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#this line is everything to me
malinaa · 5 months
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if i think about the hunger games in peeta's perspective i WILL start sobbing
#imagine you're a boy who's going to die. you're in love with the girl you've been watching from afar. you know your fate.#you just want to help her‚ but then there's the announcement and she's here in front of you‚ kissing you‚ risking her life for you and you#think‚ i could live and i could love. you think she loves you when she hands you the berries‚ when she puts them in her mouth.#then you both survive and you go back home and nothing is real anymore. you have nothing. no family. no friends. no love. just an empty#house. a drunk for a neighbor. the love of your life walking into somebody else's arms. you think‚ i survived the games. i could survive#this. and you also think‚ i should've bit down on those berries‚ should've felt the juice burst before i died.#and then the third quarter quell announcement rings in your ears and you think‚ she will live and i will die as i should have in the first#place. the girl you love kisses you on the beach and somewhere you heart stirs and your mind revolts and you savor every touch she has ever#given to you‚ in front of the cameras and off. because you are a tribute and you are always being watched and snow's presence looms and#you think‚ i know she cares. but you get taken. you get drugged. you get tortured‚ your mind altered. the girl is a mutt‚ a murderer. she's#everything you despise‚ your mind stirs. your heart revolts. you gain more awareness but cannot distinguish reality from fiction and you#have never known katniss' love. the war ends. you heal. you come home. you plant primrose for her. years down the line‚ you grow in love#more than you thought possible. but some days‚ you cannot tell fiction from reality so you ask the love of your life‚ you love me.#real or not real? and she says‚ real‚ and kisses you.#and you sigh and kiss her back and revel in this. a home. a life. a love.#lit#the hunger games#everlark#otp: real or not real?#katniss everdeen#peeta mellark#text#tais toi lys#thgpost
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ambrosiagourmet · 3 months
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I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.
This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.
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But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.
Or this little bit from one of the flashbacks:
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This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.
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And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.
Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.
Like him needing to leave. And leaving her behind.
He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.
She was 9 when he left for school, and he was 11.
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Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.
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Both of these kids deserved so much better from the world.
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5ftboy · 8 months
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Conrad Schintz; newsie, Justin's best friend, and butterfly.
BONUS:
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stevebabey · 9 months
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Dustin denotes his plan as a stroke of genius. Steve calls it fucking crazy.
It is crazy — going down to the police station and giving a completely faux alibi for Eddie is crazy.
But then, Steve recalls the handcuffs on the hospital bed, keeping him strapped in even though Eddie’s hardly in a state for escape, all bandages and wires. Steve remembers the fitful sleeps he’s witnessed when visiting, remembers Eddie’s ashamed whisper of fear that one of the officers would smother him in his sleep if no one stayed with him.
Steve remembers the bats. Remembers all the other shit Eddie got dragged through.
And if Steve can lessen that blow… well, then maybe he is crazy for going through with the plan.
There’s no prepping Eddie for it, of course, considering he’s being guarded around the clock. Steve thinks it’s ridiculous considering how feeble he feels just looking at Eddie. When he— when they had gotten him out, there was a moment where he was more blood than boy. Just jagged skin held together by Steve’s hands and sheer will.
He shivers involuntarily. This is crazy, Steve thinks, shifting a bit in the chair out the front of Eddie’s room, waiting for the discussion across the hall to meet its end. It’s crazy, but he’s already done it now.
Sharp footsteps sound across the hallway and Steve’s head yanks up. His heart beats too fast and he presses his palms down into his jeans to wipe them, standing up quickly.
“So?” He asks, eyes darting between Chief Powell and Deputy Callahan.
“That’s quite the alibi you’ve provided, Mr Harrington.” There’s a cool expression on Chief Powell’s face, giving away nothing. “One that not many would be so willing to give.”
Steve swallows. Presses down the panic tied to the implications of what he’s told them— him and Eddie. Him and Eddie together.
“We’d like to question Mr Munson a little as well, get everything settled. You know,” He makes a little gesture with his hand. “Make sure your stories line up.”
A new strain of panic jolts in Steve’s stomach and he hopes it doesn’t show on his face. Glancing over his shoulder, he peers between the blinds and tries to find Eddie’s face. He can only see the hospital bed, stark white sheets and hundreds of tubes. Steve tries to remember that he anticipated this, he prepared for this.
“Now?” He asks, turning back to face the officers. He tries to appear like his uneasiness comes from concern, instead of panic. “He’s just had another dose of morphine, I’m not sure how up to questions he’ll be.”
Chief Powell narrows his eyes. Steve silently begs him to take the bait — he doesn’t want to defer the questioning, he just needs a little more wiggle room in case Eddie is slow on the uptake. He’s a performer though. Steve hopes that’ll be enough to convince them.
“Now is best.”
Steve nods, his face grave. “I understand. Just… if he’s a bit slow, give him time to find his answers. He doesn’t know that I’ve… told you.”
Steve’s hand presses down on the handle to the room and the door opens with a hiss. He enters the room, his eyes landing on the officer posted by the door first before they travel onto the bed, to Eddie.
The chair beside the bed is empty for now which means Wayne must be off getting some food. Good, Steve thinks. This will be easiest with a smaller audience to convince.
Eddie’s eyes are closed, resting as best he can, but at the new noise they peek open. The ripple of happy emotion will help their case immensely but Steve delights in the fact that that reaction is genuine. Eddie is happy to see him.
“Big boy!” He rasps as a greeting. He waves one hand up, wires sticking out of it and the handcuff on it clinks uncomfortably, and he begins a spiel. “Welcome back to my humble—”
He cuts himself off when he sees there are other visitors today besides Steve. The heart monitor jumps and Eddie’s hand drops, eyes back onto Steve in an instant.
“What’s going on?”
Steve strides to his side, his hand reaching out to curl his fingers around Eddie’s limp hand. His skin is cool to touch, fingers icy. Surprise jumps onto Eddie’s face but his fingers tighten their grip, holding his hand too. Steve sits down in the seat beside the bed and lets the real nerves of the situation make his voice tremble when he speaks.
“I— I had to tell them, Eddie. About your real alibi.”
To his credit, Eddie only lets confusion wash over his face for a moment before it turns to some mixture of anger and sadness. A furrow forms between his brows, his grip on Steve’s hand tightening, and Steve doesn’t think he’s acting at all when he says, “You didn’t.”
Huh. Maybe he’s figured it out after all, Steve thinks.
Steve nods solemnly, letting his thumb wander over the back of Eddie’s hand. He remembers what it’s like to dote on girls, on Nancy, and find it’s not nearly as hard to bring it all out for Eddie either.
“I had to,” He murmurs, reaching a hand out to brush back some of Eddie’s hair. The heart monitor spikes again and Eddie’s cheeks glow pink.
Behind them, Chief Powell clears his throat and Steve jumps, remembering himself and what he’s trying to accomplish here.
“Excuse us, Mr. Munson, we have a few questions for you.”
There’s a moment where they let their words register and Eddie takes a deep breath, squeezing Steve’s hand and giving a little nod. Chief Powell continues.
“Mr. Harrington here has come forward with a statement that would place you elsewhere than the scene of the crime at the time of Miss Cunningham’s murder. Can you recall where you were that night?”
The mention of Chrissy’s name makes Eddie flinch and Steve’s glad he’s already holding his hand so he can squeeze it gently. Eddie’s gaze drops to their intertwined hands and stares hard for a moment. Shuffling puzzle pieces into place.
Steve leans down, presses a soft kiss to his bruised knuckles, and says “Tell them the truth.”
Eddie inhales sharply, steeling his nerves and turns his attention back to the officers. “I was with Steve. We were… we were at his house.”
Chief Powell nods, scratching words down in his notepad. He hums in a way that tells Eddie to keep going.
“We were…” Eddie trails off and looks to Steve, trying to follow the story already planted. Steve nods, hoping it comes off like he’s trying to be comforting boyfriend, instead of a subtle nudge.
“…Kissing.”
Steve resists the urge to snort at the absurdity of the whole situation. This whole thing is so convoluted and it’s twisted that Eddie’s even been accused but Steve’s putting his fuckin’ reputation on the line and Eddie says they’ve been kissing?
He doesn’t even need to turn around to know some eyebrows have raised behind him.
“Kissing?” Steve hears Chief Powell repeat. “Just… kissing?”
Eddie’s attention snaps forward again and Steve can see him piece together the snappy persona, the Freak, the scary dog privileges that come with being an outsider. He straightens up a bit, shoulders squaring but Steve can feel the quake in his hand.
“I’m sorry, did you want a play by play of the whole act, Chief Powell? I can go into detail if you want, who took who’s pants off first, yanno, but I didn’t peg you for that kinda guy.”
Steve can’t miss this reaction, turning his head to watch both officers shuffle uncomfortably on the spot. Chief Powell tries to keep his power, eyes narrowing, but it’s hard to maintain when Steve dots another quick kiss across Eddie’s knuckle.
“Very well.” He seems to land on. “We’ll be back to collect a formal statement later—”
Eddie gives a faint squeak, his hand grasping Steves that much tighter.
“—but I’m happy to have the guard and cuffs removed from your room for now.”
A sigh so large escapes Eddie that his chest deflates a good couple inches and Steve feels his own shoulders relax a bit. Chief Powell steps forward, key retrieved from his belt and Steve winces seeing the ring of irritated skin around Eddie’s wrist. No doubt caused from the thrashing of night terrors.
He releases Eddie’s hand long enough for it to be freed, scooping it back up in his as soon as he can, properly this time. All fingers intertwined, palm to palm. Eddie eyes their hands again and Steve pretends to not hear the jump in the heart monitor.
The officers leave, including the one holding post, the door sliding shut with a gentle click and Steve holds himself still— unsure of how to start explaining what he had sprung on Eddie. He feels bad, dropping him in the deep end, even if it was for his own good.
“Eddie—” He starts.
“Hug me.” Eddie hisses out the corner of his mouth. When Steve doesn’t react, he says it again, fiercer - it doesn’t match the way he��s smiling so sweetly at Steve. “Hug. Me.”
Steve does as he’s told, shooting up onto his feet and hesitating only for a moment before Eddie’s arms are creeping around his waist — he leans over and tries to keep his weight off him. Eddie’s frazzled curls tickle at his cheek and Steve just burrows his face in further.
There’s a faint whisper into his ear. “They were watching still.”
Steve pulls back a bit, not to check over his shoulder, but to see Eddie’s face. He’s serious, eyes skirting the window behind them but the moment Steve pulls back, his eyes shift down and he softens.
“And now… kiss me too?” He says. His tone conveys that he knows he’s being far too cheeky. Steve’s wonders if the officers are still watching. Wonders if he’d still kiss him even if they weren’t. He casts a glance over his shoulder and is met with a empty window, the officers retreating down the hall.
He turns back to Eddie with an incredulous expression. “What? Getting you off murder charges not good enough for you?”
Eddie’s face shutters for a moment, as though every emotion to do with Steve’s sacrifice floods him at once. There’s a burst of gratitude when he doesn’t mention it — doesn’t mention everything Steve might be giving up for Eddie, everything that might crumble should the details of the case become public.
He chooses the joke again. Eddie always does.
“Yes, but remember, we’re madly in love,” Eddie sings, brows wiggling about on his face and making Steve snort. “So feel free to kiss me anytime you feel like it.”
Steve snorts. “Duly noted, Munson.”
Eddie throws his head back softly against his pillow and pretends to wail in pain. “Munson? That’s all I am to you? That’s how you treat your boyfriend?”
Steve can’t help but grin a little at the theatrics and finds himself thinking that of all the people to be stuck pretending he’s dating, at least with Eddie, it’ll be enjoyable. Well, at least interesting. It will certainly be an experience.
“You have no idea how I treat my boyfriends, baby.” Steve says, voice low, just to see if he can get Eddie’s heart monitor to jump again. It does, a steady beeping as the BPM climbs up a few numbers.
Steve can feel the blush on Eddie’s cheeks, he’s so close, and it’s so nice to see colour on his face — such a stark comparison to the paleness of- well, of older memories.
Steve grins. Despite every nerve that feels singed beneath his skin, overworked from all his anxiety — despite considering every potential backlash that faces both them outside this room, outside the hospital, Steve searches within himself.
He can’t find one single ounce of regret.
next part.
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dragon-spaghetti · 14 days
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I'm feelin soft 🥲
(Please click for better quality!!)
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mobius-m-mobius · 7 months
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Lokius in Loki 2x02 - "Breaking Brad"
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fandom-geek · 7 months
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i think the thing that really gets me about pre-canon durge is their absolute sense of duty, and their utter isolation outside of the cult of bhaal.
most of the cultists seem eager to see durge upon their return, and one even says they were the first to feed him flesh. gortash tells them of an exhibition of a bhaalspawn's corpse and another bhaalspawn's creations and durge immediately plans to attack the hall of wonder to recover them. they then apparently entrust said bhaalspawn's corpse to sceleritas fel to "restore" through taxidermy. they deride orin for her artistry with corpses explicitly because "bhaal will never care" and because orin "[does] not understand lord bhaal".
even their infamous prayer for forgiveness is framed around their absolute submission to bhaal's plans, and the crime that requires forgiveness? admiring his rival's chosen. that's one line, and the next three paragraphs are swearing to carry out his plan exactly as they've been told to, all for his forgiveness.
hell, even their room reinforces this. orin has barely touched the place aside from installing her mother's corpse and her manifesto - and that is some of the only decoration. what was it before orin, an empty room with skulls, a bed, a desk, some chests and a wardrobe?
the durge didn't have any semblance of a life outside of bhaal, aside from gortash. and is it any surprise? the only other hint they ever had a life outside of the cult is the flashback of kid durge murdering their adopted family, all thanks to their father's urging.
bhaal even tries to force them back into isolation after they've been tadpoled by forcing them to kill alfira, and then trying to force a durge who resists him to kill their lover. if they continue resisting, bhaal kills them. bhaal will not allow them to have a life outside of him and, if it weren't for jergal, he would've succeeded.
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twinprime · 2 years
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it’s like when i choose to see the good side of things, i’m not being naive. it’s strategic and necessary. it’s how i learned to survive through everything btw. if you even care
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taxinealkaloids · 10 days
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kill your darling, it's just that easy!
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luna-lovegreat · 7 months
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Me: the update just came out, restrain yourself, you don’t need to make a billion posts about it, chilllll-
Also me: SAME POSE SAME POSE SAME POSE SAME POSE
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Time, two pages over: “Your form is on point” WELL GUESS WHO HE FREAKING LEARNED IT FROM
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mrs-gauche · 10 months
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Alas, so long as the music plays, we dance.
(Cole's cryptic comments + The Song)
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youreastargirl · 1 year
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Okay okay hold on.
You’re telling me that Derek Hale is living in Beacon Hills owning an auto shop and consulting for the sheriff and having a rebellious teenage son who loves the jeep and in the first twenty seconds of being on screen Derek says to the sheriff “Maybe you should call your son?” Like I literally paused it.
Seriously considering keeping it paused and just writing a fanfic to finish it out because this is a beautiful premise that right now is canon. I accept the first 20 minutes of this movie. The rest we can toss.
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toaster-fire-art · 26 days
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Hi! I got supper busy! and by busy I mean injured.
I'm fine but hey happy trans visiblity day!
totally unrelated but I have just been laying around distracting myself so now I have decided to once again draw a cast line up. All the martial gods for now, since I got to tweaking up the QYZ and YY one I'd already done and redoing my awfully huge poster thing I started like 4 years ago now. Doing it this way is more fulfilling to me, maybe one day I'll return to it but not now.
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yesmissnyx · 1 month
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An Unsexy Post About Censorship
Sooo...gumroad is shutting down NSFW content sales because of Stripe and Paypal. This is also why Wishtender has been down as well, if you weren't aware. And why Patreon is also cracking down on anything remotely kinky.
(If you're wondering why your favorite FICTIONAL sexual content isn't allowed on most platforms, it's payment processors.)
Please be extra kind to anyone who works with NSFW content right now, whether it be art, writing, audio, photos or video. Whether it be tasteful erotica, or the kinkiest BDSM porn you can think of, we're all in the crosshairs right now.
And, judging by trends from these past few years, this is only going to get worse.
Support NSFW creators where you can, whether by tipping or buying our content (where you still can) or just helping boost content on sites where algorithms want to drown us out.
Call representatives where you can and complain about payment processors acting as arbiters of what YOU are and aren't allowed to pay for and enjoy.
This may be about porn right now, but censorship of this caliber doesn't just stop with porn. Any transgressive (read: non-conservative) media is fair game.
Fight against it where you can. Support creators where you can.
Art is important. Reflections of our sexuality are important. We don't want a world where people aren't free to make or see the things they love and enjoy.
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t8oo · 4 months
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got a lil fiat model for christmas
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crowsgrudge · 7 months
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fionna's world being represented by a dandelion makes so much sense ... they're weeds. yet people make wishes through them, changing their whole meaning from something meant to be destroyed to something hopeful.
dandelions are also resilient and it makes sense that something associated with them would. you know. perservere despite the destruction caused by the scarab.
but ultimately i think what REALLY made me tear up over this is that dandelions are really boring plants. when you're a kid you blow on them and make your wish but they're not eyecatching or anything but still, fionna's final wish was for her old world to still exist as it was when she left it (> plain and simple. boring even).
like the moment she realized she would lose her friends, and that her friends might forget each other if the world got its magic back, she immediately decided she didn't want it and I think that ties back to the dandelion metaphor so well... like, do you really need magic to be real to find it everywhere? or can you turn something boring into something magical?
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