EARNEST POSTING. while everyone is still working on new year’s resolutions i want to make sure everyone knows about the FREE serial reader app.

if you are trying to read more classics/public domain works but for whatever reason struggle with incorporating reading into your daily life, or you’re just intimidated by huge books, serial reader is a great tool to make reading more approachable. it works much like dracula daily in that it sends you one excerpt at a time (usually about 10-15 minutes of estimated reading time). awesome for commutes, lunch breaks, quick bedtime story, etc.

it’s very customizable. you can change fonts, themes, and you can even take notes and highlight. you can also sync with other reading apps like goodreads (no storygraph yet……. we can hope!). the base app is completely free, but there is a one-time optional upgrade fee of $2.99 USD if you want some extra features. this is all developed by one guy, so the money goes to supporting the creator - although i’m sure apple takes their cut 😑.

there are a ton of works to choose from, currently something like 800+.

you can now also add your own .epubs to break up your own books into daily serials! very cool, serial reader!

this was the best app i added last year so i just want to pass it on. happy reading! :)

let's drive out

if the horror of mordor is that it’s a fundamentally dead place, the horror of beleriand under melkor is that it’s alive. every wild thing, every plant, the land itself, all of it can be bent and shaped to the will of that which wants you gone. woods with vines to choke and trap and strangle, bogs replete with depthless pools and paths that lead nowhere and clouds of mosquitoes that can turn your blood to poison. leave a wound in the open air and by nightfall infection will have set in. goats and sheep are born shrivelled and eyeless. springs that if drunk from will bloat your belly and waste you away to nothing. deer watching with too many eyes, boars running mad and foaming even after they’re felled. just endless possibilities for fear and havoc and destruction, and all of it is intended…there is no comfort in the randomness of nature when nature hates you personally

"Amestris is an allegory for nazi Germany" you fool. Amestris is not an allegory for just nazi Germany -- it's an allegory for genocidal, fascist, militaristic governments as a whole. Yes, it has parallels to fascist Europe, but it also has parallels to xenophobic militaristic US and imperialist Japan. The point is not "look at this outlier of a country committing atrocities," the point is that the country committing atrocities might be your country and you might be complicit in it no matter how morally upstanding you might think you are. To act like only one government is capable of committing genocide blinds you to the potential that any other government might commit genocide too.

saying kandrew wouldn't work romantically because they have a habit of snapping their teeth at each other about their potentials and that kevin wouldn't respect andrews no's in a sexual context because he pushes his buttons on court is such a bad faith argument that misses nearly all of their canon relationship development

80/365

AU where The Beach ended ten minutes early

Creators I love you but it's time to wake up

Among rumors about our tumblr user data being sold off to Midjourney/Generative AI, recent Extremely transphobic events (that have been ongoing) coming to a head, another extremely concerning internet censorship bill being pushed in upper levels of government, and a general air of frustration over how the site belongs to and is operated by perhaps the second stupidest CEO (second only to twitters own) of our age, I'm very done with the last few vestiges of what the old internet held for artists.

And if you're reading this, you probably are too.

I know we're tired. We are all tired. It is not always viable to pack up shop and move, again and again and again.

From tumblr to twitter to anywhere else we've ever grown up posting, things no longer work. Our audiences are kneecapped by aggressive and hostile algorithms, our reach is abysmal - if we aren't shadow-banned or silenced for one (transphobic) reason or another, we're thrust into an ever growing pit of hostility where the only thing that drives clicks is fighting and contention.

We're tired. We're so fucking tired. We aren't businesses, we aren't content mills, we cannot keep this pace that modern social media has set for us, to wring every ounce of creativity out of us to profit from and leave us rotting.

The key to staying afloat here, and I cannot stress this enough, is to stay connected to your peers.

Pack up and move as units if you must. Exodus from the sites that are killing us. Push your entire friend group of artists to move from one site to the next that promises you a kinder experience.

Art drives movements, it drives change, it is all that encompasses being human. If you take that away from the shitty places, they will be left with nothing but a cesspit of inhumanity and the people who follow you will be more incentivized than ever to move with you.

Yes, this is terrifying. There are no guarantees. There never was, and never are, and never will be.

But stay connected. Stay human.

Support each other and be willing to hold hands and jump when we all - as a group - need to jump from the flames we're all trying to convince ourselves wont kill us before rescue comes.

Rescue isn't coming, rescue will be found hand in hand with each other. I'm offering you my hand, please take it. There's always a new start, there are always helping hands reaching for you. You have to look up from the doom-scroll long enough to see and take them.

I don't understand the idea that Victor has no backstory. Like- yeah, his backstory isn't as horrifically tragic and detailed as Eli's is, but we do know a good bit about him from what he's said so far.

His parents are pretty successful, so we can assume he grew up rich. Victor states that they write all of these books about family but have never taken time out of their day for him, even saying something along the lines of the last time they put aside time for him was his birth (not exact quotes, I don't have the energy to look back through the books rn), so we can assume that they were incredibly neglectful, most likely leaving him at home for days, weeks, maybe months at a time and probably not paying much attention to him even in times when they were home. Whether they paid someone to take care of him in that time or he had to learn to be self-sufficient is debatable.

I personally don't think they were physically abusive, and there doesn't seem to be any evidence at present that supports that idea. Verbal abuse is more likely, but I still don't think it was the case. It doesn't seem like they were around him long enough to do either. I don't think those things really need to be a part of his backstory to make it interesting or compelling. His parents were neglectful, and it shaped pretty much everything about who he is.

The biggest and most obvious one is Victor's obsession with attention. There are multiple references throughout the books of Victor craving attention from those around him, namely Angie and Eli. More than anything, Victor wants to be seen. He wants to be a part of something. He wants to be remembered and acknowledged and thought about. He craves the attention his parents never gave him. He doesn't want to be left behind or forgotten.

Being left behind is another big fear for him (I'm mostly speaking about Lockland here, as he becomes a bit less dependent after he becomes an EO, though there can still be an argument made about him latching onto Mitch and Sydney and Dol and Dominic in a kind of makeshift family he never had). He hates seeing Eli succeed because it feels like he's being left behind. He wants to be so intertwined with another person that they can't possibly forget him. He wants to form a connection so deep that it's impossible to sever. To Victor, there's a connection between 'success' and being left behind. He doesn't want to just be an expendable sidekick or an accessory. He wants to be an integral part of someone. Victor's life revolving around Eli is a symptom of his upbringing.

His social skills and general demeanor are also something that can be analyzed. From the beginning, he's set up as the antithesis to Eli, from social class to backstory to appearance to demeanor. They're the same at their core, but opposites in nearly everything else. Compared to Eli, Victor is a total recluse. He hates being around people, he avoids parties, and we barely see him interact with or pay attention to anyone except the people he genuinely cares about unless he absolutely needs to. His demeanor is off-putting, and he doesn't really make an effort to hide that, although he does just enough to make sure he isn't a complete social outcast. Victor grew up in one home with no siblings and parents who were hardly around. Compared to Eli, who was carted from home to home, meeting new people and learning how to blend in all the time, Victor likely doesn't have much in the way of social experience. He didn't have to hide who he was nearly as much as Eli did because there was no one there to see it anyway.

This being said, he is described as being a good liar and able to fool those around him, although notably worse at it than Eli. This one is more of a longshot, but I don't think it's improbable. Victor's parents were successful published authors who garnered their success based on the books they wrote about family. It's possible that Victor had to make press appearances at some point when he was younger, and learned how to lie for the cameras, or he just spent so long out of the company of others that he started seeing other people as more objects to use and less real living people, making it easier to learn the motions of manipulating them. Either way, Victor learns how to do or say the right thing to get someone to believe him, but he states that Eli is much better at actually faking emotions than he is. This is because while Eli spent his life following his father's death surrounded by people and thus learned how to change his entire self to appear more presentable to the general public, Victor only learned how to manipulate people through speech or actions. He can tell you exactly what you want to hear, but he can't put on a fake persona the way Eli can because he never needed to.

In conclusion, Victor does have a backstory, and it informs every aspect of his character, including his relationship to Eli.

“The Sullys didn’t owe Spider anything, they didn’t adopt him.” It is basic decency to not leave a child with the murderers that kidnapped him. Much less a child you knew since infancy, much less a child who at least two of your children love like he’s their own brother.

Kirbtober 2023 Day 26: Ship

(ID: Kirby series fanart of Magolor surprising Marx with a gentle kiss on the temple, only for Marx - blushing fiercely - to push him away with the end of his hat, cursing incoherently while Magolor laughs. END ID.)

Kirbtober 2023 prompts by @/paintpanic (link to list here)

Started on 10/03/23, finished on 10/04/23. NOTE: This was originally posted on my deleted account on 10/26/23.

I spent exactly five seconds considering drawing an actual ship for this prompt. But I was tired, y’all, and, look, sometimes you just gotta make yourself some comfort food instead, okay? Also, I headcanon that Marx can use his both his wings and his hat as a pair of arms depending on whether he has them out or not. Also, idiots (who are actually too smart for their own good but still idiots when it comes to figuring out things like emotions) in love.

The scene of Anakin turning back to the Light and saving Luke is such a beautiful scene in so many ways, but especially from a character standpoint.

If you look at Darth Vader just in the movies, he doesn’t do things without a plan. He has a step two. Even if his step two is immensely dumb, he always seems to at least have some form of an idea where he wants to end up; he has a point B he’s trying to reach.

Part of what makes Vader a terrifying villain is that he always seems to anticipate what his opponent will do. He seems to know what they’ll do before they even think about what they’ll do. Very rarely is Darth Vader ever taken by surprise. Darth Vader is the character who proves how scary the Force can be. While Palpatine uses his Force lightning and can predict what his opponents will do, he never quite reaches the level Anakin is on, he never reaches that peak of knowing the next five steps his opponent is going to take, even as those next five steps change.

Palpatine doesn’t see Vader turning on him coming. Palpatine is not a Force user who can see the future, he uses the predictions Darth Plagueis made and he sticks to the outline provided by his former Master. He does everything he does and believes everything will be fine and has complete confidence in himself because Plagueis was just that good at predicting the future.

Darth Vader literally changes the future. He makes those predictions false. Him throwing Palpatine down a reactor shaft wasn’t in the books, him choosing his son wasn’t an option, the idea that a Sith lord as powerful as Darth Vader could turn back from the Dark Side is believed by the Jedi and Sith alike to be impossible. Darth Vader himself doesn’t even believe that he can turn back from the Dark Side. The only character who ever believes that Darth Vader can come back is Luke.

Darth Vader is fifteen steps ahead of his opponents. It’s very rare that he ever gets surprised. He always has a plan.

But when he saves Luke, he isn’t any of that. He leaps in without a plan, without any ideas of where he’s goung. He doesn’t know what will happen except that he’ll probably die. He doesn’t have a way out of this. This is the first time Anakin Skywalker ever does anything without already having a way out or immediately being able to come up with a way out.

Anakin was hotheaded and impulsive, yes, but Anakin from his introduction always has a plan B. And when he doesn’t have a plan B, he makes one. He is by far the most competent character in Star Wars, just from his ability to get himself and others out of trouble.

In the moment of turning back from the Dark, Anakin is listening to the Force. He’s listening to the Force as it tells him to save someone. The universal call to the Jedi, the inexplicable push that all Jedi feel and what ultimately led to the majority of Jedi dying, just because they couldn’t not listen when the Force told them to help. Anakin finally listens to it, finally answers it, he finally acts like a Jedi.

There’s no step two. There’s no way out. Doing this will end in his death. Darth Vader is already injured, and the only one who has the resources to put him back together is Sidious. To save Luke, Vader has to step into the lightning, which he knows all to well will ruin his suit. Choosing to save Luke is tantamount to choosing to die.

And he does it. He hesitates, but ultimately, he sacrifices himself for someone else. He goes in knowing that this won’t end with him being able to get out. He has no way out. There’s no plan B. His suit has gone from keeping him alive to being part of the reason he’s dying. He takes off his helmet accepting that he’ll die and being happy to die because he’s finally at peace, he finally feels the warmth of the Force, he finally sees his son with his own eyes, his son is finally looking at him with nothing but trust and worry for his wellbeing, he’s right where he wants to be.

He went from wanting to posess Luke to just being happy that Luke is there with him. That Luke is the one by his side when he dies, that he’s dying on the same side as Luke — Anakin is fine with this. He’s ready to die. He’s accepted it. He’s just happy that the last thing he’ll see is the product of his and Padme’s love for each other.

The scenes of Anakin in Return of the Jedi are beautiful. The title “Return of the Jedi” is so great for this movie, it’s perfect, okay, you don’t understand. It has so many meanings!! The Jedi returning could be referring to Luke, the main Jedi we follow, returning to the screen, or to Tatooine. It could be referring to the Jedi Order, since Luke takes on Yoda’s request to share his knowledge with others and, with Sidious dead, the Jedi Order has functionally returned, even if it is only one member strong. It could refer to Yoda returning, it could refer to Obi-Wan returning.

Or, Return of the Jedi could be referring to Anakin. Anakin Skywalker, the son of the Force. Anakin Skywalker, the only character powerful enough to change the future itself, the only Sith Lord powerful enough to stop being a Sith Lord. Anakin Skywalker, who has always done impossible things, who has always performed impossible feats, who is himself impossible. And he’s back. He’s returned. The Jedi returned.

cogitating upon the cultural impact of fingolfin's death.. the artistic currency of beautified, emblematized violence. mystery plays with an antiphonal chorus and ritualized movements and acrobats playing morgoth by climbing all over each other; kirtana that go on for seven days, one for each of the sacred blows... the stricken foot and the seven wounds becoming symbols in themselves, put on children's' amulets to ward off evil and on warrior's to encourage valour. soldiers wearing eagle feathers into battle so that even if they fall their bodies won't be desecrated. tapestries and vases and friezes that show fingolfin's ride to angband (or the alternatively popular motif of him riding to mandos) with variation in his resemblance to oromë according to the artist's religiosity.. just the fall of fingolfin being so thoroughly embroidered into noldorin culture in beleriand that even when everyone who remembered him is gone the carvings of oromë sometimes have his face

callie ‘soft eyes’ spengler

I frequently have the deluded thought “what if Taylor stalks my blog?” And this thought has turned out to be helpful, not because she’s stalking me, but because it reminds me not to cross any lines. What I’m trying to get at here is that I think the people who behave like complete weirdos (the duolingo owl) on tiktok & twit & YouTube & even tumblr sometimes should think about Taylor and how she’d feel looking through their awful takes. This isn’t just about Taylor, though, it’s about creating a safer online culture for all women where their real experiences are not only validated but respected.

masochist wrio is real. To Me.