Even heroes and villains need a day off. 

When the two couples incidentally find themselves on the same beach, they decide to bury the hatchet for the day and enjoy their vacation.

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reblog, don’t repost. thank you

eek! scary!

For Dru (@fortheloveofaussiegrit), thank you for completely and utterly brainrotting me with this moment 🙏

wishing everyone a very "your greying hair is sexy"

if aradia's death was just in-character for a long roleplay, what's the deal with tavros and terezi's disabilities? did vriska have anything to do with them?

She Did Do Those Things. vriska no!!!!!!

of the many injustices put forth toward the show by fans i think the most overall damaging and telling of a complete lack of critical viewership is the idea that sam riegel builds his characters with nothing more than the bit in mind. like you are only telling on yourself if you think characters like scanlan shorthalt and veth brennato are one-dimensional and depthless

putting my hands on your shoulders looking directly into your eyes why are you so insistent that Dazai is faking every emotion every second of every day except when he's acting mean or evil why do you think his dark side is more true than his happier or sillier sides

do you not also have multiple facets you show different people? are we not all beautiful multifaceted individuals? are your actions and reactions not influenced by your emotions and state of mind?

can't he laugh at his own jokes? can't he fondly think of the Agency? can't he be dramatic because he wants to? can't he be surprised by something suddenly happening, even if he knew it would happen? do you not jump when the jack in the box gets out even if you were the one working the mechanism?

why would the mean persona be more real? why would any and all joy be faked? why are you only allowing him misery?

Holy cow there’re a lot and I really do mean A LOT of Welcome Home AUs, and more coming too. Not saying it’s a bad thing, but it makes sense considering WH doesn’t have a lot to work with so it leaves tons of room for fans to play around with. I just hope it doesn’t get outta hand like what happened to Undertale with its AUs.

People are free to have creative liberty on what aus they wanna make- like you said there is very little canon content to munch on so people will pull a “fine I’ll do it myself” JCHFHDHU-

I personally don’t mind it as well, but I do enjoy the aus where they purposely change Wally’s height just to make him more simp-able LMAOO

you know sometimes one of the things the fandom does that i like the least is joke about how certain ccs are "lorephobic" because it basically always ignores the lore they actually are really and visibly doing. like, sure, they may not be doing the lore YOU'RE looking at, but, one, lore doesn't just mean "big overarching server storyline" it can also mean solo stuff. it can also mean 'builds that have story built into them'. it can also mean 'fun little storyline between like two guys'. it can also mean character continuity. it can mean many things. two, "this guy doesn't do lore" is NOT the same thing as "this guy doesn't do the specific lore i personally like and want to see them doing" and i don't always think you guys know the difference. all of this, of course, is to say: hey guys did you know zedaph can canonically time travel,

WHO ROCKIN W/ PONYTAIL MILF YURI

if you havent seen/read dungeon meshi yet, dont let the jokes confuse you, chilchuck loves his friends so much. when i first started reading i was legit surprised he wanted to go in and help and i was kind of waiting for him to demand all their supplies in payment or something

its a funny joke that 'union chilchuck is not helping when the party is dying' but do NOT be put off by the jokes he loves those idiots and hes resisting the urge to baby izutsumi as we speak

okay, but where's my steddie AU where steve wants to learn to play guitar to impress a girl he's infatuated with and he remembers that munson kid was always hanging up posters for his weird band at school, so he hikes out to eddie's usual dealing spot behind the track and asks (with far less groveling than he really should have) if eddie will teach him how to play, and obviously eddie says no because why would he want to help king steve, but of course, steve offers to pay him, $20 a week, and well, that's the kind of get-the-hell-out-of-this-shithole-town cash eddie really can't afford to refuse, so fine, he'll teach steve to play and they'll spend inordinate amounts of time together tucked away in eddie's room and they'll start to see that they have more in common than they thought and that they kind of had each other all wrong, and eddie will put his hand over steve's to help him get the placement for a tricky chord and it totally won't awaken anything in either of them?? where is it??

edit: i started writing it

OKAY! Chatot rant in tags below! Read at your own discretion.

Luffy calls law babygirl exclusively because he thinks it’s a fun nickname

This has led to some very embarrassing situations for law

jamie thinks he's very funny. roy does not. (alt under cut where maybe roy thinks jamie is a little funny)

In Ep55 A Place for Everything, when Minkowski thinks Kepler is doubting the likelihood of Eiffel still being alive after he's floated towards the star in his spacesuit, Minkowski says "Eiffel had plenty of air left, and let's not forget he survived for -" It seems pretty likely that she was about to say that Eiffel survived nearly 200 days stranded in deep space on Lovelace's shuttle. It's interesting to me that Minkowski uses that incident as evidence that Eiffel will survive this time too, because that's not really how situations like that work.

We don't know exactly how much Minkowski knows about Eiffel's time on Lovelace's shuttle, but the reality is that he survived for those 193 days due to an extremely specific combination of impressive ingenuity, incredible perseverance, access to the right resources, a fair dose of stupidity, and an extraordinary amount of sheer luck. Without just one of those ingredients, he would never have made back to the Hephaestus alive. The ingenuity and perseverance could serve him well in this situation too, but the other factors don't exactly apply in the same way.

In my view, it isn't really that Eiffel's survival on that shuttle serves as evidence of any specific attributes that will guarantee his survival this time. I think it's more that the events with Lovelace's shuttle - Minkowski thinking Eiffel was gone forever but then being miraculously reunited with him - have given Minkowski a non-specific sense of Eiffel as a person who survives, a person who ends up in nearly inescapable peril and yet somehow always escapes, a person who makes it back alive against all the odds. It's not a piece of logical practical evidence. It's just an emotional instinct that allows her to believe that she's not going to lose him, allowing her to focus on what she can do to try and find him.

Minkowski's 'Goddamn it Eiffel' when he floats towards the star in Ep53 is so much less dramatic than the way she yells his name as the shuttle drifts away in Ep28. And that's partly about what the story calls for in those moments. And it's partly about the specific situations and the agency Eiffel has had in them. But it's also that in Ep53 she already believes that he will be okay, that he'll come back. He's done it before. He'll do it again.