Tumgik
#unheraldic
ebqzpnhcvim · 1 year
Text
Follando Carolina Abril en Miami Thai girlfriend sex Vacation BACKSHOTS felt so good I almost came too early! Cum Twice Creampie Passivo peludo se exibindo Creampie for a horny blonde FAKEhub Asian Babe May Thai Massages Then Finger Fucks her Clients Big pointer sisters japanese darling shows off her ultra hot butt two man forced egypt girl Doc looks hymen physical and virgin sweetie shagging lake charles louisiana casinos map
0 notes
fatehbaz · 3 months
Text
[T]he Dutch Republic, like its successor the Kingdom of the Netherlands, [...] throughout the early modern period had an advanced maritime [trading, exports] and (financial) service [banking, insurance] sector. Moreover, Dutch involvement in Atlantic slavery stretched over two and a half centuries. [...] Carefully estimating the scope of all the activities involved in moving, processing and retailing the goods derived from the forced labour performed by the enslaved in the Atlantic world [...] [shows] more clearly in what ways the gains from slavery percolated through the Dutch economy. [...] [This web] connected them [...] to the enslaved in Suriname and other Dutch colonies, as well as in non-Dutch colonies such as Saint Domingue [Haiti], which was one of the main suppliers of slave-produced goods to the Dutch economy until the enslaved revolted in 1791 and brought an end to the trade. [...] A significant part of the eighteenth-century Dutch elite was actively engaged in financing, insuring, organising and enabling the slave system, and drew much wealth from it. [...] [A] staggering 19% (expressed in value) of the Dutch Republic's trade in 1770 consisted of Atlantic slave-produced goods such as sugar, coffee, or indigo [...].
---
One point that deserves considerable emphasis is that [this slave-based Dutch wealth] [...] did not just depend on the increasing output of the Dutch Atlantic slave colonies. By 1770, the Dutch imported over fl.8 million worth of sugar and coffee from French ports. [...] [T]hese [...] routes successfully linked the Dutch trade sector to the massive expansion of slavery in Saint Domingue [the French colony of Haiti], which continued until the early 1790s when the revolution of the enslaved on the French part of that island ended slavery.
Before that time, Dutch sugar mills processed tens of millions of pounds of sugar from the French Caribbean, which were then exported over the Rhine and through the Sound to the German and Eastern European ‘slavery hinterlands’.
---
Coffee and indigo flowed through the Dutch Republic via the same trans-imperial routes, while the Dutch also imported tobacco produced by slaves in the British colonies, [and] gold and tobacco produced [by slaves] in Brazil [...]. The value of all the different components of slave-based trade combined amounted to a sum of fl.57.3 million, more than 23% of all the Dutch trade in 1770. [...] However, trade statistics alone cannot answer the question about the weight of this sector within the economy. [...] 1770 was a peak year for the issuing of new plantation loans [...] [T]he main processing industry that was fully based on slave-produced goods was the Holland-based sugar industry [...]. It has been estimated that in 1770 Amsterdam alone housed 110 refineries, out of a total of 150 refineries in the province of Holland. These processed approximately 50 million pounds of raw sugar per year, employing over 4,000 workers. [...] [I]n the four decades from 1738 to 1779, the slave-based contribution to GDP alone grew by fl.20.5 million, thus contributing almost 40% of all growth generated in the economy of Holland in this period. [...]
---
These [slave-based Dutch commodity] chains ran from [the plantation itself, through maritime trade, through commodity processing sites like sugar refineries, through export of these goods] [...] and from there to European metropoles and hinterlands that in the eighteenth century became mass consumers of slave-produced goods such as sugar and coffee. These chains tied the Dutch economy to slave-based production in Suriname and other Dutch colonies, but also to the plantation complexes of other European powers, most crucially the French in Saint Domingue [Haiti], as the Dutch became major importers and processers of French coffee and sugar that they then redistributed to Northern and Central Europe. [...]
The explosive growth of production on slave plantations in the Dutch Guianas, combined with the international boom in coffee and sugar consumption, ensured that consistently high proportions (19% in 1770) of commodities entering and exiting Dutch harbors were produced on Atlantic slave plantations. [...] The Dutch economy profited from this Atlantic boom both as direct supplier of slave-produced goods [from slave plantations in the Dutch Guianas, from Dutch processing of sugar from slave plantations in French Haiti] and as intermediary [physically exporting sugar and coffee] between the Atlantic slave complexes of other European powers and the Northern and Central European hinterland.
---
Text above by: Pepijn Brandon and Ulbe Bosma. "Slavery and the Dutch economy, 1750-1800". Slavery & Abolition Volume 42, Issue 1. 2021. [Text within brackets added by me for clarity. Bold emphasis and some paragraph breaks/contractions added by me. Presented here for commentary, teaching, criticism purposes.]
25 notes · View notes
s-lycopersicum · 5 months
Text
Tumblr media
22 notes · View notes
a-queer-crip-writes · 8 months
Text
Poetrytober day seven
The one thing you
Can never say is that
There’s no joy in the world.
You can reasonably say that
There’s no *happiness*, if you want;
Every story eventually lasts beyond its happy ending
And the art of storytelling is too often
To know where to stop.
And the difference between stories
And living is that you *will*
End up outlasting your stories
And there will be all those awful moments
Where you don’t know what to do now
And you just need to continue
While you find yourself a new way to be.
It’s miraculous in its way but it’s also
A terrible fate for a storytelling animal.
But nonetheless there will still be
The way tea tastes at its absolutely perfect temperature and you are
So thirsty you hadn’t realised until your mouth welcomed it
And the scent of air as the chill of morning
Greets the sun
And the perfect green of shoots piercing
The earth in comical delight at sunlight
And a dog bouncing in the rhythm
Of a thrown ball so that it leaps perfectly
Into their ecstatic jaws
Endless moments without need for greater meaning
Joy coming and going, unheralded and ever new.
11 notes · View notes
ghosty-schnibibit · 1 year
Text
i have not seen anyone else talking about it and i'm starting to feel like i'm in the middle of a fever dream so
Tumblr media
does anyone else have The Frogs???
2 notes · View notes
dianastevanblog · 17 days
Text
Mother: An Unheralded Heroine
Mothers, unheralded heroines, deserve our attention. They’re the ones whose tireless efforts to raise a child in our increasingly complex world are often overlooked. To honour her mother who had just died, Anna Jarvis, an American peace activist, started Mother’s Day in the US in1905. In her work with Mother’s Day Clubs devoted to the wounded soldiers on both sides of the American Civil War, she…
Tumblr media
View On WordPress
0 notes
plaunchit2 · 4 months
Text
I’m surprised the movie Copycat hasn’t gained a cult following in this true crime era.
0 notes
vanderilnde · 4 months
Text
Simon as the maintenance guy who works at your apartment complex. He’s as unseemly and off-putting as he is enormous, and every time you see his sweeping stature or heavy gait (weighed down by his utility belt) you can’t help but remind yourself, he has a master key—he has access to your flat whenever he pleases.
He strays around the complex like a lost dog looking for its owner. Or, in this case, something to do.
When you call for him to fix a leak in your flat, you’re sure to offer him homemade muffins and tea, wrapped and bowed in a little apron as he gets to work. He’s flattered, telling himself to spend a little longer on your sink. To you, Simon works diligently. He leaves with a belly full of blueberry baked goods, and refuses your tip.
After that, you see him around a whole lot more.
In the lift on your way back from work as he updates the safety regulations (which were revised just last month). Ministering to your garden on the complex rooftop, where he seems to be checking the exhaust fan (which you distinctly remember was already cleaned the week prior). In the parking lot, right beside your parking space, where he inspects a pillar for any fissures or clefts (it’s a brand new augment to the building).
Simon becomes shamelessly forthright with it, often inviting himself to your flat. He brings his toolbox along like a stray cat that drops dead mice at your doorstep, insisting you have stuff that needs to be fixed.
Is your smoke alarm intact? Do your doors latch properly? You probably need your vents cleaned.
You’re timid and reticent with all of Simon’s unheralded appearances. He’s so big and so broody, but he’s done so much for you. You can’t exactly tell him to leave you alone, not without sounding like a prick.
Simon and his “visits” become more frequent. Even when you’re not home. The kicker is, Simon honestly doesn’t see anything repellent about his actions. He’s being there for you; is that not what friends do? … Are you not his friend?
3K notes · View notes
viatravelers · 2 years
Link
Welcome to Blythe, California, arguably one of the most unhidden and yet unheralded treasures in this West Coast state!If you are looking for things to do in Blythe you won’t be disappointed. Not only does this beautiful city and surrounding area offer plenty of options for things to do, but many of these activities are free!
0 notes
mononijikayu · 17 days
Text
i wish— kamo choso.
Tumblr media Tumblr media Tumblr media
He saw you both grow old together, each wrinkle etched into your faces telling stories of laughter, shared wisdom, and the occasional tears. Sitting together on a porch, watching the sun set into the ocean, you leaned against him, your hair silvered with age, eyes still bright with the love and fierce determination that defined you. There was satisfaction, there was acceptance. There was happiness.
Genre: Culling Games Arc to Shibuya Showdown Arc, 2018;
Warning/s: Emotional Trauma, Character Death, Angst, Romance, Kissing, Tragedy, Emotional Hurt/Comfort, Canonical Character Death, Emotional Purging, Unresolved Tension, Inner Turmoil, Flashbacks, Love and Loss, Slow Burn, Closure, Depiction of Depression, Depiction of Grief, Depiction of Physical Touch, Mention of Death, Mention of Killing, Mention of Harm, Immortality, Emotional Support, Sibling Bond, Sacrifice, Supernatural Elements, Family Themes, Deep Conversations, Existential Themes, Magical Realism;
masterlist
listen: i wish by renee rapp
note: i disappeared because my internet died for a bit but i wrote this when i got service and got tagged into twitter posts about the new jjk leaks and cried so bad and wrote this. i'm posting this because im not suffering alone!!! i love you choso, you'll always be the best brother and human in the world :((((
Tumblr media
YOU WERE A CHANGE OF PACE IN CHOSO’S LIFE. Within the enigmatic depths of the Tombs of the Star, Choso came to a profound realization about the nature of your existence. Here, amidst the swirling arcane energies that filled this sacred space, you existed in a symbiotic relationship with the very fabric of the universe. You shared a unique duality with your sibling, Tengen. You were so similar and yet so different — you fit together, almost like two sides of one coin. Choso had always believed his life, devoted entirely to the love and protection of his siblings, was an exceptional calling. Yet, encountering you, he began to see that he was not as unique as he had once thought. In fact, he considered that perhaps your dedication surpassed even his own.
Your immortality, though less celebrated than Tengen's, was just as essential. It underscored a truth often overlooked: what is an eternal life without a companion, without that shared blood and bond? Your unheralded but pivotal role sustained not just the life but the spirit of the Tombs through countless ages, making you an integral thread in the continuity of existence itself.
Your relationship with Tengen was unique, perhaps the only one they truly had. It was easy to see how it was a core part of your existence to serve Tengen. While Tengen wielded overt power, your own strength was in your subtle. Yours was gentle, tenderness — the care of a loving and devoted sibling.
Your days repeated the same. You often were the one reminding Tengen to sleep and rest. You often brought Tengen their meals. At times you sit days on end entertaining Tengen with conversation. At times you sang to them, songs so old that Choso could not make sense of the words anymore. Day in and day out, Choso saw how you lived for Tengen. How you breathe every day to keep Tengen. Choso had felt like he understood you in that sense. He was, after all, an older brother. What you did for Tengen, he had done for his siblings. He wanted to do it for Yuuji too. 
Yuki told him that you were the crucial component for maintaining the equilibrium of the world. Keeping you alive means keeping Tengen alive and well. Keeping you both alive and well means that Choso can also do well by Yuuji. That was all that mattered, he likes to think. And so, he took his task seriously. He was with you, day in and day out. Because if you didn’t exist, there is nothing for Tengen but lonesomeness. Choso didn’t know how Yuki knew all of this about you, but he thinks it's better not to ask. 
Days melded into each other under the starlit dome of the chamber, and in those seemingly fleeting moments, your bond with Choso deepened. Choso doesn’t really talk that much, he only did when people talked to him. But your words were often expressed. You often wander to dreams—whispers about what it might mean to live a truly human life, to age, to experience the mundane. You smiled each and every time, ever so warmly. In these moments, Choso is reminded how you truly are. He often gets reminded of his mother. You both have the same warmth, he thinks. 
By the tranquil pond fringed with burgeoning water lilies, you and Choso found yourselves in a peaceful reprieve from the routine duties that governed your immortal lives. The soft ripple of water under your fingers created gentle disturbances that set the floating blossoms adrift. Choso, often a man of few words, sat beside you, his gaze occasionally following the serene movements of the lilies.
"I don't think I'm doing enough for Tengen-sama," you whispered to him, your voice laced with uncertainty and a touch of despair.
"Why do you think so?" Choso asked, his features furrowing with concern as he raised an eyebrow at you.
You sighed, feeling the weight of your worries press down on you. "Tengen-sama seems so stressed lately. And I... I don't think I've done enough to help with it." The admission felt heavy on your tongue, a confession of perceived inadequacy. "But I don't think they need me. I don't think I'm powerful enough to... to help them the way they need me to."
Your words hung in the air, a testament to the inner conflict that had been gnawing at you. It wasn't just about being useful or fulfilling a role; it was about the fear of not being enough for someone who mattered immensely to you. The idea that perhaps your presence wasn't as vital as you hoped was a quiet torment that echoed the struggles you faced in your eternal existence beside Tengen. Choso watched you carefully, his expression softening as he processed your words.
“You know,” Choso began thoughtfully, choosing his words with care, “power isn't just about the ability to perform grandiose acts or wield visible strength. Sometimes, the truest form of power lies in our presence, in the steadfast support we offer.”
He paused, ensuring he had your full attention. “Tengen-sama carries burdens we can scarcely imagine, and while you may feel that your support isn't changing anything, it could very well be the anchor that keeps them steady. Being there, being constant—that's a power in its own right.”
Choso's voice was gentle yet firm, trying to uplift your spirits. “And remember, it’s not about being indispensable but about being present. You give them someone to rely on, someone who understands them deeply. That’s not a small thing.”
He reached out, placing a reassuring hand on your shoulder. “You might feel that you're not doing enough, but perhaps for Tengen-sama, your continued presence and your care are exactly what they need. It's easy to overlook the value of simply being there, especially when you are used to thinking in terms of more direct actions.”
Taking in his words, you nodded slowly, the tension in your shoulders easing slightly. The idea that your value might not always be measurable in the conventional senses of power and strength, but rather in less tangible, yet equally significant ways, offered a new perspective. Choso's reassurance provided a comforting reminder of your role and importance in Tengen's life—not as a savior or a hero, but as a consistent source of support and understanding.
"You always seem so thoughtful," you remarked, smiling as you continued to play with the water, sending another lily spinning gently. "Tell me, Choso, what is it that you hope for in life? Beyond our duties here, what dreams do you carry? What do you wish for?”
Choso looked at the water before him, his expression reflective. "My life... it's bound to my brother, Yuuji. I want to do right by him, protect him, and ensure he can live fully. In many ways, I live for him."
Your laughter, light and understanding, echoed softly around the pond. "I understand that more than you might think. My existence, too, seems entirely woven around Tengen. I live for them, through them almost." Your smile faded slightly into a more contemplative expression. "But do you ever wonder, Choso, if it's wrong to want something beyond that? To live a life that explores the world beyond just being someone's shadow?”
Choso turned to you, his eyes narrowing slightly in thought. "It's a difficult question. Duty and love bind us, but it's human to crave understanding of the world, to experience it in all its breadth."
"Yes, it is human," you agreed, picking a lily from the water and examining its intricate petals. "And sometimes, I find myself dreaming of a life where I can wander freely, see the worlds beyond these walls, learn and love and perhaps even make mistakes. Just live, not as an immortal bound to duty, but simply as a person."
Choso nodded slowly, his usual reticence giving way to a more engaged demeanor. "Those dreams... they're not wrong. They're part of what makes us more than just guardians or siblings. They make us whole. And perhaps, in dreaming, we find parts of ourselves that duty alone could never reveal."
Your eyes met his, and in that moment, a shared understanding passed between you. Both of you were bound by immense responsibilities, yet within each of you stirred the universal desire to experience life beyond the predefined roles you occupied.
"Maybe, one day, we will explore those dreams," you suggested softly, a hopeful tone threading through your words.
"Maybe," Choso agreed, a rare smile breaking across his face. "And perhaps, in exploring them, we'll bring something back that can enrich the lives we dedicate to those we protect."
The time you spent together in the secluded spaces of the Star Chamber, amid ancient enigmas and whispers of immortality, became sacred. As you shared your deepest dreams and quiet confessions, the bond between you and Choso deepened, moving beyond mere companionship to something richer and more profound. This connection, once unspoken and tentative, blossomed with the ease of a well-nurtured bloom into a tender love.
Amidst the echo of your laughter, which bubbled up like a clear spring in the tranquil silence, and his thoughtful nods, a rhythm developed—an unspoken language of understanding and empathy that only you two could comprehend. Choso, often so guarded and stoic, found in you a solace that allowed him to express thoughts and feelings that he typically cloistered away from the world.
One evening, as twilight draped its violet shroud over the chamber, you both found yourselves by the reflective pool that mirrored the ever-changing sky. The water's surface danced with the light of the first stars, mirroring the flicker of possibilities that your conversations had awakened.
“You know,” you started, breaking the comfortable silence, “I never imagined that someone could understand this part of my life. The part that’s tangled up in duty and care, yet also yearns for something more… something deeply personal.”
Choso looked at you, his usual reserve softened by the topic at hand. “I feel the same. We’re bound by our roles, our responsibilities to those we protect. But speaking to you about dreams, about life beyond our duties, it’s… it’s freeing.” His voice, usually so guarded, carried a hint of wonder, reflecting his own surprise at this newfound openness. “It feels….daring……and human.”
Your laughter, light and genuine, echoed around the natural alcove. “Freeing, yes, and a bit daring too. Being human, in this way — it's hard.”
He smiled, a rare, full smile that reached his eyes. “Daring, but worthwhile. To dream with you, it makes those dreams feel possible, as if they could be more than just whispers in the dark.”
“You make them feel possible for me too,” you admitted, allowing yourself to reflect on the emotional landscape that had unfolded between you. “Before this, my dreams felt like distant stars—beautiful but untouchable. Now, they seem closer, within reach.”
Choso reached out, his hand brushing against yours, a tentative but intentional touch. “Maybe that’s what happens when dreams are shared. They grow, they take on a life of their own. They become something we can both reach towards.”
The simplicity of the touch sent a warmth through you, grounding the moment in something tangible. “And I’m grateful for that. For you,” you added, your voice soft but earnest.
He nodded, his hand gently squeezing yours. “And I am grateful for you. For this peace we’ve found in each other, amidst all the chaos of our existences. It’s a rare gift.”
The serenity that you and Choso had cultivated, a rare respite from the endless cycle of duty and vigilance, was not destined to last. In the realms where celestial fates intertwined, peace was but a fleeting shadow, easily dispelled by the stirrings of chaos. Such disturbance came in the form of Kenjaku, a figure synonymous with disruption and disorder. His intrusion into the sacred confines of the Tombs of the Star was not just a breach of sanctuary; it was a direct assault on the balance you had sworn to uphold.
Kenjaku's arrival tore through the calm like a tempest, disrupting the harmony you had momentarily savored. His motives were clear and malignantly aligned against Tengen's continued influence and your protective stance. With the air crackling with tension and the fabric of reality bending under the weight of Kenjaku’s dark ambitions, you revealed a power kept hidden from the prying eyes of foes and allies alike.
Your mastery over temporal loops, a rare and intricate skill, allowed you to manipulate the threads of time. This ability was not about mere manipulation of moments; it was about reshaping events within confined bursts, creating pockets of altered realities where outcomes could be rewritten, and destinies briefly redirected.
As you confronted Kenjaku, your hands moved with deliberate motions, weaving invisible patterns in the air that pulled at the seams of time. With each gesture, you unraveled  the immediate future, crafting short sequences where different possibilities played out in rapid succession. This was not just a display of raw power but a strategic orchestration of time itself, bending the inevitable towards a reality where balance could be restored.
As Kenjaku's menacing form advanced, the air thick with the threat of destruction, you and Choso stood side by side, united against the looming chaos. The battle's intensity escalated rapidly, with the forces of disorder clashing against the shields of time and duty you both upheld. Yet, amidst the swirling energies and the relentless advance of Kenjaku, you caught sight of the peril that Choso was about to face—a risk you could never allow to come to fruition.
Choso, sensing your sudden shift in focus, turned to you, his expression a mix of concern and determination. "What are you planning?" he asked, his voice tight with worry. He had come to understand you well enough to know when you were about to make a critical decision.
"I need to protect you," you replied, your voice resolute yet heavy with the burden of what you were about to do. "I can create a time loop, a place where you can be safe, where none of this can touch you."
Choso's eyes widened, realization dawning. "No, wait—you can't! What about you? We fight together, remember? You can't just send me away, not like this."
You reached out, grasping his hand firmly, imparting a finality that was both reassuring and heartbreaking. "Listen to me, Choso. This isn’t just about fighting together; it's about ensuring that at least one of us can survive this, and can continue to make a difference. I can manage this, but I need to know you're safe."
"But sacrificing yourself isn't the answer!" Choso protested, his voice rising with emotion. "There has to be another way. We can wait for Yuki; she might have a solution."
"Waiting could be too late," you insisted, your eyes scanning the battlefield, where the fabric of reality seemed increasingly unstable. "I've made my decision. This is the only way I know you'll be truly safe."
With a heavy heart and a sense of urgency, you began the incantation, the ancient words of time magic flowing from your lips. Choso tried to pull away, to argue further, but the spell was already weaving its complex, protective lattice around him.
"I'm doing this because I care, Choso," you said, your voice softening. "In that loop, you'll have peace, and we'll have a lifetime together, even if it's not real. Please, live a full life there, for both of us."
As the last syllables of your spell wove through the air, reality for Choso began to shift, the edges of the present blurring as a new world, shaped by your heartfelt wishes, took form around him. The chaos of battle, the tension of impending doom—all melted away, replaced by the soothing tranquility of a life envisioned with love and hope.
In this carefully crafted reality, Choso found himself in an idyllic version of the world he knew, a place untouched by the scars of conflict or the weight of eternal duty. There, the sun seemed brighter, and the air held the fresh promise of peace. By his side was you, free from the constraints of your immortal obligations, embodying the life you both could have cherished together.
Together, you walked hand in hand towards the sea, the vast expanse of water stretching endlessly before you, its surface glinting under the sun like scattered diamonds. The scene was picturesque, almost too perfect, as if it had leaped from the pages of a forgotten fairytale where every ending was happy, and every heartache healed.
In this serene world, you both raised a family—a dream so distant in your real lives, now vividly alive in this temporal sanctuary. Yuuji and Tengen, often subjects of your protective instincts, appeared not as burdens to be guarded but as children laughing in the garden, playing with others who called you their parent. The simplicity of this life, the joyous normalcy, was a stark contrast to the complexities you had both known.
As years rolled by in this looped reality, unburdened by the passage of time as it would affect the mortal world, Choso experienced every stage of a shared human life. From the vigorous days of youth spent exploring the world with you, through the tender moments of raising children, to the serene acceptance of age, each phase was a gift—a series of moments wrapped in the warmth of enduring love.
He saw you both grow old together, each wrinkle etched into your faces telling stories of laughter, shared wisdom, and the occasional tears. Sitting together on a porch, watching the sun set into the ocean, you leaned against him, your hair silvered with age, eyes still bright with the love and fierce determination that defined you. There was satisfaction, there was acceptance. There was happiness.
Even as this life was but a fabrication, a temporal construct meant to protect and console, for Choso, it felt undeniably real. He lived each day fully, the memories etched into his heart as if they were carved from the very essence of life itself. 
And as the spell reached its inevitable conclusion, with the loop designed to eventually unwind, Choso was left with the imprint of a lifetime spent in blissful peace—a stark contrast to the destiny he had been plucked from, and a poignant reminder of what could have been. This was your final gift to him: not just safety, but a glimpse of a life filled with unbridled humanity. It was joy, love, and the fulfillment of dreams that the real world could never have accommodated.
"Remember me, and live well," were your final whispered words that echoed in the looping reality, even as you turned back to face Kenjaku alone, ready to sacrifice your chance at peace for the safety of the world and the brother you had come to love. 
Outside the time loop, the confrontation with Kenjaku intensified as you steeled yourself for the final stand. The environment crackled with volatile energy, the very air charged with the raw power of clashing wills. Kenjaku, recognizing the depth of your determination, halted his advance, his eyes narrowing as he assessed the situation.
“You think to defy me with such feeble tricks?” Kenjaku’s voice was cold, dripping with disdain as he spoke. His stance was predatory, a hunter cornering his prey.
“You underestimate the power of sacrifice,” you replied, your voice steady despite the growing storm of power swirling around you. “This isn’t about tricks or defiance. It’s about protecting what matters.”
Kenjaku laughed, a sound devoid of any humor. “Sacrifice? You would throw away your eternal life, for what? These fleeting mortals? This doomed realm?”
“It’s because this realm and its people are worth fighting for,” you asserted, your resolve hardening. “You may crave power, Kenjaku, but you’ve forgotten the strength found in selflessness. I haven’t.”
“You’re a fool then,” Kenjaku sneered, stepping closer, the ground beneath his feet darkening with corrupt energy. “To throw away immortality for foolish mortals is the height of folly.”
“Perhaps,” you conceded, a sad smile playing on your lips as you prepared the final incantation. “But it’s my choice to make. And I choose them. I choose love and life, even if it’s not my own.”
With that declaration, you unleashed the full breadth of your temporal abilities. Time around Kenjaku began to distort, warping and weaving into complex patterns that ensnared him in an intricate loop of your making. His movements slowed as the layers of temporal magic constricted, binding him with chains stronger than any physical restraint.
Kenjaku roared in frustration, his voice echoing across the chamber as he struggled against the relentless force of your cursed technique. “You cannot hold me forever! You’ll break long before I do!”
“Maybe,” you whispered, feeling the strain of your powers consuming your essence. “But we’ll win, Kenjaku. One way or another.”
As the temporal bindings tightened, you felt your life force ebbing away, each moment drawing you closer to the end. With a final look at the world you were giving up, you poured the last of your energy into the spell, cementing it with the ultimate sacrifice.
“See you in another life, Choso.” you murmured, a tear tracing down your cheek as you faced the end with a quiet dignity. The last of your vision faded just as Kenjaku’s form started to battle against your power. You didn’t know if you’ll be successful in the end, but it didn’t matter. It bought time. It bought time for Tengen-sama to leave. It bought time for Yuki to come for Choso. It bought time for Choso. It was more than enough. That’s all that matters. “Tell me all about it then.”
In the quiet aftermath, the cacophony of battle faded, replaced by a resonant stillness that seemed to permeate the very walls of the Star Chamber. The ferocity that had surged through the area moments before now seemed like a distant echo, a turbulent memory overshadowed by the magnitude of your sacrifice. 
Choso, emerging from the temporal loop, was abruptly returned to a reality far grimmer than the one he had lived in his dream-like existence. The serene life he had known with you, filled with laughter, love, and the gentle aging of shared days, dissipated like mist at dawn. Yet, the weight of those memories clung to him, a tapestry of joy and sorrow woven into his being. Tears streamed down his face as the full impact of his loss, of the life that could never truly be, settled upon his shoulders.
Amidst his reeling senses, Yuki’s voice reached out to him, a tether pulling him back from the brink of despair. He could hear Kenjaku too, the sounds of struggle as the villain fought against the temporal bonds you had sacrificed yourself to forge. The air was thick with the aftermath of conflict, with the poignant heaviness of humanity—loss, grief, yearning, joy, love. These emotions, so deeply human, washed over him repeatedly, each wave a reminder of the life he had momentarily lived and lost.
Yet, Choso stood resolute amidst it all. He bore the weight of these emotions not just as remnants of a spell-crafted illusion, but as the real and enduring aspects of the human condition. He carried them because they were now part of him, imprinted on his soul by the experiences you had given him. And he carried them because that’s what you would have wanted. In bearing these memories, in allowing them to shape his path forward, he honored your sacrifice, turning profound loss into a source of unyielding strength.
That bleak winter day, as Shinjuku was engulfed in flames, Choso found himself at the precipice of his own demise. Engulfed in a brutal confrontation, he struggled valiantly to shield Yuuji from the malevolent Sukuna, whose dark intent was manifest in the fierce and unyielding fire around them. But as the flames consumed not only his physical form but also the last vestiges of his earthly bonds, Choso’s thoughts transcended the immediacy of his suffering.
His mind, resilient amid the encroaching shadows of death, wandered back to you and the ephemeral yet poignant life you had shared in the temporal loop. Those memories, vivid and tender, painted a stark contrast to the chaos that now surrounded him. Each recollection of laughter, shared secrets, and quiet evenings spent together in a world without fear or pain stoked a deep, calming warmth within him, distinct from the searing heat of the flames.
As his physical strength waned, the spiritual and emotional fortitude you instilled in him grew stronger. With each labored breath, the pain that racked his body seemed to diminish, overtaken by the growing serenity of his approaching end. The prospect of reuniting with you, of stepping beyond the veil of life into a realm where you awaited him, brought a profound peace—a solace he had yearned for since the wrenching moment of your departure.
Amidst the dance of the flames, where the heat scorched the air and the roar of the fire echoed the tumult of battle, Choso allowed himself a faint smile. It was a smile of acceptance, of readiness to transition from the tumult of his current existence to the peace that awaited with you. In that instant, amidst the devastation, his heart, burdened with loss and battened with duty, was finally ready to come home to you.
As the moment of departure drew near, Choso turned to Yuuji, who had been both a charge and a brother in arms. The words that passed between them were simple yet heavy with the weight of shared experiences and unspoken understanding. “Thank you, Yuji, for becoming my brother,” Choso said, his voice a hoarse whisper over the crackling of the fire.
Yuji, his own eyes reflecting the flames but alight with emotion, nodded solemnly, the bond between them unbroken even in the face of impending separation. “Thank you, Aniki,” Yuji replied, feeling the tears pour from his face. “Thank you.”
Choso thinks life is enough.
Even if it was only a little while.
He smiles one last time at Yuuji.
His wish was granted now and then.
It was all worth it to him in the end.
71 notes · View notes
notwiselybuttoowell · 1 month
Text
How did the crab get out of prison? And why did the crab get bad grades?
The answers to these conundrums and other clawsome jokes were among the competitors for the inaugural World’s Funniest Crab Joke competition, held by the Crab Museum in Margate to celebrate International Crab Day.
The winning gag, submitted by an anonymous joker, was: “Why did the crab cross the road? It didn’t. It used the sidewalk.”
An expert panel of judges, including the comedians Harry Hill, Rose Matafeo, Sally Phillips and Phil Wang, as well as children from Ramsgate Arts primary school, scored their favourite jokes before the totals were tallied and a winner crowned.
The only rules of the contest were that the jokes should be kept PG, and that lobsters could be mentioned in the setup of the joke, but not the “pinchline”.
Organisers said that, although most of the 700 submissions did abide by the rules, several jokes “were disqualified for scientific inaccuracy, and rather a lot for lewdness”.
In an unexpected sideways move, the crabs themselves picked the winner from the four jokes ranked highest by the judges, with the help of some tinned fish in bait bags and rolled-up pieces of paper with the jokes written on them.
The twist on the classic road-crossing formula proved triumphant, and was followed in second by another variation on a classic: “Man walks into a restaurant with a crab under his arm and says, ‘Do you make crab cakes?’ Manager answers, ‘Yes, we do.’ ‘Good,’ says the man, ‘because it’s his birthday.’”
Third place was awarded jointly to: “Why didn’t the crab help the chicken cross the road? Because it was eaten by a pelican crossing,” and: “What format do you have to save photos of crab soup on to? Floppy bisque.”
A Crab Museum spokesperson said the organisers hoped the contest might inspire people into environmental activism: “The quality and quantity of jokes this year has been astounding. We’ve been pinching ourselves since the submissions closed! That said, laughing at jokes, much like learning about crabs, can be a powerful tool to help us reassess our relationship with our environment. You’d be surprised how quickly you can go from chuckling at crab gags to letting down SUV tires. Whilst we may not have made this clear to our judges, it is in this spirit that the World’s Funniest Crab Joke competition has been organised.”
The museum, which opened in 2021 and claims to be “Europe’s first and only museum dedicated to the decapod”, aims to raise awareness of the often unheralded but incredibly diverse world of crabs.
56 notes · View notes
utilitycaster · 3 months
Note
Regarding Editing and Innovating in the space, 2 people who get a Fraction of the credit they deserve are Ivan Van Norman & Marisha Ray. I mean, they created and developed one of the original mixed media cinematic interactive actual plays, Sagas of Sundry: Dread, and then Sagas of Sundry: Madness, and Marisha (later hiring Ivan as well) has continued that trajectory in some of the more intriguingly edited mixed format Actual plays at CR, like Call of Cthulhu, Undeadwood, and others, and being Instrumental in the developments at CR. Like, when you do watch the interviews you get a sense of just how Much of CR's current content designs, ttrpg intentions, and series are marisha's brainchilds, and it sucks that she doesnt get the credit others involved in similar projects, and even those projects, do.
This is a great point. I've mentioned this before w/r/t the fandom - Marisha, perhaps more than anyone, gets reduced even by many fans to "she's pretty and her characters are like what if a girlboss were a girlfailure" and her creative direction goes unheralded. It feels like this has gotten worse in recent years; I was baffled at how many people seemingly resented Calamity or Candela for taking up space they felt should go only to the main campaign when those were not only showcases for Marisha as a performer but also clearly something in which she had a strong hand in designing. Whenever people whine about there only being two main campaign episodes in a month because of Candela Obscura, I do think "You realize this was probably Marisha's call?"
I was focused in my response much more on Daggerheart, and so on the game design side (quick side note - reviews of A Familiar Problem, which Marisha worked on, were pretty positive; I wonder if something's happened in the past 2 years since that's when I've really felt this Damn Critical Role energy among actual play journalists), but I had been thinking about Sagas of Sundry and Undeadwood! I think I mentioned Sagas of Sundry in one of my posts about how Kollok isn't, in my mind, impressive. I loved Dread but never finished Madness before Alpha folded, but actually I was imagining something like Madness - fully on a set, people walking around like it's a play - for Kollok! When I saw everyone at a table with that rotating rock I was like "is this...it?" And, you know, Sagas: Madness wasn't entirely for me, but you can't fault the innovation. Similarly, when I think about the (baffling) criticism from one of the prominent actual play journalists I've had in mind while writing this, that Candela Obscura the show did not fully teach people Candela Obscura the game, I think about how Ivan Van Norman did straight up teach Savage Worlds during Undeadwood. Whenever people gush over the shadow puppets in Burrow's End I think it's deserved, but when they claim it's utterly new? Nah. Call of Cthulhu: Shadow of the Crystal Palace did it first. And Marisha had a guiding hand in the creative direction of all of these.
I think this is sort of elaboration on one of my points in my original post: I think a lot of the journalists are really out of their depth. I don't remember seeing their names when I first started watching CR in 2018, or when I got deeper into the fandom in 2019. My first actual play was TAZ, which I binged in late 2017. I really think a lot of the journalists flat-out don't know Sagas of Sundry or Undeadwood because they didn't show up until after Alpha folded. I've mentioned this elsewhere but so much of the claims of novelty and innovation are completely incorrect and not even terribly obscure. Look, I've seen/listened to most or all of 9 actual plays (this is counting D20 and CR each as one single unit, by the way - I've seen all but scattered one-offs from either), and seen or heard an episode or two of many more. I think that simply by doing that? I know more than a lot of these journalists.
Again: Worlds Beyond Number? The innovation is with the Witch class and the Wizard of the Citadel subclasses, and the allowance of extremely long downtime, but: longform podcast actual play with sound design? RQG did it starting in 2015. Griffin McElroy and Emily Axford have been composing their own music since 2017 or 2018 for their respective shows, both of which are also longform podcast actual plays. Again, Brennan pretty explicitly said "I don't think D20 is new, nor longform" in a quote and the article that quotes him argues that Fantasy High is new and longform...and that article also talks about how before D20 most AP video was livestreamed before talking about how boundary-breaking D20 was for having a livestreamed second season (you know, the thing that they just called old hat a paragraph earlier) that quickly pivoted to remote (even though remote livestreaming was actually quite common in smaller productions well before the pandemic, since you don't need anything but laptop cameras to produce it). I don't even keep up with much in the really indie AP scene, but those people I know who do are even less impressed by the state of Actual Play journalism than I, because D20 executes a lot of things extremely well, has a very talented roster of performers, and a budget most productions cannot hope to match, but a good deal of what it's credited for inventing (and which, again, it never claims to have invented. I want to be clear that the journalists decided to be like this for no clear reason) already existed. And, by placing this heavy emphasis on production, they are automatically making it hard for indie productions to impress them. For all they claim to be going after the 700 lb gorilla, they are simply cozying up to the 600 lb gorilla. It's real "um, why don't you try this little indie game called Pathfinder" hours.
I am fairly sure a lot of the people in prominent journalistic positions in the actual play sphere today came in only after the collapse of Geek and Sundry, is my point, and so I think they literally do not realize how much the medium owes to, for example, Marisha Ray and Ivan Van Norman, because they weren't watching in 2016 nor even skipping through the G&S archives, as I did as a new CR fan. I think they're absolutely out of their depth, and most of them don't even realize it.
66 notes · View notes
celticcrossanon · 2 months
Note
Celta, I have read different viewpoints on social media. One is that by linking to the sussex.com site, Charles essentially blocks them from making money off of it since it is now connected to the Royal UK site and their merching off being Royal is forbidden by the Sandringham agreement. Also, I have read their bio on the Royal UK site is greatly diminished, thereby diminishing them slowly, which is a planned move by the BRF (death by a thousand cuts style).
Hi LovingHoagieArtisanEggs,
The biography is greatly diminished, and joint (shared between the two of them, no separate page for each one), and if it wasn't for that link I would be somewhat pleased with the website revisions.
My problem is to my eyes, by including that link, King Charles has legitimised their behaviour and confirmed the couple as 'truly royal'. He has given the royal stamp of approval to their mock-royal website and hence to their behaviours.
"Of course The King approves. Look on the royal website. He has linked the royal website to our website. He wouldn't do that if he didn't support us and approve of what we are doing."
"Of course I can speak for the crown. Look on the website. The support my actions and have shown it by linking to my website."
"Of course I need all the privileges of a royal prince. The King supports me - he has linked to my website to show his support. He wouldn't do that if I was a normal private citizen."
etc and so forth.
AFAIK there are no links to the businesses of any other royals on the website - just Harry. To me, that means he is back in the official royal fold and has the royal seal of approval on all his ventures and behaviours, past and present. Meghan gets the same because she is his wife.
What annoys me even more is the media will say nothing about this. There will be no outrage at The King using his official website to support the commercial activates of his son. There will be no outrage over the activities that this action approves. The media will treat this as a normal update if they mention it at all, and the implications for the BRF will go unheralded until something makes them obvious, and then the BRF will be 'blindsided' once again.
I am sick to my gut of the hypocrisy. Don't distance yourself from a family member and then draw them back into the fold like this. 'Overseas son' was all BS, and this is The King's true colours.
Stupid is as stupid does. I only hope that this blows up in His Majesty's face ASAP and for once in his life he has to face the consequences of his actions.
53 notes · View notes
cleolinda · 1 year
Text
Friends, we have more neighborhood weirdness, and it doesn't even involve wet chaos or the Unnamed Internet Provider.
So I'm at home with my dog, minding my own business, and there's a loud knock at the front door. The first thing you need to know is, it's 2023 and I don't open doors. Since the advent of texting, there is zero need to open a door without advance notice of a visitation, and I stand by this. At most, someone might be unheralded, but it's a delivery I was at least expecting. Don't Open Doors 2k23.
So I wait a few minutes, and then I go to the slatted door that opens from the den out into a little front hall, so I can kind of look through a window by the front door without being seen. There is no one on our doorstep, and there is no one parked out front on the street. Sure, I gave them time to leave. Not weird.
However, as you know, an Internet Provider flooded my basement with sewage, and we have had vans and trucks for repairs at our house for a month now. I go check kitchen window over the driveway to see if there’s anyone parked there.
There is.
I did take a picture of it, but I'm not sure if I should post it. I don't know shit about cars, so I can only describe this gleaming black vehicle as CIA surplus, or maybe sport utility hearse. The windows are tinted so dark that I can't even see who's in the front seat--there's got to be someone, because I went to other windows around the house and couldn't see anyone walking around, either. Short version, it looks like an expensive car that takes you to Bad Places.
I call my mom and ask if she was expecting anyone to stop by. Delivery, home damage repair, driveway digging chaos, anything. No, no one.
I sit very quietly in the den with my dog.
A while later, I check the kitchen window again. Ten minutes, and they're still parked there. Half an hour, they're still parked there. My mom calls an hour into this, and I check again, and they're not there. So this car stayed parked in my driveway, no one knocking again or ringing the doorbell, anywhere from 30-60 minutes. When I peer out at the front door, there's a printed note stuck on the window. It reads thusly:
DELIVERY NOTICE!
Important Time Sensitive Material
Name: Mr. and Mrs. [Parents' correct surname]
Date: [Accurate date]
Time: [Not accurate time, nearly an hour early]
Please call within 24 hours to reschedule your delivery
Contact Person: [A slightly different version of a common first name, a common surname]
Phone: [A number my mom later tried to google but reverse lookup wanted money]
There is no logo or company name on the note. It looks extremely generic and "hello fellow kids, I do a business." Between this and the corporate kidnap vehicle, I am creeped the fuck out, and extremely grateful that I have the Gift of Fear™ and do not fucking open doors.
Here's the thing, though. In writing this up just now, I decided to do some due diligence for y'all and google the contact's name. The first name is just unusual enough that it pulls someone relevant up immediately, first result:
A local account executive for a rival internet provider
what the fuck, y'all
Like, I'm not saying an internet executive sat in my driveway for the better part of an hour (to deliver WHAT??), but given our travails with A DIFFERENT internet provider, does this not seem significant? MAN WE JUST USE AT&T, LEAVE US THE FUCK ALONE
462 notes · View notes
radical-revolution · 4 days
Text
The majority of us lead quiet, unheralded lives as we pass through this world. There will most likely be no ticker-tape parades for us, no monuments created in our honor. But that does not lessen our possible impact, for there are scores of people waiting for someone just like us to come along; people who will appreciate our compassion, our unique talents. Someone who will live a happier life merely because we took the time to share what we had to give. Too often we underestimate the power of a touch, a smile, a kind word a listening ear, an honest compliment, or the smallest act of caring, all of which have a potential to turn a life around. It’s overwhelming to consider the continuous opportunities there are to make our love felt.
Leo Buscaglia
24 notes · View notes
patemi-pk · 3 months
Text
Primo fumetto americano con gli standard character (esclusi i revival da Disney Afternoon) da quando?
Ai testi Jason Aaron, che non so bene come inquadrare in ottica disneyana (devo dire che in generale l'ho perso di vista dopo la fine del suo magnifico Thor). Sarà, comunque, un one-shot e uscirà (stranamente, ma forse non così stranamente, dato il taglio che la preview sembra lasciar intendere) per la Marvel.
Tumblr media Tumblr media
Ai disegni troveremo, invece dei nomi ben noti: la preview, infatti, cita Paolo Mottura, Francesco D'Ippolito, Vitale Mangiatordi (ed altri), mentre la cover A è di Lorenzo Pastrovicchio. La cover B è, invece, opera di Alex Ross.
This June, one of fiction’s most legendary adventurers stars in his first-ever Marvel comic book: UNCLE $CROOGE AND THE INFINITY DIME #1!
Announced earlier today at the ComicsPRO Comic Industry Conference, UNCLE $CROOGE AND THE INFINITY DIME #1 represents an unheralded Marvel Comics and Disney collaboration. The extraordinary one-shot will be written by prolific Marvel writer Jason Aaron, known for penning some the X-Men and Avengers’ most pivotal modern sagas. Aaron will team up with a cadre of celebrated Scrooge artists to masterfully blend the beloved world of Uncle Scrooge with the hallmarks of Marvel Comics storytelling.
45 notes · View notes