Yeah, you know — Strange New Worlds. The one that’s a sequel to a prequel that was both a sequel to a previous prequel and also its own prequel to the original. That one.

Consuming Picard exclusively through the Tumblr tag is objectively the best and funniest way to consume Picard content. I am in every way but physical sitting at a wall of TV monitors that only play 1-10 second clips of the most chaotic writing choices ever conceived by man with an endless scroll of agonized and exhausted analyses overlaid on top of each of them, each more alarming than the last. Picard is fucking every old woman on this ship and they all hate him. No one knows who the father of Picard's son is. Daforge is canon I guess. Data and Lore are conjoined twins now. The changelings are evil again for some reason. Janeway is God. Seven and Raffi continue to be the most homophobic gay couple but no one cares 'cause Star Trek broke us all long ago. Tuvok is here. I have no idea what's going on. I know exactly what's going on. Everything and nothing is true simultaneously.

Fuck it. Every Steve Harrington headcannon I have because I've been rotating that boy in my head like a pig on a stick Part 2 this is a little more in depth than the first one but only by a smug

- Epileptic, either since he was young or developed it over time due to all those concussions he keeps getting

- Favorite fruit is blackberries I have no reason

- Kinda sad but he never really had friends, yeah he hung out with Tommy and Carol but that was about it. Like after the fall out with them he was by himself, alone. I feel like if he was as popular as we think he is, he would have at least one other friend right?

- Does not have a filter at all. That one scene where he just casually says, "Oh yeah my parents are out of town because my mom doesn't trust him to not cheat on her any who!" and I feel like he just kinda does that

- Star Trek fan but he just does not comprehend that it's supposed to be nerdy (this is not my own I saw someone else headcannon this please tell me if you find them I can not)

- Absolutely sucked at ELA, could be cause of dyslexia or not whatever you want buttercup

- But on the topic of dyslexia, this headcannon is one of the main reasons why I love math nerd Stevie so much. Like, ELA test and History test are mostly long paragraphs that he needs more time to read through and his teachers don't care enough to give him extra time like he needs. But math tests tend to have a small paragraph that he can read faster or just focus on the numbers and finish on time, so he just got really good at math so he would have at least one class he passed

- Survives off of coffee, lord knows he needs it

- My most random headcannon is that since his parents were never really around or cared much for his safety, he used to hang out outside a lot and explore the wildlife around, got really into nature and animals, bought nature books etc. But his dad told him nature and animals were girly and forced him to stop even though he really loved it

- If he does ever go to college (which he doesn't have to, though if Robin went he would probably go with her), he would either get in education major and become a math teacher or some form of environmental degree

- His love language is quality time

- Among the three of them, Steve and Carol were the closest. Yes, Steve and Tommy met first, and yes they tend to call each other their best friends, but in actuality Carol and Steve were best friends. They have mean girl energy.

- He used to also play hockey when he was younger but stopped playing due to scheduling and shit. But he really liked it cause whenever he would practice there were these older figure skaters who would teach him figure skating (he kinda liked it more than hockey but he never told anyone)

- Speaking of scheduling, he is always tired due to his packed schedule. Since he was young, his dad forced him into a lot of sports and didn't really give him a break. Add that to his piano lessons, his jobs, studying that his dad forced him to do, friends, etc... he is just perpetually tired. And it fucked up his sleep schedule developing into insomnia as he got older

- Most of his and Eddie's dates are just them taking naps

- Once he meets Corroded Coffin they all become best friends. Like best fucking friends

- Specifically Steve and Jeff

Okay i think Eddie should convince Steve to play a nice clean little oneshot with the party, and because it's just a oneshot he decides he can use the plot of the star trek episode "the devil in the dark". (Blob monster in mines) because 1) when asked the kids have said they've "seen the movies" but aren't as invested in it as star wars 2) it's quick to whip up and not a bad way to start a newbie (investigate these weird deaths! Oh no monster!) 3) no way would Steve know Star Trek aside from what the kids tell him so he doesn't even bother asking to make sure.

Number three is a mistake.

Because Steve's great aunt loved Trek and Steve loved his auntie, so he has watched every episode multiple times. He owns some of the novels. He's seen the movies on opening weekend. There is a box of zines from the sixties and seventies that his auntie passed down to him. Steve, by all accounts, is a Trekkie.

He just thinks it's old lady grandma stuff so doesn't really mention it except to Robin. He likes sci Fi, he's not into fantasy.

So once the session gets rolling an hour in Steve is Suspicious. He recognizes some stuff happening from his Auntie's Programs.

Eventually he decides to test the waters. He's pretty confident he knows what's going on. At some point Dustin is nagging his character and he snaps "dammit! I'm fighter, not a cleric!" And turns to look Eddie dead in the eye. (This episode is the first in which Bones' iconic line is used)

Eddie has realized that he's made a Mistake.

Steve just raises his eyebrows in challenge.

I also think it's nice that they made Camilla a sci-fi nerd and Luz a fantasy nerd. They're genres that are often seen as completely opposing one another by many people, which is what we're led to believe about Luz and Camilla in season 1. Luz is silly, nerdy, frequently in over her head and irresponsible and loves the boiling isles. We're led to believe that Camilla is the normal, conventional TV mother who'd be disgusted and terrified by the demon realm if she saw it.

Then yesterday's lie gives us a lot of nuance to this, and we realize that while they're still very different and now on opposite sides of a conflict, both mother and daughter are incredibly kind people (seen in their treatment of Vee) who love each other but struggle to make the right choices without hurting one another.

Then thanks to them drops all this Camilla characterization and we realize! She was a nerd too this whole time! The wedge between Camilla and Luz is motivated by past traumas and grief! and for the future has them switching sides on the central conflict of where Luz should stay (Camilla now wanting Luz in the demon realm because it's what's best for her, and Luz believing that staying in the human realm is what's best for the people she loves). They finally talk and realize that, like Willow pointed out earlier in the ep, the two are so alike. Camilla reveals that she's a secret nerd too! That she had a hard time growing up and accidentally hurt Luz trying to save her from the same fait! It's so important to me that Camilla keeps calling Luz a good witch. It's affirming her interests and goals, reminding her that she's just as good as the hero of her favorite story. And Luz finally only realizes that she wants to be understood...when she's finally able to understand her mom. When she realizes that the woman she loves and admires is just as much of a nerdy screw-up as her and that there's hope for her. Her palismen ends being multiple animals at once, showing both how Luz making unconventional choices (like carving an egg) keeps paying off for her and how her potential is limitless now that she finally knows and accepts her own goals, but to me it also reminds of the fact that Camilla is a vet and passed a love of all the weird and unliked animals (like wolves, possums, snakes, etc) to her.

It's just so so sweet and it really shows how much love and thought the crew put into this mother daughter storyline (FTF haters are not welcome on this page, respectfully). I can't wait to see how both of these misunderstood but healing women (who radiate "little/big sister" and "mom" energy respectively) are gonna interact with a) the lonely, easily manipulated and well intentioned but ignorant collector (a mix of both their interests as a magic being with a space motif! I just realized that lol) and b) the nasty puritan white man who's really obsessed with conforming to society's norms even when it literally doesn't benefit him at all.

Anyway, I believe in noceda( AND clawthorne 👀) family supremacy 💙

I enjoy shipping, but I cannot see the appeal in watching shows only for the purpose of shipping; I think it closes you off to so much. I think coming into a work with the expectation that it will only succeed if a particular configuration of people end up happily in a relationship with each other when the curtain closes means you will reject so many unexpected choices altogether. It destroys your ability to appreciate the entire concept of tragedy. Just, imagine refusing to let yourself enjoy "I'm not a gardener" because you are too furious that a different kiss than the one you wanted happened to feel other emotions.

Klingons & Racialisation - the Long Post

This post is an overview of the racial coding of the Klingons from their first appearance to the present day, illustrated by quotes from Trek writers, actors and crew members taken from the Memory Alpha article Depicting Klingons, with my own interjected summaries and explanations. It is by no means comprehensive (I likely missed some stuff), and does not offer critical analysis of the quotes provided, but nonetheless is intended to demonstrate irreproachably the open fact that Klingons have always been intentionally written and designed as non-white -- something that fandom consistently fails to take into account when perpetuating racist stereotypes and reiterating racist canon content. I recommend reading the whole article for a more in-depth understanding of the subject, as well as seeking out the existing writing of fans of colour. This post is primarily for reference purposes so I've tried to limit my own analysis and opinions, but I do post those in my Klingon tag as well as more general headcanons and worldbuilding and I'm happy to answer any (good faith) questions this post may raise.

As always, if I have overstepped in any way as a white fan in making this post, I am grateful to be informed and will make any required changes.

Content warning for outdated and offensive language under the cut.

The Original Series

"There is some suggestion that the Klingons represent a Cold Warrior's view of China in the 1960s – swarthy, brutally repressive." (Star Trek Magazine issue 153, p. 66) "And I think he was basing a lot of it on the kind of attitude of the Japanese in World War II...." ("Errand of Mercy" Starfleet Access, TOS Season 1 Blu-ray) The script of "Errand of Mercy" introduces the Klingon look by saying, "We see the Klingons are Orientals," "Spray my hair black, give me a kind of swamp creature green olivey mud reptilian make-up, and we'll borrow some stuff from Fu Manchu, and put a long moustache and eyebrows on me." ("The Sword of Colicos", Star Trek: Deep Space Nine - The Official Poster Magazine, No. 8) "I think the makeup was called 'Mexican #1 or #2.' That was the name of the original makeup foundation – they actually had kind of racist names at the time, like 'Negro #1' and 'Mexican #2' – which was the basis for the original Star Trek makeups." (Star Trek Magazine issue 172, p. 59) "In the original series, all they wore was a dark face and their black hair," Michael Westmore observed. ("Michael Westmore's Aliens: Season Two", DS9 Season 2 DVD special features) The Klingons' appearance changed within the original Star Trek series; although dark makeup and heavy eyebrows were the norm, the Klingons of "The Trouble with Tribbles" were much lighter-skinned and more Human-like in appearance.... He noticed that they are not only less like Mongol warriors by having less of a swarthy appearance but also by being slightly not as fierce... ("The Trouble with Tribbles" Starfleet Access, TOS Season 2 Blu-ray) "...they were meant to represent the Communist foes of the United States specifically during the Vietnam War, which was being controversially fought at that time. (Star Trek: The Original Series 365, p. 222) "...let us never set up a situation whereby those adversaries of ours [Klingons] give any indication of ever being anything but highly aggressive and self-seeking opponents." (These Are the Voyages: TOS Season Three)

Here it is explicitly stated that the Klingons were based on various Asian cultures, with the USSR also being mentioned heavily in the article. This influence and the use of "yellowface" is covered more comprehensively in this youtube video Klingons & The History Of Racial Coding. However, the video has some notable gaps which I hope to cover in this post.

Post-TOS (movies)

The Star Trek III portrayal of Klingons took inspiration from Japanese history. "Harve [Bennett] had the notion that the Klingons were like Samurai warriors," explained linguist Marc Okrand. (Star Trek: Communicator issue 114, p. 27) Robert Fletcher agreed with Bennett, later saying of the Klingons, "I always liked to think of them as authoritarian, almost feudal, like Japan had been." (The Making of the Trek Films, UK 3rd ed., p. 52) Regarding the make-up, Michael Westmore observed, "Until now, Klingons were brown. Some had a bony ridge running down the middle of their foreheads, long black wigs and facial hair." (Star Trek: The Next Generation Makeup FX Journal, p. 28) "I thought it was an ideal way for us to have our closure too, because the Klingons for us have always been the Communist Block, the Evil Empire. It just made sense to do that story." (The Making of the Trek Films, UK 3rd ed., p. 100) "Gene was really bothered by the Klingons in VI [....] [They] were, in his words, 'too civilized, too decent, too much of the good guys in the story.' [....] [The Klingon detente] was not the way Gene would have handled it. He would have reversed it, he would have had the Klingons being the ones who couldn't handle the peace, with the Federation saying, 'Come on, let's try and work this out.'" (Star Trek Movie Memories, hardback ed., p. 289) "The story never explored the Klingon culture the way I'd hoped it would [....] I was hoping for greater insight into the Klingons." (I Am Spock) Nimoy hoped, in specific, that the movie would provide some important insight into why the Klingons had "always been so angry, such nasty, vicious murderers." Nimoy wanted the insightful knowledge to be an intellectually transformational force, changing the thinking of Kirk and the audience. (Star Trek Movie Memories, hardback ed., pp. 287-288) In an interview in the DS9 Season 7 DVD, Robert O'Reilly observed that a long-running joke among actors who have played Klingons is that they do not want to appear in the Star Trek films as, he believes, the only purpose of a Klingon in one of the films was to be killed off.

Although these last three quotes may not seem relevant, I believe they highlight an important facet of the racialisation of the Klingons. It reads as though Gene Roddenberry was against depicting the Klingons in a more sympathetic light than the Federation, and considering that the Klingons are intended to be non-white, refusing to give depth or motive to their anger in favour of keeping them "nasty, vicious murderers" comes across as fairly racist, especially when these kind of reductive and harmful stereotypes could've been challenged as Nimoy suggests. The treatment of Klingons as disposable villains is also concerning in this context.

The Next Generation

African-American actors were often cast as Klingons in TNG and subsequent Star Trek productions. This practice wasn't racially motivated but was instead carried out because it lessened makeup time, as the performers already had a brown complexion without having to have their skin painted that color. (Stardate Revisited: The Origin of Star Trek: TNG, Part 2: Launch, TNG Season 1 Blu-ray) Tony Todd, who portrayed the recurring Klingon character Kurn, stated, "I don't look at the Klingons necessarily as African-Americans, but it's about tapping into something–they're certainly an alienated people, so maybe that's why African-American actors can identify with those characters. But that doesn't mean it's exclusive to them." (Star Trek: Communicator issue 116, p. 54) Michael Westmore actually changed the Klingon facial design in numerous ways, though. He stated, "I added a Shakespearean style of facial hair and a forehead bone structure based on dinosaur vertebrae and I was able to modify motion picture Klingons for television." (Star Trek: Aliens & Artifacts, p. 59) In "A Matter Of Honor", the Klingons were intended to be used to shed some light on a common social problem prevalent at the time of the episode's making. This was, namely, what it was like to be the only person of either white or black skin coloration while surrounded by people of the other color. The Klingons were selected to illustrate this theme as a spin on the usual arrangement of a predominantly Human crew serving aboard the Enterprise-D alongside Worf. (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 176) Two historical societies, the Samurai and Vikings, served as other inspirations, Moore perceiving about Klingon culture, "There was the calm, elegant reserve associated with the Samurai but there was the 'party-down' like the Vikings." (Star Trek: Communicator issue 114, p. 58) "I stopped thinking of the Klingons as the Cold War adversary," he explained. "I didn't think it fit [....] The place where the Russians were when I was doing the Klingon shows just wasn't as relevant any more." (Star Trek: The Magazine Volume 1, Issue 19, pp. 64-65) "The Klingons are not evil, tyrannical pirates bent only on pillage and plunder. They have a strict, almost unyielding code of ethics and honor and take their responsibilities as rulers seriously." Following a description of the Klingon homeworld, the memo continued by saying, "Klingon society could most closely be compared to that of Sparta or feudal Japan." ("Sins of the Father" audio commentary, TNG Season 3 Blu-ray) Having recently seen the film Malcolm X, he imagined the Klingons in the "Birthright" duology as metaphors for black people. (Captains' Logs: The Unauthorized Complete Trek Voyages, p. 274; Star Trek: Communicator issue 105, p. 16) "There's a certain way you have to carry yourself. You have to really be able to project the violence and the anger [....] All you have to do is think of the Spartans. They say, 'They'd rather have you come home dead on your shield than come home a coward.' [18]

This is where I feel the video essay previously mentioned falls short -- in the next gen era, Klingons are now explicitly black-coded. While some Asian cultural influences are still cited, they learn more towards the historical and are intermixed with other historical European influences (Spartans, Vikings, Shakespeare) rather than being fueled by contemporary prejudices towards the political enemies of the US as they were in the TOS era.

Deep Space Nine

Fields also generally based the Klingon group on American Western prototypes from the film The Magnificent Seven or, to a lesser extent, Japanese prototypes from The Magnificent Seven's movie source material, Seven Samurai. (Star Trek: Deep Space Nine Companion (pp. 131-132)) "So, the hair [...] was permed. So, it had more of a curl instead of the straight type look, and by perming it, they were able to kind of give them larger, bigger hair, so it was more like a mane." ("Michael Westmore's Aliens: Season Two", DS9 Season 2 DVD special features) "I don't know how you could equate Klingons with what's going on in the world today," he admitted. "I think the intention was to make them like samurai. That hairdo they gave them is very much a samurai hairdo. A lot of the fight sequences, the moves with the bat'telh, are very much taken out of the Asian martial arts [....] It's very romantic you know, these three old guys, the Klingon over-the-hill gang." (The Official Star Trek: Deep Space Nine Magazine issue 15, pp. 17-18) "It was different for them to get into this makeup, because [...] [the makeup was more elaborate and] the beards were bigger, and they were greyer, and they had curls to them, and the moustaches, they had the Fu Manchu look to them. So, they weren't used to sitting that long to be a Klingon." ("Michael Westmore's Aliens: Season Two", DS9 Season 2 DVD special features) For recreating some old-style Klingons in "Trials and Tribble-ations", the Klingon-playing actors had to be made up with the same swarthy, shiny brown makeup as used in the original series. (The Magic of Tribbles: The Making of Trials and Tribble-ations) ...he had them unite in song, thinking this was "just the kind of thing that Klingons do" because they are, in his opinion, similar to Vikings. (Star Trek: Deep Space Nine Companion (p. 449)) "I always saw the Klingons as a combination of Japanese Samurai who haven't had their morning coffee (or tea!) and African Zulu warriors." [25]

In DS9 the only inspirations cited seem to be historical, once again leaning towards feudal Japan and the Vikings. Interestingly although the Klingons here are predominantly dark-skinned, I don't think that J.G. Hertzler, who is white, had his skin significantly darkened to play Martok (at least, not compared to the obvious brown makeup worn by other white actors playing Klingons). Having a white actor play a Klingon without dark makeup could've set a precedent decreasing the use of such practices later on, but no one seems to have picked up on it.

Enterprise

The Klingons of ENT: "Sleeping Dogs" were based on the crew of the Russian submarine Kursk. "For me," said Dekker, "the point was to acknowledge the Klingons as 'people' – to find them in a clear position of distress [....] The idea to 'humanize' their plight was mine, and it wasn't anything I thought about as far as canon. It just seemed right." (Star Trek: The Official Starships Collection, issue 41, pp. 10-12) In the final draft script of "Affliction", the altered Klingons were initially referred to as "fierce-looking aliens" and were further described thus; "The aliens have a swarthy complexion, and dark facial hair... they could easily be mistaken for Humans. We'll eventually learn these are Klinqons... but their cranial ridges have disappeared."

At this point in time it seems the Klingons had essentially done a 180 from one-dimensional villains to sympathetic fan favourites, while still retaining the skin-darkening aspect of their makeup and "barbaric" characterisation. Although this is not mentioned in the article's section on the Abrams films, the images provided do demonstrate a level of skin darkening for the Klingons' brief appearance in Into Darkness.

The final section of the article is incomplete, meaning I don't have a lot of information for Discovery's redesign of the Klingons. The sources I can find cite ancient civilisations such as the Byzantines as well as Islamic architecture as inspiration for the set design, with a baroque influence on the costumes. I have heard rumours that the crew of Discovery have cited North African cultures as their inspiration for the Klingons but I can't currently find a source for this. Despite the lack of direct quotes, it's visibly clear that the Klingon makeup is still darkening the skin of white actors, although this time also to non-human blue and purple colours, as well as altering certain features in a racialised way. To elaborate: Mary Chieffo, who plays L'Rell on Discovery, is white and has a very thin nose and small lips, but in costume these are broadened in a way that seems imitative of African ethnic features.

As of the making of this post (early August 2023) I haven't seen any of Strange New Worlds, but from some cursory research its latest episode (Subspace Rhapsody) seems to have put a white actor (Bruce Horak) in brown makeup to play a Klingon. I am deeply disappointed that on a television set in 2023 people can still be darkening an actors skin like this without questioning the racial implications of what they're doing.

Thank you for reading to the end of this post. Please feel free to link to it if you found it useful enough to cite in another context. I would like to reiterate that I am white and while this is an issue I care deeply about it is not one I have an emic understanding of, and if anything I've said here is inappropriate I would be very grateful to be made aware.

ive begun my star trek era

they are so gay i get it now

Gett'em with the punk (vote) tactics

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You know it amazes me how little people understand about Star Trek!

The other day I was watching Star Wars with my friends, and we were going through our favorite tv shows and of course at the top of my list is Star Trek, (note that I didn’t rank all the different tv shows of Star Trek enterprise, Picard, tos, tas, tng,voy, ect) they were making fun of it and me (affectionate) so I asked them if they had ever seen Star Trek and received no’s.

Star Wars (I do love the show for the space crimes and the ideal of light and dark and how they explore it) is a world where mitigating the fact that if you read the books or just watch the tv shows it’s a space old west messy universe.

Star Trek (especially tos) it’s basically gays in some sort of military in space. Which I get it’s camp and sometimes weird to watch with other people or Trekkies that don’t share the same opinion than you (McSpirk forever baby)

The Original Series sparked fandom culture! When the series was going downhill who kept it afloat ??????

HOUSEWIVES

That’s right!! They wrote in letters to keep the show going!

This information is lost in modern history to the average person!

Star Trek isn’t just a fun show it’s literally embedded into fandom.

And it’s so so important to me specifically because it’s an envisionment for a brighter future.

It’s hope that one day we can reach the peace that dreamers of our world have made steps to achieve.

honestly I don’t know how to describe that in comparison to other shows Star Trek can’t be compared because it’s a vision for our future and is not just a Space show.

julian is an ethereally beautiful angel man but when placed next to literal butch goddess and ceo of the entire universe jadzia dax he looks like an armpit and it was unfair of the showrunners to do him like that so often

i need to get autistic about a television show does anyone have any recommendations for me ^_^ i have seen A Lot and will give just about anything a chance so dont worry about taking my perceived tastes into account

yeah you better realize just how much your edits make my fucking day/night/existence.

Seriously though, I struggle with depression and anxiety and am a very lonely person. I turn to the things i love/hyperfixate on to keep me going and your edits are one of them. They're so high quality and cursed and I always laugh at them, but also treasure them at the same time. If they were framed, i'd hug them to my chest.

Anyway, just thought i'd say this shit out loud so you know your masterful Adobe skills and sense of humor help out a lonely useless soul. Peace out Master Adobe and god bless

thank you so much for saying so, this might be the nicest message i’ve ever gotten?? hearing that my post(s) made someone’s day better is probably my favorite thing about doing all of this.

i also have a lot of mental health issues, and i really do look back at these messages/comments when i’m not doing well. so, while my edits are helping you, you’re helping me too! i’m glad they give you a good laugh.

i also think i should put “Master Adobe” on my business cards.

Star Trek is never mentioned in Stranger things so headcanon that Steve grew up watching it (he has a youngish great-aunt who took care of him when he was baby Steve), utterly convinced Kirk and Spock are married, also convinced it's old lady tv. She took him to Star Trek: The Motion Picture and like. Fifty percent of the audience was older ladies. She had zines and later gave them to him.

Dustin finds out Steve is what one could consider a Trekkie when Steve offers to take them to see Star Trek IV The Voyage Home in theatres, and he flips because, Steve, you like something nerdy!!

And Steve's like 'no?? I like an old lady tv show? Kirk takes his top off like every episode and it was on during the day for housewives. My auntie was really into it and I watched with her and she gave me her little star trek fanclub newsletters. Basically everyone working on those were women. Idk man, maybe you like something mundane.

He attempts to recruit help but everyone agrees it's very nerdy to have fanzines from the sixties and seventies of star trek and Steve is like whatever I like the romance!! To which everyone is also confused because romance is never really a big part of it?? Kirk is a ladies man, sure, but it's not super romantic? And now it's Steve's turn to be confused because 'Kirk and Spock are Vulcan married!! They got married when Spock had Pon Farr! They do the weird Vulcan hand kissing thing!! Obviously they are soulmates and obviously I would scour the galaxy for you, Robin, but I also very much do not want to make out with you which is what Kirk and Spock do when they touch hands!'

Everyone is like what the fuck are you talking about? Because Steve is a Spirk truther lmao.

I always thought I'm the weirdo of the family because of how invested I got in books or tv shows. Then, however, we as a family started watching Star Trek Enterprise and I don't want to sound mean, but if my mom would have to chose between me, my sibling, our dad and literally anyone else she knows and captain archer, we all could start packing our bags.

Chatting' about my little Catahoula Leopard Dog puppy when he was just a few weeks old! My partner eventually made me change his name to Huey since Chakotay was too hard to for everyone to announce (unless you are also a fan of Voyager).

Because Catahoula dogs are the official state dog of Louisiana it seemed appropriate to re-name the little landshark Huey after Huey Long (a netizen beloved, (albeit a crooked gangster of a politician) governor of Louisiana back in the 1920s.

He will be reaching one years old come August. My Huey, not Huey Long (RIP)

Would you guys want to see more current video and photos of him?