Quick thoughts after first two episodes of Ahsoka

I am determined to keep my expectations low and refrain from any pre-judging until I finish watching all the episodes. So these are just a few thoughts and questions that popped into my mind during Eps. 1 & 2.

Love the music score, it is wonderful so far. Although space rock always kind of takes me out of the space fantasy setting for some reason.

2. So we still have no idea where the heck Ahsoka was all those years before showing up to become Sabine's master? And why did Sabine put away her armor and helmet? I'm guessing/hoping we'll learn more about both of these things.

3. Meanwhile, I don't quite get the heavy emphasis on the Ahsoka/Sabine master and padawan thing when these two had zero interaction during Rebels, but I'll just stay neutral for now. It is a relief they made it clear Sabine is not suddenly and inexplicably talented with the Force. I do appreciate how they made the way Sabine cut her hair a nod to Kanan's own ceremony.

4. Are they saying Hera really thought Ezra was dead so that's why she has apparently never bothered to search for him all these years? BTW, where is Jacen? I do hope he and Zeb make more than cameo appearances.

5. Okay, this is just me being grumpy, but it would've been kind of nice if Ryder had included Kanan's name when talking about the dedication to the heroes of Lothal. He did help destroy Thrawn's Defender project after all.

6. Enjoying all the ancient lore, star maps, and puzzle pieces. Totally up my alley.

7. Thrawn was banished to another galaxy??? Did the Force tell the purrgil to take him there?

8. I love that Morgan Elsbeth has been revealed to be a Nightsister. (shades of Morgan le Fey?). But kinda scratching my head because I don't remember her appearing in any of the Thrawn novels and the show is implying there is a strong connection between them.

9. Not sure what to think of the fallen Jedi peeps or Inquisitor yet. Does Luke have any idea these guys are running around?

10. Chopper, you are perfect. If we get to see AP-5 and you argue, I will be most pleased.

11. Nothing against the live action actors, but I sure do miss Vanessa Marshall's voice as Hera and Ashley Eckstein as Ahsoka.

12. Last, but definitely not least, thank the Maker this show looks, sounds, and feels like Star Wars aka fun, plus it definitely honors the look of Rebels and TCW animation in many respects. I feel rather sorry for anyone who hasn't watched these shows because they missed a lot of back story. Loving all the droids, lightsabers, aliens, starships, clunky technology, and how about another round of applause for Kevin Kiner's music :)

TWDG S2 First Playthrough

E1 - Omid’s death is always such a bitchslap. It’s so stupid. Literally, why did they send her in there on her own? Are you kidding me? It’s ridiculous. Omid didn’t have to die. 16 months later?? What??? It would have made way more sense to have made the DLC about those sixteen months and then start at Christa’s camp with no baby or Omid instead of what we got instead. Bull. AND WE STILL DON’T KNOW WHAT THE FUCK HAPPENED TO CHRISTA.

I think out of the entirety of season 2, Clementine and Luke’s relationship in the first three episodes is my favorite. He becomes an alien after episode two, but he becomes intolerable after three. He’s just such a big brother to her and knows that she can take care of herself. Their relationship is similar to what I think Clem and Ben’s would have been if they ended up alone together after season 1.

I stole Nick’s watch, I’m not sure if I’ll give it back yet just because I think it’s hilarious that you can take it and not give it to him. Speaking of Nick, he 110% sees you when you look through the kitchen door if you never back out and he doesn’t say anything. I decided to go with Pete at the end just because I’ve never seen it played out before.

E2 - Well, ironically enough I prefer going with Nick. The first few times I saw it, I hated it, but it’s really grown on me throughout the years. Pete’s just didn’t feel as emotional or like it had much of an affect on Clementine. I also prefer him telling her about his mom in that shed rather than later on.

Another thing I love about Luke and Clem’s relationship, even though he knows she can take care of herself, he still tries to protect her. He holds his arm out in front of her when Matthew is approaching them on the bridge and is the one that pulls her down to keep her from getting shot. The banter they have is just really sweet and I miss that dynamic between them, I wish it carried throughout the rest of the season.

I was thinking about a missed opportunity the writer’s had while I was playing. Instead of having Walter die no matter what and Nick either die in episode two or four, whether you tell him the truth and/or convince him to forgive Nick should have a different outcome. Only one of them makes it to Howe’s depending on what you decided. You couldn’t convince Walter to forgive him? Nick goes out of his way to save Walter and Carver kills him. You told him Nick was a good guy? Walter sacrifices himself for Nick and gets killed instead. It would give a bigger variety and it would be really interesting to see how Walter would deal with being at Howe’s.

E3 - Troy makes me so uncomfortable. I know they were planning to have him do a lot worse, but he’s still just so ugh, you know? I’m physically incapable of liking Bonnie the more I see season 2. I just know that literally everything is because of her. She finds the group at the ski lodge, she blames Clementine for Luke’s death if she shoots the walkers LIKE HE ASKED, and she’s fully prepared to fucking leave her with a couple maniacs and a baby. Just her presence pisses me off.

I know I’m talking a lot about Clem and Luke, but I don’t care because I just love their relationship before he becomes an alien. I had her hug him which was really cute but I also want to see his reaction if she hits him which I think I’ll do next time. I know he pushes her to do things like every adult in this season, but he still actually seems to worry about her because he is hesitant about sending her to turn on the PA and he stands up to Carver when he says that Clem has seen more things than they could imagine.

E4 - I had no clue what I was going to do with Sarita, but I did end up chopping off her arm. I will forever hate how the adults are like "Kenny's being so scary, he's yelling, I thought he was gonna shoot me" and then they force Clem to go over there even if she says she doesn't want to.

I didn't know this until I looked it up just now, but apparently Nick died from a bite on the neck? This whole time, I thought he somehow just bled out from the gunshot to his shoulder, and I honestly don't know which is worse. His death is such bullshit. You know what else is bullshit? Alien Luke. Literally Rebecca shows more emotion than he does, and it was for all of 2 damn seconds. You know what I would have preferred?

Have Luke start breaking down. Make him just as unable to move as Sarah. Let him lose his mind over the fact that he just lost his best friend of "damn near 20 years" and make us decide whether we convince Luke or Sarah to escape. It's not convince Sarah or leave her, it's you can only save one of them. Again, more variety for those who aren't a fan of Luke and actually make it a hard decision because I feel like I would have a WAY harder time with that than whether to leave Sarah (I didn't by the way).

When Clem looks at the cannon and Jane says, "check the muzzle, napoleon" I really wish there was an option to be like, "Jane, I have a first grade education. I don't know my times tables, who the hell napoleon is, or what the fuck versatility means OR how to spell it. Keep yo damn nail file."

Another thing they could have done with Sarah, is if you saved her in the trailer park, she could have potentially saved herself. And this would be a really interesting one, because the determining factor would have been a thing that appeared as a dialogue option, not a choice choice. In episode two, you can teach her how to use a gun if you pick the right choice. Instead of having her die no matter what, if you showed her, let her actually show that she learned something and is capable of learning how to survive.

Rebecca’s whole situation is bullshit, too. You know, I’d be okay with it if it was changed. If you didn’t give her the pills, the coat and you left the observation deck early, I could buy her dying from hypothermia, exposure, blood loss, etc. But if you give her those things and you stay a few days, I would rather her have died in the firefight. It would have made way more sense. Like, I know a hell of a lot of things can go wrong during giving birth, especially without medical care, but after THREE damn days? I don’t know about that. Whatever you wanna say it was, a placental abruption, hemorrhaging, whatever - she would have died way quicker, not taken three days.

E5 - The writers had two good opportunities to get a chance to kill Kenny before the rest stop was ever a thing. They could have made Natasha go for him and you have the choice of shooting her or not. The could have been done later on when they’re walking through the woods and one comes up behind him. So, say you don’t let him get bitten the first time, but you’re seeing how unhinged he’s becoming, so you let it happen the second time. After that, you don’t get another opportunity.

Another thing about the pills, they’re so annoying. Like, you can only give them to one person. Rebecca, Luke or I think maybe Kenny. Because apparently there were only two damn pills in that bottle that shook like it was full. It’s so annoying. You should be able to give it to whoever you want, not just one of them.

I have so many problems with the ice scene. Yes, Luke, there are in fact TWO ways around. You see those trees? There’s these things called GAPS between them and the lake isn’t so damn big that you couldn’t walk around the damn lake. GRRRRR. When the ice started cracking, where were the choices to tell Luke to throw his gun away from him and to tell Bonnie to keep her fat ass put? “The small child is light, let them do it!” small child: no “Guess I’m just as light as her!” FUCK YOU BONNIE! THEN YOU HAVE THE FUCKING AUDACITY TO BLAME CLEMENTINE WHEN IT WAS CLEARLY YOUR FUCKING FAULT! YOU LITTLE WHORE ASS BITCH-

Sorry. I’m never going to get over Luke’s death or how fucking pissed I am at Bonnie and Mike. They can get fucked for all I care. Can I say, it’s also BULLSHIT that Bonnie makes it out of the ice but Luke doesn’t. Are you kidding me? She can find the hole, but he can’t (😳)?! GRRRR.

I was dreading that rest stop this whole damn game. I had no fucking clue what I was going to do when I finally got there, but I did end up deciding to shoot Kenny and leave Jane behind. I really struggled with deciding and I almost ended up not picking anything (which results in Jane’s death anyway). As much as I despise season 2 Kenny, I also despise Jane for what she did. I kinda wish I had looked away and then shot Kenny afterwards, but it is what it is.

Star Trek: Lower Decks Season 2, Episode 2 Easter Egg and Reference

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Spoilers ahead for Star Trek: Lower Decks, Season 2, Episode 2, “Kayshon, His Eyes Open”

In The Next Generation episode “The Most Toys,” Kivas Fajo tried to keep Data forever. The idea that someone thought it was okay to “collect” was an oddly self-referential concept for Star Trek even in the 1990s. Just like now, the idea of a Star Trek collectible was a thing hardcore Star Trek fans thought about all the time. But, other than the fact that everyone would actually want to “collect” Data, “The Most Toys” wasn’t actually about Star Trek collectibles. 

But, the newest Star Trek: Lower Decks episode, kind of is? In “Kayshon, His Eyes Open,” the crew of the Cerritos encounters one of those famous collectors, while the crew of the Titan deal with some very familiar transporter clones. It’s almost like this is an episode that is filled with as many Easter eggs on purpose. Here’s everything we caught.

Beta Shift 

When Jet joins the Lower Deckers at the start of the episode, it’s implied they are on “Beta Shift.” This seems to check-out with Season 1, in which it was clear that the Cerritos was on a four-shift duty rotation, which included the night shift known as “Delta Shift.” (This idea was first introduced in the TNG episode “Chain of Command,” an episode Lower Decks LOVES to reference.)

Sonic Showers 

Although sonic showers are referenced a lot in Star Trek, we’ve only seen sonic showers a few times. The first time was in The Motion Picture, and since then we’ve only glimpsed the showers. The visual effect for the communal sonic showers here is very similar to TMP, but the idea of communal showering for the lower officers vaguely references the novelization of The Motion Picture, too. If you know, then you know.

Collectors

Again the idea of various “Collectors” in the galaxy references Kivas Fajo and “The Most Toys.” This is what Freeman means by “they all tried to collect Data.”

Dr. Migleemo

 Notably, the Cerritos’s counselor, the avian Dr. Migleemo returns in this episode, once again, voiced by Paul. F. Tompkins. Echoing Counselor Troi’s non-standard uniform, Migleemo appears to wear whatever he wants while on duty, even sitting on the bridge.

Items Owned By the Collector, Take 1

When the landing party for the Cerritos first boards the ship, just in the first room alone there are a ton of Easter eggs. Getting all of these is gonna be tricky, but we’re gonna give it a go. Here’s what you can spot when you pause the first couple of shots in the first room of the Collector’s Ship.

Captain Picard paper mache head from “Captain Picard Day” (TNG, “The Pegasus”)

The Game (TNG, “The Game”)

Baseball Bat and ball (Possible DS9 Sisko reference?)

Giant Unicorn (Possible Blade Runner reference?)

Marty McFly’s Shoes (Back to the Future)

Terran Empire Flag (TOS, “Mirror, Mirror) 

Khan’s Necklace (The Wrath of Khan)

Valiant flight recorder (TOS, “Where No Man Has Gone Before)

Gold TOS Uniform

Giant Pink Tribble (TAS, “More Tribbles, More Troubles)

M-113 lifeform (TOS, “The Man Trap.” Also, this is AT LEAST the third time the Salt Vampire has appeared on Lower Decks. And, having the M-113 lifeform as a collectible not only references “The Man Trap,” but also, “The Squire of Gothos,” in which your boy Trelane had an M-113 creature as a museum piece, too!)

Special Shout-Out: Betazoid Gift Box 

First appearing in TNG’s “Haven,” this was a talking box that was meant to “bond” with the person who got the gift. 

The existence of this artifact here is also possible a double reference to two other things: In “Haven,” the face of the Gift Box was played by Armin Shimmerman, more famous later as Quark on DS9. But, on top of that, back in 1994 the Star Trek: The Next Generation Collectible Card Game (published by Decipher Inc.) had a very powerful card based on the Betazoid Gift Box. If you played the game, you know this was a rare and useful card that was well…very collectible.

Special Shout-Out: Whose trombone is that?

We briefly see a trombone in one of the collector’s cases, which seems like an easy reference to Riker. But, which one? Because this episode also directly references “Second Chances,” and Will Riker’s duplicate Thomas Riker, it’s possible that this is the trombone that Will gave to Thomas at the end of that TNG episode. Briefly, here’s the case for that being Thomas Riker’s trombone: In the DS9 episode “Defiant” Thomas Riker tried to steal the Defiant, but was later arrested by Starfleet. Presumably, this would mean all of his stuff would have been confiscated, including his trombone! 

Keyshon is a Tamarian 

Tamarians or “the Children of Tama” originate in the TNG episode “Darmok.” In case you forgot, Picard cracked the case with this species by learning they spoke exclusively through metaphor and analogy. Mariner mocks this by pointing out all you have to do is listen for “context clues.”

Riker loves…Rogue Squadron?

Riker tells Boimler to use “attack pattern delta,” on the Pakled ship. This seems to be a reference to The Empire Strikes Back in which Luke tells the snowspeeders of Rogue Squadron, “Attack pattern delta, go now!” 

Items Owned By the Collector, Take 2

Here’s another go at seeing how many Easter eggs were jammed into like less than 2-minutes of screentime.

Kataan Probe (TNG, “The Inner Light”)

Vulcan lirpa weapon (TOS, “Amok Time,”)

Klingon bat’leth (TNG, DS9, Voyager et al.)

Andorian dueling weapon (Enterprise, “United.”)

Shark in a Tank (A reference to the real-life artist Damien Hirst, probably?)

Mars Rover 

Kadis-kot game set (Voyager)

Château Picard wine crate (Picard)

Isomagnetic disintegrator (Worf’s bazooka from Insurrection)

Tendi is later holding:

A trident scanner (Scotty loved this thing in TOS)

And…a Kurlan naiskos (TNG, “The Chase,” a very big episode for canon!)

Kahless’ fornication helmet 

Tendi says that this specific Klingon artifact is clearly something Kahless (the Klingon Jesus) wore while…well, the name speaks for itself. But which Kahless? Hmmm? The fake clone Kahless from “Rightful Heir?” or the real-deal Kahless from the 9th century? The Kahless reference gets doubly meta, because, as you’ll see later, Lower Decks eventually references the very first reference in canon to Kahless, too. 

Data’s Picasso-esque painting of Spot

Barely visible, just as Mariner and the gang are trying to escape, we see Data’s painting of his cat Spot, first seen in the TNG episode “Inheritance,” and later in the background in the movie Generations.

Boimler’s description of the Enterprise-D

Let’s combine two scenes here! In two pivotal moments in the episode, Boimler is defending the honor and relative coolness of the TNG adventures on the Enterprise-D, which he just calls “the D.” Here’s what it seems like he’s referencing.

“They went to other dimensions… (This seems to reference the idea that “The D” did go to another dimension in the episode “Where No One Has Gone Before.” It also could reference “Yesterday’s Enterprise,” but nobody would remember that.)

“They fought the Borg…” (This references “Q, Who,” “The Best of Both Worlds,” and “Descent.”

“They insurrected!” (This seems to reference Star Trek: Insurrection, which was not the Enterprise-D, but instead, the Enterprise-E! The Lower Decks writers surely know this. Why doesn’t Boimler know this? Maybe the game of telephone in the Federation is a little inaccurate? In LDS Season 1, the news of Data’s brother seemed to travel…very slowly?)

“They had a regular string quartet.” (This references several TNG episodes, notably “Sarek,” and again, “Inheritance,”) 

“Riker was jamming on the trombone” (A ton of TNG, including “The Next Phase,” “Future Imperfect,” and of course, “Second Chances.”)

“Catching love disease” (Probably TNG’s “The Naked Now”)

“Acting in plays” (This mostly references Riker acting in one of Crusher’s plays in TNG’s “Frame of Mind.”)

The remains of Spock Two?

In the spooky skeleton room, we see what appears to be a giant humanoid skeleton wearing a blue TOS–era Starfleet uniform. Who is this? The best guess? This is the giant Spock clone from The Animated Series episode “The Infinite Vulcan.”

Excalbian Bones and Abe Lincoln

Toward the end of the episode, the gang is trapped in a diorama that seems to have an alien and a skeleton of Abraham Lincoln. This references the TOS episode “The Savage Curtain” in which the Excalbians produced copies of Lincoln, along with Kahless and Surak. This episode was the first reference in Trek canon to both Kahless and Surak, and so, basically created the backstories of both Vulcan and Klingon cultures through historically inaccurate versions of those people. Funny, right? 

Transporter clone 

When Boimler beams the away team out through the distortion field, Riker says “oh, I’ve heard this tune before.” This references the TNG banger “Second Chances,” in which Riker’s transporter duplicate was discovered on a planet years after the fact. In this sense, Boimler’s transporter clone got off easy. Also, the idea that one of the transporter duplicates makes different decisions that the other also references “Second Chances,” in which “Thomas” Riker ends up being a different person than Will. The idea that both can’t serve on the Titan anymore might reference the idea that the TNG writing staff considered killing off the “first” Will Riker, and replacing him with his duplicate. This would have meant Data would have become the first officer in Season 6, and Riker, the operations officer. It didn’t happen, but from the point of view of the Titan crew, something like this basically DID just happen.

The Riker lean 

While talking to the Mr. Boimlers, Riker puts one foot up on a couch. Classic Riker lean. Classic. 

“Computer play Night Bird”

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Just before Boimler leaves the Ready Room, “William Boimler” and Riker are sharing some Romulan Ale. Riker says “computer, play ‘Night Bird.’” This also references “Second Chances,” in which Riker is unable to play the trombone solo for this song, which Troi teases him about endlessly. “Night Bird” also appears to be a made-up song. But who knows, maybe William Boimler will be able to master it? Star Trek: Lower Decks Season 2 airs on Paramount+ on Thursdays.

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LGBT Representation in Jamie Johnson as Compared to Other Kids’ Media

Pinned to the top of my blog because I’m quite proud of this post, and I still want newer followers to be able to see it.

From what I know, LGBT representation is relatively new in media. Not just kids’ media, but media in general. I don’t even think I knew what gay meant until I was like 11. And I didn’t know that religions didn’t exactly have the greatest opinion of gay people till my GCSEs. In that sense, I was lucky. I knew I was gay before I knew what homophobia was, so I have always been comfortable with who I am. But others didn’t have life that... Well, simple I suppose. I’ve always known who I am, but other people, well, in the worst case scenario, gay people can become homophobic themselves and grow to hate themselves. This might seem like a sidetracky introduction, but I think it shows the importance of LGBT in media. For someone like me, it can help to start to normalise gay people to my family. Even though they’re still homophobic, at least they’re able to watch programmes with LGBT characters in. I met someone who’s dad wouldn’t watch any shows with LGBT characters in it. And for how rare gay people used to be in media in general, they’re even rarer in kids’ media. Why is it that Disney Channel only had their first gay main character in 2017 when homosexuality was legalised in... 2003 in the US. Wow, I can’t lie, I looked up that statistic expecting it to be way earlier. OK, but it was legalised in 1967 in the UK. So why did I never see any gay characters in my childhood? I’ve known I was gay since I was 9, but I must have first seen a gay character in, OK, it was Doctor Who. Captain Jack was pansexual. So I did have some LGBT representation. But there wasn’t much. And again, not in kids’ media. So, let’s look at some of the kids’ media that changed the landscape for LGBT rep in kids’ media. Sarah Jane Adventures and Wizards vs Aliens We’ll start with what I think is probably the worst types of LGBT representation. First of all: Wizards vs Aliens. Benny came out. But I can’t remember the show ever talking about it again after he came out. Sarah Jane Adventures. Yes, it’s not Russell T Davies’ fault that he never got the chance to let Luke come out in the show, and yes, he got to have Luke come out in the memorial episode for Sarah Jane on YouTube, but even before Liz had... Luke had left the main cast, so his coming out would have still meant less to audience members. Gravity Falls had a coming out at the very end of the show, and I believe so did Adventure Time, so they fit in this category too. Compare that to Dillon from Jamie Johnson. Yes, there’s a reasonable chance we won’t see him again after this season, but if it is, he gets to leave on a high. We get to explore his coming out journey. Steven Universe Steven Universe is great for LGBT representation, and it’s great for normalising LGBT representation. You’ve got a huge variety of LGBT characters, because the Gems are all gay (Except Rose). So you can understand that there are different types of gay people (Love Victor did that too, but I’m not sure how many people would watch it). Steven universe is definitely the gayest kids’ show. High School Musical the Musical the Series fits in this category too. Carlos is out and proud. And we don’t see his coming out, more his love life. Again, great rep. Normalises gay people. Jamie Johnson is nowhere near the level of gay that Steven Universe or High School Musical the Musical the Series is, but I think that it’s less meaningful than other shows I’ll mention and Jamie Johnson. It’s the same reason Victor said “Screw you” to Simon at the beginning of Love Victor. We don’t want to see gay people who have it easy. We want to see gay people who are like us. Who have been through stuff and have come out the other side alive. We want hope, but that doesn’t come from seeing gay people who have it easy. I see people playing football and risking corona and I’m jealous. I want to play football again. I see gay people have it easy: Same. I wish I could have it that easy, and it makes me sad. Steven Universe is a great show, and has great rep, but I think even kids’ media should have something closer to home. Andi Mack and Diary of a Future President I love how they portrayed Cyrus and Bobby. We got to see Cyrus’ story from realising he liked guys to being able to say “I’m gay” to showing his crush he likes him (though homophobes can pretend the bench scene was just a friendship scene). Cyrus’ arc was great, and the bench scene was perfect and the only problem with it was that it deserved a fourth season so we could see Cyrus and TJ in a relationship. Diary of a Future President though. I was heartbroken when Bobby didn’t come out to Liam. But then I found out there was a season 2 and I was OK, because it’s hard to come out. It’s as if all the shows make it so easy to come out to the first person, but it’s not. The first real life person I came out to, I came out at 22. And they had come out to me first. And I had to write it down on my phone. I couldn’t say it out loud. So yeah, seeing Diary of a Future President take it slow is amazing, and I love it, and it’s also what they did with Dillon. Some people think that they only really intended for Dillon to be gay from season 4. But, I think that they’ve known since the beginning. I plan to do a character analysis on Dillon after my rewatch, but I think I found something that shows they must have known since at least season 2. (I expect the analysis will be a lot shorter than this. Sorry for the crazy length. And if it’s a crap read. I don’t essay well). But if they knew from the beginning, that was a brilliant move on their part. The only thing that makes me unsure is how Dillon took 3 years to realise he might be gay, but it’s possible that he denied it to himself until he realised Elliot was gay. Because there’s no way he wasn’t thinking he was gay in season 4 episode 5. He didn’t think he was asexual, his reaction to Ruby’s foster mums suggested that he was interested because they were gay. But regardless, I love that they took it slow. Not everyone can come out as easily as others, and having someone like Bobby, or like Dillon, is so much more meaningful than Cyrus, even though Cyrus is an amazing character. Bobby and Dillon are more relatable because they’re finding it tough to come out. The Dumping Ground I kept trying to decide whether I thought the dumping ground or Andi Mack/Diary of a Future President had better LGBT representation. In the end, I decided that I preferred the Dumping Ground’s representation. Yes, in Andi Mack and Diary of a Future President, we get to see the coming out journey of Bobby and Cyrus, but even though Andi Mack touched on homophobia, a lot of people didn’t even realise Kira was blackmailing TJ, making him afraid of how people would react if they found out he was gay. A number of people just thought TJ was being an idiot. But the Dumping Ground had a gay couple wanting to foster Gus. And IIRC, Johnny thought it was wrong because they were gay. Something like that would foster (see what I did there?) potential discussion between parents and children about gay adoption. Some kids watching the show might have been gay and if they watched it with their parents, they could talk about it with them. Gage their reaction. Maybe even come out to them. The Dumping Ground’s episode was great. And then May-Li came out. And we never got to see her full journey, But we did get to see her journey to being accepted by her grandmother I think. And that’s something. And Now On To Jamie Johnson Just like the Dumping Ground, Jamie Johnson has been able to tackle serious issues. I mean, season 1 dealt with Jamie’s cheating father. You’ve got Zoe being a carer, Dillon getting diabetes. But in terms of LGBT representation, it’s season 4 and season 5. Season 4 episode 5 was incredible. I remember telling all my friends about it, and how amazing it was that CBBC were doing this. To recap: Ruby said her heroes were her foster parents, causing Dillon to ask Ruby about it. She thought he was being an idiot, even though in actual fact, he was excited that someone else was gay and trying not to show it. Dillon told his dad that Ruby had foster mums while he was telling him how Ruby’s biological parents weren’t in her life anymore. Liam, Dillon’s brother, used it to rile up Ruby’s sister Alba until she attacked him. She probably would have gotten expelled from the club, but Sienna filmed the incident so everyone found out what really happened, and it was Liam who got expelled. I think Alba only got excluded. What I find really awesome about the storyline though is not just that they had it. It was that the consequences of Liam’s actions set the course for the rest of the season, aka Dodgy Duncan. Liam’s actions caused the club’s image to go down the drain, and sponsors to leave, and that’s what made Duncan turn to the dark side. And it’s a subtle way to just say “Homophobia is bad”. Because Liam’s homophobia caused all the problems in the rest of the season. The First Time Dillon Let Himself “be Gay” Dillon took a long time to come out. And, like me, I think for a long time, nobody really suspected he was gay, in real life or in the audience. He never really showed it. I’m pretty sure when I was a kid, I would act super offended and upset if someone jokingly called me gay. So, yeah, it’s a slow burn. And we didn’t get any hints that he was gay, but that happens. Gay people are good at hiding, I think that’s why gay kids are often portrayed as loving theater. They already have to act their whole lives. It’s not easy to be in the closet. But I think that once Dillon was able to leave his father’s shadow, he was able to be more comfortable with himself, leading to him coming out to Elliot in episode 7. I think he had crushes before, specifically Michelle from season 2, but Elliot was the first time he felt like he could be himself. So here we have two massive points from other shows, but they haven’t been done together. The discussion of homophobia in the Dumping Ground, and the Slow Burn from Diary of a Future President. Social Media Presence Andi Mack made a huge deal about Cyrus being gay, like a week before the episode where he came out aired. HSMTMTS had Carlos be a gay stereotype from the trailer, and OK, Steven Universe was always gay. But Jamie Johnson, and the Dumping Ground didn’t make a big deal about it beforehand. They didn’t scream to the world “Look at us! We’re woke!” They showed it. They let people see for themselves, they let people debate for two weeks on Dillon’s sexuality, and they didn’t tell everyone that this was the episode Dillon would come out (though they made sure that everyone knew they should watch this episode). They just let people see for themselves. And after the episode aired, they made their move. They had the Jamie Johnson logo in rainbow colours to celebrate pride, they had a guide on how to react if someone comes out to you, and they had a history of pride, and I expect they’ll do even more on their social media after this week’s episode. @tkstrand​ reckons the Delliot post is Jamie Johnson’s most liked instagram post. I don’t know whether the other shows did this, but it’s a great gesture regardless. Oh, and there’s the fact that they’re doing a Bafta zoom conference on how they tackle issues. Choosing the Right Character and Breaking Ground for CBBC A lot of people on Instagram said that they thought it was Boggy who should be gay, and while I think either storyline would be great, I think that the writers made the right decision. 1) Boggy is an amazing person. He’s not afraid to be himself. I think, if Boggy was gay, then he wouldn’t have as much trouble coming out as Dillon is having. Of course, Boggy is going through stuff right now, but I still think he would have been a lot braver than Dillon and so we wouldn’t get the storyline we’re getting now delving into homophobia 2) If Dillon does have a minor or major role in season 6, we might get to explore homophobia in professional football, which would be super exciting 3) While Boggy is an amazing character, I’d reckon kids tend to gravitate to the coolest character as their favourite. And while Boggy radiates cool. (Seriously, check out the two posts I made on how sarcastic he is. And just look at his hat at the beginning of episode 1!

But Dillon is the more traditionally cool character, so he’s more likely to be a fan favourite (that and the fact that he’s the best developed character in Jamie Johnson). So for those who aren’t necessarily homophobic, but don’t really understand homosexuality, Dillon is the perfect choice to have written as gay. Because after next week, the people who don’t believe Dillon is gay might leave the episode with a new understanding of LGBT people. It’s been done with TJ, who’s also a cool character, but people who want to ignore the gay subtext can because it was never said out loud in the show. And I reckon Dillon is a groundbreaking character for CBBC. Benny left soon after he came out, Luke left before he came out, May-Li is part of an ensemble cast, so in terms of a small number of main characters (the core 4 in JJ being Dillon, Jamie, Zoe and Boggy), so I think Dillon is the first gay main character (not ensemble character) on CBBC who has gotten a major gay storyline. Could be wrong, let me know if I am! Groundbreaking in General From what it looks like, the next episode is gonna focus completely on Dillon’s coming out storyline. Forget kids’ media, I don’t think I’ve seen an adults’ show that has an entire episode solely dedicated to an LGBT storyline. (Even Reunited from Steven Universe wasn’t completely focused on Garnet). Love Victor was jam packed with side stories and I think even Real O’Neals always had side stories to it. If another show has done this, I’d love to hear, but if Jamie Johnson really has the whole episode dedicated solely to Dillon, I think it’s huge. I only hope it doesn’t mean that the storyline will be forgotten about in the last 4 episodes, but since the head writer of Jamie Johnson is LGBT, I have no doubt they’ll do it justice. Does Jamie Johnson Have the Best LGBT Representation in Kids’ Media? No, I don’t think it does. Andi Mack has 2 seasons where we follow Cyrus on his coming out journey and Steven Universe has a lot more LGBT people, including a non-binary character. But in the aspects Jamie Johnson does well, it excels at. The homophobia storyline(s), and Jamie Johnson’s instagram presence. And having the best developed and best defined character be the one to show kids how to treat gay people. Thursday could be a historic moment for Kids’ television if they do this right, and I think they will. So I hope that everyone enjoys the episode! No, I swear this wasn’t a long promo for the next episode. No, I am not sponsored. Yes, this post was extremely long, I’m really sorry about that. I hope it’s worth the read. If not, don’t worry, this will almost definitely be my longest post. No, I don’t know how to have a “continue reading” button. Does anyone happen to know how? Thanks! Edit: Apparently 4 O Clock club had a gay main character first, so I got that wrong, but I still hold that Jamie Johnson is groundbreaking.

DC CW Shows

I finally caught up on all the DC Universe shows. Quite an accomplishment for me considering I was 2 seasons behind. It feels good to finally get caught up to speed, but some of them are starting to feel like chores getting through them, rather than fun entertainment. A concern that gets amplified by the fact that the producers want to add on 2 more shows to the line up. So I felt like it was a good idea to breakdown my thoughts on each of the shows and what I liked/didn’t like. Plus then I will break down my thoughts on Crisis, because I have a lot of them. I’ll also rank these as I go as far as which ones I liked best, beginning with least to best. So let’s begin:

#7 - The Flash

I used to love this show so much. The first two seasons were a lot of fun and I loved all the characters so much. Thanks to the writing though, I can’t honestly say I don’t like this show much at all anymore and that’s kinda sad. Part of the reason is it became soooo angsty. Like the reason The Flash was great, was it was the antithesis to the angst on Arrow which made it so refreshing to watch. Now it’s like everyone must suffer some sort of pain over the tiniest things or worse, they become entrapped in characters and situations like its been haunting them for years when it only got introduced a couple episodes ago. At this point the only characters I care about are Caitlyn/Frost, Joe and Cecile West, Wally (when he’s on, which is like never), and Ralph. And that’s painful that Hartley won’t be returning to fill that role anymore because he was the only one who still could joke and laugh around like old Team Flash.

Season 5: Overall season 5 had a pretty solid storyline despite some of the angsty writing. After a while though I got pretty sick of fighting Chicada over and over again, especially Grace’s version. My one big pet peeve with it though was the relationship of Nora to Barry and Iris. I’m sorry. I can’t honestly picture any 20-30 something meeting their adult daughter and automatically assuming the role of an actual parent and treating her like a preteen. That always felt super weird and uncomfortable. Not to mention it happened almost automatically with little to no hang ups on ‘is this really our kid? Should we trust her?’ Plus then it created angst between Barry and Iris which I’m really over at this point in the series because their relationship was never my favorite to begin with.

Season 6: A hot mess. Granted, because of Crisis and Covid-19, the season probably didn’t get a fair chance to play out to it’s full potential. But cutting the season into two arcs didn’t do it any justice. Especially because instead of having character growth, I felt like a lot of the characters regressed. Take Barry for instance. The whole first part of the season is him prepping/training the team to take over for him after Crisis since he believes he is going to die. Only when he doesn’t, he assumes the role of leader still without actually leading. He stops telling his team members key details and putting aside the fact he killed the speed force, he stopped being a hero. The whole fight scene with Mirror-Iris, was so bizarre to watch. Yes, Barry would never hurt the real Iris, but she’s not and instead he just stands there and gets stabbed over and over, crying at the end that she’s not there. It’s really hard to watch.

#6 - Arrow

Arrow used to be in my top 3 slots as last I left it. The storylines were still on point. But leading up to Crisis and the show ending, there were some things that worked for me and some that didn’t. Still, kudos to the team for standing their ground and saying that we’ve told all we can tell, let’s put this show to bed and give it a close it deserves. It made the ending super emotional, but at the same time satisfying despite, Oliver’s death in the universe. My only complaint is the fact that the producers can’t put it fully to bed and now want to reboot Arrow all over again with Mia and the canaries. Don’t get me wrong watching strong women take more of the leading roles is awesome, but not to tell and retell the same storylines.

Season 7: The first half of the season when Oliver was in Iron Heights was not my favorite. Mainly because as it continues to develop it was like all the reasons he got put in Iron Heights to begin with no longer mattered. Diaz is still on the lose, he’s still playing his games in prison, and really what was the point? Now the second half of the season where we focus on his rehabilitation into society and working with the SCPD to track and take down his sister Emiko, was actually good. Too bad it got horribly overshadowed by a time travel flash-forward storyline to introduce and make us care about Mia.

Season 8: Obviously this season was the closeout season and the season leading up to Crisis. But I liked the way they treated it. They gave cameo spots and guest starring spots to former faces like Thea (she’s still freaking awesome), Tommy, Moira, and even Merlyn came back. My only complaint was that all of sudden we did have another time travel situation on our hands to meet our future kids. Thankfully I felt Arrow overall took that development better than the Flash, which since that was only a couple episodes and not a season, says something about the writing. Plus the post-Crisis pilot for the Green Arrow and Canaries felt a little out of place given everything that happened and a little insulting.

#5 - Supergirl

There’s parts of Supergirl I still absolutely love to pieces and the writing that are still doing it the justice that started the show by telling storylines of not only heroism, but commentary on today’s events to help push for progress. I love the whole cast of characters and think the acting has been great. My only complaint is with Season 5 and the fact that the show is beginning to find its tipping point of being less than stellar. I mean, I still enjoy it, but it’s beginning to show its where and tear so I’m worried what’s going to happen as it continues forward. Especially as it gets hyperfixated on Lex Luthor, who don’t get me wrong is a fabulous villain, but isn’t that Superman’s arch nemesis, not Supergirl’s?

Season 4: What a great commentary to tell throughout the season that parallels the feelings and conversations being had about immigration in our own world. I thought the idea of the Alien Amnesty Act squaring off against Ben Lockwood and his Agents of Liberty was not only great commentary but great story telling. I also loved that we got to introduce Nia Nall into the series because she’s fantastic and has become one of my favorite characters. I even love the twist reveal of how Ben Lockwood isn’t the enemy, it’s really Lex Luthor and his communist Supergirl clone. Plus Jon Crier plays an amazing Lex Luthor.

Season 5: Don’t get me wrong, the stakes and the storylines with Leviathan and Obsidian North, I do think are important and worth telling, but they detracted from the main storyline that developed at the end of last season which was Lena and Kara’s new relationship. Yes, it was still hit on and explored, but by far that was the storyline I was interested in seeing the most, not Ramah Khan or Virtual Reality horror stories. Also, while I like Lex, thanks to his antics during Crisis, the second half of the season felt hijacked and became this witch hunt. Don’t get me wrong, I can’t wait to see what he and Lillian are doing, but I wish it played out more in the shadows and less of the actual screen time. I’m also glad Lena is back on Kara’s side again. But Brainy better not be dead! He’s one of my favorites even if his motives during this season were hard to watch.

#4 - Batwoman

I actually really, really, really liked Batwoman’s first season. Getting to know the badass that is Kate Kane and watch the horror’s of Gotham play out week to week was such a refreshing change of pace. After all, The Flash and Supergirl are undeniably heroes and must carry those burdens(?) as they fight for truth and justice. And Oliver was a vigilante, but while he took down drug lords, weapons dealers, etc. the stakes of being a vigilante in Star City is nothing compared to wearing the cape in Gotham. I loved the cast and seeing the stories play out of their past and how they connect to each other and also how some of them discover who Batwoman is, was fantastic. Even as creepy as Alice is, I enjoyed seeing the performance of the completely unhinged and psychotic villain take the stage to play out her twisted fantasies. I also appreciate the openness that Kate brought to being an out and proud lesbian, even revealing her super identity to a teenager to prove that it does get better and lesbians can be awesome is super freaking powerful. I even like that with the shortened season, it didn’t feel like we got robbed of an awesome storyline, but now we get to why this ranks fourth on my list instead of higher: Ruby Rose left the show and we get a whole new Batwoman. I get that this is out of the hands of the producers and the writers and I am super sad to see her go. But its hard not to feel like we lost a whole season of introduction and development to just reset and begin again. I’m not sure how they will handle it, but I do hope that a lot of the cast stays and stays in their roles. Especially Luke and Mary who are a great team. Mary is also like my all time, instant-favorite character because not only is she super wicked smart, but she has so much humanity in her so I hope she still continues on the show.

#3 - Stargirl

 Yes, yes, this show is still airing which is why I can’t speak to the overall season arc in finality yet, but I absolutely have been loving this first season. Again, what a refreshing new reality to step into and what a great new storyline to pursue. This rag-tag group of teenagers becoming the new Justice Society of America is a fun telling and already, the stakes of the Injustice Society are so high! Like I was expecting that it was going to be like the other shows where slowly by slowly we meet all the bad guys in different seasons, but instead it feels a little flipped since we don’t have all our new heroes on the stage yet. Still I love Courtney and her relationship with Pat as she discovers these secrets of his past and their new home of Blue Valley. I love her recruiting reasoning to bring Yolanda and Rick into this crazy plan and even her acceptance of Beth becoming the new Doctor Midnight. Plus, the show keeps surprising me because on one hand, giving these teenagers these powers to help them redeem their self esteem is a great storyline, which is why I was expecting them to force us to like Cindy since the beginning of that episode was leading up to maybe becoming friends with her, but no. Turns out she is the super bitch and super villain of the show and that’s kinda awesome. Also I like how because their teenagers, their secret identities aren’t really that secret, which makes it’s kinda fun, but also dangerous. We’ll see how the last 3 episodes play out, but I can’t wait.

#2 - Black Lightening

Talk about real gritty, dark, and powerful storytelling. I enjoyed the first season, but these last two have been a real punch in the gut in good ways and the writers have been outdoing themselves to provide heartfelt, real, honest emotions and discussions to the world of superheroes, compared to the other shows. And it’s hard, but the gruesome nature of the show also highlights some of the real struggles going on in the Freeland Community which of course highlights the issues in our own world around the Black Community. The whole spinal chord ripping scene will haunt me forever and not only because they keep replaying it, but because of how insane that was. The cast is also great and I love that at the end of Season 3, it’s not just a family of super heroes, but a group of powerful metas squaring off against the government and the most dangerous threat of all so far: Gravedigger. Gives me goose bumps just thinking about it.

Season 2: Now that the whole family knows the stakes of what they have gotten themselves into with Tobias and revealing the girls have power, I love the way we got introduced to the ASA and the pod kids as a menial threat while still struggling to take down the perceived ‘bigger threat’ that is Tobias. Jennifer also having trouble coming to terms with her powers and how to use them I think was a great way to explore that not everyone wants to be a superhero, especially in antithesis to Nyssa who is a full on badass as Thunder and Blackbird. Watching Khalil’s story in this go from obedient lap dog to a runaway and finally a victim of Tobias’ violence was hard, but I felt was justified throughout and made him that character you want to root for, even when not everything he’s done has been great.

Season 3: What a harsh turn of direction. A full on occupation of Freeland, house arrest, killings on the street, and an underground railroad of metas or suspected metas completely changed the tune of this show. Watching each of the Peirces struggle to find out who the ASA is, what their doing, if their actions are justified and if the Marcovian threat was real was really fascinating to watch. The showdown with the Marcovians too with a whole team behind them was also a nice change of pace, even if their mission didn’t end the way they expected. I think the amplified stakes though of what happened and what’s to come will continue to develop into an incredible show, minus one now big problem I have, but I will detail that out below when we talk about Crisis.

#1 - Legends of Tomorrow

You can fight me, but Legends of Tomorrow is the best goddamn shown on this network for one simple fact: They don’t take themselves seriously. There is no real angst and because of that it makes the adventures so fun and so hilarious that its such a great break from all of the other shows. Plus, because they keep swapping new and old cast members into the show, it always feels new. Kinda that Doctor Who spirit, which I love. That and because there are hardly any rules to a time travelling group of heroes who don’t really want to be heroes, you get ridiculously themed episodes like Bollywood Musical or TV Crossovers. It is what makes the show a total blast.

Season 4: As the team gears up to track down magical creatures throughout history, you get the introduction of permanent team member, John Constantine who I freaking love for his cool, aloof character and yet sarcastic and sassy contrast to the sunshine and bro-squad that is Ray and Nate. I also love that the season not only was about capturing these magical creatures, but fully rehabilitating Norah Dhark into a good guy now accidentally turned fairy godmother. To be honest, I definitely did not see that one coming. I like that fighting the demon lord also helped transition the show from Season 4 to 5 to fight hell spawn creatures. Quite a leap from the original Legends concept, but again that’s what makes this show so fresh.

Season 5: Part of the other fun of Legends is getting to see old characters get reinvented. I loved the storyline with Charlie and her reveal to be Clothos, one of the 3 fate sisters and the reason the ancient loom got destroyed. I also loved Tala Ashe’s portrayal of Zari in a different timeline because the difference between tech-geek, super smart Zari and social influencer extraordinaire Zari were well done. Plus we got another awesome bro-squad member in Behrad who I hope sticks around for a while. The only bummer was saying goodbye to Ray Palmer. Ray has been one of my favorite characters in the Arrow-verse and seeing his exit was sad and partly because I think it could have been handled better. Like don’t get me wrong, seeing him have to get approval from Damian Dhark to marry Nora was entertaining and I’m glad he isn’t dead like Dr. Stein or Leonard Snart, but I just feel like the exit was a bit rushed. The good news is, it opens the door for Ray to return and I hope we get to seem in the future.

Alright...... To end this long spiel, let’s talk about Crisis on Infinite Earths and what that now means for all these shows. Because unfortunately.... it can’t be ignored. And I’m sorry to sound pessimistic, but to be honest, Crisis wasn’t my favorite story and was too hyped for the end result.

The only show who came out better for Crisis, in my opinion, was Arrow. Mainly because the story of Oliver’s last sacrifice to reboot the universe was the only one that made complete sense and doesn’t complicate the show after it happens. Granted it could be because it was used as the show’s exit, but still. I used to love crossover episodes and getting the whole team together, but now because there is soooo much going on in each show and such a large cast, these big multi-night and multi-universe shows just feel scattered because you are constantly hopping around and between each of the characters and all the individual storylines don’t matter. Like remember when Barry and Oliver would actually talk about what they were up against? Miss that. That and Oliver, Barry, and Kara stole the show even when it was other shows turn to shine. Like Kate was hardly in it, even in her own episode and the Legends weren’t in it at all. It was just Sara and Ray which was disappointing because as Crisis was their season opener, you missed a real chance to have the Legends save the day. Don’t get my wrong, there were some great moments during crisis and I liked the nod to past versions of the DC characters, including Brandon Routh getting to play Superman again, but overall it just made chaos for things that don’t make sense post-crisis.

Like yay, all our favorite heroes are in one place and created the justice league to help each other, but once Crisis is over, nope sorry, no one can be bothered to borrow a hero friend. Like that makes sense for some shows, Batwoman for instance isn’t that close to everyone and her storyline is so rooted in her own family drama, that ignoring the other supers made sense. The Flash’s stakes weren’t high enough to involve anyone else, so fine. And Legends of course travel through time and so aren’t around, fine. But Supergirl’s takedown of a longstanding secret group of people capable of bending Earth’s elements to create catastrophic events, isn’t enough to at least reach out to Cisco or Luke for help tracking them? That seems underwhelming. Plus where are the aliens in all the other cities now? Or the metas in National City? That’s a pet peeve, but more so because of the biggest twist in Crisis:

Pulling Black Lightening into the Arrowverse. Like the shows writers and producers, I think Black Lightening works better outside the Arrowverse which was the intent and goal from the get go. Pulling Jefferson Pierce’s family and world into the same Earth as all the other shows, no longer makes the shows storytelling as strong and maybe it was because this was a last minute decision, but there is just no justification post Crisis as to why they had to come in. I mean, The Flash and Black Lightening have metas related issues, you would think that alone would be a prime source of teaming up. Especially when Cisco goes out on a worldwide quest to document metas, you’re telling me skipped over Freeland? And where’s our favorite Kyrptonian to fight for truth, justice, and the American way as Freeland is being occupied by the ASA? Oh, what too busy going after Lex Luthor? Sorry, I’m not buying that Kara Danvers ignores racial injustice. Like I get that maybe it was a way to be able to use Black Lightening later in cross-over events, but the fallout from bringing them in this season with everything going on is a huge mistake in my opinion. And heck, having shows exist outside each other is probably a good thing. Too many and these crossover events don’t feel fun anymore, they just feel chaotic. I think I’m with the Legends on this one: the crossovers aren’t worth it anymore.

The Timeless Children review.

There’s a lot to say about the Timeless Children, but setting aside discussion about what that new lore dump means for the show, and trying to keep things about this episode...

A bad episode with okay lore, and some noted improvements on Chibnall’s part. 

I’m okay with retcons. It’s Doctor Who. Nothing is sacred. (I mean, except the core values of the main character. Having the Doctor selling the Master to the Nazis as a POC is so much worse). Things will get retconned/modified. Are certain retcons bullshit? Yes, but that’s another matter. Fundamentaly I don’t think Who canon, if there’s even such thing, should be kept safe. Like it or not, the showrunner is in charge. There’s no such thing as respect for the fans, or for the previous eras. 

And like I’m the first to complain but really if Chibshow wants to stick the middle finger at Moffat show, that’s his godamm right. The showrunner has full ownership of the show, otherwise it would hamper the creative process. We can discuss why the changes made are bad, but saying “How dare Chibnall retcon the deep lore” is idiotic. 

So kudos to Chibnall for daring. I mean The Timeless Children left a bad aftertaste in my mouth, but hey it was engaging. I wanted to know more, which compared to Series 11 is a vast improvement. 

So yes lore was okay. 

Did I like the reveal/retcon ? Not really. 

Is it possible to make something interesting out of that? I’ve seen some good takes about it, so yeah. On the downside this is Chibnall we’re talking about, so trust him to pick the least interesting idea.

Will I come to terms with it? I did not like the idea of the War Doctor, or the fact that Doctor saved Gallifrey at first. I’ve come round since, and even like it now. I expect I’ll have digested all of it in the coming months, and I’ll be able to make it fit with my own headcanons/continuity/personal conception of Doctor Who... 

Does it really change anything? The Timeless Child, not so much. All the pre-Hartnell Doctors and the fact that the Doctor worked for the CIA (or the Division, whatever the fuck the difference is), yes, a lot, and I like it even less. 

Are there ways to go around it? Yes there are. And also the scope of Doctor Who is so big, you can comfortably ignore it. 

The episode was bad.

Bad because the lore was infodumped in the most boring and unimaginative way, with the Master just doing exposition for 60% of the runtime. Also the Matrix looks boring. Fucking grey background.

Ashad is perhaps the Chibnall villain with the most potential. I’m still thinking voluntarily converted Cyberman is a great idea that deserved a lot more of exploring. There’s really some fascinating implications... And all of that got flushed down the toilet, because Ashad got unceremoniously killed by the Master. 

Also, hello big MacGuffin death particle. Chibnall, would it kill you to make the effort to introduce the great big “plot-resolve” button in the previous episode?What a convenient reveal with no groundwork, that feels telegraphed from a mile. 

Worst of it is probably the moment where the Doctor awakes, ensues some excruciating moments, where the Doctor tries to figure out the Master’s plan, while we, the audience have already been informed, by means of exposition. And then we get more exposition for the death particle we already got 20 minutes ago, with bad dialogue to boot. “There’s a myth...” Oh ffs! Why use myth? Nothing in that dialogue is mythic, Chibnall is not lyrical enough for it. That’s imitation of mythic.

Also unclear on the specifics of how the death particle works. Per the Master and Ashad, it erases all the life in the Galaxy. And then during exposition n°2, provided by Ravio, we hear it only erases life on one planet, which is what the Doctor tries to do at the end. 

But “all organic life”... By all account had Ashad activated it, it would have killed the Cybermen as well, or at least him. They’re not pure robots and we can clearly see with Ashad that there’s organic living bits underneath. So all that big ascension will be without Ashad. Of course you could make the case that the Ascension is really the Cyberium’s aim and that it does not care the slightest about Ashad. 

Also we shall have dominion... Over what, if you killed everyone? Again, poorly thought out motivations for Ashad. Mostly it sounds cool, but it’s empty when you take a closer look at it. 

And speaking of the Cyber Time Lords. Well, we’re told they were made with the corpses of dead Time Lords the Master kept. If they’re dead, we’re assuming it’s permanent death, otherwise they would have regenerated... So where the hell does the regeneration ability comes from? And if they are corpses in Cybersuits, how come they would be affected by the death particle, as they are definitely not living?

I mean it’s Doctor Who so I’m willing to overlook this details if there’s a good story told behind it. Like, the Daleks’ plot in The Dalek Invasion of Earth is fucking stupid. Let’s mine the Earth’s core, to replace it with a motor and then drive Earth around in space, like a big spaceship. But then that’s a small detail in an episode whose purpose is elsewhere : presenting a dystopian vision of England, a post apocalyptic, facist world. It’s about the pure dread for the spectator of seing his world overrun by space Nazis. It’s the first episode of the show’s history with an alien invasion. It’s also about Susan. And there’s also quite a chunk devoted to mostly Barbara, but also Ian for a bit: how they react to that world that seems familiar and at the same time, completely alien. 

Here there’s no story behind it. It’s basically a dressing for the big lore reveal. 

It’s a bad Cyberman story. Nothing about the Cyberzealot is really explored in a meaningful way. He’s supposedly conflicted... Yeah because we’re told so by the Doctor in Ascension. Show not tell, yadda, yadda, yadda... So Cybermen are nothing more than your generic evil robots... And even the Master sees how stupid that is and takes the piss (rightly so). 

Supporting cast is there for nothing more than exposition, or action sequences that do nothing more than distracting us from the lore reveal, because that’s the only thing really going on in that ep. 

And yet again we have a final that does a piss poor job with the companions. Second in a row. To be fair, Battle of Raging Avatar tried to give some closure to Ryan and Graham... It just did it so badly it does not even register as a try. 

This time Yaz is the better served with three(!) character bits. Tis only fair after Series 11. But still feels underbaked. I mean I think it will all depend on whether she leaves with the Christmas Special. She still has been massively underserved by the show. The last episodes, starting with Praxeus she did get some good content, but that‘s a bit late and still not enough, when you compare it with the other New Who companions. And well one of Yaz’s traits is her need for validation from the Doctor... and here she gets it from Graham??? In itself it’s a really fine moment. but underwhelming if that is to be the conclusion of her arc. 

And again, there’s only minimal progression in terms of development for the fam. Yaz has perhaps the most significant one, going from   Doctor is the best person -> I’m the best person. 

Graham has mostly been stucked with comic relief this series, and goes from. Decent bloke that married Grace to ... You’re okay?? 

Ryan... I feel this season really did not know what to do with him. He doesn’t have anything to do in the final, just fire at a bunch of Cybermen. That bit with the bomb is one of the most half-assed excuses for an arc I’ve seen. So Ryan beats dyspraxia, said dyspraxia being only mentioned when it’s convenient, or when we need to establish the character, because he really believes in himself and focuses??? And yet I had so much hope after Woman Who Fell To Earth and that really good bike scene. 

Also the relationship between the Doctor and her fam is again unresolved... My fam, I need them... That feels unearned after a whole season of agressively pushing the Doctor and the companions apart, and with the Doctor becoming more and more distant, and sometimes an asshole. I was waiting for the show to adress that... And it peters out.  The episode fails on an emotional level. 

The big climax... Sigh... Is yet another riff from RTD, this time from that super good scene from Parting of the Ways... Except less well done, because we’ve seen all that before, what else is new? Also the resolution of that in Series 1 was a moment of grace and love, and just beautiful, and felt satisfying, and paid off the Doctor’s arc... Here we have wannabe-Obi-Wan/Luke-from-the-sequel conveniently sacrifying himself. Again, the less well done remix of the RTD years. And that final cliffhanger would have been charming had we not been coming from a season that consistently mined the RTD-nostalgia. 

That bit with Ruth was lovely, and gives me some hope for the way the lore is going to be treated but... Doctor!Ruth is magnificent and yet again upstages Thirteen a bit. And I think it’s a bit of a problem when your incumbent Doctor gets upstaged by other incarnations...

Another problem here is that the Doctor remains totally passive, ineffective, and with limited agency throughout the episode, which was... eh. Doesn’t make for a good story. 

Still some things were good

The Master was definitely the best thing about this episode. Maybe unpopular opinion but Chibnall nailed the Master. So many good moments

the whole kicking himself for not thinking of a good one liner before zapping the Ashad

his whole motivation: I’ve seen some really good posts going round, but of course everything is totally in character for the Master. Jealousy at being upstaged by the Doctor, again. Hint of race supremacy. Cannot bear the fact that his not from the Master race, because all his claims to superiority have gone up in smoke. He’s not a renegade prince anymore. He’s a renegade fake. 

That really good bit where he’s sad his gamble paid off, and he did not died when killing Ashad. This is a suicidal Master, a bit like Simm, but Simm had the rage to live, while Dhawan!Master... Just wants to sow destruction, doesn’t matter if it’s his own. Mostly really broken, with an identity crisis no less than the Doctor’s and going on a destructive rampage instead. 

The carped is red because it’s drenched in the blood of the Time Lords. That line and its delivery is one of the highlights of the episode. It’s so perfectly ridiculous and bad on purpose and over the top. 

Also Dhawan has a really great voice and I could here him speak forever. Does he narrate books?

Interesting how even if he’s Thirteen’s Master, the Dhawan Master just screams Eleven. The clothes. The mannerism, the lines and the delivery... I could see Smith in his performance. 

Another good bit is Ko Sharmus... Finally someone to articulate why the whole take “guns=bad” that was going on these two series was bad. Because yeah sometimes people try to kill you so you have to fight back. 

I was afraid that Ko Sharmus would be undermined... And he’s the hero of the episode. And I’m really glad that Thirteen failure to fire the bomb was depicted for what it was... A failure. Because then Ko Sharmus gets his hero moment and saves the day, by firing it. 

Criticism of the Doctor’s position for what it is: self righteousness and hypocrisy?? In my Chibshow??? That’s more likely than you think.

And finally the Cyber Time Lords were ridiculous and I loved everything about the design. 

So really, my problem is not the lore. My problem is that Chibnall is going balls to the wall, firing from all cylinders, doing big lore... And still fails to tell an engaging story. 

My Path with the Force

: A Star Wars-fan Chronicle.

                                                                                           by. J.M.Giovine.

A long time ago, back in the 90s, I was 5 and the remastered edition of the Original Trilogy was released on VHS format. Star Wars entered in my life. I remeber those good old days. Since I’m the child of a failed marriage, my father used to pick me up every single weekend to take me for a ride for some father-and-son time, just the two of us, sometimes with my dad’s family as well. Like I said, good old days. Before that, my whole world turned around Batman and Jurassic Park, as well as pretty much every single Disney-animated flick I got my hands into. One of those weekeds, my dad took me to a Toy Store, and my wonder solidified the moment I saw a giant box-set of MicroMachines figures that immediately draw my attention... and eventually became my first merchandise (purchased by my dad as a gift) of the soon-to-be-my favorite franchise, ever.

Fun thing was, I never saw any of the original films, nor played any of the LucasArts videogames released back then. I entered into this fandom as an innocent five-year-old poser, but obviously, my curiosity and wanderlust won’t stop there. Eventually, I’ll turn to acknowledge the franchise from a movie perspective, ironically, almost immediatelly after acquire my most precious set of ships (which I still possess, for the most part). That very same year, my grandmother came one afternoon with several copies of VHS tapes on her bag that she proudly showed to us; the rents of the week. Little I knew, that would be it, the moment I’ll be acquainted with the Original Trilogy for the first time. Fun thing was, my grandmother is a considerably devoted catholic, and an awfully religious person (she’s nuts), but if I ever have to feel grateful about something she did for me, was introducing me to two different worlds I love: Indiana Jones, and Star Wars. She knew the films (at a certain degree), and basically spoiled me Vader was Luke’s father the very moment I pop A New Hope’s into the VHS. But I didn’t care back then, because I was hooked. Somehow, I realized, this was it; “this is the universe I love”. 

I still think about it. What was it at first? I mean, I can answer that almost right away with a 6-hour-long explanation why I love this universe, but to be fair, I really wonder what was back in the day in my earliest childhood years, the very essential element that made me fell for it. The space ships? Maybe, that’s probably a reliable esthetic trait that’ll captivate any small child. Perhaps the whole Jedi mythos presented lightly between the three episodes, later explored with a larger detail in further entries and titles from both, the Expanded and New Canon. Which 5-year-old child wouldn’t want to be a Jedi Knight just as Obi Wan, or Luke by the time he showed up in Return of the Jedi (1983), weilding his brand-new green lightsaber in order to defeat Jabba’s band of criminals and guards. We’re getting closer. But I suspect there was more to it. Of course, being a grade-school kid my thoughts never went anywhere further than my visual and spectating admiration for the trilogy. That lasted 2 more years, 2 years of me asking like crazy the whole action figures and vehicles I was so desperate to possess and play with. Hardly I was gifted with some of the merchandise, aside my beloved MicroMachines set, and then, it came 1999...

I can just imagine, for the elder people, what this meant back at the release of The Phantom Menace (1999), although, it kindda happened the same way in 2015; people went nuts and fans all over the world realised it returned. Star Wars was back, but not in the shape of a horrible remasterization in a re-release of a classic film(s), but as a brand new episode. Something that’ll continue the story left behind more almost 20 years ago. Young version of characters we all loved from the first ones, as well as new introductions of characters that, from the distance, looked like they had certain potential. I mean, I just remember Darth Maul being literaly everywhere at stores, promos, banners. The guy everyone thought would be the new face of these new installments, just as Vader was years ago. The rest, well, what can I say? But this ain’t a review. To be completely honest... I liked it. Never watch it at the theater (until the 3D re-release back in 2012), but I immediately bought the VHS. My grandma and aunt actually went to the movies to see it, they hated it.

But obviously, I had my reservations in regards of the newest Star Wars flick, and my hopes to see an actual connection between this “new” vision, and the episodes I’ve learn to love these past couple years. So, you could say, I decided to give it a pass and accept what I was experiencing. Back then, having already 7 years, my judgement towards films wasn’t-let’s say- well defined.To me, if something belongs to what I already know, it was alright, but deep down, I knew something wasn’t right with this newest film, it didn’t feel the same. Was I set to become one of those folks that’ll limit themselves to what was already stablished rather than to accept new ideas and concepts inside a franchise set to expand? Well, thankfully, few years later I’ll understand it was all due to how poorly the film was crafted. Also... yeah, Jar Jar...

But not everything was that bittersweet. I fell in love with the franchise right before seeing Phantom... so by the time, all toy lines (Kenner, particularly) were everywhere from both, this newest episode and the original trilogy line, which endured several years afterwards, before the newest 2004 line. I acquire several other figures, and I was enjoying myself pretty much alright. I couldn’t wait for more, and only two episodes left, my childhood excitement grew exponentially by the realization that, soon, I’ll possess 6 VHS of my favorite saga ever (ha!). Like that, and continously buying as much merchandise as my parents were capable of, 2002 came along. The so-much-expected episode two came, and this was officially my first Star Wars film ever experienced on the big screen. Save your pity, please, I don’t need it.

I was aware, probably for the first time, of the quality decaying this franchise was suffering, probably the moment I saw Hayden Christensen portraying the long-expected-hero Anakin Skywalker. If I ever check a top 10 list of the worst casting choices ever made, this guy would probably be in the first 5 spots, easily. Even the toy-brand seemed... I don’t know, uninspired? Yeah, not much of a big change, but somehow I felt way attracted for the lines of episode 1 than this one. The starships never took my breath away (except for a fully renderized Slave I, the very first Original Trilogy starship brought back for these films), nor the aliens or the newest incursions of Jedi felt innovative or interesting enough. Probably the Clones, but I have to admit, my interest for this army came years later, when Genndy Tartakovsky’s The Clone Wars, as well as the Expanded Universe’s stories were release, in order to fill the gap left by Episode’s 2 need of ending at the very beginning of the long-awaited wars.

Another spark of honesty, I never watched the show on it’s innitial release, in 2003, since I never had cable, ergo, never saw Cartoon Network, even though I really wish I could’ve. My initiation with the short cartoon came a year later, and a year before the heavily anticipated release of Episode 3. The first time I did came around the show was at my highschool tutor’s house. Every day, after my school schedule, my mom sended me every afternoon to my tutor’s place, literaly, on the street behing mine’s. Why here? Easy, after finishing my whole homework (for the next day) we got some spare time before our moms (we were several other kids at the house), and that’s when, located at the livingroom basically identical to my place’s, my tutor’s son was watching some tv. He looked nerdy af, and what was he watching? No more and no less than the show’s second season, episode 19: Anakin VS Asajj Ventress.

After that, my next step was some of the best I’ve had in regards of the franchise: the Original Trilogy DVD release in 2004. Just as my dad did, back in 1997, in 2004 I spend my first Christmas with my dad’s family, and one of my presents (one of my all time favorites) was my very first DVD player, also, packed along the remasterization (one of many, Christ...) for the same format that launched also a brand new toy series better known as the Original Trilogy Collection from Hasbro. I was one step closer to fulfillment, and for the first time I had the Original Trilogy in my power. At the same time, my highschool’s best friend lend me the DVD of Tartakovsky’s series from 2003, recently launched in a compilation of the entire 20 episodes. That’s when I saw the whole show for the first time. Again, aside of my bitterweet experience with Episodes 1 & 2, I felt great passion towards Star Wars, once again. 

My first Star Wars game also came in 2004, the same year I first acquire my Game Cube console, that meant I was finally able to buy Rebel Strike: Rogue Squadron 3 and I was pretty much at candy land. I played Rogue Squadron 1, for the Nintendo 64, a while ago, and I was pretty much addicted to the epic arcade game, located at a Peter Piper Pizza near my house. On the videogame background, this was the only thing I needed so far, until I realize of the existance of other games such as Battlefront, Jedi Academy-Outcast, and countless other elder games I never had the chance to play. Probably my official first Star Wars game was the PC exclusive, Dark Forces 2, but I never managed to finish it (I still hadn’t have the chance to, since I’m no longer able to play it), but overall, Roque Squadron 3 was everything I needed, surely I wouldn’t mind experience other stuff, specially when first realizing about the existance of the memorable Knights of the Old Republic, a game I considered for superior gamers back then. 

2005 came, the first trailers for Revenge of the Sith were everywhere and dropped every 5 seconds. But that wasn’t just it. I was able to follow the weekly release of the Clone Wars Season 3, that was supposed to end the series right at the very beginning of Episode 3, which it did. My best friend and I saw the series finally together, at his place; pizza, soda and chips, the two of us excited for the finale and, oh boy, we were. With Revenge... it came my first official midnight release, something that’ll take a while to return to my life, mostly after highschool. My entire family and I went to the movie-theater, and it became one of my most beloved experiences in a movie, from my entire life. Back in the day, that movie gave me everything I wanted out of a franchise I followed. Every single plot-detail, every single arc, fanservice (which I didn’t know it was back then), and full circles leading to Episode 4 were there, in all their glory. And, the less I know, it hit me: this was my last Star Wars. Only two episodes at the movie theater, the rest experienced at home-video. Not that I regret anything, but its never easy to let go something so attached to our lives. If I only knew...

Not much to say about the next years. A new decade arrived. I was way past buying and collecting figures or vehicles, and in regards of the films, for some reason, I never acquired the prequels on DVD. Somehow I felt as if I was already complete with my Original Trilogy. I really wanted The Clone Wars series on DVD, but never managed to buy them, either for the lack of money, or I never found them at local stores (even nowadays its extremely difficult and expensive to get). In 2008, The Clone Wars came out... which was already extremely weird, considering some of the characters from the original animated series came back, like Asajj Ventress, and naturaly, since I ended my journey with the saga, I lost my entire interest for Star Wars material furthermore, I ignored it. Therefore, I never saw nor the movie or the newest 3D Animated show, created by Dave Filoni, a name I’ll learn to admire and respect almost a decade after. We’re talking a complete absence of interest for the franchise during a 4 year period until the impossible happened...

George Lucas, after a personal professional defeat, sold his epic and extremely profitable (still) franchise to Disney, now belonging executively speaking to Kathleen Kennedy, who immediately confirmed to the world what we all thought would never come: a brand new episodic installment in the franchise will eventually be made... continuing the events concluded on Episode 6 and completely throwing away everything that happened before the sale, that is, everything considered aside of the films, the former Expanded Universe, being the Clone Wars the only property still considered important and canon inside the newest Disney reign. Suddenly my love came back, just as it is when you’re in a marriage that is merely a dry relationship  between to irrelevant individuals and then, out of nowhere, you remember how lucky you are of having that person by your side. But it wasn’t just me, the whole world went bananas, and everyone needed 2015 to arrive, as of now.

And so it did. The Force Awakens came on December of 2015. It quickly became one of the highest grossing films of all time. One of the most succesfull releases ever, Hollywood-speaking. Fans were excited, hopeful and, let’s be honest, fearfull for the upcoming results. We were still harmed for the prequels and we needed Star Wars to be what we loved in the first place. To me, it was, I felt like experiencing Star Wars for the first time in a long while. I felt that excitement, the struggle, the emotion and power I felt when watching my old VHS, back in the 90s. This was the worthy succesor I was expecting. Star Wars was everywhere and, once again, I felt like a five year old. Of course, my curiosity and dissappointment appear once I saw people felt... conflicted by this new episode. Somehow people really didn’t feel like enjoying something so reminiscent of the old-school franchise we all grow up loving, instead, they criticized the fact that “we didn’t got anything new” and the film relay so much on nostalgia and similarities to the original episodes. Of course I never felt that way, at least, not in a negative way. 

But that didn’t matter! Hope was still foreseen and Disney also anounced their next installment as a prequel that’ll take place right before A New Hope (1977), and so, the first “A Star Wars Story” was meant to be released on December 2016. Rogue One was a blast, and unlike Force Awakens, it seemed this was what every single fan was expecting. Classic Star Wars, a brand new take on this world that’ll fill a gap left on episode 4 and, what we all agree was the best aspect of the film; a complete tone of war and battles worthy of any great moment in the franchise. People started to believe Disney was actually caring about the franchise future, and the horizon offered a bright looking for the next installments. We had Star Wars literally everywhere, and new films (both, episodic and spin offs) were already scheduled, also, bringin important names in the director’s chair for each one. Me, personally, I liked fine. I understood why people loved it, and I understood why this could easily foreshadow episode 7. Overall, I thought it was an excuse to showcase a pop-corn spectacle, but yeah, a pretty entertaining one, but non of the complexity and creativity from the originals were there, making it a little disposable for my taste. Regardless, I didn’t mind, and I felt as excited and hopeful as I was a year before it.

I guess I wasn’t entirely prepared for what came on 2017; the whole The Last Jedi controversy. Rian Johnson wasn’t that known, except for directing one of the favorite sci-fi flicks from 2012 and two of the best episodes of Breaking Bad. People either hated it, or just liked the film. Me? It’s hard to say but I enjoyed it pretty hard. The next episode got me hooked, invested and intrigued all the way through. At the midnight release, on December, I watched the film with my cousin and my best friend (who just finished watching the whole film-saga, and she became instantly a fan), and the three of us were dazzled all the way through. My realization came when I arrived home that night and found out, all my contacts on Facebook were ranting the hell out of it, specially the elder ones. I was confused and, downright, alone when it came to my joy towards Episode 8. The fandom lost their minds, and the hatred rised considerably againts the new direction given by Disney and Kennedy. Star Wars quickly stopped being what it was before; the saga we all had tons of fun discussing and talk about. Suddenly it became hard to talk about the saga, and the passion seemed to have been drained from it, something that I confirmed when Solo: A Star Wars Story (2018) was released.

The second spin-off in the saga became the biggest box office flop for the franchise on that very same year and critics partially seemed to like it. For audiences it was as harmless and inconsequential, pretty much unlike the overall received of Rogue One. But, one thing was for sure; the franchise hype was starting to fade. From my own perspective, I started to lose interesting, but not for the same reason not-pleased fans were, but because I felt the polarization all over the place. Again, Star Wars wasn’t fun anymore. 

However, and after the anouncement of Abrams returning to the franchise in order to conclude it, somehow I felt the excitement once again. Slowly, and once 2019 arrived, I slowly started acquiring new Star Wars merchandise, from the LucasArts videogames I wasn’t able to play back in the day, like Republic Commando, Battlefront 2 and Jedi Starfighter. Also, I got my 5 Black Series figures, from 2016 to date, being Ahsoka Tano my first, then Thrawn, General Kenobi, Darth Maul and the Second Sister. The trailers for The Rise of Skywalker were dropped and my hype was real. Also, Disney + would release the very first live action tv series on the saga, with The Mandalorian. 

So, somehow, 2019 exploded in Star Wars, and I wasn’t the only one. On November, only a month-away for Episode 9, The Mandalorian made all of us fell in love with the franchise, making us feeling like we were discovering something that we needed and wanted at the same time. Also, people played Jedi Fallen Order, and everyone loved it, unfortunately for me, I haven’t got the chance to do it as well. Nevertheless, my amazement belonged completely to Jon Favreau’s The Mandalorian, with 8 episodes of aproximately 40 minutes each, and providing wonderful connection between Clone Wars and Rebels, this time, with the whole esthetic scenarios and props from the Original Trilogy, all this before watching the last Episode.

And so, the saga came to a supposed ending, at least, in regards of the Skywalker installments. That was it; no more title cards in the middle of the open space, no more drama between the Skywalker family, no more John Williams. Sigh. Well, for my eyes, I was partially pleased, but I had my issues. Call it an overall excess of expectations, call it non-blinded judgement, but there was something missing, something worthy of the franchise I have loved most of my life. It could’ve been better, for sure, and the commitment from the previous two was lacking. Abrams had the opportunity to go all the way with something memorable (something accomplished by Endgame, for example), but for what it was, it was just good enough. That’s it. My inner child never died, but wasn’t completely baffled or amazed. Serviceable, and that was it.

But that’s not the end, for me. I’m still acquiring the novels and comic books (which I started buying back in 2015), and my collection of figures and merchindise is still growing, slowly. Also, several tv-shows are scheduled to be release in the next years, so, Star Wars isn’t over. I’m still excited to see this franchise expanding, and my devotion hasn’t change a bit. I’m still a fan, despite the ups and downs. I guess when it comes to the Disney domain, I’m glad, considering Lucas didn’t wanted to direct or make any more sequels or spin-offs so, without the company’s purchase, Star Wars might still be a franchise entirely for the geeks, and being pretty much resting nowadays. I’m glad it is back, and I’m glad there’s more to explore, perhaps not as people wished, but there’s no denying, the saga may have concluded, but it is far from being over, or dead, and I’ll be there, experiencing it, consuming it, and being in love with it, pretty much, until I become one with the Force.

No, Blade does NOT make the Marvel Netflix shows “non-canon”

Okay, where the fuck did this idea come from? It makes no logical sense whatsoever.

For those who don’t know what I’m talking about, it goes back to San Diego Comic-Con 2019. One of the very last movies Marvel announced was a reboot of Blade, which (since they didn’t give a release date yet) will be part of Phase 5. Not only are they remaking Blade, they cast Mahershala Ali as the title character.

Why is that last part important, you ask? Mahershala Ali was previously on the Marvel Netflix series “Luke Cage”. On that show, he portrayed the villain Cornell Stokes AKA Cottonmouth in season 1 before his character was killed off halfway through.

Ever since this casting announcement, some people have started spouting this drivel that casting Ali as Blade is SOMEHOW going to “make the Netflix shows non-canon” or “proves that Marvel wants to scrap them” or some other poorly thought out nonsense claims like that. Yeah, those claims have as much evidence as snails have the potential of running at light speed capabilities.

Here’s the thing that the people claiming this “invalidates” the Marvel Netflix shows don’t understand: This is NOT an issue at all like they’re stupidly making it out to be. Reusing actors in the MCU never invalidated anything in the franchise before.

Let’s look at actors that Marvel has used for multiple MCU roles:

Alfre Woodard- Portrayed Mariah Stokes/Dillard in “Luke Cage” (the exact same show Ali worked on with Marvel before being cast as Blade), and also played minor character Miriam Sharpe in Civil War (the lady who blamed Stark and the Avengers for the death of her son in Sokovia). Woodard’s casting was done at Robert Downey Jr.’s suggestion and this was filmed prior to her being cast as Dillard on Luke Cage.

Matt Gerald- Portrayed a minor prisoner character known as White Power Dave in the 2014 Marvel One-Shot short film titled “All Hail The King”, the short film released after Iron Man 3 and the first to reveal the existence of the real Mandarin (whom we will meet in “Shang-Chi and the Legend of the Ten Rings” in 2021). Marvel fans probably know him better for his portrayal of Melvin Potter/Gladiator in “Daredevil”.

Peter Mensah- His first Marvel role was that of a minor military character named General Joe Greller in “The Incredible Hulk” back in 2008. The most he did was introduce Thaddeus Ross (and, by extension, the audience) to Emil Blonsky early on in that film. In 2018, Mensah returned to Marvel again to portray Qovas, leader of the alien race known as the Remorath for season 5 of “Agents of SHIELD”.

Tony Curran- Portrayed Thor’s grandfather King Bor in the flashback scene at the start of “Thor: The Dark World” in which the Asgardians tried to destroy the Reality Stone/Aether. In season 2 of “Daredevil”, he played the Punisher villain Finn Cooley, the leader of the Kitchen Irish who got shot in the face by Frank by the end of the episode.

Kenneth Choi- We first saw him in “Captain America: The First Avenger” as Jim Morita, a member of the Howling Commandoes. In “Spider-Man: Homecoming”, Choi played Morita’s grandson, the high school principal.

Clark Gregg- Here’s an example of it happening to an actor who started playing a supporting character before ascending to a lead role. For several movies and then seasons 1-5 of “Agents of SHIELD”, Gregg has played Phil Coulson since 2008 until his character’s tragic death between seasons 5 and 6 for the TV series. In the new season, he is playing a new character who bears a great resemblance to Coulson and could end up becoming a new version of the guy by season’s end in order to keep him around for season 7 before the show ends after that point.

Gemma Chan portrays a Kree soldier named Minn-Erva in “Captain Marvel” and is set to play Sersi in “The Eternals”.

My point is that this is NOT the first time Marvel has had an actor play multiple different characters for them in the MCU. I suggest especially paying attention to that part in Gregg’s part about playing a supporting character before going on to play a lead role. Aside from playing two different characters in the same show in Gregg’s case as opposed to playing one character in a show and a different one in a movie in Ali’s case, that is a near-identical situation to the latter going on from playing a supporting character as Cottonmouth to playing a lead role as Blade. Nobody complained about those other actors playing multiple roles in different Marvel works, so why is it suddenly an issue now with Ali getting the role of Blade? Those other actors playing more than one role didn’t “invalidate” those respective shows or “make them non-canon” or whatever the fuck. So why would Ali as Blade have that effect when that never happened in those other cases? Come on now.

Skam France season 3, episode 3 reaction

Alexia was the MVP of the episode. Daphne needs a restraining order.

Episode 3

Clip 1 - Three men and an obnoxious whiny baby they inexplicably let hang around with them

Lucas at his locker Monday morning. The locker next to him is #24, the words Amor Amor and #instalove are written on it. #24 is also the slot for the choco bars that Eliott got for them in episode 1. Is that going to be Lucas and Eliott’s version of 21? What’s the significance of 24 - maybe 24 hours in a day, a day meaning a full period of both light and darkness? If we want to get Biblical, Luke 24 is the last chapter in the gospel of Luke and describes Jesus’ resurrection and ascension, although I don’t know if they’re going to go heavily into the Biblical/rebirth metaphors in Skam France (they’re going with light and dark). Anyway, any significance will become more obvious later in the season.

 The boy squad shows up. Basile starts talking and when I first watched this without subtitles, my notes were “I don’t know what he’s saying but he needs to shut up.”

Watching with subtitles? I was right, Basile can fucking chill. He blows up at Lucas because he missed the party and he could’ve gotten laid. Even Arthur and Yann, who weren’t overly warm with Lucas when they entered, are telling Basile to calm down. Arthur tells Basile it wasn’t the party of the year. Yann, upon hearing the excuse that something’s up with Lucas’ mom, says who cares, the party’s in the past, diffusing the situation. Basile shuts up seemingly because the other two are chill.

I get that people aren’t perfect and that Lucas did something snaky on them, but Basile is so fucking creepy, Jesus. He’s not just peeved, he’s like ... seriously angry that he missed a chance to get laid, and he keeps up his tantrum after Lucas starts mentioning a problem at home, with his mom. Glad to know his priorities are fully aligned with his dick? It gives me the nastiest, skeeviest vibes, like this dude is going to end up frequenting incel forums in a year or two (if not sooner) and after his friends finally get sick of his shit and ditch him he’ll be railing against Lucas and Yann and calling them Chads or whatever.

The one good thing about Basile being terrible is that I think it made Yann and Arthur chill out, like they must have thought, “Holy shit, I need to not be like this guy.” Lucas explaining about his mom seemed to dial down their annoyance because they’re, you know, normal human beings with empathy that extends outside of their penile excursions. When Lucas hands back the weed to Arthur and offers to pay for it later, Arthur says not to worry about it. Man, this season is a lot better than the first two but I kind of hate Skam France for deciding that Basile was going to be the boy squad breakout and not Arthur.

Yann checks in with Lucas after the others leave and asks whether his mom is at the clinic, so I’m assuming that’s something that has happened in the past. I don’t remember hearing about Isak’s mom being in a clinic or psychiatric hospital. I mean, it actually might be a good thing, in that Lucas’ mom is willing and able to seek treatment - or it might be something else that’s concerning, like she’s a danger to herself or unable to take care of herself. I’m sure we’ll learn more about her condition later. Lucas tells Yann he doesn’t want to talk about it and Yann is a total pal and says the important thing is to be there for her. God, can we please get more Yann content? I know it’s coming later, I know Lucas has to go through some serious heartache and isolation first, but I need Yann’s presence like I need a cool drink of water.

Yann must have triggered Lucas’ guilt over not being there for his mom, because Lucas writes a text to her, saying he’s sorry for not answering her previous texts and that he’s been busy, but he’s thinking of her. Nice little moment of cause-and-effect, though I wonder how Lucas’ relationship is going to be with her later on and how he’ll describe it to Eliott. Because he doesn’t seem to be as totally alienated from her as Isak, though it’s still a rocky and distant relationship.

Clip 2 - Alexia loves unicorns

I see the Raptors’ logo on the wall so you know, nice that they still exist.

Lucas sees Chloé and Maria coming and runs away into the common room, lmao. Daphne, Alexia, and Emma are in there, and I have no idea why Daphne hides the broom behind her, like … you’re just sweeping the floor, girl, you ain’t pulling off a jewel heist. Although Lucas does suggest they’re burgling the room, heh. (I love Daphne’s rubber gloves, btw. She is taking this cleanup seriously.)

Lucas lies that he’s here to help them and Daphne is still weird about it, because it’s a secret and she doesn’t even want the girls to mention they’re moving the furniture. Emma “vaguely” says it’s so people can dance here. Lmao, that wasn’t really necessary, Emma, you could just have said they’re moving stuff out of the way to see how the room looks for their redesign or whatever. Lucas figures out that they’re throwing a party here, because he sat in on that last meeting and he’s not an idiot. Daphne complains that she doesn’t want anyone to know but she just blathers more about organizing an event. Errr, are you allowed to just throw a party at the school? Like … at night, on a Friday, with a bunch of teenagers, and no teacher supervision? I assume not. That seems like a huuuuuge fucking recipe for people to get drunk, make a mess, break shit, or in some way trash this room and possibly other parts of the school, and then you’ll never get your common room redone.

Lmao, at Alexia saying it’s OK because it’s Lucas and he’s not a snitch, and he and Emma just share a look like “Oh really?” Heh, that was a good (and subtle) inclusion. Well, it’s true that he is a snitch, it’s just that he’s also a self-serving snitch, and it’s not in his own best interests to rat out this party vs. ratting out Emma’s kissing Raptor Alex.

Alexia points out that Lucas is part of the crew now because he’s always gatecrashing, and Emma says he’s the new Manon, Alexis like, yeah, he even took her spot in the flat! They’re not wrong? He even took over from her as POV character! He just needs some bright red lipstick to complete the Manon transformation.

Daphne is like NO BOYS ALLOWED and I don’t blame her, she’s seen what kind of riffraff Lucas hangs with (starts with a B, ends with a go-fuck-yourself.)

Alex says Romain (her boyfriend who’s French Kasper) would love this ugly-ass table they’re moving and Emma points out she also has weird taste, indicating Alex’s unicorn shoes with little manes and horns. Yo, I don’t have an obsession with unicorns myself, but I applaud her wearing those shoes. Girl, wear whatever your technicolor heart desires.

Daphne is like, are those unicorns because you’re bi orrr … Alex says no, it’s because unicorns are awesome. OK, so she and Eliott are both into animals and attracted to more than one gender, that seems like a solid basis for a friendship. Let the Raccoonicorn brotp rise.

Daphne asks whether Romain knows she is bi, and Alex says no, but sexuality is fluid, anyway. Tbh I do find it strange that Romain does not know, not because she’s obligated to tell him or anything, just because in a long-term relationship (which it is, they hooked up like last June) I’d think you would share details like that? I mean, hasn’t she ever talked about her female exes or crushes or anything with him? Especially because she seems to be quite out and proud, she was openly talking about making out with Clara in S1, she has rainbow patches on her clothes. She also makes bisexuality-related posts on Instagram, like this one. I guess we don’t know much about her relationship with Romain and how serious it is, but is he like ... not paying attention at all, lmao?

Alex mentions the Kinsey scale and Lucas asks what that is, because this conversation about sexuality just so happens to be relevant to his interests. She explains what it is and mentions that many people have done stuff with the same sex. Just look at Emma and Daphne hooking up! 

I did laugh that they mentioned that again, although Daphne is like NO NO NO that was one time and Emma initiated it!! Daphne, don’t dash my dreams. Especially now that she’s got creepy Basile after her; Daphne should find a nice girl to love and SHUT THAT SHIT DOWN in every way possible.

Emma describes herself as very fluid when drunk and ahhHHHHHH I groaned, like this is not a judgment call on Emma or anyone who behaves similarly because hey, make out with who you want, but this is not the greatest thing to reinforce, the whole “drunk girls making out” cliche is used to minimize the concept of bisexuality for woman (because that’s what you mean when you say you’re bi, right, you like to get drunk and kiss girls?). I mean, that’s where the complaint about the Eva/Vilde moment in Skam came from. It’s certainly different here because Alexia is actually bisexual in canon as opposed to no canon wlw rep in Skam, but I kinda wish they hadn’t thrown in this line in a scene that’s otherwise positive and educational about bisexuality. 

Lucas is like, but it’s cool to be bi, right? Because Alex can kiss as many girls as she wants and date a boy, and everyone thinks she’s straight. Ohhhhh noooooo son. But at least that’s definitely in-universe ignorance that’s immediately refuted by Alex pointing out it doesn’t work like that. Do you choose who you fall in love with? Lucas considers that.

This is a big new scene so let’s go over it. 

First of all, massive props to Skam France for having Alex confirm in words on screen that she is bisexual, and for course-correcting from previous seasons. Because personally I had a problem with Alex bi by Word of God but that factor not affecting like … her dialogue or interactions at all even when it would be relevant. For instance, the whole thing about Daphne thinking Manon is a lesbian played out the same way as Vilde thinking Noora is a lesbian, even when there was an out bisexual girl in the same scene, so Alex might not react the same way as girl Chris, or it might influence how Manon or Daphne reacted. Didn’t the girl squad laugh when Daphne brought this up and Daphne was all “your laughter makes this an unsafe environment to come out,” like that’s the kind of situation that should take into account one of the girls is bi, and yet there was nothing different? I think they took some of the viewer feedback in mind and saw that people wanted confirmation of Alex’s sexuality on screen, and that it was important to the fans, so good for them. They also had her say the word “bisexual” and treat it as a legit concept, which is still rare in media, as many canons just dance around it (to the point where I was surprised when Skam’s boy squad discussed bisexuality/pansexuality as a real thing).

Also, excellent to have Alex correct Lucas’ perception of her bisexuality, where basically she can mess around with girls but have a more serious thing with a guy, and no one has to know she’s anything but straight. Very common misconception of bisexuality, unfortunately a very dismissive perspective, and Alexia got to educate the audience. It was a really good thing for the viewers to hear, so again, big props. 

I think Lucas made that comment about Alex kissing girls but dating a boy and getting to appear straight primarily because that situation seemed ideal to him. In his mind, Alex probably seems lucky because she can act on her non-heterosexual desires but not deal with the prejudice and judgment that comes with dating your own gender. Perhaps he’s thinking he can apply it to himself, like in a way he’s hoping he can maybe mess around with Eliott in secret but date a girl in public and not deal with any of the societal stigma that comes with gay relationships. I think it’s also possible he’s wondering if that’s how Eliott’s sexuality operates, like hey, maybe Eliott’s bi and he’ll date that girl, but kiss me. When really it’s not that simple. 

Additionally, thinking of bisexuality in that distorted, superficial way means Lucas might not have to confront his own sexuality to a degree that makes him uncomfortable. If bisexuality is simple as kissing girls but dating boys - or in Lucas’ case, kissing boys but dating girls - then he can maybe leave it like that, he doesn’t really have to think about it further, what it means to fall in love with a boy. Almost like it would be an easy gratification of needs like eating or sleeping, rather than anything deeper that would shake up his world. Alexia points out it’s not like that. Why would she date some guy if the person she loves is a girl? You don’t choose who affects you emotionally.

Honestly the lead-in to this conversation was pretty clunky, like they obviously wanted to bring up bisexuality (which is great!) but they could’ve done it in a more organic way, much as I appreciated a glimpse of Alex’s unicorn shoes. Like IDK, when they’re talking about keeping the party a secret, Alexia could’ve added, “Well I admit, I told Clara about the party, too” and have Daphne go “You talk to your ex-girlfriend? Doesn’t Romain get jealous?” and Alexia be like “... why would he be?” You know, throw in another little moment where Alex disputes the “bisexual cheater” stereotype or something like that. Not sure if that example’s any better, just that I felt the way Daphne brought up the topic sounded a little As You Know.

I feel like while this conversation might have done a lot of good for the audience, the talk about the Kinsey Scale might have done more harm for Lucas than good, which is certainly not Alex’s fault, and also not a flaw of the narrative, just an observation. Because while I think it’s good to hear that someone doesn’t have to feel boxed in by definitions of sexuality, I don’t think Lucas is sexually fluid for any reason other than societal pressure to like girls. He makes out with them but it doesn’t appear to be something he enjoys, rather it’s something he makes himself do (which is how it was for Isak, if they’re following Isak’s example). It’s way different than if he had some attraction to girls but was struggling with his attraction to guys on top of that. And trying to test out his level of gayness or whatever, when his actions say one thing and his desires say something totally different, is probably going to make it more complicated for him than it needs to be. 

Although one thing I want to mention is that Alex does know what Lucas had on his phone at the end of S1. We were shown in S2 that Manon and Emma must have shared it with her and possibly the other girls. So I don’t know if she cares about his sexuality to the extent that say, Manon does, but she is aware that he might be into guys. It’d be nice if she said her piece with that in mind.

Regarding Lucas’ relationship with the girl squad - it’s really sweet and of course nice to see him bonding with them, I just wonder if it isn’t cutting into the sense of isolation and detachment that he’s supposed to be feeling at this point in time. I’ve enjoyed seeing him smile and laugh with the girls as much as anyone, but they did make a point of detachment as a main struggle for his character. I mean, the opening clip of the season was literally called “Disconnected” and showed him distant from everyone. Sorry, Lucas, not that I like to see you have a hard time, but for that reason I kinda don’t want you to be buddy-buddy with the girl squad too quickly and easily. He doesn’t have to be downright frosty but I’d rather see this friendliness as more gradual, otherwise it cuts a little into the overall atmosphere.

I think these girl squad interactions are best used as a counter to the stress with the boy squad, and the differences in social pressure he gets from the squads, and also for some of the educational moments that he could get from Alex as a member of the LGBT community.

Clip 3 - Gay test

Lucas is at home at night, staring up at the ceiling while he’s on his laptop. Considering or psyching himself up for what he’s going to do. He googles gay test. The link he clicks on isn’t so much about personality/stereotypes, as with Isak but actual sexual actions, fantasies, and attraction, in the past, currently, and ideally. 

He checks all the “other sex only” options, and like … a) he is lying about some of that since we know he obviously had a crush on Yann and is attracted to Eliott, we know he’s not exclusively daydreaming or hoping for the opposite sex - not to mention he doesn’t seem to really want girls at all b) this quiz is kinda fucked up because past actions don’t actually determine one’s sexuality, like if you’re hooking up with girls because of heteronormative pressure rather than genuine attraction, that’s not an indication you’re bi, that’s an indication you live in a homophobic society. Which everyone does. 

I don’t get how he actually got a “bisexual” result, though? It looks like he checked the straightest answers possible, everything was about the opposite sex, so how would you get anything other than the most heterosexual possible score (in this case 7)? Did I miss something in translation? 

I do feel bad for him because he was probably looking for some verification that he wasn’t gay, and the quiz told him he wasn’t entirely straight. He searches for “how to make it so no one knows you’re gay.” OUCH. So he knows, just like Isak did, that these results don’t mean a damn thing about whether he’s gay.

Tangent but like when Skam Italia S2 aired, I saw a fair number of comments comparing Isak to his remake counterparts, claiming that Isak was in super denial that he was gay or flat-out wasn’t sure at this point, whereas Lucas knows but doesn’t want to say it (or Martino knew he was gay but was struggling with external homophobia so he couldn’t come out) and not to be insufferable but: Isak knew he was gay. He wasn’t in denial of that any more than Lucas was here, tbh. What he was struggling with was the label “gay” and all the stereotypes and generalizations associated with it, and how that reflected on himself, as well as the social perception of being gay and how people would see him. What happened with Emma was a result of him trying to avoid those associations. But he asks Google how to get turned on by girls if you’re gay, he knows what he is even if he’s not comfortable with all that label entails to him. 

He finds a forum where someone details their strategy. This sparked some theorizing because the person posting is “Tuturo” and Arthur’s IG handle is “monvoisintuturo” (which is a My Neighbor Totoro reference - I love that because Isak had a subtle reference to that film in the first season of Skam, with a poster on his wall). Coincidence? Is this a real post on a forum that they found or something they made up for the show? It’s dated 22/08/2017. Of course, they could have found that post, and invented Arthur’s IG around it...

Arthur being gay (or not straight, at least) would be one hell of a twist. Honestly, I doubt that’s what they’re headed toward, because the advice in the post doesn’t really align with what we’ve seen of Arthur’s personality so far. Sure, he’s not necessarily the most enlightened dude in every way, but we don’t see him lashing out with homophobic slurs and shit-talking gay people, we don’t see him with a hot girlfriend for cover. So he’s not taking his own advice. It would have been better foreshadowing if they’d set him up more along those lines, so we can see the hints other than his username. Then again, the post is from 2017 so I guess he could have grown away from that mindset or grown uncomfortable with it... But yeah, although I find the idea really intriguing, I’m not sold on it actually happening unless there are some bigger hints. 

The advice is stuff like talk about girls all the time, get a hot yet prudish girlfriend, use gay slurs and show how angry gay people make you. We get Lucas’ voiceover as he reads the post and tbh I wish they’d not done that, like it worked fine when Isak was sitting there and they just showed the message for the viewers, like I get that it’s a longer message and they want to make it obvious, but they don’t have to spoon feed it to us. I guess it helps to hear it in Lucas’ voice so we can sense him internalizing it, but it’s still unnecessary. Maybe they could have just shown closeups of the most important phrases.

Clip 4 - Daphne rules the world

It’s the dance chicks clip. Alexia is a dancer! We saw her doing some gymnastics in previous seasons so that’s a nice touch.

I’m realizing that this clip is one of those things in the remakes where the production team needs to be careful, because the clip is about male gaze, but there’s also a line where the depiction of male gaze turns into an endorsement of it, if that makes sense. Like I want it to be clear that the boy squad is panting over and objectifying the girls, but you don’t want the show itself to objectify them. This clip stopped before it got too sleazy for me, so that was appreciated.

Instead of being disinterested like Isak was, Lucas is joining his bros as they drool over the girls. They’re watching through a window by the way, which is creepier than the boys being in the same room and the girls knowing of their presence - it’s a milder version of peeking into the girls’ locker room like it’s an ‘80s teen sex comedy or something. 

Arthur resting his chin on Lucas’ shoulder is cute, though.

Lucas is saying some bullshit about how not all the girls are hot, which is kinda funny because lol none of the girls are hot to him, and how he wouldn’t let that girl suck him off, which is also kinda funny because we know you don’t want that, dude, but he’s also trying to be a fuckboy which is not funny. 

It’s objectifying as fuck and not funny when you consider his internalized homophobia but I couldn’t help but laugh when he’s like “That girl is hot because she has big boobs” because it sounds like a robot trying to emulate human sexual attraction. Breasts, those certainly are things heterosexual men appreciate!

The other guys are like wow, even Basile isn’t as awful as you. I beg to differ. (Apparently Basile says something that’s relevant to #MeToo, like he wants to get laid but he’s also #MeToo, and get the fuck out of here with that shit, dude. Nothing about your dancing later in the episode says you’re against sexual harassment.) Lucas responds by calling them a gay slur. Lovely! The dudes are like, what’s up with that? Arthur calls it a “closeted homosexual comeback” which is a pet peeve of mine, the belief that homophobes are just closeted gay people, since it removes culpability from straight people (and you know, is not accurate). But he’s a teenage dude and well, Lucas is a closeted gay guy so I’m not gonna get mad about it. Though damn, if Arthur were gay and closeted that would be some good foreshadowing. Takes one to know one?

They get spotted by the teacher and duck under the window. Basile is disgusting. The boys ask what the fuck is wrong with him. Basile does not listen to them because he’s incapable of hearing anything over the constant buzzing in his dick and instead starts telling the boys about his BDSM dream about Daphne and the boys try to get him to shut the fuck up as Daphne appears behind him, but obviously he rambles about his boner until he turns around and does this slapstick-y reaction. I cannot stand him. I’m not as angry about the BDSM dream because he was telling the guys and not trying to tell Daphne on purpose, but this kind of content overall just reinforces him as the bumbling loser comic relief and he’s not fucking funny, he’s deeply creepy and is an actual sexual harasser as we see later in the episode. 

At least Daphne says it’s all a fantasy in his head and never going to happen. ❤️❤️❤️ FUCKING TELL HIM. DESTROY HIM. She continues to be the best character on Skam France. Daphne asks what they’re doing there and Lucas says they’re checking out the hot chicks. Daphne tells them they suck (❤️❤️❤️) before walking off. The other guys are like, seriously Lucas? “Hot chicks”? Well, I don’t see quite how what he said is any worse than what Basile says constantly, including to girls’ faces, so maybe it’s a translation thing? The “hot chicks” phrasing has stronger meaning in French?

Arthur asks if Basile is OK and he says, “I fucked it all up.” DUDE you had ALREADY fucked it up from the time you first opened your mouth around her. And as we see, this does not deter him at all. God!!!!! Please fuck off into the void already.

I’m glad they called out Lucas a little but again, don’t see how he was being any more disgusting than Basile is on a regular basis regarding the misogyny. They didn’t say anything overtly anti-homophobic about Lucas using slurs, like really call him out other than some shocked reaction at him using that word. So I suppose there’s a little more ambiguity over whether they’ll be accepting of Lucas’ sexuality. (I mean, I think they’ll accept him based on what we know about OG, but in-universe there isn’t as much of a tip-off.) I did miss that more educational moment, but I also think that because Lucas still has some Operation Hetero tactics to implement later that day, he might need to not be roasted for his behavior so strongly or who knows, maybe he’d back down. (The OG had Isak apologize to Emma and then the dance chicks clip with Jonas calling him out; this version switches the scenes around.)

Clip 5 - Love confession?

Later, Lucas sees the boy squad in the yard, then he sees Chloé and Maria. Prompted by the need to seem heterosexual in front of the guys and inspired by what he read the previous night, he goes over to Chloé to get himself a hot girlfriend. 

Lucas apologizes to her and he sounds more sincere than fuckboy-ish, which I think fits because the way he pursued her in the first place was not that fuckboy-ish. Slick, but he wasn’t negging her or anything. However, sounding sincere is not being sincere, because this is the biggest crock of shit I’ve heard out of this kid’s mouth this season. It’s so uncomfortably over-the-top, he’s telling her that he met a beautiful first year and he thought it would be casual but actually he’s falling madly in love with her, and OK, slow down. How long have you guys even talked to each other? 10, 15 minutes? Do you know anything about her?

I get Lucas is struggling but I also want to give him a kick in the nuts before he gets another word out and digs that hole deeper because oh my God this is fucking b a d, honestly, way worse than what Isak did to Emma - what Isak did to Emma was not cool, but he was mostly just giving her the indication that he was into her and had a crush, NOT that he had fallen in love with her and had all these deep emotions for her. It’s really cruel to her. (Although girl … are you really gonna fall for this dramatic monologue when you’ve talked to him like three times?) 

He talks about how he’s not handling these feelings well because it’s never happened before, thinking about a girl before he goes to sleep and before he wakes up, wondering what to say to her when he runs into her, and well, I sure as fuck buy it’s never happened about a girl before and that it’s not happening about a girl now. But of course he’s talking about Eliott. He’s just transplanting his feelings for a boy to this fake infatuation with a girl. Lucas blames his behavior on not wanting to seem awkward. Well, I can buy that, just not about Chloé.

Despite this load of floral horseshit, Chloé buys it, because well, she is a teenager. She kisses him passionately right there in the yard. The boy squad sees and approves (Yann’s reactions are particularly funny). Heterosexual mask, securely on.

Lucas walks over and he BETTER not be giving Basile pointers because the last thing Basile needs is encouragement, but nope, that’s what he does, he offered to give Basile lessons. This is like telling Tom Riddle about horcruxes. 

Eliott thankfully interrupts Lucas contributing to Basile’s dicktermination. Did Eliott see Lucas and Chloé kissing? I don’t think so, but man, I kinda wished he did just for the angst. He doesn’t know Lucas is pissed at him yet, he doesn’t know Lucas is gonna bro-zone him in a moment.

Eliott returns Lucas’ scarf. It’s actually Yann’s scarf and Yann seems very happy to have it back, awww. Lucas gets forcibly casual with Eliott. He’s not mean, not rude, exactly, just trying to play off their connection as nothing. They’re casual acquaintances and it’s gonna stay that way. 

Lucas volunteers that Eliott found it in the common room before Eliott can explain how it got it. The acting is pretty good. You can tell Eliott is kinda stung by this greeting, especially when Lucas is like “thanks dude” in an overly platonic way. Which Eliott returns. Eliott is like a warm, friendly guy and that makes it a bummer to see how Lucas reacts and how that makes Eliott deflate.

With Isak and Even, Even noticed Isak’s discomfort in the situation and covered for him, lied for him about finding the hat in the cafeteria. It was a moment that made me love Isak and Even’s relationship before they even got together because even though Isak wasn’t at his best, it was a mark of their connection that Even could read him so easily and didn’t press the situation. Here Lucas shuts out Eliott, he’s covering his own ass. And I’m not sure if Eliott totally realizes what’s going on or if he does pick up on why Lucas is suddenly dude-ing it up and lying. I think he might just be hurt. 

Arthur asks about Eliott, and Lucas starts talking shit about how he’s a stalker with no friends. LMAO. Lucas, the stalker is you, the creeper is you, you were legit just stealing classroom registers over Eliott, you were scouring the Internet for clues of his existence, you are projecting like an IMAX. 

They get invited to Daphne’s party via text, but Lucas is clearly distracted and looking off toward where Eliott went. What a contrast in assessments between Lucas telling us how he’s falling for Eliott by way of telling Chloé it’s about her, and him downplaying and trashing Eliott to his friends. I don’t feel like he can relax around his friends at all.

Clip 6 - Secret school party

There’s a giant group of people gathered outside the gates of the school at night, with the girl squad in front, lots of people in costumes. Time for Daphne’s party.

Ehhh … see this is a fun setup, breaking into the school to have a party, it really is, but in context it’s kinda contrived IMO. I guess Daphne got peer pressured into doing it, I know she wants people to find the common room the cool place to be, but I find it hard to believe someone who’s legitimately invested into fixing up the common room like she is would risk a) getting in trouble for trespassing on school grounds b) dealing with any damage/repairs to the room that happen during the party, like if your plan is to fix up the common room, isn’t the likely potential that someone could break stuff or trash the room worse for your ultimate goal? I fully realize teenagers do a lot of stupid reckless stuff, but I’d find this party more believable if it were thrown by people who did not have a vested interest in the repair and upkeep of that part of the school. For example, if it had been the Raptors throwing a party at school after hours last season, sure, I buy that.

I feel like they just had this because they had to have a party in episode 3 (like in OG Skam) that was related to the school group/project that linked the POV character and his love interest (like in OG) and something about them hosting the party at another character’s house didn’t fit, not when the project is centered around another location.

One way that I would have found this scenario more plausible: Daphne tries to throw a much much smaller get-together, maybe just invite the common room crew, keep it under wraps, nothing extravagant, but word gets out more and more people show up (because who doesn’t want to break into the school at night) and turn it into this big thing and it gets out of hand. We see it go from just a few people hanging around drinking to something wilder, she starts freaking out because it’s too much. Even with the “password” system it seems like she had something bigger in mind from the beginning and IDK, even with Daphne being a social climber, even with teenagers being idiots, it rings a bit off. Sorry to be a buzz kill, like I said, it’s an entertaining scenario in theory.

Anyway, they’re at the school, people are in costume and waiting outside. Basile is wearing a Teenage Mutant Ninja Turtles costume. Do you think he wanted the whole squad to go as the turtles, but they did not? They give him weird looks, but dressing as Donatello is legit the least objectionable thing he has done so far this season.

Daphne is dressed as a cat, keeping that Vilde tradition alive.

Lucas has the paint streaks on his cheeks, which is a fun nod to OG and also fitting for the infiltration theme of the party.

Imane says they don’t need the password, Daphne says they do in case there’s a spy. Errr I don’t think a password is going to do you much good. If there’s a mole, I’m sure they got the details from someone else, unless like a 50-year-old teacher is hoping to sneak in unnoticed.

Lol at Yann’s face when he puts on his hood for the “infiltration.” He’s had some great background reactions this episode.

Daphne asks the crowd if they’re ready to infiltrate and they quietly cheer. Basile says “I’ll infiltrate YOU!” and FUCKING KILL HIM, I’M TIRED OF THIS SHIT.

Daphne tells Emma she’s so nervous she almost wore a diaper in case she wet herself and DO NOT LET BASILE HEAR THAT, I REPEAT, DO NOT SAY THAT SHIT WITHIN A FIVE-BLOCK RADIUS OF THAT GUY UNLESS YOU WANT HIM TO START HAVING DIAPER FANTASIES ABOUT YOU IN ADDITION TO BDSM DREAMS.

The gate opens and people cheer because apparently everyone’s an idiot who forgot about the request for discretion 10 seconds ago. Teenagers, man.

Yeah, this is fun in like a Hollywood teen movie way but kinda throwing me out of the story, like even the way the crowd is reacting feels too staged and TV-ish. You know IRL when there’s a group of teenagers rowdy and ready to party, they wouldn’t be super unified in their reactions like that, there would be some d-bags not listening, not paying attention to Daphne, they’d be fucking around and doing their own thing. Nothing inherently wrong with this style but not really what I like from Skam, just my preference!

Clip 7 - Giant neon costume party

There’s like a full-ass rave happening in the school and it’s fun but not to be repetitive, feels more like a Hollywood teen movie even in the scope of the party and the way it’s filmed. Especially - and I’m sorry for harping on this but also, not sorry at all - because Basile’s characterization reminds me of one of those stock characters from those films, like that typical obnoxious loser who’s desperate to get laid and ends up banging Stifler’s mom or something.

Basile slumps next to Alexia and says he’s gonna throw up, she says he’ll be fine. She’s a lovely person, but I want to be like RUN AWAY DO NOT ENGAGE.

She points out that Emma and boy Alex are making out and Basile positively jizzes in his turtle onesie, being like THEY’RE GONNA FUCK???? IN THE SCHOOL???? Is it that outrageous of a concept? What did you think was going to happen when you invited a bunch of drunk teenagers to party after hours? 

A girl who looks a bit like Elisabeth Moss walks by and makes eyes at Alexia. Must be Clara! Basile is like, a woman in the same room as me? Can you help me fuck her? Alex says no, it’s her ex, hands off, and that’s Romain’s cue to be like … OHHHH you are bisexual? Alexia cheerfully confirms this. You can see the boner popping in his pants already, let’s be real. Yikes, dude. Her attraction to women isn’t for your enjoyment.

Anyone else getting dancing old man from Six Flags commercials vibes from Arthur dancing in his costume?

Daphne is freaking out and looking out the window, trying to prevent people from smoking. Imane pulls her aside and says everyone’s having fun. Daphne says the smoke detectors might go off and they’ll be in trouble, Imane says she should’ve thought of that before throwing a party in the school. I mean ... yeah? That’s why I’m like, you’re freaking out about this now, you didn’t predict any of these blatantly obvious things that would happen?

Imane’s like “what’s the worst that could happen if they get caught, they won’t expel 50 students at once” and errr IDK, would they have to pay for repairs? Stay after school to clean up the mess? Would the school contact their parents? I can think of a lot of stuff that would suck.

Daphne and Imane go dance. Basile comes up and not only starts to force a dance with Daphne, but in a way that he’s thrusting his crotch against her, trying to touch her and get in her space. Poor Daphne grabs Imane and tries to swing out of the way to avoid him, literally swat him away with her costume’s cat tail. 

For fuck’s sake. I hate this guy, I hope Daphne eventually just punches him in the balls. Listen, I try not to talk like that, but this moment really pissed me off. It’s sexual harassment. Daphne has made it extremely clear to Basile that she is not interested in him. She has said it is never going to happen. And he still does not give up, and this was honestly the worst moment he’s done so far IMO because he’s actually physically bothering her, to the point where she grabs her friend as a shield, to the point where she’s having to swat him away. 

Tons of women have gone through this experience in real life. We’ve met those sleazy guys who would not take no for an answer. We’ve met those guys who wanted to press their bodies against you and grab you when you have zero interest in them. A lot of us have experiences of latching onto our female friends, or our trusted male friends, in an effort to escape these creeps. Imagine the nastiest guy you know in real life, the one who really sends red flags, and imagine him as Basile, yourself in Daphne’s situation. That’s why I don’t feel I’m overreacting here. 

What is the point of this? What is their primary goal with Basile’s character? Comic relief? Or is he meant to be a cautionary tale? Are they building up to a criticism of creepy guy behavior? Because the thing is, they have already established he’s gross. Daphne has rejected him, and he still wants to go after her. I don’t get what more she can do other than beat his ass or complain to the school or something. What, is it going to be like episode 5 when he finally takes a fucking hint? Why was it not obviously clear when she said it was never going to happen? When she tried to escape him at the party? If there’s a more substantial criticism coming, I am genuinely flabbergasted why made Basile 110% disgusting from the very beginning and had Daphne so openly hate his attention, because it feels like the lesson should have happened already. The point has been made. 

You know what could have worked better if they were trying to criticize toxic masculinity? Don’t start off Basile as super gross. Make him insecure, desperate, but not panting after Daphne and begging for her phone number. Have his creepiness escalate bit by bit throughout the season, directly encouraged by Lucas’ own fuckboy behavior. Show how those attitudes spread like a disease. Have Daphne show her disinterest, although she’s mostly just annoyed, until finally he crosses a line and then she blows up at him and says it’s never going to happen. Then that’s it. He leaves her the fuck alone. He learns from his mistakes, though he still doesn’t get with Daphne romantically. 

Lucas and Chloé are talking about music. Chloé happens to like old school rock like AC/DC and The Clash - coincidentally Lucas’ musical taste, as we learned last episode. I wonder if she actually likes them or she just stalked Lucas and found that information on like his Facebook profile. It’d be funny if she was trying to like what Lucas likes and Lucas was trying to likes what Eliott likes. Because suddenly Lucas isn’t a fan of The Clash anymore, he likes dubstep. Duuuuude, come on. I saw how you responded when Eliott put on that record. I’m just imagining Lucas sitting in his room, forcing himself to listen to dubstep because Eliott likes it, in the way you make a child eat Brussels sprouts.

Mika is at the party and lighting up the dance floor, Chloé says gay guys are so funny, they know how to party. Alexia and Imane who happen to be nearby react to that; Alexia says it was a stupid thing to say and Imane says it was a generalization. Chloé says actually it was a nice thing to say.

Okay, I wasn’t a fan of how they did this moment. The positive side: it’s nice that they made Alexia, a member of the LGBT community, react to that comment and call it out, and had Imane call it out as a generalization, because she as a black Muslim would also know about how generalizations affect marginalized groups.  

But no offense, I feel like both S3 remakes so far have missed the point of this moment as it pertains to our POV character. It’s not just a helpful educational moment for the audience. It’s meant as a lifeline to the Isak character. One of Isak’s greatest concerns is how he will be perceived as a gay man, in terms of stereotypes and generalizations. He fears “gay” is a box that will trap him in a certain image, he doesn’t want to be seen negatively as one of those flamboyant gay guys into tights and mascara. He associates “gay” with those generalizations and he fears the social repercussions of that label. We see that when he takes the gay test in episode 3, which is not a measure of attraction to men (as it was in Lucas’ “gay test”) but a collection of stereotypes about gay men’s personality and interests. When he puts down the dance teacher for acting too gay later in the episode, it’s because he wants to distance himself from that type of person. Which is why it’s really important when Even, the guy Isak likes, calls out Emma for using a generalization. Without even knowing the full impact of what he’s saying on Isak, Even provides a counter-argument to the idea that Isak can be summed up as a stereotype. He’s against assigning universal traits to diverse groups of people, and I think he recognizes the trivializing nature of Emma’s comment - gay people are funny to her, it’s like she thinks they’re there to entertain her, it’s this extremely othering remark. Emma is essentially doing something that Isak fears will happen to him if people know he’s gay - just stereotype him and lump him in with all gay people - and Even is there to shut it down. 

And you might say, well, Lucas isn’t Isak, so it doesn’t have to mean the same for him, and ... yeah, it doesn’t, but consider that Lucas’ struggle this week was not really about dealing with stereotypes and generalizations. His “gay test” had nothing to do with that at all. Instead, he was struggling with the exact definition of his sexuality, whether he’s gay or bi or straight, and he was trying to fit himself into a heterosexual box not by distancing himself from generalizations but by dating a girl and using homophobic slurs. Like there’s no moment where he calls out a gay guy for acting too gay. When he calls the boys a slur, it’s not actually a response to doing something perceived as gay. So for the “lesson” here to be the same as it was in the original series, and not tailored to Lucas’s specific struggle this week, is a missed opportunity. For example, I think it would have been better if Chloé used some casually homophobic language - not even maliciously, just in the sense that she’s ignorant and doesn’t realize she shouldn’t say some words as a straight girl - and Alex called her out for that. It would be a counterpoint to Lucas’ own behavior.

Also, I don’t think Lucas had a huge reaction to what Alex and Imane said, anyway; it didn’t seem spotlighted in the directing or acting so while it’s a good lesson for the audience to hear, it doesn’t mean a ton to his character’s state of mind. It’s one of those parts that I feel the remakes are recycling because it is important as a general idea, but I don’t feel like they necessarily get why it was there in terms of Isak’s characterization. 

Additionally, can’t lie, very disappointed that Eliott didn’t get this moment. I appreciate them giving Alexia a lot to do this season, but this part felt really big for Even in the original show, both in characterizing him and in showing how much Isak was affected by his words, because Isak really likes Even and values his opinion (you know, the whole Isak becoming Nas’ #1 fan in a week thing). This is the guy Isak has a crush on who’s shutting down homophobic stereotypes - that made it so important that this dialogue came from Even rather than anyone else. And on a personal note, that clip was the very first Skam clip I ever saw, and that specific moment where Even calls out Emma was not only the first part to impress me and grab my attention, but it made me love Even right off the bat. I loved that he could explain why positive generalizations are still bad because that’s a nuance I think plenty of people, both young and old, don’t understand. It just was a bit of a downer that this really powerful moment didn’t go to Eliott.

Lucas sees Eliott come in with his girlfriend. Eliott has a mask, covering the lower half of his face. How raccoon-ish? But very fitting for the theme of infiltration, and very fitting for his character to be ambiguous and mysterious.

Eliott’s girlfriend is named Lucille, lmao. Lucas and Lucille! Not weird at all! But what’s the significance of gving them both light-related names?

Of course we have the two pairs dancing, Lucas and Chloé and Eliott and Lucille. Lucas stares at Eliott in a very obvious way, like Isak could at least glance at Even over Emma’s shoulder. Lucas has to blatantly turn his head to look at Eliott. He smashes his face into Chloé’s while making eye contact with Eliott, and Eliott obviously sees this and takes it as a personal challenge. He makes out with Lucille and then stares Lucas in the eye. Again, very challenging. With Isak it was more like this painful longing watching Even kiss Sonja, and then Even looked at him not so much as a challenge but to convey his interest in Isak; Isak didn’t keep looking back for that long before he shut his eyes and kissed Emma, probably imagining it was Even. Lucas kissed Chloé first; Eliott was not making out with Lucille until he caught Lucas staring at him with his lips on Chloé’s. Then it was to convey interest and almost a dare for the other to look away first. Very bold of Lucas, although IDK if he was actually trying to issue a challenge or a fuck-you to Eliott or he’s just bad at impulse control. I think the “fuck you” was pretty implied. In more ways than one.

Not gonna lie, the eye-fucking went on long enough that if it had gone on a moment longer, it would start to feel like a parody to me. I was glad the music got cut off and the lights went on when they did.

Everyone bolts and runs out of the school, Daphne seems to be behind everyone. Basile, do something good for once and distract the guard so Daphne can escape! Throw yourself on that grenade!

Lucas just stops and stands there like an idiot, like I know you’re distracted by your Eliott boner and all but move your goddamn ass, until Eliott grabs him by the arm and pulls him to the side. Eliott offers to walk him home.

Eliott really just left his girlfriend behind, huh? I know Even did it too, but he just left Sonja to go hang out and drink with everyone else, not get caught by a night watchman.

I’m not someone who goes gaga over height differences to the extent that a lot of people do, but that sure is a quality height difference between Lucas and Eliott, made very clear by them walking side by side.

As they’re walking, Eliott says it seems are moving fast between Lucas and Chloé. Lucas says it’s cool but then backtracks and says she’s super into him and it’s stressing him out. Eliott looks a little pleased to hear that. He asks Eliott how long he and Lucille have been together, Eliott says a while. Lucas says it shows - errrr, how? You’ve spent like 10 seconds and two words in her company and all you did was see him briefly kiss her hello and then make out on the dance floor, like Emma and Alex have done that much and they’re not even officially together. He’s bitter, I guess. Any girl with Eliott has been with him too long.

Eliott says he thinks his relationship with Lucille is at an end, though, they’re just going in circles, he doesn’t want that. Lucas is like, to be in a relationship? Probably thinking GODDAMMIT. Eliott says he does want to be in a relationship. Lucas is like, so you see yourself with a new girl straight away? Eliott says yeah, and then after a pause, adds not necessarily a girl, though. That pause is what’s important, tbh, the little moment where he’s perhaps thinking of just coming out and saying it to Lucas. Making clear that his sexuality includes guys, making clear that Lucas is on the menu. And of course Lucas kneejerk looks at him like OH SHIT HE SAID IT.

Lucas looks at him, Eliott looks at him, there’s a Moment. They arrive at Lucas’ place. With this music and the way they’re looking at each other, it’s not so much awkward, more like they’re daring each other to take the next step. Eliott says this is where they say good night. The way Eliott glimpses upwards makes me think he was hoping to be invited up (not even to bone, to be clear, just to hang out/make out), and they’re staring at each other when in the background someone’s getting out of a car and taking bags out of a trunk. 

They are hardcore staring at each other and it seems like Eliott moves in just a teeny tiny bit when Manon’s all HEYYYY GUYSSSSS. Lucas looks back at Eliott like, oh, never mind.

IDK how I feel about that ending moment. I feel like it lacks the punch of Manon arriving home, and weirdly downplays the Lucas/Eliott moment. Maybe because the music continues - I would’ve cut off the music when Manon said hello, to break them out of their little bubble, then show her there, cut back to Lucas and Eliott staring at her in shock, in silence. This just felt a little muddled and didn’t land as much emotionally for me.

I’m not like ... angry at Manon for interrupting, I think she could’ve just looked away and pretended to be busy with her bags instead of calling attention to herself. She seems pretty invested in giving Lucas nudges out of the closet, or wanting him to open up to her about it, based on her behavior in other episodes. Like I think she means well, it’s just intrusive. Did she want to interrupt them so Lucas didn’t out himself in front of her? That doesn’t seem entirely congruent with her repeatedly asking him if he’s dating someone or asking about Eliott in the next episode. 

The Lucas/Eliott relationship also feels way more of an inevitability at this point. Eliott isn’t saying he can’t break up with Lucille, his comment about “not necessarily a girl” could not be any more pointed. I’m wondering if they’ll bring as much drama with Lucille later on; if they do play out the part where Eliott goes back to Lucille after telling Lucas he wants to be with him, I think they should’ve kept in that part as it’s important foreshadowing. Not just for his relationship with Lucille, but his bipolar disorder and inner conflict. Like there were zero hints of a conflict within Eliott in this scene, he’s just like, yeah, I should break up with her, maybe I’ll have a relationship with someone who’s not a girl, hint hint. So Lucas really should not be doubting Eliott’s intentions at this stage, frankly. It’s Lucas who’s apparently the obstacle, and who knows how long before he gives in to Eliott’s Eliottness.

Social Media/General Comments:

Yann texts Lucas “Kisses bro” after the locker conversation so basically he’s a stand-up pal, it’s very cute.

Basile at least apologized to Lucas via text for blowing up at him because Basile didn’t get his dick serviced on Friday. He also said he’s not even into Maria anymore, it’s about Daphne now, siiiiiiigh. When he asked about Lucas’ mom, Lucas didn’t really answer, said it was nothing and he was handling it. I mean, if Basile has a mentally ill mom like Magnus, this conversation might take on more significance later, like he could’ve gotten Basile’s advice all along.

On a related note, I know I stroked that Basile hateboner so hard this recap that I’m chafed, and sorry if it got repetitive. But also - he’s bad. He’s really, really bad. And if my comments are repetitive, the show is also repetitive in giving Basile approximately one character trait that’s extremely exaggerated. I don’t think we’ve had one “normal” scene with this guy where he didn’t say something awful, like the closest was the first clip he was in.

Lucas is getting very chummy with the girl squad and taking pics with them. He’s also getting alarmingly cutesy with Chloé, posting a pic of her and using emoji hearts. Though that’s a good detail, of course, it’s him trying to act straight.

Is it just me or have they toned down some of the social media presence from last season? I don’t mind it, I think a lot of the SM stuff is more focused on things relevant to the story.

I’m not even getting into the Eliott puzzle stuff. It’s fun but I’m just gonna sit back and watch it happen, otherwise my brain will melt.

Everyone who attended that party is a total fucking dumbass for posting pictures and IG stories of themselves where they are clearly at the school and in the common room on Friday night. I know that teenagers are not necessarily the best at discretion, but LMAO at the theme of the party being “infiltration” and Daphne trying to have a password when everyone’s posting pictures where people are easily identifiable. If shit had gotten out of hand, then they’d all be screwed. Although this is an obvious consequence of throwing a party in the school, you know some people are going to plaster it all over social media. Not hard to predict. IDK, maybe I’m just a worst case scenario type of person, but imagine if shit got really out of hand, like someone started a fire or there was major property damage or who knows, something even worse, and there had to be an investigation. All of you idiots are fucked. 

Being honest, in some ways I thought this was the weakest of the three episodes so far - not that it was bad, there were certainly good moments. I think they did a solid job with Lucas’ internalized homophobia, as unpleasant as it was to watch, and Alex’s talk about bisexuality was a strong addition to the story. There were some good acting moments. But I felt more of the weaknesses that Skam France had in its previous two seasons. Things like reusing certain moments from Skam while not really fitting or understanding why they were there, more like feeling they had to be there, or some parts that I thought didn’t quite make sense, some moments that were rushed or didn’t have much impact due to the directing.

I’m thinking that this episode is going to be a particular challenge for various remakes to adapt. Some of it might be that it’s very internal, in a way, with what Isak is going through, and that’s not always the easiest to portray. I also felt like OG had a clear thesis statement of sorts with what Julie intended to accomplish with this episode, in terms of the overall story, and it’s something where you can lose the subtleties if you’re not careful.

This reaction probably seems more negative than I actually felt, because overall I did like the episode and still enjoy the season, it’s just that breaking it down and thinking about it more critically, there were more little things that bugged me this week than in the first two.

I’m not French so feel free to clarify if I missed something.

If you got this far, thank you for reading!

The Sword Reforged

From the ashes, a fire shall be woken. A light from the shadow shall spring. Renewed shall be blade that was broken. The crownless again shall be king.

This speculation/meta can be tacked onto my Hearts of Kyber as I will be going into further detail of why I think Anakin’s/Legacy Saber will be mended/made into something new in Episode IX. Again this is all for fun and I really don’t know if this going to happen. I’m just making predictions and what I think may happen in the future Star Wars film. More below the cut!

So before I went over what kyber crystals are and how they “choose” their owners based on what we’ve seen already in Star Wars Lore. What I’m going to go over is how the Legacy Saber is based off story tropes, motifs, and mythology. There are few things that have been in all three trilogies so far. Two of them have been R2-D2 and C3PO which I find fascinating cause they’ve been in all the films (what if they are the ones retelling the story at the end of all of this). Another is Anakin’s saber. The only movies it is not in is EP I: The Phantom Menace and EP VI: Return Of The Jedi. In Ep I it was not made yet and in Ep V it was lost after Luke’s duel with Vader. What I find interesting about Anakin’s first saber is that it is “The Chosen One’s” lightsaber. This was the kyber crystal that was attuned to Anakin who was prophesied to bring Balance to the Force hence The Chosen One. But the sword was taken from him by Obi Wan after he lost to their duel on Mustafar. In a way, this follows the trope of a weapon failing its owner cause they were not worthy. Remember Kyber crystals are naturally light side attuned and there is a reason the Sith bleed their sabers, because a Jedi’s saber would resist or not always obey a dark side user. So they force their will on the crystal, thus turning it red and dominating it. Now we haven’t seen direct evidence of a saber not heeding a dark sider’s call except maybe we have...

Oh yeeeeaaaah…

Funny how “The Chosen One’s” saber would only answer the Force pull of Rey’s and not Kylo’s in The Force Awakens. I love that this is calling back the pulling the sword from the stone. This trope has been around forever and what makes me believe the Legacy saber had its inspiration from two swords from mythology. I believe it shares its inspiration that also inspire Tolkien’s Narsil/Andúril.

One sword that is the inspiration is Excalibur, the sword of King Arthur and where the sword and stone comes from. Excalibur has two origin stories one where Arthur pulls the sword from the anvil and stone from the Merlin story. The other is it’s given to Arthur by the Lady in the Lake, but we’ll focus on the former instead of the later. The sword stuck in something and only the worthy may pull it out is so old a myth that it pops up several times. There is even a saint with a similar story attached to it, the Legend of the Sword in the Stone of San Galgano.

The other sword that inspired Tolkien and I think the Legacy Saber is Sigmund’s sword, Gram from Norse mythology. What’s funny about this sword was it too was stuck into something and only the worthy owner can pull it. It was placed into a tree by Odin and any one who could pull it out can keep it as a gift and would find that it was the finest sword ever held. Sigmund was the only one who was able to pull it out. Later it was broken in half in Sigmund’s last battle and his wife saved the pieces as the sword was suppose to be passed down to their son, Sigurd. Their son reforges the sword and slays a dragon with the new Gram. There’s more to this mythology but it is a saga, the Völsunga saga to be exact and I highly recommend looking it up if you would like to find out more.

What is neat about the Reforged Blade trope is the symbolism of it. Taking something from the past and making something new and/or repairing it. I feel this going to be part of the message going into Episode IX.

These new Star Wars films had a tough task with transitioning of the old characters to the new generation. The Prequels didn’t have this issue as they were working from characters from the Original Trilogy and fleshing out their backstories to how they become how they were in Episode IV, V, and VI. The Skywalker Saga is a Generational Saga and is following its similar format with three distinct generations.

1. The first-generation protagonist is an immigrant.

Anakin Skywalker was born a slave in a world outside of the Republic control and is brought into the Jedi Order. He is taught by Obi Wan and the Order. He fights for the Republic and the Jedi Order under it morphs into the Empire and starts the major conflict.

2. The second-generation protagonist are assimilated in the host culture.

Luke Skywalker grows up on Tatooine knowing only the control of the Empire even though it doesn’t affect his life until two rebel Droids show up throwing him into the conflict. He learns to be a Jedi like his father before him and takes up their cause. His twin sister Leia is a princess from Alderaan who is already fighting for the Rebel cause and joins Luke in helping to bring down the Empire.

3. The third-generation protagonist learn to appreciate their ancestral heritage.

Ben Solo, son of Leia and Han, has his past hidden by his parents and Luke who do not tell him of his grandfather’s history fully. Ben falls to the Dark Side like his grandfather and relates more to him for he feels alienated by his intermediate family. He is now at the stance that the past should be erased cause for him it just causes pain and turmoil. Rey has hidden her own past from herself because it is too painful. She uses the stories of old to help her carry on and give her hope. Finn had his past stripped from him as he was stolen as a child by the First Order. He ran away from the First Order when he couldn’t kill for them. He too draws hope from the past, but hasn’t come to terms with his own past.

The whole Sequel trilogy is the new generation coming to terms with their own past and the past generations. Let’s take the message that Kylo Ren was pushing in TLJ at the beginning. 

“Let the past die. Kill it if you have to.”

We already know that he will be proven wrong since Luke’s sacrifice already showed this. He thought as Kylo did that the Jedi should end because of the errors they did. But he learned that it is the mistakes of the past that helps make and bring new answers and solutions for the future. Like Yoda said of the new generation 

“They are what we grow beyond.”

The broken Legacy Saber represents the past. A past that had mistakes made and wounded others. That is why I believe it will be made into something new using the broken pieces. Mended and healing the wounds of old. The Saber will be what ties the past to the future.

This new Trilogy has been hard on some in the fandom. It challenged the past films, but I think many misconstrue that what TLJ was saying was that it should be thrown out. No, what it was trying to say was that the Jedi and heroes of old were flawed and made mistakes. But these mistakes are what will help the next generation learn and grow. It’s a hard lesson and its uncomfortable to have someone you idolize not only not take center stage after a long period, but to point out they are flawed. However that does not make them any less of heroes.

TLJ had a lot dark turns and was pretty bleak, but it has to be so the end film can be more satisfying with its conclusion.

3 Reasons Star Wars will Never Live up to the Hype, and 3 Reasons Why That’s fine

Star Wars fans are very passionate and usually more intense than other fanbases. For many of the fans, Star Wars was an important part of their childhood. Star Wars showcased a universe with interesting creatures and worlds, along with characters and stories that are relatable; essentially teaching kids to use their imagination. This passion continued on into adulthood for most fans and is comparable only to fans of sports teams. This passion makes the fanbase very opinionated. Just ask any fan what they thought of episode VIII (be careful if you decide to do this, you could be in for a very long discussion). The fans are so opinionated that they have crafted long arguments all over the internet, for example, the who shot first debate between Han Solo and Greedo. Another popular argument is “ are ewoks cute creatures or vicious carnivores? just to name a few. The fanbase isn’t just opinionated about Star Wars they are obsessive about it. Not only do fans argue about Star Wars, they go beyond that to in-depth research that constitutes a fan theory: a much more complex type of fan argument. Fan theories are speculation about where a film or franchise is heading or an answer to a question posed by fans. All fan theories are based on evidence found in films and other sources. Some popular fan theories include why do Stormtroopers have bad aim and was Darth Vader not completely evil until after episode IV? But with this obsession comes high expectations from every fan. Here are 3 reasons why Star Wars can’t live up to the hype and 3 reasons why it’s acceptable that Star Wars doesn't meet expectations.

#1 The abundance of fan theories

As mentioned above, we all want Star Wars to live up to our expectations from our favorite fan theories. When Star Wars episode VII came out, the big mystery was, who are Rey’s parents. Many theories were formulated to answer that question. Some theorized that Rey was the daughter of Luke Skywalker; others believed she was a granddaughter of Obi-Wan Kenobi, or that she was Leia and Han Solo’s daughter; still others believed that she was a daughter of Palpatine. A significant amount of research was put into these theories, some even analyzing Rey’s fighting style to compare it to Palpatine’s. Other theories state that Han Solo and Leia don’t recognize Rey in their first encounter with her as evidence that she was not their child. Some fan theories delve even deeper, stating that Obi-Wan is the one who calls out to her in her force vision in episode VII. Rey could only have one parentage and some fans were disappointed when her parentage was revealed.

Another fan theory came from Star Wars Episode VIII The Last Jedi about Luke specifically (Spoilers in the paragraph below). These fan theories were formed to explain the cause Luke’s death at the end of the episode VIII. Some fans believe that he died from the effort of projecting himself across the galaxy to save the Resistance. Others believe he died because he willingly became one with the force, that he had accomplished what he had to do and had finally forgiven himself for the mistakes he made by helping create Kylo Ren by drawing out his dark side. The fans have spent a lot of time trying to create these fan theories that predict desirable outcomes for the characters. Realistically, not all of them will be true and some fans will feel let down.  

#2 The spectacle of Star Wars battles

One of the staples of Star Wars movies is the large scale battles. We have come to expect very intense battles characterized by incredible music, high stakes, creative camera work, and epic combat. In Star Wars Episode IV for example, we have the Death Star, a massive battle station capable of destroying planets. The Empire has found the Rebel base and the Rebels are racing to blow up the Death Star. They are outgunned, outmanned, and have to destroy the Death Star before the Empire can fire on the rebel base. In Star Wars episode V, we have the battle of Hoth, the Empire has found the new Rebel base and starts an epic ground assault to take over the base, and they attempt to prevent the Rebels from escaping. In Star Wars Rogue One, the Rebels are attempting to steal the Death Star plans from a data vault. They try to sneak in but they are discovered and an epic battle ensues on the planet and in space.         

Although some battles live up to the hype, others do not. This does not mean that they are terrible, just not up to fan expectations. Star Wars episode VIII has an epic final battle on Crait and the Resistance is pinned in a bunker without a way to escape. The only ships the Resistance can use are old clunkers; a major disadvantage for the heroes. Then Luke comes back and distracts the First Order, while the Resistance finds a way out. This fell short in the eyes of fans because the Resistance finds a way to escape, instead of a major conflict with the First Order like the fans were expecting.  In episode III,  the Chancellor has been captured by the Separatists and the Republic mounts an epic space assault to save him. Anakin and Obi-Wan board a huge ship and fight through many enemies to rescue Chancellor Palpatine. This battle fell short because the majority of the scenes are dedicated to saving the Chancellor; the fans would have wanted a drawn out space battle. While Star Wars has displayed many great battles, some have fallen short in the eyes of fans.  

#3 Star Wars means something different to different fans

       Star Wars is unique in that it appeals to different people for a variety of reasons. These different reasons, hopes, or dreams for Star Wars often divide the fanbase. I personally still enjoy Star Wars; I grew up watching the original trilogy and the prequels. These movies spoke to me as a kid. Star Wars is a story about a boy who came from humble circumstances as a farmer that later saved the galaxy. I felt if Luke could do that, I could be whoever I wanted to be. I cherished these stories, because I learned courage as a kid, if Luke could stand up to the Empire, I could stand up for what I knew was right and overcome adversity. That is why I am fond of Star Wars. I have met fans who like Star Wars because it takes you to far away places where you meet new creatures. I have met other fans who enjoy the space battles and even some fans who root for the Empire to win. There is only 2 hours in a film and in that limited time the directors cannot feasibly appeal to all of the fanbase.

#1 Unrealistic expectations of fans

The directors of Star Wars movies are under a tremendous amount of pressure, to both please the fanbase and make money for the studio that is creating Star Wars. As was previously stated, Rey could only have one parentage, the director made a choice about her parentage, and many fans were disappointed. Some fans want Kylo Ren and Rey to become a couple and that hasn’t happened yet. Many fans believe that Luke did not behave like they would have wanted or expected in episode VIII. Luke Skywalker, in episode VIII, was a man who was beaten, who didn’t want to save the galaxy. According to some fans and critics, Star Wars episode VII was too similar to episode IV. As a result of the reviews from Star Wars VII, the movie studio decided to make a radically different and new film in Star Wars episode VIII, but they drew mixed reviews from audience and critics alike. The directors are in a tough situation to please a passionate fanbase.

To add to this pressure that is put on them from the fans, the directors films are expected to be successful. Fans have specific expectations rising from the fan theories and fan arguments; almost every fan has someway they want these movies to play out. The directors have to make specific decisions about plot and character development; these specific decisions can alienate different factions of the fanbase. To even further stress out the directors, Disney bought Star Wars for four billion dollars and they expect to make a significant of money off of this investment.          

#2 The need to appeal to different audiences

    In order for Star Wars to be profitable, it needs to appeal to multiple audiences not just the fanatical fanbase. There is the occasional moviegoer, for whom the movie would have to be simple and easy to understand. No need to talk about parsecs and gundarks. Another audience is kids, they want to see the hero triumph, they want to be filled with hope that they can overcome their challenges, that good will triumph over evil. Finally there are fanboys or the fanbase, the polar opposite of the occasional movie viewer. The fanboys want to study the movie, find all the easter eggs, and have the movie play out how they would want or expect based off of extensive research.   

Disney is supposed to appeal to all these different audiences and that seems impossible. Just imagine what would happen if directors tried to appease everyone, the movie would be long, confusing, and the plot wouldn’t make sense. With all these things that make Star Wars likeable to different audiences, now the creators have to please everyone and that is not a realistic expectation for the creators to fulfill all of our hopes or desires.

#3 At least we still have Star Wars

    Many critics believed that the prequels would have stopped Star Wars because of their low quality and poor reception from audiences, but they were wrong. The fanbase, although divided, is very strong, they clamor for new releases, holding hope in the face of past disappointments for good movies. After a Star Wars trilogy is finished, there is often a break between films.  There was a sixteen year gap between episodes VI and I, and a ten year gap between episode III and VII. Episode I made 1.027 billion dollars, and episode VII made 2.066 billion dollars because the fans came out and got excited about Star Wars coming back. When a new trailer comes out, there is a lot of hype because of the passionate fanbase. I still get excited every time a new trailer comes out. We as fans should be optimistic that Star Wars will get better and at the very least Star Wars will continue on for a long time.  

Conclusion

Every fan has some way we would like the series to play out. We all want our version of Star Wars to be the one that comes out in theaters which is not realistic, but that’s ok. The Star Wars fanbase is very passionate and that passion makes us hard to please. Disney is trying to please the fanbase and they are creating exciting Star Wars content coming out soon; such as the mandalorian tv show, and the clone wars tv show reboot. We as fans, should be grateful that Star Wars is still going, and that it’s future is bright.

my three main nott theories

this is primarily to get my thoughts down before i get spoiled and/or watch the new episode because i totally predicted the previous reveal and didn’t spell out those thoughts SO (I’m much less likely to be right this time lol – also please don’t tell me if I am right or wrong, ik the ep aired tonight and I haven’t seen it yet.)

see, initially, i had thought that most of what she told the nein* was true but that there had been a quick little “thanks for saving my life” tryst and that nott had an adult half-goblin child somewhere out there that yeza was unaware of.

*(summary: she met yeza as the torturer’s apprentice, they became “”friends””, they escaped together and she hasn’t seen him since)

however, since The Reveal we have learned the following: 1) her son’s age (no more than five years old), 2) that she had a semblance of a life as a recognizable halfling named Veth before she learned the Disguise Self spell, 3) her son thought she had died in a goblin raid, 4) she lied about never seeing Yeza again and not knowing what happened to him, as she clearly knew exactly where he lived and had been sending packages, which leads to 5) the included notes had been to Yeza, not her child, and finally 6) she wants to be a family again.

After going through what Nott* has told the Nein in detail, she clearly didn’t tell the whole truth, and in fact told at least a couple lies. The following are my three main theories and all my other theories are variations on these main ones. Keeping in mind that the goblin raid is likely the only point truth we can absolutely count on, as Luke mentioned it and likely remembers it, and it’s unlikely that a 5yo can lie so fluidly. I’m also writing off the fact that Nott never received a response to her notes and packages, because Yeza wouldn’t know where to send anything, nor would he likely have the means of sending anything so far.

*referred to here as Nott out of habit but also for clarity since we don’t... exactly... know her name??? i guess??? saMUEL, I–

FIRST THEORY: Mostly True

If Nott mostly told the truth when she told M9 about Yeza, instead of separating after escaping, they likely set a place to meet. Yeza or Nott found a way to disguise her semi-permanently or at least long-term. They had Luke and led a happy, normal life as a family. Then either her old clan discovered Nott’s alias and raided the town to retrieve their prisoners, or the clan randomly raided the village (as goblins do) and in the midst discovered Nott. 

Afterward, Nott likely fled in order to protect her family, knowing that they were in danger as long as she was physically a goblin. This would explain her very intentional, fierce hatred of goblins, specifically of their violence and destruction, because they hurt her family and separated her from them.

This may also explain why Yeza told Luke that she was dead. If Nott simply disappeared in the chaos, he may have actually believed that she had died in the raid and didn’t know how to tell Luke that she was alive. If Nott left Yeza with a bare-bones explanation, he may harbor resentment toward her for splitting up their family and leaving him to raise Luke alone. If Nott explained entirely, Yeza may not believe that what Nott wants is possible and thinks she may never return, which is easier to explain to a young child as death. (Though that last two seem a little cruel.)

SECOND THEORY: Mostly Lies

This one is just trauma layered on trauma layered on pain but it’s a possibility. Nott hasn’t felt comfortable "in her skin” as long as she can remember. She doesn’t simply want to be liked for who she is or change the social status of goblins, she wants her physical body to change. She has an established life (and death) as Veth the Halfling. This leads me to believe that had she found a means of changing her appearance when she was young on her own, she would’ve used it immediately.

This theory proposes that Yeza didn’t know Nott was a goblin. That Nott had established a life as Veth the Halfling on her own in the halfling village or had at least established her halfling persona and popped into the village to escape the clan for bits at a time. During either her daily life there or one of these visits, she met Yeza and they struck up a romance as “normal people” do, Nott giving in easily despite her own warnings to herself because all she wants in the world is to be normal. They raise a child together (that appears “normal,” and Nott thanks whatever god is blessing her with this chance) and their a normal, happy family for a while.

Tragedy strikes when Yeza learns that Nott’s a goblin – it is a rather elaborate ruse to pull off, after all. Having grown up in the village, he’s lived through a number of raids from Nott’s clan specifically and has grown to view them as vile, violent creatures that only cause harm and fear. When he learns she’s a goblin, the last 5+ years of their happy life together, of the kind Veth he knew, are immediately erased and he bans her from their home. This tragedy may come about naturally, her simply slipping with her disguise or him catching her in transition, and a goblin raid following close enough to use as a cover story for their son. Or this may occur during a goblin raid, triggered by the clan learning about Nott’s new life – which provides a perfect excuse for the disappearance of Luke’s mother.

This would again explain Nott’s extreme hatred of goblins, as she likely heard everything Yeza (and the rest of the village) had to say about them as well as her hatred of herself, which would be specifically enhanced by everything Yeza said to her as he banned her from their family and their home. This would explain notes and gifts sent home – notes trying to explain and apologize to Yeza, gifts to make sure Luke knows she loves him and that her leaving isn’t his fault. Nott likely believes that if she can find a way to make her disguise permanent and prove she’s not the monster Yeza believes she is that Yeza will let her back into their lives.

THIRD THEORY: Mostly Magic

Nott the Goblin did in fact used to physically be Veth the Halfling, and was somehow changed through magical means during or near a goblin raid in the village.

A throwaway sub-theory is that Yeza captured a goblin during the raid and through alchemical experiments, swapped the goblin’s & Nott’s bodies. Disclaimer: I have no clue how alchemy works.

More likely – Nott suffered an enchantment from a goblin* spellcaster during the raid which turned her into one of them. (Maybe the militant goblin saw something in her that could help them, maybe the clan simply wanted to grow their numbers, maybe she was taken prisoner during the raid and experimented on)

*highly possible that some other source, like a mage from the academy, was running magical experiments and is at fault for the change and the goblin raid was only a cover for her “death”

Nott therefore fled (and/or escaped) in hopes of reversing this magic. Again, either she told Yeza nothing and simply disappeared, leaving him to believe she actually died in the raid until it was too late to undo what he’d told Luke (in which case he likely doesn’t know that she’s now a goblin) OR they agreed together that she flee and Luke believe her dead rather than a goblin until the enchantment is reversed. Again, this explains her hatred for goblins who raided her home as well as her hatred for her physicality. She’s stated that she rather likes herself, but merely the body she’s in feels wrong. This would be why she so desperately clung to Caleb when they met and so firmly believes in him and his abilities – because otherwise she’ll be stuck in this horrible, frightening, alien body forever and will never be able to return home. And if magic made her this way, surely magic can fix it.

It’s quite an outlandish possibility which would be why she hasn’t told the Nein. Going over Nott’s speeches and when she talks about herself there’s hesitance, a fumbling over words, a struggle to get the right words to happen. In the very first episode she doesn’t know how old she is and convincingly passes it off but Veth likely wouldn’t know how goblin aging works. The reverence when Nott speaks to Caleb and Jester about romance and her past and Yeza is twinged with regret and sadness, as if she wishes she could tell them the truth – but can easily be passed off as wistfulness because of the story she’d woven for them about the “kind prisoner.” This would also explain why Luke appears to be a full-blooded, healthy, normal halfling boy. This does not explain why the Nein’s casters’ Detect Magic didn’t detect Nott, unless it’s no longer and “in-effect” spell and has become a permanent condition.

Strangely enough, I think the third theory is my front-runner, mainly because I initially pictured Nott’s child as a grown goblin, living on their own. What really caught me was that her son is a 5yo halfling with no physical signs of goblin blood, a close second being the revelation that Nott had an established life in that village as a halfling. How else would a goblin and a halfling have a full-halfling child unless the goblin hadn’t always been a goblin.

top ten wrasslin’ matches of 2018

So before I get into this, I’m gonna lay down some ground rules--well, more like tell you the rules I gave myself and those rules are 1) did it make me laugh a bunch and forget about how stupid the world is? (which is the basis for every one of these kinds of lists really) 2) would I show this to someone who had never seen wrestling before? and 3) one (1) match per episode/pay-per-view with one (1) exception for a good reason With that in mind, I’m going to get some honorable mentions out of the way:

Kazuchika Okada vs Tetsuya Naito for the IWGP Heavyweight Championship, Kenny Omega vs Chris Jericho for the IWGP US Championship, and the Fatal Four Way for the IWGP Jr. Heavyweight Championship between Marty Scurll, KUSHIDA, Hiromu Takahashi, and Will Ospreay from Wrestle Kingdom 12-- they’re all really good and fun and worth checking out, but another Wrestle Kingdom 12 match is going on this list

The other two Chris Jericho NJPW matches versus Tetsuya Naito and EVIL--not on this list literally only due to the “one match per ppv” rule, but they’re all very fun, Chris Jericho is delightfully dickish and you should watch them in order to see Chris Jericho become a progressively more goth dad (he out gothed a dude named “EVIL” (all caps theirs, not mine) that’s how goth Chris Jericho got)

As much as it pains me and as much as it is a testament to what good wrestling there was in 2018, none of the Johnny Gargano-Tommaso Ciampa matches (1, 2, 3, which I can’t find online and whatever) are on this list (my favorite is probably their second match), and neither is Velveteen Dream-Tommaso Ciampa which rips (can I interest you in a fight between a Prince inspired wrassler who refers to himself in the third person and whose act became a giant subtweet of Hulk Hogan against just the biggest asshole in the world?). There is only one Johnny Gargano match on here, and if I’m writing a list of the best character arcs in 2018, the list goes Gargano’s redemption only to succumb to the dark side, Kazuchika Okada’s existential crisis after losing the championship, and Becky Lynch becoming The Man in that order. Becky’s arc really only started four-five months ago and much of it was spent by creative trying and utterly failing to get the crowd to boo her, and Okada’s arc was, by design, slow and frustrating after he lost the championship, but Gargano basically started the year as Luke Skywalker getting his hand cut off and ended the year as Kylo Ren yelling at a ghost on the salt planet, with every character turn making sense. It’s fascinating.

Speaking of, no Aleister Black-Johnny Gargano at NXT War Games 2 match which might be as pure a classic wrestling story as there is, second only to the Gargano match that is actually on here. (In real life, Aleister Black hurt his leg, so in story, they explained it that he got attacked in the parking lot by an unknown person, so the mystery of who attacked him would go on for months (coincidentally the same amount of time it would take someone to recover from an injury like Aleister Black’s) until Johnny Gargano fessed up to the act by kicking him in the face, so now Aleister is seeking justice. Wrestling is delightfully extra.

Becky Lynch vs. Charlotte Flair vs Asuka TLC match for the Smackdown Women’s Championship (no link, couldn’t find)-- whew (not “woo” in this house we boo the woo) Asuka was finally Asuka again (her first and last ppv matches in 2018 (this and against Charlotte at Wrestlemania) are super great and everything else is super not), Becky Lynch continued being the actual greatest, and I literally do not know how Charlotte Flair did not end up in the hospital after this. It’s not making the list for how the match ends in bullshit fashion even though it ends perfectly in character with consistent story logic (a pleasant fucking surprise from WWE especially considering, again, the rest of Asuka’s year)

None of the Shayna Baszler-Kairi Sane matches (can’t find NXT Takeover Brooklyn 4, but I found Evolution and NXT War Games II) (NXT was really good this year), which is a shame because all of which are great, but my personal favorite is on Evolution, and another match beats it out. As I’m writing out the list, I realized there aren’t a bunch of women’s matches, but that’s because WWE’s creative ideas for its women’s division was garbage until the Becky Lynch turn happened in August and got a crowd reaction they super didn’t want and tried to change until they were finally forced them to lean into it. However, Evolution was easily the best main roster WWE ppv.

Nothing from All In literally only because that show is for Wrestling Fans, and this list is supposed to be a “if you’ve never watched wrestling in your life” list. All In is good good fun, but if you show it to someone who’s never seen wrestling before, they’re gonna ask why are there dick druids, and you’re gonna have to explain that Joey Ryan, a dude who wrestles with his dick, came back to life after being murdered and the number one suspect was the guy from Arrow (really). Get into wrestling, then watch that PPV.

Good god, that’s a lot of honorable mentions. Anyway:

10. Seth Rollins vs. Kevin Owens, an open Intercontinental Championship Challenge on Monday Night RAW, August 27th - this is just a really fun wrestling match between two talented guys who were stuck in other feuds that were prolonged needlessly in 2018, and it was just fun to see these guys branch out, do something different, and tear the house down against each other like, “oh yeah, these two are really good at what they do, I almost forgot.”

9. Andrade Cien Almas vs. AJ Styles - Smackdown Live on September 18--Like Kevin Owens and Seth Rollins, AJ Styles was stuck in bad storylines that meant to make him look like a strong champion but ended up making him look like a plot armored goober. Here we have the story of the cocky upstart Almas taking the veteran champion Styles to his absolute limit with a finish that is smooth as hell.

8. Hiromu Takahashi vs. Will Ospreay, IWGP Jr. Heavyweight Championship at NJPW Dominion on June 9th - Spoiler for the number two entrant but this is where I’m breaking the “one per ppv rule” because Hiromu Takahashi has a broken neck and no one knows if he’ll ever wrestle again, so this might be his swan song. (He doesn’t break his neck in this match, I wouldn’t introduce him like that) These are two dudes who flip with zero caution to themselves with some incredible flippy shit. Watch it and pray for Hiromu to make a full recovery.

7. Six Man Ladder Match for the NXT North American Championship with Adam Cole, Ricochet, Velveteen Dream, EC3, Killian Dane, and Lars Sullivan - Okay, so, about this. Excepting Killian Dane and maybe Lars Sullivan, everyone here has had a better match elsewhere this year (Lars probably had a better match against Keith Lee, Adam Cole had his best match against Ricochet, Ricochet and EC3 had their best matches against Velveteen Dream, and Velveteen Dream had his best match against Tommaso Ciampa), but everyone gets a moment to shine here, and this is the NXT introduction of Ricochet who is basically a flippy videogame cheat code who is made out of some sort of alien substance. At one point the two large men Lars Sullivan and Killian Dane toss Ricochet across the ring to each other like they’re playing fucking catch. It’s hilarious and maybe the fifth most insane thing that happens here. If someone was to come up to me like, “I know nothing about wrestling, what should I watch to find out if I like it?” I would probably show them this.

6. Kenny Omega vs. Tomohiro Ishii,  G1 Tournament Match - I’m laughing just thinking about this match. I don’t think anyone would call Tomohiro Ishii the best wrestler in the world, but I love him with my heart. Kenny too, but a boyish giggle comes out of me every time Tomohiro no sells someone slapping the utter shit out of him and he says (presumably) something like “that it?!” (I’m a fan of this gif of Pete Dunne slapping a no-selling Tomohiro for Pete Dunne shaking his hand afterwards. Physical comedy!). Anyway, the story here is Kenny Omega has gone 6-0 in this tournament, Ishii (who he has a competitive history with) has gone 0-6 in the tournament, so Kenny takes him for granted and when he realizes his opponent won’t go down that easily, it’s too late. It’s quick, it’s fast paced, and very fun.

5. Meiko Satomura vs Mercedes Martinez, Mae Young Classic Quarterfinals - I had no idea who these women were before the Mae Young Classic, but I loved Meiko with her first match in it, while Mercedes was just, you know, fine. But this? Wheeew. Two veterans giving it their all, and if you don’t turn into a Michael Scott crying gif after when they show each other respect, we ain’t the same.

4. Johnny Gargano vs Andrade Cien Almas, NXT Takeover: Philadelphia -  Going with this one because it’s the most newbie friendly match, it kicks off Johnny Gargano’s year storyline at the finish, and Andrade Cien Almas is really really good at his job. It’s a simple “good guy versus arrogant heel” match, and Andrade comes out to a masked mariachi band as his entrance.

3. Kota Ibushi vs Cody Rhodes, Wrestle Kingdom 12 - there are probably better matches from Wrestle Kingdom 12 but this is my list so fuck you but this is the match where pro wrestling finally clicked with me after starting to watch it because of GLOW. Folks, this is a 20 minute Jackie Chan fight with Kota as the daffy Jackie Chan-like hero and Cody as Anime Biff Tannen. It is fast, has some wild acrobatics, and it is funny as hell.

2. Kazuchika Okada vs Kenny Omega, 2/3 Falls Match for the IWGP Heavyweight Championship (Part 1, Part 2), NJPW Dominion on June 9th - If the last one was a comedy, this is an epic. This thing last an hour and a half, and it goes by in a flash. The entire Okada-Omega series is basically wrestling’s Lord of the Rings, and this is its Return of the King. The only reason it’s not number one because of the match’s lack of follow through in the months since, but man, this is great.

1. Becky Lynch vs Charlotte Flair, Last Woman Standing Match at Evolution (start at 29:45 then watch the end here)- *types then deletes a bunch of unintelligible vowels* Okay, so this is the first match that really took advantage of the NXT Horsewomen since their call up in a good long while and it rules. I’d say Bayley, Sasha Banks, Charlotte Flair, and Becky Lynch had been given nothing for 2018 until August, but “nothing” would be a step up in some cases *cough* group therapy *cough* *cough* Nia Jax injuring every single one of them plus others and the only reason she still has a job is that she’s The Rock’s cousin *cough* Charlotte had her Wrestlemania match against Asuka, but this? This is mean, this is rough, this is the story of a girl, no this is the story of two former friends wanting to throw the other through a table. When pro wrestling is bad, it’s “what the fuck am I doing with my life watching this shit” bad, and when it’s good, there is nothing like it. This is the latter (not the ladder, but there are those here).

Cruella: Does Every Villain Need a Sympathetic Origin Story?

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Clearly this isn’t your parents’ Cruella De Vil. This isn’t even your Cruella De Vil. However, there is something fiendishly charming about seeing Emma Stone charge into a ballroom and light her black and white dress on fire, revealing a chic red number beneath that would do Scarlett O’Hara proud. If fashion is a statement, Cruella is here to say the villain has just arrived!

Yet one can’t help but shake the certainty that by the time we actually learn the plot of Disney’s Cruella reimagining, Cruella will be in anything but black and white, or fiery red. Rather Cruella is obviously posturing to take a sideways approach to an old classic. But then again, that increasingly feels like the only direction these Hollywood redos know: the sympathetic origin story for an iconic villain.

To be clear, we’ve only gotten a glimpse of Stone as the new Cruella, and she looks absolutely fabulous in a black leather coat and cane, purring, “I’m only getting started, darling.” There’s a wildness about this interpretation befitting our current era where Harley Quinn is the hero of her own story, and Wade Wilson now leads a Disney franchise. Nevertheless, when I watch Cruella on the edge of tears in the trailer, barking defiantly that she is CRUELLA—and seemingly embracing an unfair reputation that other characters may be placing on her—a nagging question persists in the back of my head: Do we really need a sympathetic Cruella De Vil?

The trend of supervillains getting intellectual property-expanding sob stories is nothing new, be it at Disney or anywhere else in Hollywood. Maybe 25 years ago when folks liked their villains big and outlandish—think Glenn Close in Disney’s previous live-action remake of 101 Dalmatians—it was novel to see the antagonist become a tragic protagonist. But like everything else with modern blockbusters, that all changed a long, long time ago with something called Star Wars.

Back in 1977 when the original Star Wars movie was released, many audience members left the theater giddy about the world George Lucas created. In a galaxy far, far away, every pop fantasy of the mid-20th century—Wizards! Knights! Princesses! Samurai! World War II ace pilots!—was thrown into a massive cauldron that seamlessly blended these elements.

Luke Skywalker’s galaxy felt like a real place of exotic, lived-in locales, all of which captured that dirt-under-the-fingertips, tactile quality so rarely seen in fantasy stories. Sure the characters might be archetypes, but they came with histories which gave their fantasy space battles human density. Old Ben Kenobi fought in the Clone Wars with Luke’s father Anakin, who was “a gifted pilot.” But what exactly was a clone war? And why was there more than one of them? Also, what did a Jedi’s “more civilized age” look like for Luke’s papa?

For more than 20 years, no one knew the answer to those questions, which made them all the more intriguing, and the “lore” of this fantasy evermore mythic. Then came Star Wars: Episode I – The Phantom Menace, the first modern blockbuster prequel devoted to filling in the gaps left by a beloved classic’s mysteries. That movie’s problems are numerous, but at its core the most persistent, lingering issue may still be the reveal that Darth Vader was once a blonde haired little boy with the emotional range of Beaver Cleaver. Of course everyone knew in the abstract sense Vader was once a child… but did they ever really want to see it?

Additionally, did anyone really want to learn Anakin Skywalker’s reason for turning to the Dark Side is because of a bratty streak that followed him into adulthood? Probably not.

Nonetheless, all three Star Wars prequels made massive amounts of money and rather than becoming cautionary tales of what happens when you attempt to explain away all the mysteries of a beloved character, they were the first steps toward a modern staple of media regurgitation where seemingly every mug, pug, and thug would get their own sympathetic redo.

Since then, we’ve learned on screen that Spider-Man’s arch-nemesis Venom, is really a well-intentioned bloke caught in a bad romance (with his alien space buddy), Batman’s arch-nemesis the Joker is really just a Travis Bickle clone with mommy issues, and Maleficent, the reigning empress of badassery in the Disney Villain canon, was really just a woman scorned by Sleeping Beauty’s toxic father. Even Hannibal Lecter became a victim in Hannibal Rising, and the Wicked Witch of the West starred in the most popular Broadway musical of all time… where it turns out she was the hero in a conspiracy with the Scarecrow to pull one over on Dorothy.

To be clear, some of these spinoffs and reimaginings work quite well. Even if I personally am a bit chagrined at Todd Phillips’ Joker being nominated for Best Picture, Joaquin Phoenix’s sad sack killer clown created the space for a riveting performance that reminded mainstream audiences that movies can still be for adults. In another comic book movie, Magneto’s heartbreaking backstory in the Holocaust was expanded in 2011’s X-Men: First Class, which made an already relatively complex supervillain just that much more compelling in Michael Fassbender’s hands.

Overall, however, this approach has left something to be desired. And to get back to Cruella, her remix as a misunderstood tragic heroine appears to owe most of all to Maleficent. In 2014, Disney made a killing when they cast movie star Angelina Jolie as their very best big bad, a character so evil in 1959’s Sleeping Beauty that she was willing to knockoff a princess simply because no one sent her a party invite. That’s cold. And it’s wickedly entertaining. Hence why Maleficent scared and captivated generations of children.

Some characters are just too good at being bad.

The marketing of Maleficent leaned into this with a melancholic cover of Sleeping Beauty’s Tchaikovsky-inspired theme song, “Once Upon a Dream.” Now in a minor key, the new version sung by Lana Del Rey promised a scarier, more menacing version of the story, which was then confirmed by Jolie’s wonderfully devilish laugh. The big bad was finally going to have her day at the ball.

But when the movie actually came out, we learned that Maleficent was an enchanted fairy who’d been wronged. In the end, she didn’t hate Elle Fanning’s Princess Aurora. In fact, she loved the little royal and tried to save her from the curse she herself cast in a fit of justified anger. Ultimately, the sorceress adopts Aurora as the daughter she never had after disposing of her now abusive father. That’s certainly an interpretation. I guess.

It also proved massively successful in the short term, opening at a staggering $175.5 million in its opening weekend worldwide, and grossing $758 million total. Those numbers also exclude merchandising and home video revenues. If you want to know why we’re getting the punk rock Cruella, look no further.

However, did a lot of folks really like Maleficent? It made all the money in the world based on that devious marketing campaign that promised a shocking tell-all about Disney’s closest approximation to Lucifer, but by the time a sequel limped into theater five years later, relatively few seemed to still care about the misunderstood, freedom fighting warrior fairy Jolie played. Maleficent: Mistress of Evil ostensibly continued the good fight but flopped at the box office with a cume of $491.7 million, barely more than half of what its predecessor made. (Don’t cry for Disney though, as Avengers: Endgame, Star Wars: The Rise of Skywalker, and remakes of Aladdin and The Lion King in the same year made Maleficent 2 look like a clerical error.)

What this whole sputtering franchise reminds us though is that some characters are better left bad, and the mystique of the unknown is an end unto itself. While I enjoyed Phoenix’s take on the Joker, there is little argument the character was even scarier with a PG-13 rating when he manifested out of thin air, like Beelzebub, in The Dark Knight. Or to take a step away from just villains, was Han Solo really any cooler when you learned how he got his name in Solo: A Star Wars Story? Or could you have gone your whole life without knowing thanks to The Hobbit movies that Gandalf and Galadriel were kind of, sort of, just maybe friends with benefits?

The allure of Cruella De Vil is right there in her name: She’s a cruel devil. How could she not be when her entire ambition in Disney’s classic 101 Dalmatians is to skin puppies for their fur coats? Finding out she used to fight the power before hoarding it may make a lot of money, but it doesn’t make her necessarily more compelling.

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Fandom meme

tagged by @filigranka and @ysraellaleostwald - thanks!

Rules: Choose any three fandoms (in any order), answer the questions and tag 10 people.

tagging: @septembersung, @shewhodoesnotexist, @lightningale, @mariacharlet, @redhatmeg, @who-honor-idk, @theadventuresofacatholicnerdling, @2theheights, @itspileofgoodthings,

My chosen 3 fandoms:

1. Star Wars

2. Fullmetal Alchemist - Brotherhood and manga.

3. Avatar: the Last Airbender

The first character you loved:

1. Obi Wan Kenobi. In the New Hope, which I’ve seen first, he was this old wise man, tad bit a mystery, and emanating badassery, but also with a whimsical sense of humor, and lots of empathy. He got my respect and was my fave through this movie, which I don’t like that much otherwise, and I only grew more attached to him in the next movies. And then the Phantom Menance happened, and he got the face of  young Ewan McGregor, and it was literally love at first sight. I re-watch Prequel Trilogy just for him, hng...

2. Maes Hughes. This is why I’m cynical about my fave characters.

3. Prince Zuko. I decided to watch Avatar only because I heard he’s got an exquisite character arc, thus I was focusing on him from the begining - and it was the only thing that took me through the otter penguins and stuff, because I was way too old to enjoy it otherwise.

The character you never expected to love so much:

1. ugh, Hux. I’m really side-eyeing myself for this one, as I cringe every time at his speach and the pure hatred oozing from it. I didn’t expect to have any opinion about him at all - I was just “oh, hey, that’s Domhnall! he’s such a great actor! Let’s study every second of his acting.” Then there were jokes about him and Kylo wyying for power and approval from Snoke like two entitled children. And then there were all the meta and background info, and fandoom headcanons, and storytelling excercisses in heel-face turns and redemption possibilities (for the guy who blew up five planets and billions of people/aliens, *side-eyeing myself again*) and AUs... and now here I am, in the pit of doom, very much aware that the version of Hux I’m so obssesed with doesn’t even exist in canon.

2. Roy Mustang. I’m still cackling whenever I think about his early appearances in the Brotherhood. Look, they say he’s competent and he’s boosting about his powerfull flame alchemy, but he fails to use it! he’s constantly either wet or useless, and ends up looking like a fool. And then there’s Maria Ross incident - of all times you’d wish his flames failed! And so he prooves himself to be an angry idiot and a total bastard. Couple episodes later you mutter ‘bastard’ at him in totally different tone. At the end of the series you are rooting for him to become the ruler of the entire country, because he’s the only one with moral ideals and a necessary conscience. Also lots of angst. But really why I love him so much, is exactly because of those dumb moments at the begining and later on - he tries and fails and struggles on his path, because there’s no road map on how to redeem yourself and fix the country, and that’s so f relatable.

3. Pretty much everyone besides Zuko - I really did not expect this cartoon to be so good character- and story-wise, I thought I’d care only about Zuko, and even with him I didn’t fathom the extent of love I ended up giving him.

The character you relate to most:

1. Really, it’s R2D2 and BB8. Sometimes all I’m capable of are *sad beep noises* and arson.

2. In all honesty - Sheska.

3. Suki. It’s the way she speaks with pride about their culture, the obvious care she has for people - and the “answer now, or we will feed you to the Unagi!”

The character you’d slap:

1. After the Last Jedi, nearly everyone. But the director the most.

2.  You know, the villians of course and half of cast here and there too. Ed and Al for rushing into things and failling to talk about feelings, Hohenhaim for parenting, Roy for being occasionally dumb, Maes for not making notes. Isaac McDougall for not talking in a more straightforward manner. For Shou I’d borrow the mechanical arm from Ed.

3. besides villians, I dread to admit this but Aang. I know, he’s a traumatized 11 yo with huuuuge responsibility on his shoulders and really all around loving and compasionate character. It’s just I often don’t like protagonists just for how the story focuses on them, and the combination of Aang’s immaturity, temper (he does get angry quite a bit), and rather clumsily executed love arc with Katara, annoys me and I want to shake him like “get a grip, man!”  

Three favourite characters (in order of preference):

1. Obi Wan Kenobi. Luke Skywalker. Chewbacca. R2D2. Darth Vader. Princess Leia Organa. Ewoks. Huge black hole. and then Hux. BB8. Rey. Poe Dameron still. Kylo is sneaking on me, will see.

2. Roy Mustang. Ling Yao. Riza Hawkeye. Maes Hughes. Scar. Miles. Olivier Mira Armstrong. Lan Fan. Izumi Curtis and hubby. Alex Armstrong. Greedo, Marcoh, chimeras, the list just goes on...

3. Zuko. Suki. Mai. Sokka. Kyoshi. Toph. Iroh. Piandao. Hakoda. Ty Lee. Azula. Teo. June. Longshot. I’m forgetting someone...

A character you liked at first but don’t anymore:

1. Poe Dameron, sigh. After TFA Poe was really close to being my fave character of the newbies. I liked his not so overt sass, his confidence, without being cocky about it, his joy at flying, but also his calm and competence when it came to fulfilling the mission. And his easy going manner and friendliness. He was well balanced and quite unique of a character. But the Last Jedi took him in the direction of a “lovable” cock-sure pistol, and I’m just not charmed anymore. At least there’s still this:

2. I don’t think anyone got a fall from grace, even King Bradley still has some of my respect, tho the nature of it changed.

3. Again, I can’t think of anyone who’d lost my sympathy. 

A character you did not like at first but do now:

1. Luke Skywalker (tho “now” was before the Last Jedi assasinated him). It’s histerical, Luke annoyed the heck out of me in the New Hope, and is still whenever I watch this part. He’s so naive, and inexperienced, and eager, and wannabe-heroic, and pretty much everything I dislike about most protagonists. And then during ESB I got gradually invested in him, and then they cut his arm off, and I was in love in a second. And then he became wise in the RotJ, and I just love him a lot.

2. Scar. He was mostly a terror to be feared and a merciless killer - until he wasn’t. The more you know about him, the more human he becomes, and you wish him some peace and redemption and a kitten for company. I mean, panda.

3. Sokka. Ho boy, how did he annoy me at first, with his sexism, and bragging, and stupid comments. But then he got character growth, and became the strategist mastermind and often the voice of reason, not losing any of his comedic potential, and I love him. 

Three OTPs:

Most of the time I don’t ship characters, but I love the dynamics between Roy Mustang/Riza Hawkeye, the Curtis couple, Ling Yao/Lan Fan, also Zuko/Mai, and Sokka/Suki pairings.