be mine.
billy sighs. rests his forehead against the cool metal of his locker. tries to ignore the hum of people talking around him. holding hands. cuddling. it’s a shitty day. it’s a shitty day and billy knew it was going to be a shitty day before it even started.
he knew because he had been the one to say it. yesterday. to tell steve that they’re not- that billy doesn’t need to be treated like a fucking girl. that they’re just screwing around. that he doesn’t give a shit if steve wants to fuck someone else today.
that steve might as well go crawling back to wheeler because billy sure as shit can’t hold his hand or call him sweetheart in the hallways. that he gets enough heat at home without the whole of hawkins high knowing how much of a queer billy hargrove is.
and then billy had walked off. slammed the door behind him and gone home. had picked a fight with neil just to top it off.
all because he was scared.
is scared. scared of steve harrington with his preppy fuckin’ polos and dumb hair. his pretty eyes and pretty smile and ability to tilt billy’s world on its axis just by looking at him. scared that steve will get bored of him. that he’ll realise billy isn’t worth the effort.
scared.
billy sighs again. shuffles back slightly and glares down as he twists the lock. the door swings open and billy is halfway to grabbing the book he needs when something falls out. a scrap of paper. no bigger than the palm of his hand. a note.
it lands on billy’s boot.
he looks around. wonders who had felt brave enough- dumb enough to shove a note through billy’s locker on a day like today. he bends down. picks it up. reads the words in front of him.
quarry, 9.
there’s a little heart scribbled on the top right hand corner. billy traces the familiar writing with a thumb. feels that all too familiar feeling in his chest. he clenches his fist. hears the crinkle of paper as he does.
then he looks up again. into his locker. really looks, this time.
a pack of marlboro reds lay on top of his books. unopened. new.
next to those, something smaller. candy, billy realises. a sweetheart, specifically. the words kiss me etched in pink.
billy smiles. can’t help it, really. it’s restrained. barely there. just a small twitch of his lips but a smile nonetheless. his first smile of the day. credit to steve fuckin’ harrington and his inability to leave well alone.
billy smooths the note out. places it next to the reds. next to the heart. tries to tamp down on the butterflies swarming in his chest. he takes a deep breath before stuffing the cigarettes and note into his pocket.
his hand hovers over the sweetheart.
“hey.”
billy pulls his hand back. fast. as if he’d been burned. he looks to his left. locks eyes with the boy now standing next to him. feels his heart stutter. “hey.”
steve gives him a knowing smile. “good day?”
“no.” billy frowns. you already knew that. “pretty shitty actually.”
steve leans. folds his arms. “that bad, huh?”
better now that you’re here. billy swallows. turns away from steve. back to his locker. “did you want something, harrington?”
“nah, just..” steve smirks. reaches out. billy feels his breath hitch. steve’s smile gets wider. he flicks billy’s earring. once. before turning on his heel with a see you around thrown billy’s way.
a promise. something deeper to them but. casual. friendly to anyone watching.
billy watches him leave. wonders if steve might be okay with them having to do things differently. wonders if this might be enough for steve. for them. wonders if he could be enough for steve. hopes-
billy jumps when the bell rings.
-
they meet up later. at the quarry like steve had said. neil under the assumption that billy’s seeing some girl. steve’s parents likely thinking the same.
billy feels as though a weight has been lifted as soon him and steve tumble into the back of the beemer. all cold hands and fumbling with belts. awkward limbs and steamed up windows. and billy lets it happen. lets himself be held. lets steve be sweet to him.
billy lets it happen. finds himself thinking that today might not be all bad. and that he might be more than a little bit in love with steve harrington. he pushes the second thought down. focuses on winding a hand into steve’s hair and sucking a mark into the soft skin just below his jaw, instead.
not all bad.
-
later finds them huddled under a blanket in the back of steve's beemer. sharing a cigarette. marlboro. red. steve nudges billy after a few minutes. doesn't say anything just. nudges him. billy tilts his head to the side. gives steve a look. steve just looks down as his hand finds billy's under the blanket.
then he presses something small into the palm of billy’s hand.
billy raises an eyebrow in question but steve’s already looking away. staring out into the night. cigarette glowing in the dark. billy rolls his eyes. wiggles his arm free and holds the object up to the window to get a better look.
be mine.
he laughs. loudly. tries to hide the racing of his heart. calls steve a fuckin' cheese. and a sweetheart. waits until steve turns to face him again before pressing the candy to steve's lips and pulling him in to exchange kisses that are almost too soft. too sweet for whatever this is. whatever they agreed for this to be.
steve pulls back first. whispers against billy’s lips “hey, baby?”
“yeah?”
“happy valentine’s day.”
“…yeah.”
almost.
steve grins and reaches out to play with one of billy’s curls. billy laces their fingers together under the blanket.
or maybe it’s just right.
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My thoughts on how the Milgram mv machine works based on the evidence we have:
(I know there’s been discussion about where exactly the interrogations take place, but wherever they are,) the prisoners are made to sit in a specific chair near the wall that houses the machine.
It’s ordinarily hidden, but the wall panels shift aside to reveal it when the mechanical sounds play in the dramas. As well as the walls moving, the chair transforms to restrain the prisoner and attach whatever it takes to access their brain. The fact that none of the more frightened prisoners try to run or break it makes it seem like they physically cannot. This is why Fuuta sounds so panicked, and why Amane is suddenly helpless in front of Es in their T1 vds.
(My mind conjures very classic sci-fi mad scientist machines with wires, pipes, lights, nodes, needles, etc, but I’d love to hear how other people visualize it.)
In some vds (maybe all? I’d need to check,) you can hear Es take some steps right before their iconic line -- it would make sense that for safety reasons, the power mechanism is placed across the room. Once again it could be anything, but the sound effect makes me think of one of those giant wall-mounted levers you have to pull down.
The voice dramas don’t really provide the type of crime details that an actual interrogation would reveal, and it’s odd that they’re placed before the extraction rather than after Es gets to see the new details. This leads me to believe the machine functions with priming. All Es needs to do is get them talking about their murder, so it’s on their mind.
The video produced is much like a (non-lucid) dream. Even if the prisoners figure out that this is how it works, they can’t control it just by thinking really hard about something else. The murders produce the strongest emotional affect, and that’s what it picks up on. If someone else used the machine, it would default to whatever gave them the strongest emotional reaction in the ~15 minutes beforehand, hence why Es’ video focuses on their daunting task ahead. (The Undercover theory is still a bit loose, though, given the private shots that Es wouldn't have known about). It’s why the videos are usually closely linked to the vd topics/beats. I also like to think that the reason their prisoner colors appear so much is because they’re looking at those colors on their uniform 24/7.
The bell rings to inform Es that it’s the optimal time to use the machine -- the prisoner has been thinking about things for long enough that the video will be about their crime, and if the conversation lasts much longer they’ll start thinking of other things. It’s at a different time for each prisoner because it’s based on the specific conversation. I guess Jackalope is listening in to the interrogation, timing it perfectly. (The only one that kind of messes with this theory is Yonah, because they just keep talking afterwards lol, but it could just show that the interrogation is still in Es’ control.)
Their “Sing your sins” is the final priming nudge to get them to think of their actions as a sin, revealing their guilt.
Once activated, the prisoner enters a sort of trance/sleeping state. It’s very much like REM sleep, with the machine forcibly activating neurons and recording the output. The prisoners have asked Es what they saw, meaning they don’t remember the mvs. I like to think the prisoners do experience the mv in real time, acting as the major version of themself that appears, but can’t remember it afterwards. It’s when you experience a dream, but as soon as you wake up you’re just left with fleeting emotions and memories right on the tip of your tongue.
The video plays immediately upon extraction -- whether on a huge projection or little screen depends on which room it’s in. It simultaneously saves the memory so that Es can rewatch it later (on those old TVs in the jailbreak mix). The machine downloads the song and video together, but requires special parts to retrieve them. The technology is pretty new and fragile, so if one is broken, there might be a delay between when Es can hear the extracted song and see it with the video. (That’s my justification for Kotoko’s delays -- after 9 prisoners the parts wear out, or maybe Mikoto himself overheats it with his complex situation.)
Based on the lack of conversation we get afterwards, I picture Es leaving before the prisoner wakes from the trance. The machine adjusts their brain back to normal before they awaken, restraints freed and able to return to the rest of the prison.
It’s very much like a dream, so it’s not harmful despite the amnesia/head injuries the prisoners have. It does, however, exhaust them. Brain activity alone takes a lot of energy, so forced brain activity with added emotional strain would cause them to feel pretty drained the rest of the day.
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I dunno why, but I can kinda see White Spy as being rather vain for some reason (or that's at least another headcanon personality I am giving him that isn't really official, alongside me headcanoning him as being a pompous, sassy perfectionist).
Look'n handsome there, White. Look'n REAL handsome.
(Here's the original comic version that was released about a decade or so before the animated adaption from MADtv):
I have to imagine that White's fairly vain demeanor is also something Black usually exploits at every given opportunity via his pranks. I mean, I can definitely see Black as being quite a bit of a prankster. Here's another comic (which was never made into an animated adaption for MADtv nor CN's MAD; I wish they did for the former); however, White's more overdramatic as he falls for a rather obvious prank and his vanity is pretty much downplayed this time, I guess:
As much as I admire how much of a prankster Black tends to be, but poor White. The dude basically had a heart attack right then and there because of such a twisted prank Black just pulled on him. Wow, Black. Just, wow.
I do not claim ownership of any content. Spy vs. Spy belongs to the defunct MAD Magazine and the late, great Antonio Prohias.
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