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sophiamarieispinkbunny-chan · 4 months

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Twilight's Habit of Observing Yor and Anya

I just noticed how often Twilight observes these two interacting with each other, the anime is inclined of highlighting this since most of these are not in the manga and I love them for that.

Look at how fond his face is when he's looking at Yor and Anya's genuine affection for each other. I think he can saw glimpses of him and his mom through them.

Yor and Anya share a true mother-daughter bond, even though they don't share the same blood. In his world as a spy, where deception and pretenses rule, Yor and Anya's genuine bond is a breath of fresh air for him. It was something that is very much real and it's something that is under his care regardless he is Twilight, Loid Forger or his true self. He was the one who united their family and I think it makes him wonder how an epitome of deception like himself can build something as authentic and genuine as this.

That face he makes, the longing warm stare directed at them. I can't explain it but his eyes are really different when he's looking at them. It's soft. Yep, this man is already into deep.

Also, it makes me wonder, judging at how often he observes these two, how could he not tell something was definitely weird about them? At this rate he must've been constantly and intentionally ignoring those😂

More Yor and Anya interacting with each other in Loid's view:

They were always so bright in his view. I think he associates the both of them as his source of light. That's just so sweet and wholesome😭❤️

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dreamsy990 · 7 months

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you know i used to think it was weird how sora and roxas have such different personalities for supposedly being 'the same person' but after playing a few games i sort of realized that they do have similar personalities, because roxas acts how sora does when he's under extreme stress.

compare roxas to sora in, say, kh1. that's where a lot of peoples idea of sora's personality comes from. sora is generally very upbeat and optimistic in that game. not very similar to roxas, right?

but let's switch the game and talk about a game where sora is ABSOLUTELY GOING THROUGH IT. chain of memories.

sora's resting state is melancholy in com. he only ever cheers up in short bursts, usually when he's joking around with friends. just like roxas.

he's quick to anger, and tends to lash out at the organization members. best example of this is when larxene makes him 'remember' namine, and he swings at her repeatedly, even after she's gone. he only stops when jiminy is able to snap him out of it.

you know what scene that resembles?

sora, while a bit more on the angry side and less sad, continues to act like this in kh2 when he's in stressful situations. (he also has a tendancy to insult people which, while it's not very related to the point, is very funny and sora saying 'gonna cry?' to xigbar is great.) i cant comment any further than that about kh2 off the top of my head.

so, roxas acts like sora does when he's stressed, right? but why is roxas always acting like that? to which i say, he isnt!

he only ever acts like that when he's also in fucked up and stressful situations, which happens to be a CONSTANT in his life. but when he's hanging out with axel and xion, a decidedly NOT stressful situation, he's a lot more like sora. he's teasing his friends and insulting his coworkers and joking around and acting like a normal kid. not really important, but unless i misremembered some sora lines which is VERY possible, both roxas and sora respond to friendly insults with "oh thanks!" a lot. just a funny little detail that felt relevant.

the biggest differences between roxas and sora boil down to environment and... i dont know how to put it besides volume? roxas is very quiet and tends to keep most of his thoughts to himself, while sora is very loud and expressive in comparison.

there is one other huge difference i noticed, which is less character based and more story. sora wanted to get off destiny islands and explore with his friends, but roxas just wanted routine. sora wants adventure, and roxas wants things to stay the same, for days where he gets off work and eats ice cream with his friends to last forever, to keep having conversations about nothing and watching the sunset. roxas wants normalcy, sora wants excitement. it's just interesting seeing their contrast.

not sure if this is very well said or anything i just wanted to talk about my boys

#random thoughts #its been a while since i got to use that tag eheheh #i bet theres a few people following me who didnt even know i did analysis posts #the fact that sora and roxas grew up in very different environments is pretty important btw #roxas was already a bit quiet and being in a cult where any expression of emotion is immediately shut down probably didnt help #we'll probably never get a good idea of how roxas would be if he was in a normal situation #id say some of the twilight town stuff might be a close estimate but even that doesnt really fit considering all the shit going down #even from the very start hes being accused of theft hes Not doing the best #anyways. sora and roxas are different obviously #but theyre a lot more similar than people really talk about #kingdom hearts #roxas #sora #not rereading this so it might be a little weird and hard to read sorry

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whateversawesome · 3 months

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Maybe I'm overthinking this (probably I am) but...

You know that scene in Code White where Twilight (while disguised) grabs a woman's leg and then we realize that this is probably a honey trap?

And then we see that the woman is asleep (or unconscious).

My question is: why didn't he just sleep with her?

I'm sure he's done it before. What's different this time? 😏

Yeah, now he's married.

Now, there's Yor.

My headcanon is that Twilight is a bit demisexual. Someone demisexual is a person who feels sexually attracted to someone only after they've developed an emotional bond with them. In other words, Twilight needs to be in love for him to want sex. I even wrote a fic about this a while ago.

In my opinion, before meeting Yor, Twilight didn't care whether he had sex with someone or not. He did whatever he had to obtain what he wanted and protect peace. Sex was just a tool, not something he wanted or pursued.

But now things have changed, and the fact that he didn't sleep with that woman is very telling. Why was he faithful to his "fake" wife? I mean, that woman was part of his mission, he was wearing a disguise and no one would ever know. So why not just sleep with her?

Could it be that he has developed feelings for his wife?

It's very subtle. Blink and you'll miss it! But his behavior has changed.

Bonus: I love how gentle he is with Yor. This man is in love with his wife.

#spy x family #twiyor #spy x family movie #spy x family code white #loid forger #yor forger #agent twilight #loidyor #loid x yor #sxf #Spy x family meta #spy x family analysis

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piosplayhouse · 5 days

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Wwx is the only mxtx main protagonist who would not be a my little pony fan. But he does own a 20% cooler shirt

#Xie lian is an elder pegasister because he just likes shows about love and kindness #hes been in the collectors fandom for forever and runs an angelfire blog that barely works #whereas shen yuan is in the exact opposite camp as a brony who got into it via 4chan #he does serious lore analysis on the series in his free time and is constantly complaining about plot holes / poor #world building but he loves the brony pandering episodes #wwx doesnt fall into any of those camps so hes kind of just normie i fear. but Jiang cheng is a brony #so he bought the 20% cooler shirt to bond/make fun of him #i think he does like rainbow dash tho #oh favorite ponies #xie lians is fluttershy of course. sys is nightmare moon as we've established #but out of the main six his favorite/least favorite is twilight who he feels unfortunately drawn to bc he relates #to her. but he wont admit it. wwx only knows rainbow dashs name cause he sees her in memes #jiang cheng likes rarity. of course

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majorproblems77 · 1 month

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Linked maze updated which means I'm back! :D

Hello Linked Maze fans! :D

Linked Maze returns with scent pt10, which means I am back to ramble about the small details in the comic because I enjoy it!

If you dont know what Linked Maze is, It's a links meet comic. About the links in a maze.... Self-explanatory really, but trust me it's amazing and I love it. It's great! But also for more mature audiences, so do take care and heed the creator's warnings before going in!

Importantly - Linked Maze and all the art belongs to @linked-maze and its artist @frulleboi, this chapter also had a guest artist, so the second page's art is done by @marenwithanm. And thanks again for the permission to do this! I really enjoy making them!

With that out of the way, My timer is set, grab some snacks and a drink of your choice! And lets get started! :D

We begin with the small bean

He looks so happy, okay, I love him

Aww four, just wanted his sword back. Also here to straight up appreciate the detail with the little ticktacktoe on the scabbard of his sword i love him dearly.

Wolfie looks both Done and worried at the same time.

Also, them discovering Sky's sailcloth! I'm so excited about this okay I want these two groups to find each other so bad.

Also, I was interested cause I dont think we've seen the sailcloth in the story yet. So it's fascinating that it's here. I blame Angel, she has shenanigans that I think work for this. Like imagine when we see Sky and he's like the fuck why do you have my sailcloth I've not seen it since I got here, type thing.

Wind taking charge as he should be.

There's a bunch to unpack here, so just give me a moment.

That's not Sky's sword.

That's Twilight's sword.

The wrappings on the blade and the markings we see on it later match Twilight's sword. (From the character reference sheets.)

Do you have any idea how excited I was when I saw this? Then saw Wolfie's face like

Why the fuck is that there?

I think this tells us two things.

Twilight/wolfie is now able to be armed. So he's got the capability to fight without the wolf form now. So he might transform soon!

Angel/ djævel are using the hero items to bring the groups together for some reason.

But now im considering the implications of having these specific items here. Like, Thats an item from a character from some of the major groups that we know off right now.

Twilight's sword(Twilight, wind) / Sky's sailcloth (Sky,wild,Time) / Four's sword (four, warrior)

Was the idea for them to find it, or for just one of the groups to find it so that they could find the others.

Something to think about.

Moving on!

Me too four... me too

Yes it does. He's sat about five feet from you

Look at his guilty face, he know's but he can't say and he's sad about it.

Warrior looks worried, you think he's thinking of war stuff right now?

A sword planted into the ground with an important item beside it... a sword who they dont know its owner. Its owner who to them could be dead?

Twilight is the only one who know's his sword after all.

Good call Mr. Captain Warrior sir!

Again with the sad wolfie ears, they give me life okay I love him.

Good on Wind for being the one to lead the charge, we need a good vibe like Wind to get us through the shenanigans that I'm sure are going to ensue.

Again Twilight is looking towards his sword. When you think he would be looking towards Wind at this point. But his eyes appear to be looking towards the markings on the sword.

I love his shocked face. He's like

I can't track myself...

Totally not me going to be using this reaction when someone asks me to do something.

Wolfie is the real MVP of this chapter let me tell you right now.

I love this lot they are wonderful

Yes, you look to your sword and think about what you've done.

Sniff sniff out the cinnamon roll wolfie, find him!

Oh man, this update was fun, I got so unbelievably excited about the sword like it's great to basically have a confirmation about something that's been rotating around in my brain since we saw it before.

Thanks again for listening to me ramble my way through another comic update! :D

And thank you again @linked-maze for letting me do this, i will be continuing them (as long as you let me:) ) cause this was so much fun!

Thats me done for this update tho, so I'll be headed out!

Have a great night! :D

#linked maze #linkedmaze #linked maze analysis #zelda au #lm twilight #lm four #lm warrior #lm wind #lm wolfy #comic analysis with major #ramble corner with major #man i am chatty today i love it #Twilights sword made me so unbelievably excited #i love this comic okay

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arecaceae175 · 9 months

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This is SO funny

HAHAHAHAHAHA poor Twilight. He looks SO exasperated. And Wild's FACE

Art credit to Jojo @linkeduniverse!

#linked universe #lu wild #lu dawn 3 #lu spoilers #linked universe spoilers #lu twilight #ace’s lu analysis

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luna-lovegreat · 4 months

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It's all "links meet aus" and "zeldas meet aus", but where's my "companions meet aus"?

I wanna see midna bash fi and navis heads together for annoying her

I mean can you imagine the sheer chaos of all the Zelda companions meeting and going on a journey together? They're all companions/guides! One of thems a talking hat for hylias sake how are they supposed to take initiative?

I think it'd be like Lu where they all just meet up, but can you imagine the chain just somehow finds out this happened (and twilight is just like guys I am so sorry about midna) (but they're also really oddly touched that all their friends met each other too)

Pretty sure midna would be the sort of leader, since the last time she was in a foreign world she just found the nearest dude and started ordering him around. By like halfway through twilight princess she was literally asking LINK to accompany her to get what she needed.

But like. 90% of the group would be fairies. Which can't heal. One is a talking hat who just needs a head? He can't go on midnas cause she throws him off with her magic hair, poor ezlo is just trying to keep up.

They also have these weird green shadows who come around? They don't talk, but there's a rock, a fish, a bird, and a lady who just appear and stab things and shoot wind water fire and lightning.

Also midnas really confused why wolf link just shows up and kills things every now and then (from botw amibo)

Fi is the one who can talk to Hylia and awaken memories and get guidance and information or whatever, but she only does this by ballerina dancing and the others are always pissed at her anyways "WE DONT KNOW WHAT BATTERIES ARE OR A WII REMOTE WILL YOU PLEASE GO BACK IN SWORD FORM ALREADY" "I detect there is a 90% chance you need a key to open this door" "wow. Your perception is unparalleled fi."

Also there's a boat. A boat. Who is also good at taking charging since he's a king, which causes some friction between him and midna, since she has to grab him by her hair to move him half the time.

And with the fairies. Again. They all offer advice mainly. And with the fairies a lot of their main role is speaking and getting attention and pitching in? They come on an intersection and there's a chorus of bells all shouting the same directions. Ezlo is trying to cover the kings ears from his place on the boats head

Also there's this ghost/spirit of Zelda that everyone just feels REALLY strong loyalty to. But she's just like this kid who wants her body back?! They try to protect her but she can turn into a purple knight and stab things so there's that. I think there's also some animal companions from ooa/oos so.

Side quests are nonexistent they don't care about a village or gathering frogs for a kid they are there to save the world on a mission linear plot it is

And it's interesting because you have so many of them who just vanish and then appear to give loud advice. All at once. And the fighting skills basically fall to those weird green shadows that shoot various elements and fight and randomly disappear. Midna and spirit Zelda can fight, and Fi can too (kind of like how she fights as a sword in hyrule warriors). Also up to you if midna is drop dead gorgeous or devilish imp.

By the end they find whatever enemy so they can go back and midna is so pissed by this point that she hears the word "batteries" from Fi and goes full on fused shadow and just obliterates the jerk

***I have not played all the games so do not know or understand all of the companions and probably got some stuff wrong

Bonus: there is a child in a village named Link who does not have the spirit of the hero. He is stalked for three days until Fi decides his vibes are off and they all stop telling him he's the chosen one

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bogusavathepit · 2 years

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Kelly Budruweit’s “Twilight's Heteronormative Reversal”

Just that these quotes hit the nail on the head with Twilight being very anti-Gothic:

The Cullens differ from the many vampires who inspire sympathy despite their affinity with evil. In fact, the Cullens hardly require any sympathy at all for their shallow monstrosity; they are less like sympathetic vampires and more like sheep in wolves' clothing.

rather than critiquing or subverting the narrative function of monstrosity, the Twilight series enacts a reversal of the monstrous, revitalizing the polarity separating the normal from the deviant. The ideal Cullen vampires allow for the relocation of monstrosity into those bodies which are uncontrolled, like Bella before her transformation, or any vampires who have not chosen to restrain themselves. Monsters in Twilight are not socially constructed; rather, they create themselves by giving in to aberrant desires. By reinforcing the notion that both desire and sexual orientation should be controlled, Twilight rejects the Queer Gothic, in which disturbing desires trouble gender categories.

Among other works which Nelson identifies as part of the "new Gothick," Twilight reconnects the genre with ideal hopes for humanity, restructuring that identity as heterosexual, patriarchal, and consumerist. Whereas, according to Davenport-Hines, "New gothic's resurgence has been provoked by the fundamentalists' sanitary controls...Gothic consumers prefer art and entertainment to be morale-sapping, not bracing or comforting" (10), twenty-first century Gothic is exactly that: comforting, hopeful, and, in the case of Twilight, sanitary.

The cleaning-up of the Gothic distinguishes Twilight from other examples of new Gothick as well as from other vampire romances.

In the conflict between the present and the past, Gothic works are often based on a deeply embedded skepticism, whether that be skepticism of Catholicism in The Monk, or skepticism of marriage and womanhood in Wuthering Heights. Even Dracula is skeptical of capitalism, to the extent that an old corrupt aristocracy might repeat itself in a new corrupt entrepreneurial class. Towards the end of the twentieth century, writers like Anne Rice turned the skepticism of the liberal Gothic toward consumer culture, as well as renewing critiques of gender norms.

In effect, Twilight neuters the Gothic potential for subversion, taking Gothic conservatism to a new extreme by draining its threats of their queerness.

In the popular Gothic of the late twentieth century, fascination with vampires as monsters belies an awareness of the monstrosity within consumption itself. By contrast, Twilight redirects Utopian liberal awareness into a conservative overcoming of negativity.

Although Twilight might not be the alternative he had in mind, Meyer's imagined world does fit in with the pattern that Edmundson describes as a means of dealing with Gothic fears: "the culture of facile transcendence," characterized as "an anti-Gothic world inspired by the belief that self-transformation is as simple as a fairy-tale wish" (xv). Edmundson identifies this form in "feel-good" movies such as Forrest Gump, in the hopeful, overcoming-all-obstacles messages of Oprah, and in what he refers to as "the angel craze" (xv). As Marijane Osborn explains in "Liminal and Luminous: Why Edward Shines," this vampire is more angel than demon (18). Bella herself repeatedly compares Edward and the Cullens with angels, usually in reference to their stunning physical features.

The association between Edward and angels could mean, by extension, that in becoming a vampire, Bella is also becoming angelic, transcending her human form. In this way, the books harness the power of both the Gothic and the 'angel craze.'

In Twilight, becoming a vampire represents the fantasy of an identity completed by a sustained rejection of the abject, a crucial aspect of identity formation which contains potential sites of subversion. According to Julia Kristeva, the abject is that which must be rejected in order for the subject to form (the illusion of) a separate identity (13), and the abject "draws" the subject "toward the place where meaning collapses" (2). In her work on the monstrous-feminine, Barbara Creed explains this relationship by positing the abject as the element which constructs the monstrous and which threatens to cross borders (11). Given the close link between monstrosity and abjection, the Gothic exposure to monstrosity suggests a fluidity of categories that disrupts a stable identity. In the tradition of Dracula and the popular horror film, identity comes to be reaffirmed through the defeat of the abject Gothic monster. Since the Cullens are described as monstrous without being abject, the Twilight series stages a false confrontation with abjection, making vampirism appear as an attractive solution to identity formation.

By relocating the symbolic order in "good vampires," the fantasy-world of Twilight poses the problem of subject-formation as both solvable and already-solved for the Cullens. They only appear to be monstrous, while in fact they are the opposite, having disavowed the changeability of the Thing; they reveal that not being monstrous depends on a constant restraint of the disturbing Thingness of desire.

In many ways, Bella's journey reenacts the dilemma of the female subject as described by Angela McRobbie in "Postfeminism and Popular Culture." McRobbie refers to "the regime of personal responsibility" (261) that makes individuals answerable for their life trajectories. If, as McRobbie claims, "Young women...are now 'dis-embedded' from communities where gender roles were fixed. And, as the old structures of social class fade away... [they] are increasingly called upon to invent their own structures" (260), then Bella's initiation into the family of the Cullens offers a solution for this dilemma.

Having decided that there will be no place for her in her mother's new life, Bella has to reinvent social structures in which she can fit. By making those structures a function of Bella's choice, the series holds out the fantasy of being entirely in control while dealing simultaneously with the loss of structure that could accompany individualism.

For Bella, real monstrosity tends to be associated with herself as an awkward girl, and vampirism offers a solution to this sense of weakness, through which the truly monstrous aspects of the abject Thing can be disavowed. By positing monstrosity as a mere illusion, the series also imagines an end to the process of identity formation, so that the abject can be left behind, rather than confronted.

The emphasis on Bella's choice is undermined by the continual insistence that she wants traditional structures without knowing it. Throughout Twilight, all of the heroine's desires center on having Edward and on becoming a vampire. Since these outcomes are contingent on becoming a wife and a mother, the object of desire in the series is deeply embedded in traditional structures of gender roles.

In a series of displacements, Bella's sublime object is, in turn, Edward, becoming a vampire, getting married, and then giving birth. But the product of motherhood, in the child Renesmee, is the most sublime of all. Bella considers her conception 'impossible' (Breaking Dawn, 124), thinking, "there was no way I could be pregnant. The only person I'd ever had sex with was a vampire, for crying out loud" (125). And yet, Renesmee is the unlooked-for, impossible object which gives coherence to Bella's journey. Through combining the sublime objects of romance, motherhood, and vampirism, the series reattaches feminine sexuality to heterosexual marriage and reproduction, one of the primary functions of the ideological field of Twilight.

The scenes from Jacob's outside point of view further emphasize the monstrosity of the maternal figure. In this sense, Bella's transformation might be a means of returning to the "clean and proper body" (72) that Kristeva associates with the symbolic. The wounds of motherhood literally disappear, and with them, the threat of the abject.

Women who live without men are threatening; their desires foreign. While Twilight insists on hetero sexual romance for main characters, there are a few, most notably the Amazon vampires, who do not follow this pattern. Bella describes Senna and Zafrina as "ferine" (612), and she claims, "I'd never met any vampires less civilized" (613). Unlike the others, these women are not attached to men, and Bella compares their intimacy to a heterosexual couple: "Senna was always near Zafrina, never speaking, but it wasn't the same as Amun and Kebi. Kebi's manner seemed obedient; Senna and Zafrina were more like two limbs of one organism—Zafrina just happened to be the mouthpiece" (613). This strange intimacy suggests a maternal authority that Bella has left behind in her embrace of the symbolic; the Amazons represent the "fusion of mother and nature" (Kristeva 74) which must be disavowed by the law of the father. According to Creed, horror films present the monstrous-feminine as a means of performing that disavowal, defiling the body of the mother (12). For the Amazons, this process of abjection has not occurred: they are fused in a shared authority in which borders are permeable. Meanwhile, the combination of wildness with a strength that excludes male authority marks Senna and Zafrina as feminist figures. The most lingering status of the abject, then, the one not directly confronted or contradicted, belongs to feminists who form their identities without men. Of course, such figures remain marginal in the text, and their supposed lack of civility emphasizes their relative lack of development compared to Bella...

Twilight seduces the reader with promises of a supposedly alternative lifestyle, but the focus on self-control reveals the former "monster" as a glamorous mask for anti-feminist, homophobic ideology. Meanwhile, the series reiterates the Gothic tendency to portray the human female as truly monstrous and haunting—and in need of exorcism through the devices of popular romance.

Excuse me while I cry into my coffee.

#twilight #twilight essays #twilight essay quotes #twilight analysis #twilight renaissance

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bokettochild · 4 months

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Thank to rub salt in the wounds, Twi.

Not only your timeline was perfectly FINE, not only the hero before you isn't DEAD but he left you a sword in a perfect condition.

Twilight didn't have to fight, as a child, to survive in a cruel world. The hero before him did'n't fail, he didn't leave the sword in a horrible condition.

I wonder if Legend has guessed that the hero before Twi was Time, seen Twi's smile. (it's kinda obvious seen how close they are)

Did he guessed that Time was the hero before him too? And he chooses to stay silence to not hurt anyone? Time has never been the hero of time in his timeline after all and is probably died as a child.

But outch Legend's face....it's a mix between "Yep you are a lucky boy" and "if only you knew about the hero before me or maybe "thank to remember me how much a tragic mess my timeline is"

Because Legend is too nice and patient to say "how nice for you, the hero before me died against Ganon, his sword was in a horrible condition with still his blood on her, so much that i have had to reforge her myself! As a CHILD."

No Legend is too nice to take his bitterness on Twilight who did nothing wrong and didn't know. He'll shallow it and says nothing about the sword's condition in his timeline.

I think that's a big part of who Legend is actually! He comes off as really bitter and cold, at least as far as Twilight is concerned, and I wish there was more focus on that interplay.

Twilight met Legend and, based off of a few limited interactions, mentally labeled him as a bully and a jerk and thus treats him accordingly. Not without reason of course, he's drawing mental parallels to actual bullies and Legend is unintentionally checking the boxes, but I think it's sort of sad that until this point, Twilight has still not bothered to get to know Legend at all beyond his initial observations .

But the fact remains that Legend IS from a world that was in shambles, a world where everyone is a threat, if not to everyone else than at least to him. Legend is a prey animal trapped amongst predators with little to no guidance. The cards of fate are stacked against him as far as his world is concerned, and while the goddesses may have granted him additional blessings and favor to make up for that, his world is still magically a mess, physically a mess, and just generally a mess.

The vet has no legacy of proud heroes to look back on. The First Hero died. The Hero of the Four Sword is a raging lunatic who tries to murder children and is sealed beneath the castle. The Hero of Time died in combat. This is the legacy he gets to follow in. Legend doesn't have the hope of becoming like those before, he has the fear of meeting a similar fate because life is never kind to heroes.

Legend's world was left in shambles, and he's had to be the one to help rebuild it, only to watch it get torn down again and again as enemies undo all his hard work. But on a more personal note, Legend has tried again and again to establish himself in the world just to have all the people he loves hurt or harmed on his account.

His Uncle died, and even though he was brought back, he disappears from the timeline shortly after, leaving a kid hero alone in the world. Legend's grandparents have high expectations and aren't the best at listening when he says that their wishes make him unhappy or uncomfortable, and instead push him to follow them anyway, only to themselves disappear from his life once the Oracle adventures are over. Din, Ralph, Raven, Nayru, Moosh, Ricky, Dmitri, all these are people Ledge befriended and was close to and had to say goodbye to again for one reason or another.

Marin.

Legend is always losing the people he loves most, watching his work get thrown in his face and receiving little to no thanks for his work. He's still actively treated like a nuisance and a threat by some people in his kingdom and no doubt there are others who simply don't believe him.

The whole world is against him, and yet the only thing it's done is made him defensive. Ledge isn't cold or cruel, you can see that he actively cares for and worries about the other heroes, he's just guarded more than they are about it. Still, in times of high emotion the walls fall and he's his true self: that kid who's got a heart too big for his own good and is going to get it broken again.

And Legend knows this. Legend actively knows that Twilight isn't fond of him, and that the other heroes regard him as an ass, but rather than correct them, stand up for himself, provide even one of the thousands of reasons he has to guard and defend his heart like he does, he just lets them have their peace because what good would it do to tell them about the losses he's suffered? The world he grew up in? The legacy he has to bear? The terrible fate he no doubt expects to one day meet? What good would it do to make them love him if that will just make their inevitable parting all the harder?

It's hard to lose those you love, but it's easier if you convince yourself they never actually loved you, so you're better off.

So yeah, Twilight is over here unintentionally rubbing salt in the vet's many wounds, but Legend keeps his mouth shut because it does no good to speak up, and in the long run, at least as far as he thinks, it's better to let it be.

I kinda hope Twilight will come to understand the vet better though, and maybe get a peek at what has hardened up the younger hero enough that he comes across the way he does. I'm pretty sure his whole outlook would change if he did, and his respect for the vet would definitely increase.

#lu twilight #lu legend #character analysis #linked universe analysis #asks and answers #linked universe #linkeduniverse

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sophiamarieispinkbunny-chan · 3 months

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Loid "Cannot be separated to his wife without missing her for even just a couple of minutes/hours" Forger

This man didn't even touched his cake since he's waiting for his wife to come back so they can eat the cake together while Anya is already devouring her piece 😂😂 It's sweet for him to have this habit that he eats when Yor eats as well. What a husband attitude. And did you see how he defended Yor's innocence in this chapter?

He always gets so defensive when it comes to Yor, since Camilla's party, he defended her in front of her coworkers, in the Eden interview when Swan badmouthed her ability as a mother, he defended her and he was genuinely upset with the way Swan embarrassed his wife, when Nightfall said that Yor's being uncooperative and she should be replaced as his wife, his tone and glare changes into a defensive demeanor. Loid always comes to her defense without missing a beat, and he wasn't calculating those reactions, he did these without the mission on his mind.

This man is already slowly falling in love with her from the very beginning and I think by the time Yor's secret would be revealed to him, not even her real identity as a killer would stop him from being with her for he's already and irrevocably down bad for her

#spy x family #spy x family manga #loid forger #twilight #sxf manga #yor forger #twiyor #sxf spoilers #sxf manga spoilers #sxf analysis #loidyor #sxf chapter 94 #spy x family manga spoilers #This chapter was such a twiyor tease haha #Ohh there's one room but oh there are two beds hnggg #Twilight loves his wife so much your honor #Not even his for the mission line could defend him at this point #I feel like Endo is really cooking something between these two #His denial is just sinking him deeper into his feelings

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wen-kexing-apologist · 5 months

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Hands Touching Hands

I figured people would expect some sort of analysis out of me when it came to The Hands Scene in Episode 4 of Last Twilight. So without further ado, here it is. (you can thank @ginnymoonbeam for this one)

Menace!

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all gifs from @wanderlust-in-my-soul

#last twilight #last twilight the series #ltts #last twilight meta #last twilight analysis

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whateversawesome · 4 months

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SxF Chapter 91: Perspective, History, Empathy

Let me start by saying that I didn't think this chapter would make me so emotional. Was it the same for you?

A small side character like Millie, who we saw only as one of Yor's annoying co-workers, turned out to have a very sad backstory and gave us a glimpse of how things are for young people in Ostania.

This chapter talks a lot about people understanding and misunderstanding each other. Millie was just talking about her own experience and feelings, she was explaining why it was so difficult for her to help during an event like this, and that lady felt personally attacked because she saw things from her own point of view and her sufferings.

In no way the story discards any of those ladies' sufferings; what they went through during the war was very difficult, I'm sure. Nevertheless, comparing their sufferings and demanding Millie to act the same way just because they were able to do it, it's not right.

They both had different experiences because their circumstances were different, so they face life in their own way. That's exactly Yor's point.

Here, Yor demonstrates her best quality (and one of the many reasons why her husband fell in love with her): Emotional strength.

I've said it before and I'll say it again; Yor is a very emotionally intelligent character. The way she stood up for Millie displayed all her emotional strength. She called out that woman in such a smart way!! She wasn't rude but her words were true and very wise.

One of the most important things Yor mentions is that we cannot bear the same load because we're different. And I couldn't agree more👏

Also, if we take it as a metaphor, Yor is such a strong person because she carried a very heavy load: as a child and an orphan, she had to take care of her brother. Because of this, a naturally kind person like her had to learn to murder in order to survive.

It was a beautiful chapter. On top of everything, we learned a few important things:

1.Yor did lose her parents during the war and because of the war.

2.Donovan Desmond did NOT start the war. But plenty of young people like Millie don't know that, so it's possible that since he was Prime Minister during most of the war, he gets blamed for starting it.

3.Donovan Desmond is hated by many. That's probably the reason why he's no longer in office. And it also wouldn't be surprising that the majority of people in Ostania who voted against him want to move on from the war.

3.Melinda still wears her wedding ring and, even though she's separated from her husband, she still counts him as an important person for her. I guess, you can hate a person's actions and opinions, hate what they have become, but care about them at the same time...their marriage is complicated.

4.Not only Yor and Twilight fear the SSS because of their jobs. The general population do too because they know rich and powerful people can make them disappear regardless whether they are spies or not. That means arrests and disappearences of innocent people are common.

5.There was a repression during war time. This means the state controls and restricts certain rights of its citizens. When war happens, the state may determine it's necessary to protect their country and citizens. Chances are that policing of others started then and Ostanians got used to living like that.

And now some questions:

Was Melinda being sincere? In my opinion yes (for the most part). Melinda is no longer campaigning for her husband. In fact, she's going there incognito. Since her husband is no longer the Prime Minister and they don't have any elections to win, she doesn't have to support this types of events. If you think about it, once a politician retires from the public eye, their spouse generally goes back to their normal life.

Something that caught my attention was that it was mentioned Melinda has a lot of enemies; probably because her husband has a lot of enemies too. If that's the case, it would be easier for Melinda to move abroad, where she could have a care-free life, yet, she has chosen to stay in Ostania. Why?

Melinda is still a very mysterious character. We don't know her plans or intentions. We don't know why she separated from her husband. My only guess is that she's suffered a great deal and that's why she's able to empathize with Millie, even though their experiences are different.

What do you think?

Bonus (to end on a light note):

This is the Sxf when we see Yor 😄

#spy x family #twiyor #Spy x family manga #Sxf #Spy x family #yor forger #loid forger #anya forger #loidyor #loid x yor #agent twilight #Spy x family meta #spy x family analysis

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nerdygaymormon · 4 months

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#kristin stewart #Queen of literary analysis #twilight

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skyloftian-nutcase · 9 months

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Zelda's Personality

I did a post about how Link, despite being a player insert, has different personalities through the games that appear subtly and can be inferred based on his behaviors and responses. So now it's time for the Zeldas! More recent games have given more of a shining role to the character for whom the franchise is named, and I love the variety between them all, so let's explore it a bit! (At least for the games that I've played)

Ocarina of Time Zelda - My gosh. I love her so much. This woman ain't a princess, she is a Queen. She is so determined to protect her people that even as a child she's willing to order people around and go against the adults' wishes, despite being ignored. This girl is determined. Like, BotW Zelda gets put down over and over despite her efforts and she is understandably dejected and goes along with what her father wants. This Zelda is straight up like I'M RIGHT YOU'RE WRONG and just moves on LOL. Not only is she determined, she has a plan. A very foolish childish plan because she is a child and no one is going to stop her.

And, naturally, since it's a child's plan against an adult who has all the other adults wrapped around his fingers, it doesn't work. Zelda is left with a kingdom in flames, the evil man she was trying to stop obtained the Triforce, and her father is dead. She's fleeing her home and spends the rest of her childhood in exile. Something like this could destroy a person. And maybe it did. But she picked herself back up. And not only did she pick herself back up, she trained herself to fight. She learned everything she needed to about the Hero's journey so she could guide him when he returned. She stayed in hiding to avoid Ganondorf's watch. She protected the Triforce of Wisdom. This girl is a certified badass.

This Zelda is a fighter in every sense of the word. Nothing will stop her, not even her own mistakes. But she is sensitive too, she's aware of the damage this has done to Link and is apologetic and so incredibly sad. She carries the weight of the world on her shoulders. (Granted, this is Adult Timeline Zelda, but she is just Child Timeline Zelda put through a different scenario, so... same personality for both of them, just different circumstances).

So overall, this Zelda is decisive, resolute, never gives up, empathetic, and probably a little reclusive based on how she's always left to her own devices.

Skyward Sword Zelda - This girl is chaotic and it's wonderful. She pushes her best friend off cliffs and sky islands. She bullies the bullies. She's training in a knight's academy, which more people need to remember dang it. She's protective, she's anxious, she's bossy, she's curious.

This girl is also pretty darn adaptable. Like. She gets thrown out of the sky, out of everything she's ever known, tossed into a world of danger with no one to guide her but a stranger, and has to recover memories of being a freaking goddess and endure a journey of discovering herself while also being chased by Ghirahim. And she does it. Like... Link isn't far behind her, he goes after her literally the next day, and she's already doing her part of her adventure. She was told the fate of the world depends on you and she said okay, then, better get going. Like wow.

She has to have a strong sense of self. This girl found out she was a goddess and told Link after everything, "I'm still my father's daughter. I'm still your Zelda." She was called Your Grace, she was a spirit maiden for a deity her people worshipped, and she still said, "yes. Yes, all of this is true. But I'm still me." Like... I know we see her during her journey when she's still processing and not the aftermath, but this girl has a will of iron and will not let go of who she is.

In summary, this Zelda is courageous, has a strong sense of duty, is a gremlin, excitable, assertive, and stubborn.

Breath of the Wild Zelda - Oh, this poor princess. This Zelda is so sincere and wants to help so much, but she struggles with discovering herself and her powers. She is endlessly inquisitive and absolutely crushed under the pressure her father and her kingdom places on her. She lets it out through understandable frustration, pitting it against someone who, to her, represents everything she is not, which is so interesting.

This Zelda wants for the pieces to just fit but she can't figure it out, and instead of doing some introspection she just continues to look for alternatives. When she does do introspection, it's just to ask why she's defective. Things just need to make sense. I feel like an attitude like this implies that 1, Zelda has no instructor and therefore never learned how to learn, and 2, that implies that everything else she's good at has come naturally to her, such as technology. This girl is a scientist! Who has not learned the scientific method! Though she does try experiments, as poor Link can attest.

When Zelda is allowed to just be herself she seems very sweet and bubbly and excitable. She's so happy when she wants Link to try that frog! She's also incredibly chatty, bless her, having to put up with that silent knight all the time haha (yes, Link does eventually talk to her. Eventually.)

I would also like to note that the instant this girl gets her powers, she goes straight to the castle and holds Ganon at bay for a hundred years. The instant she's free of that burden and bondage, she wants to rebuild her kingdom. Like holy cow. This girl went from doubting herself so much to having so much hope. She is a symbol of hope for her Hyrule.

BotW Zelda is uncertain initially, but learns to have faith in herself and more importantly has all the faith in the world in her people. She is inquisitive, extremely intelligent, energetic, bubbly, and very sensitive.

Twilight Princess Zelda - One of the more mysterious and less prominent Zeldas in her series, this woman radiates quiet strength and regalness. Also, her very first scene (or maybe it's a cut scene flashback in her first interaction in the game) shows her brandishing a sword to fight alongside her soldiers. Hell yes, Queen. But she also has the wherewithal to recognize when she's outplayed. She is wise and knows when to fold to avoid needless casualties. She is willing to put herself in such a vulnerable state in order to protect others. She knew that fighting would still result in the kingdom being overcome by Twilight magic with bonus dead soldiers, so she opted for doing it without the dead soldiers. Knowing when you're beaten and taking it with grace to figure things out takes not only wisdom but humility.

This Zelda is also just... so incredibly understated. Her sadness over her kingdom's fall into disarray is poignant but subtle. Her compassion for Midna when she's dying is muted, but so clearly evident in that she gives her remaining life energy to her. Her acceptance of Link as the Hero, and her sign of respect to him and petition for his aid is just oh my goodness, the regal bow, the willingness to fight alongside him, I love her.

With as little as she features in the game and with as quiet as she can be, she honestly is hard to peg down, but overall this Zelda strikes me as someone who feels deeply and expresses little of it. She's quiet, she's reserved, but she is humble and dignified and incredibly kind.

So there you have it. Some of the ladies for you. I love them all dearly and love to compare and contrast them. <3

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