts them, too.

Since we're sharing youtube comments, I wanted to share this underrated one

I can't find art of my ship anywhere so I GUESS that means I have to make it myself, here are some doodles.

"their relationship is romantic" "their relationship is familial" "their relationship is platonic" you're thinking too narrow. their relationship goes beyond labels. the family is inherently queer. their platonic love is romantic. the erotic is familial. each one is the other and the other is them

hi! i always love your MDZS/CQL takes; can i ask what are the questions you think CQL is asking, as compared to MDZS?

I haven't actually revisited either canon in ages, which is making me nervous. what questions the novel is interested in can be pretty contentious all on its own! @mikkeneko has an excellent answer in the notes here which I reccomend to everyone. My own thoughts are honestly pretty scattered- I keep on deleting things and going hm, that's not quite right.

So, for the obvious-to-me example, people reasonably zero in on the creation of innocent doctors/radish farmers who Wen Ruohan is holding hostage. In CQL it's easy to infer that Wen Qing and Wen Ning are maybe the only cultivators and almost certainly the only combatants among the Wen remnants, and their status is much more ambiguous in the novel, which I personally think is asking, essentially, "and so what? were they wrong to run, when they had a chance? Do they deserve what Jin Guangshan will do to them if they go back? Aren't they just people, actually?" Whereas the question that CQL is asking is more to the effect of "What does Wen Qing owe these people, when she is their only defence? What is she entitled to do to save them, at other people's expense? If she fucks up that moral calculus, what then? Does it matter if she's personally fond of some of the outsiders who are going to get hurt? If one of them saved her brother? Later, this question will flip to what Wei Wuxian and Jiang Cheng, and the parallel to Jiang Cheng's situation in particular is, I think, genuinely pretty fun. You're giving up the Wen as soldiers who've laid down their arms in exchange for Wen Qing also grappling with leadership and the question of how many horrors she can stand to look the other way on to protect her own people. one reason I keep deleting so much is that a lot cql's changes were motivated at least in part by censorship, which I think we mostly share a general and justified distaste for! but I also think that within the bounds of that censorship the creative team put a lot of work into actually doing something interesting with those changes. Or, for another example- nieyao! There's a much greater emphasis on the nmj-jgy relationship, it's unambiguously very close and they are clearly extremely important to one another, and I think that's because the cql team has a lot to say about love, trust, power, and the ways those things interact, and that reflects back on all of the other relationships in play, including Wangxian. Almost every time, when CQL chooses change a relationship they make the characters in question closer- that's true for Jiang Cheng and Lan Wangji, for Wen Qing and the Yunmeng contingent, for Zixuan and Mianmian, and Huaisang and Meng Yao. It's even true for Lan Wangji and Wei Wuxian, who have a close and trusting relationship in first life! CQL puts a much greater emphasis on "all right, so you care, what next?" How do you choose someone and then choose to be good to them? What if there's a massive power disparity between you? What if you seriously disagree about your priorities and morals? How do you trust someone who's betrayed you? When is it a stupid choice to trust at all? How do you have faith that you know someone well enough for that trust to be meaningful?

for legal reasons i would like to specify that it's not that mdzs isn't interested in these problems. i do remember wangxian's literal trust fall. cql is asking these questions all the time about everyone. also for legal purposes i'm not suggesting that cql lwj and jc love each other. but! they establish a three month wartime partnership looking for wwx and then jc immediately drops him on wwx's say-so despite apparently having a positive enough opinion of him to tell wwx he thinks they should make up twice. lan wangji will later tell wwx he thinks he should loop jc in on the second flautist! these are people trying to navigate some kind of relationship/shared interest/community, as opposed to a hateful void. cql wants to say hey, how do you go about this? while I'm here and rambling cql also puts a lot of emphasis on wwx's connection to yunmeng and changes things up so instead of feeling alienated right before he leaves our last glimpse of him there is happily picking lotuses and playing with a kid! in both stories the narrative is asking who do you protect? who do you leave behind? can you ever get it back? but the angles are very different.

I've seen many people shit on the live action atla ((as we should this is such a bad adaptation and honestly a mid show in itself)) but I haven't really seen people talk stuff about Sokka and Suki

And I want to point out a couple of things that I absolutely hated about what they did to them in live action.

1. The kiss

I hate that they made them kiss at the end of the episode. I hate it so much. Like yes, in the original they both clearly had feelings for each other (especially that later Suki talks about losing sb very important to her, who we know was Sokka), but they weren't rushed like that.

In the original they both grow so much between their meetings. Sokka finally gets together with a girl (not the first girl he meets that's his age, like Suki), kisses sb for the first time, travels the world, meets new people and in general matures.

We don't know much about what Suki is doing during that time, but we know she finally does sth that helps people during war, sth that she said was important to her. She can finally put her skills in leadership to greater use and she feels great about it. She also matures during that time and we know that she still thinks about Sokka and misses him.

Them kissing immediately makes their relationship so much more bland and just... flat.

2. If they make all three seasons, we will probably not get the most iconic line of the show...

Because now Sokka's first girlfriend is technically Suki...

3. The whole scene with Suki teaching Sokka

I cannot empathise enough how important Sokka's sexism is in their relationship. It's something that Suki fixes in him, something she manages to show him... by absolutely kicking his ass. In live action... the fight scene next to those melons was a joke not a fight scene if I can be honest. Idk if it's the writing or the choreography or the actors but it looks so fake and just so bad 💀 And she attacked him while he was still "stretching"??? Suki would never.

What is this 💀💀

But the most important scene, and the one I hate the most in live action, is the one where Suki teaches him a very sacred and traditional and important to Suki and to her culture way of fighting.

In the original, Suki highlights that no man should learn their art and only after Sokka begs Suki to teach him does she agree.

But not without a very important piece that was fully missing from live action which baffles me so much.

The entire armor, the dress and make up.

Not only is it incredibly important to upholding the traditions and keeping the cultural aspect important, but the beautiful, might I add, outfit gives us the depth of Kyoshi Warriors that is just missing from the live action.

"The silk thread symbolizes the brave blood that flows through our veins. The gold insignia represents the honor of the warrior's heart."

It's beautiful. It's meaningful for both of them. It's important. And it's also a way for Suki to mess with Sokka which we love and stan.

I ALSO DON'T UNDERSTAND WHY SUKI TOOK OFF HER MAKE UP FOR THE ALMOST KISS AND THE KISS. It's not like being a Kyoshi Warrior is sth that's bothering her. NO. She's incredibly proud of it!! So. why. take. an. important. part. of. it. away. for. some. stupid. kiss.

WHY NOT GO THE OPPOSITE DIRECTION?? Instead of her taking off her make up for the romantic scene why not just... put make up on Sokka... honestly what's more romantic than putting make up on your crush.

They could have made such a beautiful and intimate scene between these two.

Them sitting in front of each other. Suki putting on Sokka's make up, while either talking about herself or about how important this whole set up is for her and her culture. I wouldn't mind it then because it would give their relationship some depth instead of "omg he's so pretty" "omg she's so pretty." *kiss*

But no. Instead they kissed right next to a group of people (including Suki's mother which just makes is so much more weird) after Suki said sth about Sokka showing her a bit of the world.

And I hate it so much.

It takes away the part where Suki teaches Sokka something very important, something that changes his personality, helps with his arc to Sokka "showing her a bit of the world". How?? With what?? It's not like he took her away from the Island itself or introduced her to his culture. No. He just... showed up and kissed her.

Great writing.

And don't get me starter on the "I'm not just a warrior. I'm a Kyoshi Warrior" line. It's a good line. It really is. But it would be better if the producers actually focused on Suki being a Kyoshi Warrior and not just a girl that has a crush on Sokka.

And while it's compared to "I'm a warrior. But I'm a girl too"... gods I... ughhhhhhh

So yeah. I hated it. I hated the show. All I have to say is:

They ruined my favourite couple. They ruined many great characters. They completely missed the point of the original story.

reread Gensokyo Channel One for the first time in ages, and past me is lucky that cross-temporal word processors don't exist yet, or the rough draft of that story would be buried under ten thousand notes of 'this scene could be combined with the previous one' and 'did we really need a roughly three-paragraph-long scene that amounts to By The Way Nitori Is Still Doing The Same Thing She Was Half A Chapter Ago???'

astarion stans who refuse to try befriending or even romancing anyone else are the most annoying mfs. "I only romance astarion I just can't relate to the other stories" really? you can't relate to gales deep self loathing? his deep love and loyalty for those he cares about? you can't relate to wylls kind heart and desire to always do good, even if it means he's miserable? can't relate to shadowheart blindly following a god, only to learn the truth and reinvent herself? you can't relate to lae'zel or karlach who were lied to and used as weapons their whole lives, but continue to push on even when they're scared? you can't relate to the overarching theme of authority vs autonomy???

it's not difficult, it's just people refusing to appreciate and explore the game to its fullest bc their manipulative sexy vampire is all they need(something astarion actually loathes being seen as btw). but ok, you can be boring and do whatever you want, but don't lie and say the other stories are bad, because they're not. it's simply a lack of media literacy and critical thinking. because to you, if a character doesn't tell you point blank that they're aware of their situation, it's bad writing. missing the entire point that victims don't always realize the situation they're in. keep in mind astarion and karlach are the only ones who got away from their abusers, which is why they tell you clearly and confidently about what happened to them, fully aware that it was abuse. whereas the others give only their tunnel visioned perspective and speak highly of their deity(not caring about themselves, wish to appease them for something in return).

don't get me wrong (seriously, if I see one person misunderstand me I'm going to lose it) astarion is a good character, but people who only like him need to stop acting like he's the only complex and well written one. stop crying when people with brains call you out for being weird about his ascended ending. the game isn't about him. at least try and show some respect to those who worked hard on the game. make an oc and try new things, i promise the fictional vampire won't care if you don't romance him one run. have a drink with shadowheart, dance with wyll, go to a restaurant w karlach, maybe then you'll calm down.

something to be said about how easily characters of color have their trauma diminished. how swiftly and thoughtlessly people decide that it is inconvenient or burdensome, to have to consider, to have to care about the way a character of color's life experience and trauma may have affected their decision making. how characters of color either have their trauma sanitized or disregarded and how both serve the ultimate goal of diminishing it. diminishing the reality of non-palatable reactions to trauma, the possibility that it may affect their behavior in ways that are seemingly obvious when talking about white characters. characters of color are either perfect angels who can't be flawed and will never do a thing wrong or evil villains with malicious intentions solely existing to cause problems. never real, never human, either examples of what to be or what not to be. it's exhausting.

Still not over the fact that Yujin's name means "friend". That is so cute, he's the bestest friend.

.

a "my nonhumanity" stimboard, a horrifying, many-eyed and gorey, entity-thing who lives in decrepit buildings and rotted forests and has a puppy dog hearttype (+ related things) :•]

[ID: A 3x3 stimboard of 9 GIFs.

GIF 1: First person POV of walking along the patio of a decrepit house at night, lit only by a flashlight.

GIF 2: A pan-over of a brown shelf with various deer bones and antlers.

GIF 3: Glitchy footage of a moss-covered stone wall.

GIF 4: An animation of a fleshy blob covered in many moving eyes.

GIF 5 (center): A small brown dog getting a bubble bath.

GIF 6: An actor wearing a fleshy skintight suit covered in veins sitting up from hunched over, slime stretching between the surface they were leaning on and them.

GIF 7: A red arrow blinking and pointing towards a spot at the end of a path on a pulsating landscape.

GIF 8: Someone wearing clawed werewolf gloves, shakily examing their hands.

GIF 9: A view down an empty school hall at night as the lights rapidly flicker out of sync.

End ID]