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alexiaput3llas · 5 months

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Game of Love/ Alexia Putellas x Reader

Warnings: Nothing but fluff. Maybe one swear word

Author: So this is my first time writing, because I always wanted to try it and I have to say I´m a vey slow writer but it is a lot of fun. Also english is not my first language anyways enjoy (-;

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You barely get nervous, but here you are. You're about to head out to the pitch. It is the Champions League final 2024, and Barcelona is facing none other than the mighty Lyon. But this Barcelona is different from the ones that lost to Lyon before. This Barcelona is determined to win.

You get pulled out of your thoughts by a familiar hand on your shoulder. You recognize that touch among billions, and her scent will forever be your favorite. Alexia and you have been dating for four years.

You signed to Barcelona 6 Years ago and Alexia and you immediately clicked. You became friends with her on instant and after some time you started to devolve a small huge crush on her. What you didn’t realize that she felt the same, but after a night out with the team to celebrate your Copa de la Reina victory, where everyone, including Alexia, drank a bit too much, things between you and her got really heated and after some shameless flirting on both sides, grinding on each other on the dance floor and some more drinks, you found yourself the next morning in an unfamiliar hotel room with brown hair sprawled everywhere. You couldn´t help but admire her and hoped that also for her this was not only a one night stand. So after she woke up, you both got to talk and finally admitted your feelings for each other.

And here you are now, facing your lover, who only for you breaks her serious game face, which, in your opinion, is one of the most attractive things in the world, into an encouraging smile. "Are you ready, mi amor?" Alexia, of course, notices your nervous state. "You don't have to be nervous, okay? We are a different team now, and you have the season of your life." It is true; you have the season of your life and have already won the league. "Thanks, baby, I really needed that." She nods, gives you a quick kiss on the forehead, on your nose, your right cheek, your left cheek, and finally, your lips.

You can't help the butterflies that erupt in your stomach, and you smile into the kiss. "Break it up, lovebirds, will ya!" Mapi chuckles behind you. You break away from Alexia's soft lips, giggle, and hug your girlfriend. "I love you," you mumble in her neck. "And I love you more." She steps out of your embrace and kisses the top of your head. Just about when you wanted to protest that you love her more, she shuts you up with one final kiss to your lips and eventually takes her spot to lead out the team.

The game couldn't start any worse. In the third minute of the game, Ada Hegerberg scored a beauty, leaving Cata Coll no chance. In the 20th minute, it was 2:0 Lyon, thanks to Van de Donk. Only 5 minutes afterward, Ada Hegerberg scored her second goal of the evening, and it was 3:0. You immediately got flashbacks to Turin 2 years ago, but you had to shake these thoughts out of your head. Lyon presses high, and Barcelona was lucky not to concede any more goals. The ref blew the halftime whistle, and both teams headed to the changing rooms.

Everyone's heads hang low. I sit at my cubby talking with Aitana about strategies when I feel a presence next to me. It was Alexia, who immediately joined our conversation to outline the game. She placed one hand on my thigh and gave it a few encouraging squeezes. Jonathan came in: “Chicas, nothing is lost yet. We all know what we're capable of, and if anyone can turn the game around, it's Barca. Vamos!”. "VAMOS!" Everyone in the changing room knew that this game was not over, and with new hope and confidence, we headed out to the pitch to start the second half.

And with confidence, we played. We started the second half way better, and after only ten minutes, after an amazing pass from Alexia, Aitana could find the back of the net. And that was all we needed.

A corner kick, Mariona made it 3:2.

Alexia passed the ball to you, and you began to run down the field, suddenly having a lot of open space. Just as you were about to shoot, you felt some cleats colliding with your ankle, making you stumble to the ground in pain. Your ankle throbbed, and not long after, the medics arrived.

At the same time, Alexia shoved Ada, who made the tackle. "You could've hurt her. That has to be a fucking card!" Ada shoved Alexia back and growled, "I didn't fucking touch her. She fell to the ground because of nothing." Just as Alexia was about to respond, with what would have definitely been a hard push, Mapi grabbed her. "Ale, calm down. Let her go! Y/N needs you more. She isn't worth it." With one last angry glare at Ada, Alexia made its way to you. "Mi amor, are you okay?" "Peachy," you responded. "Is it bad?" Alexia mumbled to the physios. "No, it's alright. She's alright to continue to play."

The tackle was rewarded with a free kick, which Alexia easily slotted into the top left corner. You ran to her, and all gathered in a big hug. "Freaking yes, Baby. What a goal!" You gave her a secret kiss on her neck.

With now only 5 more minutes left on the clock, everything hurt. But you couldn't just give up. You sprinted to recover a ball and sent it to Patri, who dribbled around one Lyon Player and passed it back to you. And you did what you can do best. Shoot. You just took the shot. And…

"YEEEEEEEEEEEEEEES!" Everyone was screaming from the top of their lungs. Your shot probably won Barca the Champions League. With only a few minutes left, Barcelona did everything they could to defend their lead, and that was what you did. Throwing in every ball, running even though it hurt.

The whistle blew. Barcelona had done it. You are the champions of Europe once again. You sank to your knees, overwhelmed with emotions. You soon locked eyes with those sparkling hazel eyes, and a beaming smile made its way across your face, as does it with Alexia. You made your way over to her and pulled her into a tight hug. "I'm so proud of, Ale," you mumbled into her neck. "And I'm so unbelievably proud of you, mi amor. That goal was a beauty." You chuckled. "It still feels surreal. I mean, we won it now for the third time, but I never get tired of it." You looked up at her, and the desire to just kiss her grew inside of you. The way her eyes sparkled, her teeth-showing smile, and a look of adoration towards you only intensifies it.

Without hesitation, you fulfill your desire and press your lips against Alexia's. The taste of victory is sweeter than any championship, and in that moment, the world disappears around you. The cheers from the stadium, the flashing cameras, and the ecstatic teammates fade into the background, leaving only you and Alexia, lost in the celebration of your shared triumph.

Breaking the kiss, you rest your forehead against hers, breathing in sync as the magnitude of the moment sinks in. The elation, the relief, and the sheer joy are palpable, and you can't help but grin. "We did it," you whisper, more to yourself than to Alexia, as if saying it out loud would make the reality even more concrete.

"We did," she replies, her voice filled with a mix of happiness and disbelief. "I knew you'd make a difference, but that last goal..." She trails off, shaking her head in amazement.

The team gathers around, enveloping both of you in a collective embrace. Laughter, cheers, and the occasional tear of happiness mingle as you bask in the glory of the victory. Champagne bottles pop open, and the sparkling liquid showers everyone, marking the end of a long and challenging journey.

Amidst the jubilation, you steal a moment alone with Alexia. Hand in hand, you slip away from the chaos and find a quiet corner of the stadium. The echo of cheers becomes a distant hum as you lean against a railing, gazing out at the pitch where the triumph unfolded. She pushed you gently against the wall and kissed you softly, with so much love. After a few minutes, you broke apart and rested your foreheads together.

"It's incredible, isn't it?" Alexia murmurs, her eyes reflecting the shimmering lights of the stadium. "All those years of hard work, the setbacks, the victories, and now... this." She gestures to the field below, still alive with the energy of the recently concluded match.

You nod, a profound sense of accomplishment settling in your chest. "And to think it all started with that Copa de la Reina celebration."

Alexia chuckles, her hand finding yours. "A night we'll never forget."

And with that, you join your teammates again for the celebrations.

You knew that whatever will happen on the pitch, you would always have a safe place off the pitch.

Alexia

#alexia putellas x reader #woso x reader #woso imagine #alexia putellas #alexia putellas imagine #woso community #woso fanfics #woso one shot

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pitchsidestories · 10 days

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Top 5 Woso Couples?

Hi, thank you for sending a question in, our answers would be:

Ingrid Engen x Mapi Leon

Ona Batlle x Lucy Bronze

Beth Mead x Vivianne Miedema

Ellie Carpenter x Danielle van de Donk

Fran Kirby x Maren Mjelde

PS: your asks are always appreciated.

all pictures are from pinterest.

#answered asks

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redwineconversation · 2 months

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Olympique Lyonnais Behind the Scenes (Episode 5)

This covers the month of January. Better late than never but alas some of us have jobs that we want to keep and cannot be chronically online. The Behind the Scenes translations is one of those times where I wish I was technologically apt because then I could just upload the video and add subtitles, alas, neither OLPlay nor my technology skills will ever make that happen.

I have no shame in confessing to this - I didn't want to do this one because Carpenter is in it and I am so irked by all the fucking Arsenal fans/stans suddenly thirsting for her to join their godawful team after the abuse she is has gotten from Arsenal stans the past two years. To act like she should join that club after what those people have said / done is so completely tone-deaf. Likewise, suddenly using "le clean sheet" every time your goalkeeper does their actual job is not as cute/funny as you think it is. It's annoying. It's so fucking annoying.

I will also save those godawful stans the time and say that Lyon / Carpenter do not address Carpenter's engagement to van de Donk as Lyon is a serious club who doesn't use a player's personal life as a marketing ploy. The purpose of the Behind the Scenes is to get to know the players' mentality and thoughts about the month's events.

Blah blah standard disclaimers apply; @OL Comms I feel like chipping in to contribute my Starbucks fund is the least you could do considering all the free work I am doing for y'all; how amazing would it be if some of you would actually get the mental help you so desperately need; y'all know the speech.

OLYMPIQUE LYONNAIS BEHIND THE SCENES (EPISODE 5)

Ellie Carpenter: We had a lot of games. We had Champions League games. I think it was a much needed break for everyone.

Selma Bacha: We really needed to have a break, because there are players who went straight into the World Cup so they didn't have a lot of rest. Everyone benefited from the break. For me, I went to Tunisia, where my family is originally from. So I had a great time with my family. And then we started up again. The break was short.

Damaris: It was good for everybody I think to go home, to be with our families and friends. Just to push football aside and enjoy ourselves. Yeah, that's always a good thing.

[OPENING CREDITS]

[TRAINING FOOTAGE FROM GIRONA]

Sara Dabritz: We went to preseason camp. It was really good. We spent a lot of time together. We had a nice hotel. It was intense but it's like that in camp. But I think it was good for us to prepare for the [second half of the] season.

Carpenter: The training camp in Spain was a nice way to come back at the start of this year to train well, to get the basics back, get back in the gym. And it was also really fun for the team morale. The camps with the team are always really fun. We have to work fun but also enjoy ourselves off the field.

Bacha: It was hard because you come back from break and you have to dig deep and work hard. So it was really hard because we had a fitness test over there.

Carpenter: The worst moment was probably the running test we had to do, the 1.5km [1 mile] sprint test.

Bacha: Honestly, that's when you realize that Olympique Lyonnais is a family. You can see it in the video clips, we're encouraging each other. The cohesion was top.

[TRAINING FOOTAGE CONT'D]

Bacha: My favorite moment was the team cohesion activity with the golf carts. Honestly it was so good. We had to do stuff - well, we had to do funny things. It was the best part.

Carpenter: Driving around the hotel trying to find clues, that was very fun.

[TEAM COHESION ACTIVITY FOOTAGE]

Carpenter: Yeah, we knew we had Paris FC as soon as we got back from Christmas break. After having been off we thought it might be hard to come back and play against a top team in Europe, in France for sure.

[LYON - PARIS FC GAME FOOTAGE]

Bacha: We got right into it. We know that those sort of games, they're going to very very big games because Paris FC is a really good team who has really improved and recruited really well. And honestly, it was a big game. We had to work for that win, so the game was won on mentality.

[GAME FOOTAGE CONT'D]

Carpenter: Paris FC has shown that they're a great team, they're a top team in Europe, doing well in the Champions League and, yeah. The intensity was high. I think you could feel that everyone just came back from holidays but we'll fight, until those last five minutes when we did score.

[GAME FOOTAGE CONT'D]

Bacha: Ah, Ada's goal, that's just Ada Hegerberg. That's it. There's no other forward who can do that. Honestly, when we celebrated - even I spoke in English, I said "what a goal". [Hegerberg speaks English when she's annoyed, which is why Bacha brings up the linguistic switch] Her shot was really incredible. You can watch it over and over. If you ask her tomorrow to do it it, she will. And it's true that she's the kind of player whom you can count on in big games. Everyone should have an Ada on their team.

Damaris: Yes, it was a magnificent goal. Speaking for myself, I was far back. It was a long ball, I headed it forward. I saw the ball stay there and I saw Ada [Hegerberg] call for the ball. When you're behind, you can see everything. Right before she took the shot, I was like "well, that's going to be a goal."

Carpenter: Yeah, she's a big game player, she scores big goals. So we needed that in that moment and she did that. So it was very cool.

[LYON - PARIS FC POSTGAME FOOTAGE]

Bacha: Honestly, it's good for us and it gets us going. I think we've been really good since the start of the season. And when I talk with players on other teams, or other coaches, they tell me that Lyon this year is unbeatable, so I hope it continues like that and we'll bring all the trophies home.

Damaris: The work we did for that game, we worked really hard. I don't think we were really efficient but we had a lot of opportunities to score.

Carpenter: Yeah, I think it was important that we started the year off with three points and continue our perfect streak in the league.

[LYON - MONTPELLIER COUPE DE FRANCE GAME FOOTAGE]

Dabritz: We had the game against Montpellier in the Coupe [de France]. I remember Amel [Majri] scoring a magnificent goal. It was a right on target.

Majri: Yeah, I saw Lindsey [Horan], she won the ball back. I called for it, she passed it to me. I think Ada [Hegerberg] was besides me asking for it as well, but I don't know, I think I was focused on what I was doing. So I just took a shot and it went it.

[GAME FOOTAGE CONT'D]

Bacha: Yeah, it's really great. Good on her as well because you can see she is starting to get her rhythm back. It's not easy when you're not playing all the time. Here, honestly, I'm just so happy for her. I hope she continues like that because she's the sort of player we really need.

Carpenter: Yeah, I love playing with Amel [Majri]. Yeah, I think she's one of the best players in the world I've seen or played with. [is she though...] She's an amazing talent and you can see what she's capable of now when she's getting back to the top of her game.

[GAME FOOTAGE CONT'D]

Carpenter: The team is in very good spirits at the moment, and you can tell that on the field. Off the field, we're a very close group and we work for each other. And on the field, you can see we're very connected. We're just enjoying ourselves out there, we're not too much pressure [on ourselves], we're just trying to play good football.

[GAME FOOTAGE CONT'D]

Majri: So really, when I went to call for the ball, I could see that even if I got it, I didn't think I could do much with it. So I said to myself, "Amel, leave it", so I left it and there was Ada [Hegerberg] and then a goal. And I thought - well I'm not going to lie to you, when I left I thought to myself "I hope she gets it". And to be frank she was doing great work before, because Lindsey [Horan] got past the opponent, and she [Hegerberg] just shot across. Honestly, it's a great goal.

[GAME FOOTAGE CONT'D]

Majri: Yeah, I'm happy because it's always nice to implicated in the build-up to a goal. I think that what I bring in terms of the style of play, I try to be involved in the ball movement, moving with the ball, moving without the ball. And I have good sensations, I feel good. Beyond that it's also the fact that I have been playing in consecutive games. But in terms of full games, I think it's one of my best performances since I have come back.

[GAME FOOTAGE CONT'D]

Carpenter: I guess playing a team one week after the other, twice in a row, it's quite difficult. It was a different Montepellier we faced at their home as well, away. Yeah, it was a tough game, it was one we had to grind out. Yeah, we knew they were going to come out different, like after beating them in the Coupe [de France], we knew it would be a completely different game since they're at home, and they totally showed that.

Bacha: We know that the league and the Coupe de France have nothing to do with each other. We know that Montpellier is a very, very aggressive team. And we knew that playing at their stadium was going to be hard. But here, yeah, it was really hard.

[MONTPELLIER - LYON GAME FOOTAGE]

Bacha: The night before the game, I was really focused on myself. I knew there were people coming to watch us, members of my family. And then, corner. It comes back to Eugenie [Le Sommer], who gives it back to me, and I was like - I knew exactly where I wanted to put it. So I pulled it in and placed it on Vanessa [Gilles]'s head. So really, really happy.

[GAME FOOTAGE CONT'D]

Bacha: It's that left foot, it's my left foot. What can I say. But beyond that, I work really hard. I know that I always want perfection. Because I know there are games where the crosses aren't good, but I really want perfection.

[GAME FOOTAGE CONT'D]

Bacha: My second assist for Ada [Hegerberg], it's vintage Ada-Selma. It's that connection that I think not a lot of people have. Honestly, with her, I know where she wants the ball and - honestly, I don't even have to look up. Because I cross, but I already know where she is.

Carpenter: Yeah, Selma [Bacha] is a great crosser, a great assister. Yeah, they're perfect, those crosses, pinpoint. If it wasn't for her we probably wouldn't have gotten the three points. So it was great to have her service [LOL at the Franglais here - the correct word would have been contribution], it allowed us to score goals.

[GAME FOOTAGE CONT'D]

Dabritz: I remember that it was a very intense game. But it's always like that against Montpellier. It's always a game which comes down to the duels, to aggression. They came back with that goal, it was a game which was a little [Dabritz mimes going back and forth] But then we won it and that's the most important thing.

[GAME FOOTAGE CONT'D]

Dabritz: We gave it all on the field. And it's normal to have games which are more complicated than others. And yeah, Montpellier is a good team, I can admit that.

Bacha: That's why I said that Olympique Lyonnais, the mentality - honestly, there are few players who can walk on to this team and say they already have that mentality. [@/any team other than Lyon. A blood lust isn't innate. It's learned behavior.]

[GAME FOOTAGE CONT'D]

Dabritz: We went to Austria for a Champions League game. Those are always special games for us. It's a particular game, playing the Champions League, those games are seen as the highest level.

[ST POLTEN - LYON PREGAME FOOTAGE]

Carpenter: Yeah, you never know really, when you go to other teams, other countries, how the pitch is going to be. Yeah, the pitch wasn't great. But we made the most of it and we had quite a good game.

Bacha: A stadium which was ... [Bacha laughs] It was a complicated game. No, playing on that pitch was complicated, it was a bit hard. But we started strong. We attacked from the start, even if we were starting to feel the tiredness. But we attacked from the start and were playing simple. And honestly, we were very efficient as well.

[ST POLTEN - LYON GAME FOOTAGE]

Dabritz: And yeah, we played a really good game, with a lot of goals and a really good performance from the entire team.

[ST POLTEN - LYON GAME FOOTAGE CONT'D]

Bacha: [forcefully] We never underestimate a team. When you play simple and individually you're clean, technically you're clean, and you're all on the same wave length, honestly there are not - we're good.

[ST POLTEN - LYON GAME FOOTAGE CONT'D]

Carpenter: Getting players back from injury, it's always nice, especially when they're providing assists and scoring goals. That's even better.

[ST POLTEN - LYON GAME FOOTAGE CONT'D]

Dabritz: Yeah, it was a good goal. [laughs] We really enjoyed ourselves on the field, we had nice combinations, we were explosive offensively. At least I think so. So we were really happy after the game.

[ST POLTEN - LYON GAME FOOTAGE CONT'D]

[TRAINING FOOTAGE / COUPE DE FRANCE LYON - FC NANTES FOOTAGE]

Bacha: Yeah, it wasn't an easy game because maybe in our heads, even if I think it's not really like that, but instinctively it's human nature and we underestimated them. FC Nantes came in with their game plan. They're a really good team, I was surprised. The first half was difficult. I think it's a little bit because exhaustion is starting to creep in. But the changes at half time did us some good and we were really efficient. The coach [Sonia Bompastor] yelled a bit at half time but it's normal. It's like that.

Carpenter: Yeah, I think fatigue comes into play there. I think it was our fifth or sixth game in a run. They were a different team, we hadn't really played them before. I think we can put that first half behind us and I think we really came out better in the second half. But yeah, I think we ended the game better than we started.

[LYON - FC NANTES GAME FOOTAGE CONT'D]

Carpenter: Yeah, it was so nice to see Delphine [Cascarino] make her return from her ACL. Obviously it's such a long rehab, such a long journey. It's tough to have an injury and go through something like that, and it's her second one as well. But I think she's done an amazing job. You can see in the way she's come back, she still has her speed, has her footwork.

Bacha: It was a really good moment for Delphine, the return against FC Nantes. We saw her struggle, her mentality is just incredible. It's really hard to have the ACL injury happen twice, to have missed the World Cup when we were expecting her, we wanted her there. Now she had the mentality, she dug deep. I'm really happy to see her back because it will really do us good.

[GAME FOOTAGE CONT'D / LYON - SLAVIA PRAGUE GAME FOOTAGE]

Carpenter: Yeah, we knew we were first in the group and obviously qualified, but we also knew we needed to put out a strong performance [they did not]. We wanted to keep the flow going for how well we're doing this month [of January]. On game day, obviously not everything went to plan. Obviously I think fatigue played a little bit in that as well, but that's not really an excuse. We should be better. We had 10,000 people come and you know, the more people that come the better, at least for us. We want to perform well, put on a show, for them to come back again.

Bacha: First of all we have to thank the fans who come out and support us. They're becoming more and more, so we need to thank them and for them to continue coming out and supporting us. After, it was hard because - well personally, I could feel the exhaustion. Then Slavia [Prague] was playing with a really low block. They came to get something at Lyon, even if we were already first and already qualified. At the end of the day we're Olympique Lyonnais. It's not acceptable to have played that sort of game.

LYON - SLAVIA PRAGUE GAME FOOTAGE CONT'D]

Carpenter: Yeah, it was very frustrating. I think games like that, you want to play the next game very quickly after so you can have a good reaction.

Dabritz: We were a little disappointed because we weren't happy with our performance. We wanted to show to the public that we can put on good performances, they came for us. That's why we were a bit disappointed. Beyond that, we want to continue, we always want to improve, progress. We always want to give our best. But it's not always possible.

Bacha: I'd rather it happened to us then than get to the quarterfinals and you're knocked out I hope it will serve as a lesson to us.

Carpenter: No team is perfect in the world. Some teams have draws or a loss and it's not the end of the world. I think we need to remind ourselves that we're also human as well. Not every game is the best game. January is probably the biggest month we've had in a long time. We knew we had a lot of games, we had to get points, play well, perform. I think as a team we did that great, especially as we have some injuries at the moment as well so we had to adapt. I think the team has held up well. We're ready for February.

#all good love stories start in the rain #ellie carpenter #selma bacha #damaris #damaris egurrola #sara dabritz #amel majri #nah but really #let's TALK about Lyon's eyes and how they change. you really have to watch them play regularly to understand it #and there's a part of you that's like 'shit. do my eyes change too?'#and the answer to that is: which answer would scare you more #that your eyes can change or that they don't

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blackhakumen · 6 months

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Mini Fanfic #1155: Welcome to New Donk City!!☆ (Super Smash Bros Ultimate)

5:12 p.m. in New Donk City......

Pit/Sora: (Walks Out of the Bus Together Along with Everyone Else in the Smash Family with Awe Struck Looks on Both Their Faces as They Start Looking Around the City in Front of Them) Woooooooah........

Sora: So this is New Donk City? It looks even more bigger than I imagined.....

Pit: Right? It's been one of top two places I've always wanted go to for the longest time now.....

Sora: (Turns to Pit) What's the second place?

Pit: The Polar Express.

Sora: Awesome.......

Pit: (Let's Out a Very Loud Gasps Before Moving Sora's Face to What he is Now Pointing at) Sora, look!!

Sora: ('GASPS') The Christmas Tree.......The Declarations.......Christmas Chrouses!

Christmas Chrous: (Happily Swinging Their Heads From Side to Side While Singing in the Public Eye in a Near Perfect Harmony) We wish you a Merry Christmas~ We wish you a Merry Christmas~ We wish you a Merry Christmas and a Happy New Year~

Viridi: (Walks Out of the Bus Along with Kairi and Riku) First day of December and they already got everything prepared for the holidays.

Pit: (Already in Tears of Joy along with Sora) I know, right? ('Sniff') It's so wonderful......

Sora: Amazing.....('Sniff') Sight to behold for- (Eyes Suddenly Starts Widening) suuuuuuoh my God! (Moves Pit's Face To Where's Pointing At) Pit, look!!

Pit: (Gasps Loudly Again as He Sees a Group a Man Out Walking Oit of a Building One By One, Wearing White Beards and Red Wintery Like Attires) SANTAAAAAS!~

Sora: There's so many of them!~

Kairi: You....guys do know that we've already met the real Santa in the past, right?

Viridi: Yeah, what make any of those fake ones any different?

Pit: (Turns to the Girls with a Very Excite Smile on his Face) They're the very first Mall Santas we've see in the long time that aren't Uncle Dedede for once!

Sora: (Grabs his Chin While Thinking) I wonder if they accept photo requests....

Viridi: (Shrugs) If money's involved maybe.

Kairi: ('Sigh') I just hope they don't charge us too much.....

Riku: Let's worry about all of that after we settled ourselves in for. (Starts Yawning a Bit) That plane ride got me more sleepy than usual.....

Dedede: (Scoffs While Walking Out of the Bus Alomg with Cloud and Tifa Behind Him) Bunch of posers. What kind of Mall Santa would charge someone to take one picture with them?

Tifa: There are few other malls I can think of, that actually does that kind of thing actually.

Cloud: I'm surprised you never thought about doing it as well, De.

Dedede: Why would I? It's the holiday! I ain't never gonna be the one to try and crush people's dreams of wanting to meet St. Nick for few a dough, especially since OUR mall starting to up charge the prices. (Turns to the Couple) Did y'all know they charge nutcrackers sixty dollars now?

Tifa: (Eyes Widened in Genuine Surprise) Sixty dollars?

Cloud: (Raises an Eyebrow in Confusion) For a nutcracker?

Dedede: Yeah, sounds stupid, doesn't? It ain't even that special looking either! We have people working hard on their grind to try and buy games, gift, subscription cards, and rare looking action figures that cost just as much and then some, and y'all expecting people to pay that much for a regular looking ass nut cracker? Hell Nah!

Daisy: (Gently Grabbing onto Luigi's Hand Walking Next to Them Out of the Bus) I'm telling you, babe, you have nothing to worry about here. You folks seems like nice people from what you told me about me.

Luigi: ('Sigh') Yeah, but they can be a headache sometimes. Uncle Arthur and Tony especially. I can't TELL you how many times they kept pestering me about not having a girlfriend and boyfriend......

Daisy: (Forms a Confident Smirk on her Face While Hugging on her Boyfriend Arm) Well, luckily, you got yourself a kick ass girlfriend who's more than willing to stand by your side throughout all of it. I could even brag a little if you want.

Luigi: If it helps get those two to back off a bit, then I say go for it.

DK: (Walks Out of the Bus Along with Diddy While Sigh) I don't know, Diddy. Are you sure Pauline's not gonna be mad me for what happened?

Diddy: (Gives DK a Reassuring Smile on his Face) That was a long time ago, big guy. She don't seem like the kind of lady who hold grudges from what I heard.

DK: ('Sigh') I guess. (Smiles a Bit) It's cool have an entire city named after me at least.

The duo then starts noticing a few city folks glaring harshly at the big ape in question, causing him to swallow his confidence down with one gulp.

DK: Even if everyone here does hates my guts.....

Diddy: (Pulls the Front of his Shirt to the Side in Awkwardness) Sheesh.....

Peach: (Struck in Awe at the City in Front of Her) So this is New Donk City.......It's so.....big, vibrant....(See a Few Cars Driving By with the Multi Sounds of Horns Starts Ringing her Eardrums) A lot more busy than Smash Town even.

Mario: (Chuckles Lightly as He Walk Up Next to Peach) That's the city life for you. It used to look a lot different when Lu and I were raised here, but it still feels as homey and recognizable as it always been. Pauline did a really good job taking care of this place.

Peach: Yeah. That's.....(Frowns a Bit) Great.......

Mario: (Turns to Peach with a Bit of a Worried Look on his Face) Is everything okay, Peach? You're not having tummy ache again, are you?

Peach: (Giggles Softly) No baby~ I'm find. Really. I just got myself lost in my own thoughts again is all.

Mario: (Stares at Peach for a Brief Second Before Sighing) If you say so. (Points at Himself with a Grin on his Face) Just know I'm always here if you wanna talk and vent, okay? I'm serious.

Peach: (Playfully Rolls her Eyes) Yes, Mr. Mario, I hear you loud 'n clear~

Mario: (Playfully Cringes a Bit) ('Ugh') Please. Mr. Mario is my father's name thank you very much.

Peach: Then what do you want me to call then?~ Honey? My Knight and Shining Armor? (Leams Closer to Mario with a Somewhat Seductive Look on her Face) My one and only Teddy Bear?~

Mario: (Shrugs) Whatever makes you happy, dear. Just....don't give Ma any ideas on the nicknaming department. She goes overboard with it real quick.

Peach: (Giggles Softly) I try!~

?????: Mario!~

The couple turns to see the Mayor of New Donk City, Pauline, walking over and happily waving at them.

Mario: (Smiles Brightly at his Old Friend) Pauline, hello! (Walks Over to Pauline and Gives her a Hug) It's so good to see you.

Pauline: (Hugs Mario Back) Likewise!~ (Forms a Teasing Smirk on her Face) I see you're looking a like a pipsqueak as you've always been.

Mario: (Smirks Back at Pauline) Hey, I've grown a least a few inches in the last few months or so!

Pauline: Really?~ Then how come I see still see the top of your head after all these years, hm?~

Mario: Hey, we can't all have crazy growth spourt like you do, Mayor Paulidonna~

Pauline: I thought I told you never to call me that.

Mario: (Playfully Shrugs) Ooops~

'A-HeH HAM'

The duo turns to see Peach staring at the both of them before quickly putting on a sheepish, awkward smile on her face.

Peach: S-Sorry! Didn't mean to interrupt the reunion, but my name is-

Pauline: (Smiles Brightly at the Princess as Gives her Welcoming Handshake) Princess Peach!~ Mario told me so much about you in the past. It's truly an honor to finally meet you in person.

Peach: Yes, likewise~

Samus: (Watches the Trio in the Distance While Sighing) Oh boy. There's that look again......

Rosalina: (Raises an Eyebrow in Confusion While Standing Next to her Along with the Other Certified Mom Members) What look?

Samus: The jealous kind.

Bayonetta: Seems like our pink princess is slowly starting to succumb to the jealousy side.

Palutena: Not too surprising. We all been down that road at least once before.

Lea: I don't think ever have a hint of jealousy in my system.

Aqua: Neither do I now that I think about it.

Palutena: (Turns to the Keyblade Warriors) Give it some time. It'll come around eventually.

Samus: Let's just hope this doesn't go haywire in the long run.

Moms: ('Sigh') Yeah........

Christmas Journey Continued.......

@cyber-wildcat

@ma-lemons

@albion-93

@bestpony666

@theweebmaster31

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ask-greenknightmonkie-au · 19 days

Text

Chapter 18- Monkeying Around

It's been 5 days since Vex took MK to the mountain of flowers and fruit. Of course, neither of them knew of MK's previous business there.

The fall had really messed with the boy's head. He didn't remember much except his own powers. Vex didn't mind. He hoped it would stay that.

Outside of manipulation, Vex liked keeping an eye on MK better this way. He was less... rowdy. He was still pretty easily distracted, but that worked in the older man's favor too.

In Vex's mind, this boy was some weird kind of foreign formling with infinite forms.

And Vex wanted control over that.

It's not that he didn't do his research. "Journey to the West" is actually pretty popular in the never realm. That's why he knew about the mountain.

He just had no idea about the correlation between the boy and the book.

MK was asleep on the ground, surrounded by baby monkeys. The new fancy robes Vex had given him were quite warm, so that made him a good napping partner.

Though, neither of them knew why the monkeys of the mountain liked MK so much.

Vex sighed, approaching MK and nudging him with his foot. "Wake up. Be vigilant. If anybody invades, you have to be ready."

"Why can't you be ready?" MK retorted, lazily.

-🐒🐒🐒-

Riding on a cloud was Sun Wukong, with Zane flying a small aircraft.

The Monkey King was surprised when Zane zipped right past him, in the craft just large enough to hold one Nindroid, two of the world's weirdest minimum wage workers, and a pig demon man.

"How long did it take you to build that?" Wukong asked.

"Two days," Zane responded.

"Two days? Jeez..."

"I could do it in one, but I didn't have any help today."

The plan was simple.

Zane and the other 3 would stake out on top to look for MK. Harumi didn't really have the means for fighting at the moment, and Zane didn't trust her enough to do anything, so he had Aaron, who was currently unarmed, keep an eye on her.

Pigsy didn't really understand Zane's distrust, but went along with this.

Zane knew from what Wukong told him that Pigsy was someone MK deeply cared about. If anyone could help him see through Vex's lies, it was Pigsy.

Wukong's role was to track down Vex. Which didn't take very long.

Unfortunately, MK was right there with him.

"Step away from the kid," Wukong demanded sternly, hands on his hips like a disappointed parent.

Vex smirked, while MK raised an eyebrow.

"Who the donk are you?"

---

Bonus-

"Zane, why do you have so many weird vehicles? I saw like 30 in your garage."

"They're very marketable."

#3 chapters in 1 day? wow #ask blog #lego ninjago #lego monkie kid #lego shows

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faace-downn · 3 months

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tagged by @futchatron to list my top 5 songs atm! (thanks bff 🫶🏼)

poison poison - reneé rapp

donk - beyoncé

lego house - ed sheeran

nada - tainy, lauren jauregui

celoso - lele pons

tagging @velvetsred @luculent0 @elliemarchetti and anyone else who wants to do it <3

#tagging game

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tigers-eyes-26 · 1 year

Text

Mario Fic Master Post pt 1

My own Mario AU based on games:

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deadcactuswalking · 4 months

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REVIEWING THE CHARTS: 27/01/2024 (Noah Kahan/Sam Fender, Benson Boone, Becky Hill/Sonny Fodera)

I think it’s this week that I’ve realised Noah Kahan might be a bonafide star. We’ll get more to it later, but “Stick Season” spends a fourth week at #1 - welcome back to REVIEWING THE CHARTS!

Rundown

As always, we start with our notable dropouts, which I define as songs exiting the UK Top 75 (read the FAQ) after five weeks in the region or a peak in the top 40, and this week wasn’t too busy but it did come with some fair losses. Therefore, we bid adieu to “When We Were Young (The Logical Song)” by David Guetta and Kim Petras, “Stop Giving Me Advice” by Lyrical Lemonade, Jack Harlow and Dave (might be back next week given the album), “Won’t Forget You” by Jax Jones, D.O.D and Ina Wroldsen, assisted by a (bizarrely, credited) “donk” edit featuring The Blackout Crew, “One of Your Girls” by Troye Sivan, “Me & U” by Tems and FINALLY, “Anti-Hero” by Taylor Swift. It feels like it’s been there forever.

When it comes to our returns, we see the oddity of Sam Fender returning to #35 assumingly because of a boost to “Seventeen Going Under” that resulted from… well, you’ll see, but otherwise, we only have a handful of notable gains that, during a pretty dreadful-looking week, show some promise, and no, I don’t mean “Someone You Loved” by Lewis Capaldi somehow still here at #59, more so “Praise Jah in the Moonlight” by YG Marley at #51, “Scared to Start” by Michael Marcagi at #47, kind of grew on me, and “Nothing Matters” by The Last Dinner Party at #41… and less so “Toxic” by Songer at #32, please, let’s not do this, and on that same pleading note, “Alibi” by Ella Henderson featuring Rudimental at #26… why?! I suppose on a good note, Flo Milli is up to #17 with “Never Lose Me” and I can’t really complain about Natasha Bedingfield’s second wind at #13 with “Unwritten”, but it is majorly a mixed bag over here.

Our biggest story, however, rests in our top five, as “Homesick” by Noah Kahan debuts at #5, thanks to a version with Sam Fender who, surprisingly enough, is actually credited by the Official Charts Company, probably because, well, it would have no reason to as high as this without him. More on that later, but for now, it’s pretty standard elsewhere - Jack Harlow’s “Lovin’ on Me” at #4, “yes, and?” by Ariana Grande at #3, “Murder on the Dancefloor” by Sophie Ellis-Bextor at #2 and of course, Mr. Kahan still sitting at the very top. Now we have a… considerably unpromising set of new songs to discuss, so I guess we’ve just got to trek through that, and our starting point is…

New Entries

#75 - “Coal” - Dylan Gossett

Produced by Dylan Gossett

There aren’t that many new arrivals this week but the songs apart from one all fall into being either by singer-songwriter types or working as faceless EDM, and if you’ve been following this blog at all, you’d know those two styles really aren’t my thing, but hey, an independent folk singer racking up a streaming giant with a song from last year, notching him licensing with Republic, it could be promising in the same way I like Zach Bryan or even Oliver Anthony, who I assume we will never see again but appears as a recommended song in Mr. Gossett’s Spotify search terms. One has to wonder why and how but first of all, the elephant in the room: Diamonds aren’t made from coal.

I found several articles, both from sustainable energy advocacy outlets like TreeHugger and the people selling diamonds like With Clarity, clarifying that diamonds cannot really be made from coal. Coal is an impure carbon whilst diamonds are purer and whilst pressure is involved in the process, it is not a simple “one equals the other” sum, since coal has too much organic matter to be made into crystalline diamonds, especially since you can see vividly in the colour of rarer diamonds to what other chemicals may be found in them. Now I’m tempted to believe these articles as they’re backed by science, but if I’m wrong and these articles are just using words I don’t understand to spread a mythical debunking of an already existing myth that diamonds originate from coal, which is actually true all this time, then I’ll stand corrected. For now, the main conceit of this song, asking why under all this pressure, how the Hell he’s still “coal”, doesn’t really make much sense, and the rest of the song reads like listing off proverbs and sayings that fit the part but he doesn’t fully understand them or tie them together. Singer-songwriters are supposed to weave stories, when this feels like playing word association with common and universal wisdoms. For all of Oliver Anthony’s imperfect wording, at least you can tie them together to refer to a specific viewpoint, seeing where those views align, without becoming vague “woe is me” platitudes that don’t hold much reason for said pity, or really any narrative detail. You might see this as nitpicking but when it’s just a guy with a guitar, he opens himself up for interpretation and autopsy, possibilities he seems to willingly flail away by displaying disappointingly little to even work with, and as the song fills itself up with non-verses, as tightly as this kind of song can be produced without a particularly impressive vocal performance, one starts to wonder what the appeal in this even is. It’s a non-song, let’s move on.

#71 - “Incredible Sauce” - Giggs featuring Dave

Produced by Payday and David Morse

The #1 album this week was Green Day’s best album in decades. I have a full first-impressions review of Saviors on my RateYourMusic listening log (exclusivelytopostown) and whilst I understand that sales factor in here, I’d have loved for the only song here that bucks the categorical trends I laid out earlier to be a cut from that record. Instead, we have a Giggs song from last year that I’m honestly surprised has yet to chart already, given the Dave feature and that it was released in August of last year. Apart from the… choice of a name, I still don’t really know what level of quality to expect from Giggs, outside of a comical menace that emerges largely from his attempt to be “laidback” that can more accurately be described as an active coveting of his natural voice to sound much more relaxed than he really is, considering he’s never sounded comfortable with a flow he picks out, which becomes especially clear with Dave on the hook as he actually pulls off sounding effortless. Giggs’ delivery honestly reminds me of Dean Blunt’s satirical British rap project Babyfather more than anything, especially with the half-asleep cadences leaving so much dead air in this eerie, stagnant trap beat. The song doesn’t end with a piece of classic Dave wordplay, though he’s not on his A-game here comparing himself to Sonic the Hedgehog, it just ends with “Lingerie on a special occasion”… okay. That’s barely even a flex, why does it punctuate the track’s final moments? This is just another ugly showing of substanceless pretence from Dave over a pretty minimal beat with an absolutely worthless performance from Giggs, whose verses feel double the length and really halt any possible fun that could be had from Dave’s bite-size verse. Somehow, this ends up much like “Coal” - there’s just nothing here.

#39 - “Whatever” - Kygo and Ava Max

Produced by, well, Kygo

Speaking of nothingness, welcome back, Kygo and Ava Max… Jesus Christ. Okay, well, if anything is the saving grace this week outside of #5, it will be this.

I have just checked the sample credits, I have bad news. To delay the suffering, I will say that I kind of like the production here, the acoustics remind me of Avicii’s pretty seamless blend of folk pop with the anthemic festival house that defined much of his catalogue. Kygo has always been a detailed producer who pays much attention to ensuring his songs are as easy as possible on the ears, and he succeeds in the sense of this being a very pretty little tune with depths of cute synth pads, guitar rolicks and plucky percussion. Ava Max herself actually impresses me a tad here vocally, mostly because since this is a Kygo song, she can belt without clipping unnecessarily in the mix for once. However, and this is a big however, the main hook of the song, its crux, if you will, is a direct interpolation and rewording of the iconic melody to Shakira’s “Whenever, Wherever”, a 2001 single that debuted and peaked at #2 for two weeks in 2002 here in the UK, being kept off the top spot by Will Young’s double A-side of “Anything is Possible” and “Evergreen”. I can’t believe such a classic was blocked by not even Westlife, but a Westlife COVER, yet I digress, this is just a lazy and frankly obnoxious way of using the song’s chorus. Kygo is clearly dipping into the David Guetta pool of reskinning prior hits, and I will give it to him that he’s not just redoing a classic EDM track, this is largely a unique house single, but that may make the last-resort hook that much more disappointing. I’m disappointed in you, Kygo. Not you, Ava Max, you can just do whatever. Albania forever.

#36 - “Skin and Bones” - David Kushner

Produced by Rob Kirwin

Oh, we’re actually making David Kushner a thing, fantastic, that other song just had so much to offer, didn’t it? I feel like I can very quickly summarise this melodramatic, uber-serious noir piano ballad, deepened by some of the ugliest froggy-sounding snaps I’ve heard in pop music and only plunged further into sludge by Kushner’s insufferable lyrics, by just a stray observation. When I clicked on the Genius annotation for the first verse of this song, it was completely empty. At least to the first verse, there��s literally nothing there: an empty annotation box. It may just be a glitch on my part, or it was deleted for whatever reason, but regardless, I think this exemplifies how little this song has to offer: someone attempted to just touch upon the pretty self-explanatory first verse, attempted to offer some wisdom or deeper analysis that seems granted with the cinematic grandeur of it all, and couldn’t cough anything up. Once again, there’s just nothing here.

#34 - “Never be Alone” - Becky Hill and Sonny Fodera

Produced by Sonny Fodera

I mean… it has a pulse at least. In fact, this is much more interesting than I expected for Becky, and not necessarily in a lyrical front, simply because she does not need to do much more than recite boardroom word association over four-on-the-floor, but moreso with her vicious delivery, going into an attack that sounds like it was overpowering the mix before being blended a bit more clearly into the nostalgic breakbeat hardcore rhythm that punctuates a surprisingly long build-up into a… surprisingly unique drop. This is really just a flex show for Sonny Fodera here, but Becky stepped up to the plate to match his passion and energy, bringing more of a rough instinct to the trickling alien synth critter that grounds the 90s pads and rock-solid breakbeats into a killer pre-drop that genuinely took me aback, as did this drop, which completely ditches the breakbeats for a tense hardcore kick and more atmospheric, glitching pads that run through the mix like a spiralling staircase, as Becky’s vocalising becomes little more than an inhuman drone until it’s removed altogether. The intensity of the track, filling up the mix with padded quirks even when the breakbeats are relegated to simple fills, is genuinely unprecedented for Becky Hill, and I’m actually really glad that she is not only on hopping on much more effective and unique production, but stepping out of her comfort zone to riff and meander in a way that she never really lets herself do, even in her looser songs. I am honestly quite shocked, but this is fantastic. If this doesn’t smash like much of Becky’s tighter, more restrictive cuts have in the past few years, I will be immensely disappointed.

#18 - “Beautiful Things” - Benson Boone

Produced by Evan Blair

Sigh… one of my first thoughts when Kushner had success with “Daylight” was how much he seemed cut from the same cloth as Mr. Boone over here, and to be completely honest, the concept of the two charting the same week chased me in my worst of nightmares. Hey, at least my dreams have become reality! To be fair to Booner Boy here, he has what Khrushchev and Gossamer lacked: genuine lyrical detail in the verses. There is a certain dichotomy between the universalities of the choruses and pre-chorus compared to the pretty niche and incredibly lucky situation he’s found himself in during the verses, it almost reminds me of Tom Odell’s “Black Friday” given its wordy mundanity, but that’s only lyrically, as I don’t hear much here connecting the two sonically, especially given the faint bass and reliance on soaring guitars on “Beautiful Things” that makes it almost more of a pop rock tune, one that is surprisingly willing to ditch much of its initial build-up for a desperate screech over stop-and-start staccato guitar rhythms that go way harder than I expected. This is what I’ve been saying Lewis Capaldi should be doing for years, if these moan and drone singer-songwriter sadboys are going to have their voice fit over anything, it’s not basic adult contemporary swells, it’s melodramatic, no-holds-barred pop rock, and this honestly becomes pretty killer by that first chorus. The guy can let out a desperate cry, and I’ll be damned if he’s not convincing as he airs out his paranoia about this perfect relationship breaking down. The second chorus could use some deviation, but I’m a sucker for radio rock that takes itself way too seriously and considering his dire earlier material, this may as well be Mr. Boone: The Animated Series. I really want to hear more of this from this guy, and it seems that these last few songs may be the light at the end of the tunnel for an unpromising week.

#5 - “Homesick” - Noah Kahan and Sam Fender

Produced by Noah Kahan and Gabe Simon

Okay, it’s Noah Kahan: there is a base level of quality here and I am actually always excited to hear a new song from him because at least there’s always a lot to uncover and appreciate even if the song isn’t great or has some grating element throwing a spanner in the cogs. This is especially true with Sam Fender in play, as this raises the standard of quality to at least bearable and at its worst, it’s going to be an interesting and perhaps powerful narrative… and if we’re talking about lyrical detail, I mean, Kahan’s your man, almost too much so given some of the awkward wording in that original version from his Stick Season album. On hearing those church organs sliding just slightly off the careening heartland rock groove, I knew exactly why Mr. Fender ended up on this specific song, and this actually lets Kahan let out a little, have a little more fun as he vocalises playfully about his frustrations, delivered largely in the form of punchlines, about his slow small town, with the chorus being him breaking down and basically begging for a reason to grab him out of that place, even if it’s where he grew up, using an on-the-nose but still fun play on words with the term “homesick”. I do wish there was a bit more to its mid-section, it feels like it stagnates a bit once we reach the chorus for the first time, mostly structurally. I want to hear more of Kahan’s stray, funny observations, but we don’t really get more of that even with the ramped-up intensity and a guitar solo way too Weezer-coded for me to not get a stupid grin on my face.

As for the Fender version, well, this is the best-implemented anyone has been in these Kahan duets yet, given Fender brings a new verse giving a unique and personal story about the background of riots in northern England that informed his town, injecting further reason to why one may be Kahan’s form of “homesick”, but also, despite being more strikingly intimate and less darkly comic in his observations, finding a valid and heartfelt reason to live his life outside of that home town: the dreams his father set out for him lay far away from where they were instilled. It adds a lot of depth to the song, and whilst Kahan and Fender don’t play off each other incredibly well, they have a decent chemistry that from interviews with Dork and People seem to have arisen from very similar hapless upbringings and recurring topics in both catalogues. Additionally, I like Fender’s voice more than Kahan’s, and the harmonies fill out the mix so it’s a tad more impactful, so I think this new version actually beats out the original. I’m also pretty happy that this week, starting off with a lot of mediocrity and not exactly a promising set of artists for me, personally, ended up surprising me with that three-track run by the end, and trailing off with two killer rock songs is the best way to make me feel a lot happier about a week as a whole.

Conclusion

I’m relatively predictable, especially when we get alt-rock on the charts, so I feel like despite how much I liked the Becky Hill song, it’s no surprise that Benson Boone ends up snabbing an insanely close Best of the Week for “Beautiful Things”. It was pretty much neck-and-neck with “Homesick” by Noah Kahan and Sam Fender, which is of course the Honourable Mention, and whilst I think that it is lyrically more insightful, there’s an instinctual raucousness to the emotion in The Booney One’s track that just hits that bit harder. As for the worst, I mean David Kushner obviously gets Worst of the Week pretty much effortlessly with “Skin and Bones”, but I do think I was just frustrated enough with Dylan Gossett to grant his song “Coal” with the Dishonourable Mention. At least Giggs wasn’t trying to say anything profound, and if he was, then I sincerely worry for him.

What’s on the horizon next? God knows, it’s January, but Justin Timberlake has a comeback single, Tom Odell has an album, it may be the week of even more whiny white dudes. Story of my life. Thank you for reading and I’ll see you perhaps a bit earlier than next week.

#uk singles chart #pop music #song review #noah kahan #sam fender #benson boone #sonny fodera #becky hill #david kushner #kygo #ava max #giggs #dave #dylan gossett

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