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#why is nihil the way he is:((
ambreiiigns · 1 year
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btw rick and morty makes me insane bc no one Gets it people who don't wanna watch it (like me! before my brother made me watch it in exchange of him watching sk8 the infinity w me!) are like ugh problematique bad #edgy dark humor adult cartoon for reddit bros 🙄 but then the reddit bros who watch it & became the main representatives for its audience are like haha pickle rick wooo you need high iq I Relate To Rick Sanchez Deeply and he's like the joker to them and he's a king and an icon of alpha males somehow???? but like. neither of those people understand that rick and morty is actually about Nobody Exists On Purpose. Nobody Belongs Anywhere. Everybody's Gonna Die. Come Watch TV?
#like yea the universe is huge and there's so many versions of everything that everything becomes replaceable and therefore worthless#and you can find joy in that or not. you can find a way to be happy despite it all or not#yes the core is nihilism. but then like. why are we ignoring the opposite approaches to nihilism shown by the titular characters#people will talk too much abt rick and not enough abt morty if u ask me but whatever. let's talk abt rick#why will people forget that what makes our rick the ''rickest rick'' (arguable ????) is not that he's the Toughest Smartest Whatever rick#but that he's the most human rick ? like. the fact that he was attached to his humanity and to the worth he found within it is what#kickstarts the entire show. bc he tries quitting science. and when another rick offers him the portal gun so he can live out that#nihilistic reckless life we see he refuses it bc it sounds Lonely???????? which it IS#so then the other rick takes away what matters to our rick. and that's what makes him the Alpha Male Genius that the reddit bros like#not his toughness his brains his big dick or whatever. it was all about loooove baybayyy and revenge i do love revenge#it was his heart that made him into what we see in the show <3 and what we see in the show is a pathetic weak miserable old bastard#but the reddit bros aren't brave enough to accept it#but whatever. next time we will be talking abt how much he loves morty and how he hates it so much bc it makes him weak#(as evil rick points out when they're looking over rick's memories and he tears up when he sees morty. which kills me btw)#(so much so that when rick can take out everything he considers toxic from inside of him he gets rid of his love for morty too)#and yet he loves his little buddy sooooo much it's what fuels him now. kinda. lol#is he still shitty. does he fall back in his own shit a lot. does he keep treating morty like shit. yea#there's no buts. the statements coexist#yes he will drunk call jessica to cry abt missing morty. yes he will dump morty for two crows#and also he's in love w birdperson. next time too#oh nay
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genshin-projection · 26 days
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i don't think i can be normal about Sunday guys
#hsr#hsr spoilers#i haven't even FINISHED it yet but his ideology is so warped. i cheered when i thought Gallagher had killed him for real#im not upset he's alive though i do think it's a bit of a cop-out . but. ouhghhhh something is so wrong with his mind (/positive.)#it's successfully looped back around to loving his character though. when there's a fucked up guy in a story i either#1) get very hostile towards them because i feel like they aren't being portrayed enough like the villain i see them as#or 2) become Obsessed with them forever because they are just so fucking . Wrong. like .#ayato genshin impact falls into both of these categories simultaneously like a fucking electron.#but sunday. he has wholeheartedly landed himself in the second category. i need to dissect him and maybe like. idk. give him a cake (?)??#Come Experience The Joys. Idiot. and also maybe listen to your sister.#honestly i REALLY like robin i think she's super super great and has good ideas#i really really love the like. the.#the contrast between his like. his horrible pessimistic nihilistic ideology. and robins optimistic harmonious one.#like robin seems to kind of... not be able to understand that sometimes nihilism is the only way to survive and that it's a balance#survival is good but hard to break out of... you need to survive enough to be ABLE to live. she seems to idealize living in opposition to it#whereas sunday is like. there are people who can ONLY survive. sometimes living isn't an option because the world is cruel and we don't all#get that choice. sometimes surviving is all you can do. why not embrace that? why not build a place where people can postpone death?#if fulfillment isn't possible... then why not accept placation even if it is a poison to the soul? surely joyful prison is better than death#if all that awaits in the world is suffering then why not let the bird live the rest of its days in its cage... even if it is unfulfilling?#HE'S SO . RHGHHGHGHFHGHHVGJF#he feels like he's on the brink of a misanthropic suicidal breakdown to me. someone fucking help him (but not really)#(i don't think anyone should be subjected to his brain. but i would like to see him get better. actually i think robin is trying for sure)#anyway. very curious how this quest is going to end. i want to rip him limb from limb and then stitch him back together again after#my posts
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4giorno · 4 months
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bro quoted the bible at her
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seyaryminamoto · 1 year
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Would Ozai have had enough darkness in his soul to control the bloodlust spear. At face value I decided he's the worst kind of person to find it. But chapters like the latest give me doubts that he has the right kind of evil in him to control it. He is very much a bad man who's ordered terrible things be done, but there's still a tiny speck of goodness deep down in that man's pitiful soul. Maybe the worst possible person to carry the spear was the evil guy who actually found it and not Ozai.
Hmmmmmm... frankly, I would say Ozai isn't on Rhone's level of corruption, which really isn't a compliment for him.
Let's just say... Rhone embraced his own darkness in ways Ozai hasn't. Strange as it might sound to say this, Ozai is deeply immature, incapable of reflecting on his own mistakes in the ways Rhone could reflect on his own and simply keep going because understanding the gravity and darkness of his choices just didn't stop or faze him. As far as he was concerned, none of it mattered. Meanwhile, Ozai really doesn't understand his mistakes in that way, at least, not where we are now. And once he does understand them better and reflects on them... he will shockingly be able to regret some of those mistakes, and not simply because he's at a disadvantage by his own making.
It's complicated to determine if Ozai still has anything genuinely good inside him, but as I've always said, my take on him is that he's a dark mirror to Zuko. Where Zuko learns to make better decisions, Ozai does not. When faced by similar crossroads, Zuko might not always make the right decisions... but in contrast, Ozai constantly, persistently makes the wrong ones. So, much as Zuko has the potential to become a darker, worse person, Ozai has the potential to NOT go as dark and yet he often makes the choices to avoid being a decent human being :'D he's a lot more complex than even I anticipated, which means he also has been more infuriating than I ever thought he'd be xD but everything seems to go back to the messed up upbringing he endured at Azulon's hands. I was thinking about it just yesterday but the reeeeally messed up dynamics of that family practically have made it so the biggest villain in Gladiator is... Azulon. Who's already dead. Which means you can't really defeat him since he's already been defeated...
And yet, because Azulon's shadow still grips Ozai so strongly, no matter if he's dead (because Ozai is basically trailing on Azulon's footsteps and furthering the man's campaigns anyway), Azulon's legacy is still thriving in Ozai, no matter if Ozai hated his father enough to want him dead. The generational chaos in this family is soooo messed up... and that's why part of the story is about ensuring Zuko DOESN'T end up following Ozai's footsteps without his awareness, the same way Ozai has with Azulon.
... And I got completely sidetracked rambling there, but my point is basically that Ozai has many complications going on inside him, such as a profound lack of self-awareness and enough regrets to his name, which are constantly piling on and on, that I really don't think he could be a more dangerous wielder of the Bloodlust Spear than Rhone. Rhone, actually, is the most powerful person to wield it because his darkness basically kept the Spear in a subservient position. He never lowered his guard with the Spear, so even when the Spear was tempted to turn on him when he was bleeding heavily, Rhone still managed to keep it at bay by sheer willpower. Ozai... as much as I don't want to undersell him as a villain and whatnot, really wouldn't be able to do that.
All in all, it's difficult to judge who would be the worst person to hold the spear. Rhone is almost the best person for it, in a sense, because he's the only one whose mind was dark enough that it wouldn't be overcome by the Spear. Problem is, of course, that he was a terribly amoral person, so his ability to tame the Spear is relatively meaningless considering what he'd use it for...
That being said, I'll go out of my way to say that the worst person altogether who could have wielded the Spear is actually General Shaofeng :'D he's not on a superior level of acceptance of being a fucked up individual like Rhone is, no... but he's proudly fucked up, proudly self-serving, and he wouldn't shed a single tear if he massacred half the Fire Nation by mistake if the Spear takes control of him, of course, as long as it doesn't choose to kill him too. Murdering heaps of people wouldn't mean anything to him, even if it's his own nation. All he really wants is power, and if he could have used the Spear to obtain that power (such as by slaughtering those who held the power he wants, or controlling everyone through fear of the legendary weapon), he wouldn't have hesitated to do it. He would have been more destructive than Rhone, he would have been more amoral than Rhone, the Spear would have absolutely controlled him as it pleased... he's really about the last kind of person anyone would want to see wielding the Bloodlust Spear.
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cuntstable · 1 year
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i love reading character analysis posts that start off strong but then right when they seem to be getting to the point they just do a perfect 180 and hit the wall at destructive speeds. like awesome, you DONT get it
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nullcoast · 6 months
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The world is fucking disgusting
#i think a lot about ppl who grew up thinking the world and how it's organized is fundamentally good#to a degree this is still me bc I'm white I grew up suburban#but I always saw and hand understanding of both a. bad things from trauma and b. my mom taught me about systemic racism in like 4th grade#and we were poor and shit in a rich area so I was excluded a lot#like. inside bo burnham is a good example and I saw a YouTuber talk about this in a really interesting way can't remmeber his name#but he was saying like. there's a certain nihilism of white ppl who end up realizing things are bad when they didn't already#idk interesting topic I can't stop thinking about#bc it's the only way I have to explain how ppl are so godawful stupid and why it's so difficult to explain institutional issues#bc ur basically trying to tell them yeah the world is not actually good. and that's. a really big thing to change in someone's mind#that things are good is the root of a lot of miseducation and support for harmful structures#so much propaganda goes into convincing us that everything is good#and that nihilism that guy talked about. like yeah the world is disgusting but it's more. and that's why like#Angela Davis said it well that the revolution starts inside#and that self love and care and doing good things to a body unwanted by a bad world. that is rebellion that is revolution#so nihilistic white ppl who hate the world are still failing to see the point of counter action#that it's about love + goodness and that's the bedrock#and I find myself stuck there mental illness wise where I believe that you have to emphasize and bolster as much happiness and goodness#but it's fucking hard man#anyway. clearly I took an adderal#gotta take some ethics courses with intersectional lens I have no one to talk about this shit with#Palestine is really fucking me up like. all day I just imagine how many children have died#like what can I do. nothing. i can do nothing. and people who don't deserve it continue to live in terror#the average fucking age in Gaza is 18. they're all just kids like me and my brothers#it's not fair
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peepaw jumpscare
why's he always look so silly
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driftwoodskeleton · 1 year
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finally learned some Ghost Lore™️ and now im having a lot of feelings:(((
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paragonrobits · 4 months
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some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:
Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.
The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.
There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.
Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).
Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.
On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.
Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."
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moon-the-silly-evil · 1 month
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Currently containing myself over the Rite Here Rite Now trailer
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Thinking about the parallels of Prime showing C-137 the universe and Rick offering to do the same for BP
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hyperfixat · 8 months
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hehe here's this 2k brain rot that @suiana's post gave me (permission proof - not a thief!)
i turned caelus into a they them not sorry. also if the formatting is odd, i’m on my pc and i usually use my phone so.
They’re back.  Again.  
March has to stifle the screams of anger she wants to let out as the shackles of stillness finally free her.  Like ice melting Caelus and Dan Heng begin to move around, continuing where they had left them stranded and abandoned, left to stay stagnant at their whim. 
The worse thing is that she can’t even complain, not for lack of desire to do so, no, no she physically cannot voice her complaints.  And March knows she isn't crazy, she’s caught the twinge of annoyance in Welt’s eyes when he unpaused; seen the ghost of a scowl on Seele’s face; even the carefully controlled hardened gaze of Dan Heng has cracked before.
The Trailblazer is the only one who hasn’t cracked, obediently stopping when they will them to do so, and ever so happy to come back at their will.  March wants to corner them and ask how and why, if they know what's going on, but alas: she must trot along with her friends at their wicked will.
Dan Heng doesn't know what you are, because surely you can’t be an Aeon.  Aeons don’t hold the powers you do, even if they did surely there would be some record of you in the archives, right?  No Aeon dead or alive has the ability to puppeteer humans, and it frightens him that there is something out there that is using him in such a way.  It embitters him, both the unknown surrounding them and the way he is treated; how his whole world is put on a pause while he remains aware.  Aware of how the breeze stills and the stars stop twinkling, how the world goes silent.  What could hold such power? 
A shudder runs down his spine as he follows the Trailblazer’s party.
Welt has witnessed a lot in his time.  Nothing quite like them, though.
Himeko has witnessed a lot in her time.  Nothing quite like them, though.
Bronya, Seele, Sampo, and Natasha have witnessed a lot in their time.  Nothing quite like them, though.
Yukong, Loucha, Fu Xuan, and Jing Yuan have witnessed a lot in their time.  Nothing quite like them, though.
Kafka, Blade, and Silver Wolf have witnessed a lot in their time.  Nothing quite like them, though.
The different paths they all walk may intervene, as their personalities and beliefs may differ but there is one truth they can all agree on.
They hate you.
Caelus doesn’t.  Rather, Caelus can’t help but love you; you gave them life and led them through their trials.  You keep them safe and armored. You help them find the words to face others when their mind goes blank. 
To Caelus you are the world.
The Aeons came to know of you when Dan Heng’s frantic searches focused on them for a little too long.  While he was scanning the records they saw you.  You were intriguing from the get go, a pretty thing, sitting comfortably as a figure in the sky. The Preservation and The Nihility, whose current forms allow for more ease with floating went as far as they could to reach you.
Yet you remain just out of reach of the Aeons.
The Abundance uses one of her many arms to steady herself as she crawls along the very fabrics of their reality to get a closer look at you.  And what a darling thing you are!  Excitement that she hasn’t felt in a long, long time, perhaps for the first time ever fills her up inside.  With a shaky hand, she motions for the other Aeons to take a closer look at you.
From there the… shall we say, worship, began.
Nanook, The Destruction, takes note of your fondness for certain characters, and what his darling likes, he likes, so when the Antimatter Legion he has blessed come across the ones you are fond of, their attacks are lighter and they lose his blessing temporarily.  Sure, he wished some of the gushing from beyond the sky was for him, but you so rarely see his face on the screen (only ever in the Simulated Universe you put that Caelus through) he can’t blame you.
IX, The Nihility, will not change in their ways, not even someone like you can shift the nihilism they embody, but, perhaps you don’t notice it, your teams deal better damage over time, don’t they?  Don’t take their blessings lightly, it took a lot to bring them there.
Yaoshi, perhaps makes it the most obvious (despite you never noticing), your favorite vessels get a wonderfully boosted health bar.  You never knew to question how Blade managed to get nine thousand hit points.
It’s hard to pinpoint who thought of it first, perhaps IX or Fuli, but the Aeons, the strongest Aeons, gathered to pull you down from beyond the sky.  Through a (top secret) ritual you find yourself being hurtled down like a meteor into the freezing snow of the Outlying Snow Plains. 
You wake to the kind face of Caelus, which is a bit odd because he’s not supposed to be so… high res.  Or real.
“Are you alright, My Lord?”  The title doesn’t immediately resonate with you, so you disregard hearing it.  When you don’t answer right away they frown in worry, hands moving to yours, gently covering them with their warmth.
“What happened?  Why am I here?”
“You fell from the sky, do you not remember?”
“No,” what sky would you have fallen from?  You tend to stay on the ground.
Caelus worries their bottom lip and helps you sit up.  “Oh.”  There’s a pause.  “Did you not mean to come here? I thought….”
“Hm?” You prod, gently encouraging them to talk.
“I thought you were coming to see me,” their face is tinged pink and facing down in their lap.  Caelus’ hands feel hot and you rush to reassure them.
“I’m glad to see you, but I don’t know how or why I’m here,” you pause, cringing internally.  “Caelus.”  Fuck, that is their name right?  No last minute changes?
Luckily their face lights up when you say it and you find yourself pressed into their soft chest, their arms around you in a bear hug. 
“You’re really them.”  A breathy, ecstatic phrase.  Their face buries into your hair and Caelus doesn’t loosen their hold until a knock at their door.
“Trailblazer!  Pompom here, requesting an update on Their Grace’s status.”  
Caelus gently detaches themself from you and opens the door to reveal the tiny rabbit-oid conductor.  Pompom bashfully rubs their hands together when they catch sight of you awake and looking at them.
“Hello, Your Grace, Pompom is glad to see you awake and healthy.”  
What a cute creature, you think.  “Thank you, Conductor Pompom.”
They let out a squeak at your words and nod.  “Pompom needs to go check in on the other passengers, but let Pompom know if you need anything, okay, Your Grace?”
“Oh, thank you Pompom.”  They hurry away, stubby feet padding quickly down the carpeted halls.  You turn your head to Caelus, “what was that about?”
“Hm?”  Their golden eyes meet yours, head tilting.
“Why did they call me those things, Your Grace?”  
“Because you are our God above Aeons.  Do you… were you somehow unaware of that?”
The words hit you like a freight train.  “No, I’m not.”  It’s all you can think to say.
Caelus sits next to you on the bed, placing a hand on your knee.  “Yes you are.  We can feel it.  You are the one that controls this world and gives us life.”
Controls this world… and gives them life… fuck, the game… you’ve been playing these sentient beings.  Your tummy hurts at the knowledge . 
“Oh, I’m— I’m sorry.”  Your eyes prick with tears, the gravity of what you’ve been doing; how you’ve dragged these people into battles for fun.  You couldn’t have know, but it doesn’t stop the guilt eating at you.
“No, no, what are you apologizing for?”  Caelus’ hands cup your face, a finger catching the tears that drip over the brim of your waterline.  Their voice drops to a whisper, “please don’t cry, My Lord.”
You suddenly feel very watched, like a million eyes are on you.  Caelus never closed his door.  You look up and catch sight of March 7th’s glare.  The intensity of it makes you flinch back, making Caelus look up, over to:
“March, don’t give them that look.”  They scold the girl, who turns the withering look to them.
“Why are you taking care of that monster?  We told you to leave them to freeze in the snow.”  The words make your heart sink.  Being on this side of such venomous words stings, especially from someone you never would have pegged to be so hateful.
Caelus bares thier teeth, a mix of offense and hurt on their face.  “And I told you I would do no such thing to our God.”
“That is no God.”  Her voice shakes as does her head, before turning around and walking away.
“Don’t listen to her.” Caelus shakes their head in disappointment. “She doesn’t understand what all you do for us.  Please don’t hold it against her.”
They, the Astral Express, do not like you.  Caelus and Pompom do, they hold you in reverence, which is better than how March, Himeko, Welt, and Dan Heng treat you.  It’s all dirty looks and only partially veiled insults.  Caelus gets into arguments with them over you.  
You hate to think that you’re harming the friendships between them, and when you brought your concern up, Caelus dismissed you saying you are worth it all.  
Yeah, there’s that.  You’ve tried to explain that you are not God, but they won’t hear you out.  :(
It’s a perfectly normal day on the Astral Express when the Aeons come. 
Nanook is the first one to descend into the Parlor Car; Caelus and Dan Heng immediately drawing their weapons, The Destruction laughs once, eyes moving to focus solely on you.
“It’s so good to see you, My darling Lord.”  His voice is low and deep, and the gold flowing freely from the wounds (?) on his arms leaves a trail on the carpet as he approaches to kneel in front of you.  From your peripheral you see Dan Heng and Caelus share a look before lowering their respective weapons.
Nanook, you recognize him from the Simulated Universe blessings screen, grabs your hand, gracing the back of your palm with a chaste kiss.  His golden eyes peek up at you from behind long lashes.
“How has the Express been treating you?  I regret not being able to welcome you to this existence, but alas the ritual took a lot out of us…”
What.
“Oh, uh,” your eyes flicker around the cabin nervously.  “I’m doing alright, th-thanks…”
“Now, now, don’t tease the poor thing,” a beautiful woman (Aeon) walks in, one with many, many arms draped in soft looking, white cloth.  Yaoshi’s eyes soften when she meets your gaze.  “Hello, Your Grace, it’s an honor to meet you in the flesh.”
Caelus, Dan Heng, March, everyones’ (save for you and the two Aeons) bodies droop, posture faltering.  IX, The Nihility, has arrived.  An odd feeling, akin to that of a weighted blanket, is pushed onto your body.  It’s them, their astral, cosmic form much smaller than what should be made of their status, laying on your body like a boa.  They don’t speak, though you aren’t  sure they could in this form.
Yaoshi’s eyes flicker with amusement, and Nanook pulls himself up.  “The others were unable to make it, but,” her gaze chills and is directed at the crew of the Express.  “We all wish to make it known that disrespect, anything short of reverence toward Our Grace, will not be tolerated.”
Welt visibly shudders at the threat, and Himeko shares a look with Dan Heng.  They need to reflect on how they feel towards you, tha much is certain.
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batterygarden · 2 months
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trapped in a bomb shelter with your big bro naoya
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cw: big bro! naoya x fem & afab! reader, dead dove do not eat, misogyny! (and it's my kink so it's not like.. refuted), mild degradation (naoya calls u dumb), but naoya's sweet too, depression and nihilism, masturbation (both of u), sorta dubcon (tagged), fingering, and light mentions of: p in v, somno, cunnilingus, bondage, cowgirl, humiliation kink (on you), naoya being possessive, 1.7 k words
18+, minors don't interact
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It’s surprising when the attack is announced how quickly Naoya moves to grab you. The gears in your mind haven’t even processed the news—that doomsday is upon you—by the time your brother has you snatched up in his arms and he’s running. 
Most of the clan’s away at a local festival—a whole kilometer’s walk from the great zenin estate and the bomb shelter your esteemed (and wealthy) clan head installed. You and Naoya are the only ones to make it in time. 
Naoya has never been the warmest big brother. In fact, there have been plenty of times where you thought you hated him. But at the end of the day you know he cares for you—even if it’s in his twisted, roundabout way. Still, enough that you were his first and only priority to shove into the little bunker beneath your estate surprised you a bit. 
You aren’t sure Naoya thought his decision out—you know he didn’t have time to properly. The way he rushed to your room and scooped you in his arms, no pit stops before locking the thick bunker door closed behind him—before anyone else had the chance to join. It ended up being for the best, explosions outside were heard only too shortly after—still, you hope he doesn’t regret it.
You’re nearing day 10 inside your small shelter, and if the shaking ground and dire radio warnings Naoya managed to pick up are any indicator—the world outside isn’t going to be inhabitable again for a while. 
Naoya is handling things better than expected. He’s thrown himself to small tasks—keeping the mind sharp he calls it. He’s less grumpy than he could be—resilient. Honestly the one lacking in mental fortitude is you.
“You can’t just sit there watching me do push ups. You need to move around too, dummy.” 
“Nii-san im starting to lose the point.”
“The point?”
“I don’t understand why anything matters anymore if we’re all that’s left.” 
He wipes sweat from his brow, glaring at you while he drinks some water. 
“You just said it. Things still matter because we are still here. Eventually outside will be safe again and we’ll get out and start over. Don’t get all stupid and weepy in the meantime.” 
You try to stay occupied, you try to do as Naoya says, but still, you struggle. Spending day after monotonous day trapped in here, you can’t help but start to get depressed.
Then one day Naoya says he needs to touch himself. 
And there’s no room for you to avoid him while he does. You’re uncomfortable—-giving him a look that conveys it. But he insists he has to. 
“I’m a man. Don’t be dense.” 
Before you know it his cock is out and he’s fisting it at a leisurely pace, leaning back on the bed with his other hand. You face away from him, trying and failing to focus on rereading your book. But then he says your name, and when you look he’s still exposed and hard, but he beckons for you to come closer. He isn’t satisfied with your closeness till you’re sitting beside him on the bed. 
He’s still stroking himself slowly when he says: “You need this, too. Touch yourself.” 
You freeze for a minute then shake your head. Is this some kind of test? It’s shameful…
“Saving yourself for marriage doesn’t matter anymore if we’re all that’s left. You’re practically mine now anyways, since our entire clan is obliterated. It’s just me ‘n you.”
...You need to collect your thoughts. In the first place… you’re unsure how far you could get away with disobeying your big brother. He’s been somewhat softer in the shelter, better behaved than he was outside, at least. But you haven’t forgotten the way he used to act when he didn’t get his way… conniving and nasty—you’ve witnessed his wrath more times than you can count. Notably, though, It wasn’t ever pointed at you—his attitude towards his little sister has only ever been mischievous at worst. He’d simply mock and pick apart, invade your personal space and mess up your hair—though you’re sure he’d have been much worse if you didn’t go out of your way to be inoffensive. All in all, a hard no from you now would be a first inside the shelter. 
Then there’s the honest truth of the matter: he’s right. Naoya may as well be the last person on earth for all you know, and you have been going crazy with hormones and neediness—but too afraid to touch yourself with no alone time. It’s a week after your period so you’re pretty sure you’re ovulating, and Naoya’s been walking around shirtless, acting just as touchy as always, but kinder than usual—and it’s not like he’s unattractive. 
It’s sick that you’re even considering it. Touching yourself at your brother’s command—you’re a daughter of a distinguished clan! Maybe this little bunker truly is making you crazy…
In the end, the same idea that’s been infecting your mind constantly post doomsday wins out: nothing matters anymore anyways. 
That thought is how you justify laying back on the bed beside your brother, stripped of your robes and spread-legged, two fingers pumping in and out of your pussy while you buck against your palm. 
Naoya’s sharp eyes watch from beside you, never missing a thing while he continues stroking his cock. You’re so relieved to be giving your pussy attention after so long, you don’t even dwell on how messed up it all is. 
After a while of trying to cum but barely reaching that special spot inside you to do so, Naoya can’t take watching anymore. 
“My sweet sister, how old are you, again? You can’t even make yourself cum?” Naoya tucks his hard-on in the waistband of his pants, focusing entirely on you. 
The mattress squeaks as he scoots closer, large hand around your ankle to spread you wider for his gaze. 
You stop pumping your fingers, giving him a slow stare. He frowns. “No, no, keep trying. Let me see what’s the matter.” 
So you do, working yourself up while you and Naoya watch each other, humping your palm when you get close again. You whine, biting your lip while you brush against the part inside you that feels best. Still, it’s not enough. You’re on the edge of tears searching for that release when—
“Okay, stop, sweet thing. You clearly need a man to do this.” 
You pant while you look up at him, remembering what exactly is going on here when you pull your messy fingers away. It only makes you wetter when you think of the nastiness of it all.
“Nii-san?” 
It shouldn’t surprise you when his fingers replace yours, but it does, Naoya’s warm touch with no warning earning a little jump. 
He doesn’t comment, only sets to work with his middle and ring finger sinking deep into your hole, curling right where you need them but couldn’t reach yourself, pressing his thumb to your clit at the same time. 
It feels heavenly. So good you almost close your eyes, but you can’t somehow. You wouldn’t want to lose a glimpse of Naoya—his eyes are transfixing. 
And, like always, Naoya watches you back.
His expression while he does is patient and relaxed in a way that reminds you of when he helped you with homework or something as a kid. Patient and bored if you ever struggled or needed help—like he always had low expectations for you. You suppose that’s why he had so much more patience for you than he did for other family members—your shortcomings were at times endearing while those he thought were supposed to be strong had stricter standards. 
Ultimately, an inability to make yourself cum seems like something Naoya expected of you. 
And he wasn’t lying about his ability to help—his bigger fingers fit inside you just where you need them, and it takes your brother only minutes to earn your release, clamping down on him while you make a mess on the bed, crying out and arching—after edging for so long the orgasm lasts what feels like forever. 
Noaya fucks you after that. He may as well, he tells you—he still needs to get off and it’ll feel good for you this way too. And he’s right, he may as well. It’s the end of the world and your brother may as well fuck you. And of course his cock feels amazing—it manages to feel like a solace in this bunker where nothing matters. 
After that day, miraculously, you start to perk up. Naoya figured out the key to your depression, the key to keeping you occupied—it’s sex. Everyday your big brother fucks you and every day you get better. 
Things stay interesting because when you’re fucking every day—you experiment. Or at least, Naoya does—he’s the creative one between the two of you, you’re just along for the ride. 
You wake up in knots of rope one morning with Naoya’s tongue between your legs—you’re in the middle of an orgasm. He splits you open on his cock afterwards for good measure. He lets you ride him another day, something you’re fairly sure he’s never let a woman do. You cockwarm him while the two of you read a book at the same time—it’s silly. He’s kept you tied up almost an entire day before, doing whatever he wanted, exposed and embarrassed. You’re his little cock sleeve of a sister, he says. 
“You know I’m actually glad that at least this way, stuck in here, no other clan can have you. They wouldn’t deserve you as a wife, not one of them. It’s a silver lining—this way, you’re all mine.” 
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lillymakesart · 5 months
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mizu's origin story in ep5 can have multiple interpretations
mama and mikio betrayed her - this is the one that the writers are pushing, and it's honestly already great. mizu's turmoil is grounded in internal chaos and her immediate connections. her onryo is fueled by self hatred and the reality of the world that she will never be accepted, not even by the only two people closest to her that know her as her full self. she has no paths left here. her only path is violent revenge and self annhilation.
mama betrayed her and mikio is innocent - this one fuels her onryo via external influences. mama's only M.O. is her opium addiction, which was introduced by the white men that poisoned the country with their opium imports. it shows that even here, in the countryside, away from everything and everyone that would hate her as a half breed, bridled next to her first love whose relationship is only just beginning, even here she cannot escape the white man's influence. her onryo is fueled by hatred of the white men that ruined her life so thoroughly and completely, even when all odds were in her favor.
mikio betrayed her and mama is innocent - this one fuels her onryo via self hatred. mikio, her first true love and guardian of her trust, tosses her aside and means to kill her after seeing the last facet of her identity as a warrior. here, she has failed so astronomically as a woman that it brings her life to ruin, shattering her heart into pieces and leaving nothing left of her. she hates herself, hates that she was born this way, and embarks on a grandiose suicide mission to end the white men that created her, but the underlying motive is simply self destruction (but make it fashion)
bonus interpretation:
mama and mikio are both innocent, but both are useless in her time of need - maybe a passing messenger saw her and took the opportunity to turn her in for a quick buck. the experience is traumatic, but no one is helping her. mikio runs because he is a coward, mama can only think of herself because she is narcissistic and can't spare any empathy. they are both squabble among themselves but no one is raising a hand to hold her, love her, care for her in the way she needs to be cared for. her onryo is fueled by nihilism and silent betrayal. what's the point of living when this is as good as it gets? why play into the charade of society when there is simply nothing left for her? might as well exercise her artistic capability to its highest form of expression (fighting, killing, exacting revenge) and call it here.
every interpretation is sad, there's no respite anywhere for our mizu send post
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kaurwreck · 3 months
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Rather than catastrophizing instances when Dazai isn't mentioned by name or physical presence in references to the Agency, consider:
that he fluidly moves between, shares unique and independent connections with, and influences each of the three pillars of the tripartite framework;
that when he isn't physically there, the others still feel his presence and are guided by his influence on them, strategies that he's relayed to them, and their trust in him; and
that the Agency as it is when they've reunited in Poe's book or in Fukuzawa's memory are together because of Dazai, as in he literally, in-text coordinates with Ango and Ranpo in regards to the former and he also recruited multiple members of the Agency, having brought in Atsushi and coached Kyouka through her entrance exam, in regards to the latter. I didn't even notice he wasn't there at first because I saw his shape in the shadows of the silhouettes of those who were.
That Dazai is there even when he isn't is an ongoing motif: Mori maintains Dazai's seat among the five executives; Chuuya enters Corruption despite Dazai's apparent death in Dead Apple; Chuuya, in part, resists Verlaine's nihilism because it reminded Chuuya of Dazai's, and even though Dazai was late in finding him, Chuuya wasn't in any danger of being lost with Dazai already so palpably there; Akutagawa understanda Kyouka has found her reason for living because it echoes what Dazai gave him through the Port Mafia, with Dazai appearing only as an impression and in implication; Ango explicitly defies Taneda's orders and his hierarchal obligations to the Special Division because he trusts Dazai enough to follow Dazai's heart on the matter (literally and figuratively); Atsushi visualizes Dazai when he's alone and paralyzed by internal conflict and when he does, the others appear around him too; while imprisoned, Kyouka was so alone there wasn't even anyone captaining the drone she was in until Dazai's voice cut through her isolation to relate to her and coach her through her entrance exam; etc., etc.
It's why Fyodor can't outmaneuver Dazai. Dazai tells Fyodor that Fyodor failed because Dazai had allies and Fyodor didn't. The guards physically present in Meursault with them were under Fyodor's control, while Dazai had no one in the prison with him except for a fellow inmate he could not access or speak to directly. Everyone Dazai relied on, he relied on without being able to see or hear or touch them, while physically surrounded by the presence of Fyodor's vampires.
But it didn't matter because Dazai's bonds aren't so weak that he needs to see them to know they're there, nor are they limited by organizational affiliation. The truth of the matter was that Fyodor had no one, and Dazai was surrounded by his people in substance if not in form— meaning only Fyodor tried to play chess in a game of Go.
Dazai does not have to be physically there to be present, anymore than the others have to be with him in Meursault for him to see them and rely on them and know they are supporting him as much as he's supporting them. Dazai's home and place of belonging also isn't limited to the Agency; he's theirs, but they share him with the Port Mafia and the Special Division.
He's like Natsume in that way, and like Natsume, he's uniquely capable of weaving between the tripartite framework's three pillars to remind them of and coordinate their efforts towards their shared goal of protecting Yokohama.
Thus, if you want to know where he is in a scene, sometimes you have to look for him in the connective tissue rather than the organ. Or, in more literary terms, what is essential is invisible to the eye.
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It took me a while but I finally realised why Mystic Flour and Dark Cacao are positioned as opposites, or ying and yang. Dark Cacao as we know is a character all about hope. He keeps going no matter what. He is a warrior king of a warrior nation and will go down fighting, keeping the hope and sacrificing his life for the sake of others to his very last breath. “There is hope because we live.” Is what he says.
On the other hand we have Mystic. She is a saint, a Demi god of sorts who’s been around for a very long time and her danger lies in her extreme nihilism. Her philosophy, her battle tactics, everything she wishes to do is for this one goal — to make everyone "return to flour", which is just a pompous way of saying "perish". Not only does she believe life to be completely meaningless and therefore gives up on it, she wants everyone else to jump down that pit with her because she sees the very act of life as suffering. Perishing is a "release", and it sounds like something out of a cult because it is. It’s a cult-like mindset and that is what makes Mystic the foil to Cacao. She is the essence of giving up hope and passion, the essence of apathy while Cacao is all spirit and passion. The war between them is more than just a cookie conflict; it’s a war of beliefs, of almost religious nihilism against a passionate existentialism.
It’s a cookie game btw.
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