oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-
oh. I made a blog for that exact purpose ! OKAY—!
fuck. fuck me, dude holy-
FUCK.
the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,
ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.
the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.
The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.
Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->
POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).
I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-
I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—
BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)
Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father
holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.
HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."
LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.
YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:
the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care to something else immediately after dealing with the guy (perhaps smth related to the children Snezhevna wanted to save). But regardless it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god
it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.
and ofc it acts as a representation of Snezhevna dying...
because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.
And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.
"Once I'm better I'll start my next mission.."
THIS. THIS!! IN SO MANY WAYS THIS!
OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:
There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trailed to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???
So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..
and ofc the funeral scene. I can't say much more than what's already shown right on the screen.
and am I bugging? Or is the location of the grave....
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I'm sorry if this is a too deep question out of nowhere, but on your HCs, how do you think the curses (and mahito especially) perceive gender? Mahito uses masculine pronouns in canon, but do you think he identifies with a specific gender? Is agender? Is interested in studying the importance we humans give to it, or thinks it's too stupid and unecessary? Does he comprehend certain prejudices that humans have due to gender ideas? I was also going to include asking about sexuality too, but I think this is already a pretty big ask </3 have a good day S2
Feel free to ask anything you like! I love deep questions.
With curses in general I think the context matters - as in, the type of curse they are. Say a curse exists that was born from the suffering women have endured, I feel like that curse would be more attached to the associated gender because its existence and nature surrounds that gender specifically. Whether that curse has the sentience or care to identify as said gender is another thing to consider. How a curse presents itself could be directly related to that gender its nature is associated with, or it could be a more ambiguous thing that covets aspects of the specific gender despite being something more akin to agender.
I think it comes down to the nature of the curse (why the curse was born to begin with) + the level of sentience of the curse (if it possesses the awareness to care about gender). I think a curse lacking sentience/awareness that identifies as a gender is likely echoing its nature without consideration - like a ghost looping in the place it died. Curses seem to echo "gibberish" about what made them or is related to their birth.
By default I lean towards the 'no' zone of curses perceiving gender to the degree humans do. While gender can be important to the type of curse it is, gender doesn't actually serve a purpose beyond that to them. It's entirely a human construct in terms of identification. Gender serves a reproductive purpose, sure, but how many curses are out there making babies? I ask that because curses, as we know them, lean more into negative and destructive habits than positive and creation based ones.
The context of a curse is what can give them a gender association, but a curse possessing sentience to some degree is what can define their perception on gender - if they even have one.
With Mahito I think he understands humans value gender perception. I don't think he personally cares deeply on the matter himself in terms of identification, but he likes the way the male form feels more-so than the female form. From the angle I write him from, I feel like he's agender but likes to be masculine presenting in body to a degree.
(Side note: I have a running theory way off to the side on the fact he was more masc leaning because human hatred, fear and betrayal in history has been more knowingly caused by men and patriarchies. That's not me saying women haven't done shit things in history, mind you, since Mahito isn't really bound to any one gender doing one. But predominantly in history, regardless of country even, we see male leaders of nations or clans being the ones to decide the fates of others. Betraying their people, enslavement, forcing their people into war, murdering for their own gain or enjoyment, etc. and the greater documentation we have of it regarding men over women.
It made me think that maybe Mahito's development into a masc leaning build was influenced by that. But he also keeps his features feminine leaning because plenty of women in history have also done wrong. Both in the past and present day - whatever the span of energy was that built up enough to make him. Or remake him (again and again).
It's a very tentative thing I'm considering because obviously it Doesn't Sound Great on paper. But Mahito is a little bit of a scholar of sorts, between human psychology, philosophy and (in my opinion) having some manner of interest in history - I can see him kind of playing with this angle because it could feel right to him to embody aspects of what birthed him. Presenting as a feminine man also is its own topic that inspires stupid amounts of hatred in people. Seeing as Mahito likes to make people upset, uncomfortable, etc. I can also see him forming his body based on that.
And while I know a person's art style is liable to change here and there and what not - I find it fun to think that Mahito is just shapeshifting himself a little here and there. Thins his muscles, gets a little leaner now and then, sometimes gets more bulky. Adjusts depending on his wants or if he thinks it's necessary to.
Anyways, these thoughts in here are just tentative ones I'm musing on because I'm trying to factor in the things that birthed him and how they've played a role in humanity. So take this section in parenthesis with a grain of salt for now.)
Back to your inquiry, I think he'd be interested to learn how humans perceive it and what the fuss is all about. The subject of gender in the modern era sparks a lot of negativity between those who are going unheard and those who are obtuse on the matter. I think Mahito understands gender in the form of human reproduction and doesn't inherently think more on it beyond that.
If someone corrected him on how their identify he'd take a second to consider their physical form and if it was based on that or based on their mental perception of themselves. Either way, I don't really feel like he'd have a care in going along with how someone identifies as, since gender to him isn't a huge deal. On top of that, his interest in psychology and philosophy surrounding the subject is probably the saving grace here that would have him be interested in going along with it. Because without that, he really wouldn't care and would call someone whatever came to mind.
This isn't to say he's a nice curse, btw. Mahito will likely make rude jokes at the expense of someone. Gender, orientation, whatever regarding all that isn't really off limits if he wants to be mean in some way.
I think Mahito has a good understanding on the prejudices that exist. While he has no real attachment to gender as a curse and just decides based on his whim of what he likes at the time, he understands the value humans have with it and the negativity that generates because of the subject. Hell, he was probably born from a decent chunk of the hatred ignorant people have on the subject and the hatred (and fear) people on the other side of the debate (nonbinary, trans, etc) also experience.
Mahito sees this issues humans face and thinks they are silly things to squabble about. But hey, they are generating negativity and kind of proving his own ideology so he isn't about to complain either.
Also feel free to ask about sexuality! I'm pausing this answer without that part because I'm not wholly sure what about it you'd like me to address. If you mean how curses or Mahito perceive sexuality? Or if he associates with that-- like similar questions here just flipped for that subject or something else. So rather than presuming I'll let you feel free to ask if you'd like so I can give the inquiry the attention it deserves.
If I didn't answer something enough, feel free to specify and I'll clarify my thoughts further. I don't mind at all.
Mind anyone who gets this far, this is just my own opinion of how I write Mahito. It's fine if you disagree with any part of it. ^^
Thank you very much for asking! It was lovely to answer.
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let me just say one thing for the moment regarding Ted:
there’s a lot of circumstantial evidence and not much else - it’s good to be cautious and to be keeping a close eye on things, but quite frankly, it’s still a lot of smoke and no concrete anything. like, “he knows/we told him” - how was this done? was there 100% confirmation that messages/replies/@ s were received and read, because that was never indicated and that’s pretty important to the picture people are painting. and from what i’ve seen, the girl in question has no personal information listed on twitter, at least, and if he’s anything like me - and i am way more online than him - i don’t do heavy background checks on every person who interacts with me, and i’m also not an actor who gets hundreds or replies/retweets/@ s daily that are probably largely ignored or unread
protecting minors is absolutely the utmost important thing, but again, unless you can prove without a doubt that something elicit or nefarious is happening, that’s a lot of heavy accusations to be throwing around and i don’t have any answers for you, nor do i have any idea what more can be said at the moment
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Asking without any malicious intent at all /silly
Do you have a reference of your little Mario Insert and if so can I steal it pretty please 🙏
Im sorry this took so long to get to become I literally did not. Have a recent/accurate ref so I had to clamber to doodle one up
Obviously this is. Not much to go on but she’s literally just me in a cute dress.
(Those are like. Leg warmers and Mary janes(I think that’s what they’re called????) in case that wasn’t clear)
So a more accurate like. Face look would be like this. Pale skin, Round cheeks with freckles on the nose and cheeks.
Also just for like. Height reference I’m 5’3
So here’s like. What it would look like if I we’re standing next to Mario (he’s 5’1) and Peach (5’10)
Also not much help but here’s like. A bit of a more finished look(?) from this drawing
I’m sorry if this is. Not much to work with 😭
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