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#this isn't something that hasn't been talked before
gabessquishytum · 18 hours
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Dream has been hearing rumors (those biddies love to gossip about Dream's family) that Orpheus has gotten into an inappropriate relationship. Something, something "sugar baby", something, something f*cking an older man.
Dream doesn't want to interfere in Orpheus's life, but the Endless family, and Dream himself, have money, not as much as in their storied past, but enough that Orpheus doesn't have to whore out his young ass for money.
Dream isn't even judging, he just want his son not to make mistakes similar to the ones that Dream made in his youth. Dream knows how seductive those older men can be....hell Dream is still young himself (not a twink anymore certainly, but Dream had Orpheus young, so he doesn't look like the father of a college student.).
Suffice to say, Dream learns the name of the man supposedly paying for Orpheus's ass and goes to see him, maybe he can warn him off Orpheus. R. Gadling has something like 10 or 15 years on Dream, hopefully Dream can get him to see reason.
💶 💶 💶 💶 💶
Hob would have liked it to be known, if he was interested in talking to those judgmental society b*tches, that he does not need to pay a young man for sex. Thank you very much. He might like to take care of his lovers, but so far he draws the line at 30-year age differences. He is not that much of a creeper.
Orpheus is a fantastic young man, a musical prodigy, and Hob knows some people in the industry. All he did was offer introductions, that Orpheus, with his gift, would have most likely developed on his own, in time. He is not sleeping with a boy young enough to be his son,,,his son Robin introduced them for goodness sake!
When Orpheus's father comes to Hob is high dungeon, judgingly talking about inappropriate relationships and all but screaming at Hob, in his beautiful deep voice, for Hob to stop sleeping with his son -- Hob might have fallen in love on the spot. Blush high on his cheeks, hair a mess, looking like he just woke up from a good f*ck, Hob wanted to bite.
And mess with him a little,,,,,Hob offered (jokingly he thought) to stop sleeping with Orpheus if his father took his place in Hob's bed. He was expecting more yelling, not Morpheus Endless to say yes on the spot.
Oh Dream...... you poor little horny idiot. Trying so hard to be the best dad, but Orpheus is cringing SO hard.
Hob really was joking about exchanging Orpheus for Morpheus, and then Dream goes ahead and looks so sincere and so sexy... but Hob isn't a bad person (not anymore) so he sighs and explains that it was a joke. He's not fucking anyone right now, especially not Dream’s kid. He is in fact in the middle of a very long dry spell, and yes he might be going into too much detail now but at least Morpheus looks like he believes him. He sighs and smoothes down his hair and Hob is almost disappointed to see that anger fade away. Morpheus does at least blush prettily and say "call me Dream", so that's. A nice development.
And then Dream asks if Hob was joking about wanting to sleep with him, and if he thinks that Dream is too old to be a sugarbaby? Because he'd actually be willing to give it a try... And he says it in this teasing, flirty way that goes right to Hob’s dick. He's desperately hoping that his dryspell might finally be over. But he's going to have to pull out all the stops and really woo this delicious man.
Before Dream knows it, he's being whisked off to Hob’s box at the opera for a night of champagne and beautiful music. Hob explains that he doesn't take just anyone up to his box - only pretty boys that he really wants to spoil. Dream nearly melts into a puddle over being called a "boy". And yes, he's still relieved when Hob confirms that he never took Orpheus for a night at the opera.
Apparently Dream’s penchant for older guys really hasn't faded away, because he's getting butterflies whenever Hob puts a hand on his back to guide him, or orders their drinks with polite authority. If Orpheus was fucking Hob, then Dream would absolutely be fighting his own son tooth and nail over this man. Dream is embarrassed by his own horniness but not enough to stop - maybe he's doesn't actually need a sugar daddy, but he sure as hell WANTS this one <3
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WIBTA for not telling my partner about the other people I'm with when I plan to break up with him soon?
I (19) and my partner (18) have been together for a few years. We are polyamorous, to be clear. His only thing is that he wanted me to let him know & let him meet any new partners of mine. However, for the past year and a half or so, he's barely been around. I'm lucky if I get to talk to him for maybe an hour per month. So in the past 4-ish months since I have had other people ask me out, I haven't gotten to tell him much more than letting him meet 1 of them and telling him there was others I wanted him to meet. And even there, I'm not entirely sure he got the memo that these were my *partners* and not just people I was close to.
However, I know this relationship isn't going to last longer. From the beginning, my friends, other partners (not the same as the ones I am currently with, although my other current partners also hate him) , and family + therapist have said my relationship is not healthy or even abusive and want me to leave him. But I never had the strength to walk away. I loved, and still love him, too much. He's made it clear that if I left, he would be completely alone, and feel isolated. That's not something I want to do to him. On top of that, although he hasn't done it in several years now, at the beginning of our relationship he would regularly tell me how finding me saved him from suicide, how he would be gone without having found me. Treated me like I was his reason for surviving. I know he didn't mean that in a bad way, but it still stuck with me, and a part of me worries for what will happen if I leave. Plus, he knows everything about me. I don't believe he would, but I know if he wanted to he could easily make my life hell, and that makes it terrifying to try to walk away from him.
So I'm not sure when we actually will break up. Just that we will. He's talked about breaking up himself before, but when I suggested we just get it over with since clearly neither of us where happy in this relationship, he said it "wasn't time yet". So I'm just kind of waiting for the other shoe to drop.
Which makes me worry I'll be the asshole and cheating on him if I avoid telling him about my other relationships because I know ours is going to end. It feels heavy to tell him, between knowing we aren't going to keep being together, and the fact that he never reacts well to my other partners. Despite insisting he's okay with my polyamory and my relationships when I ask, he seems to almost always act aggressively when he meets my other partners. He acts rude towards them, and very possessive about me, often even siting how he was "here first". That's not something I want to put my partners through, especially not for someone I know is going to break up with me. Plus, a part of me feels guilty. Even though it's not going against boundaries, and I do really love all the people I'm with and do everything I can to make sure they all know that and feel loved and respected by me, it feels like I'm doing something wrong by being with so many people at once. It makes me feel ashamed to face my partner and go "hey so I'm with all these people too now! They all asked me out within the past 4-5 ish months yeah!" and like I'll have to find a way to justify it otherwise it'll look like I don't take our relationship seriously and am cheating.
WIBTA?
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For the last 2 weeks I've been transfixed on a strain of lost media I've come to call "bad memory induced media", where the supposed media in question does not (or at least more than likely does not) exist, but there are swaths of people convinced that they have definitely seen it at some point. There is rarely anything more to go off of for the hunt than a vague summary outlined in a post on some forum, but the lack of specificity allows people to fill in the blanks with similar types of media that they've seen, giving them the impression that they've already experienced it. I've found that this is extremely common for alleged lost shock media in particular, which isn't surprising. I talked a little about this on my LOL SUPERMAN post, and I get the impression that a similar strain of logic applies on a smaller scale.
Anyway, 2 major cases I have been looking at for a while are Saki Sanobashi/Go For A Punch and Evil Farm Game. Saki Sanobashi in particular fascinates me because an urban legend like this should have crumbled to the wayside by like 2018 at the latest, since that's when anime more or less became demystified to normal people. The basic premise is that it is an 80s/90s horror anime about anywhere from 4-8 girls trapped in a bathroom. The girls talk about their lives, hopes, dreams and philosophies before slowly going insane and dying one by one. If you like horror stuff you probably are already getting the vague impression that it sounds familiar- which could be influenced by any swath of media artifacts from Saw to the Russian Sleep Experiment creepypasta to the Ikea SCP to ClockUp's Euphoria to snippets of Battle Royale to that one Grisaia no Kajitsu arc. OP insisted he found it fully subbed on the deep web (omegalul) and hasn't found a trace of it since, implying some kind of murky origin or legal status (the OVA is not pornographic btw). As you can probably tell, I think this is silly. Like, so much goes into anime production that it would be difficult to hide any traces of this thing's existence. Someone had to voice act those girls. Someone had to sit hunched over a desk and draw that settei. OVAs were such a new thing in the 80s and 90s that both sfw and nsfw series were advertised in magazines. The only way that this could be so lost that not even a MAL entry remains is if it had been a student/indie production or something made for a single comiket event...but even at that....you're telling me that someone still managed to rip this from a vhs and subtitle it? And then chose to upload it to the deep web instead of youtube? even the title sounds like something google translated but didnt format correctly ("Saki Sanobashi" being gibberish while "Saki-san no Bashi" translates to "Saki-san's Bridge").
And yet there are people who will say "I definitely saw this at some point" because they saw a reaction image similar to the alleged scene where the protagonist smashes someone's head into a mirror. "The neck scratching death sounds familiar...." because you watched a higurashi amv! And OP did too, and thought it was so creepy that he involved it in his fake story. It's almost grating how much you have to suspend your disbelief to embrace that something like this exists in the exact way that stories like this insist. While many people have accepted that the series is likely not real in the last 4 or so years, there still persists a cohort of people hunting for Saki Sanobashi, likely because they are kids who are now too old to believe in Squidward's Suicide.
Evil Farm Game gives me a chuckle because it goes like this: a redditor posts to r/tipofmytongue about an old flash game where you play as a farmer who kills his wife and then has to hide her body while going about his farm tasks. The setup is completely fine and actually kind of reminiscent of a few story driven flash games I played on newgrounds as a kid. Many people came forward insisting that they had played this as well, one person even producing a link to a file from their hard drive that they couldn't open, but strongly believed that the game was there. A subreddit was even created to support the search. The twist is that it was a misremembered joke from a vinesauce stream.
Everyone knows that memory is an extremely fallable thing; people can be coaxed into believing that they did or saw things that they didn't with the correct prompts. What gets me is that a lot of people on the hunt for "bad memory induced media" seem to largely be hyping themselves up. They want to believe there is something that exists against all reason no matter what. It's chuuni in nature. Do not get me wrong- the interest in finding a cool, mysterious, haunting piece of media isn't lost on me, but dog, the dopamine hit of finding a previously lost 1985 commercial for almonds in a box of vhs tapes you got from eBay is the same.
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hyuuukais · 2 days
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⋆.˚𖦹°‧✮‧°𖦹˚.⋆ ERROR 404
pairing ~ yang jeongin x fem reader
synopsis ~ y/n starts getting messages from an unknown number after buying a used phone for cheap. as she finds out more about the boy she's talking to, it turns out there's much more to this than a wrong number --- he died, and she's talking to his spirit, yet he has no idea what happened to him. will y/n have what it takes to solve the mystery of his death? or will the boy's spirit remained trapped in his phone?
warnings ~ gen, drinking
MASTERLIST | PREVIOUS | NEXT
CH 4 ~ ENERGY (wc: 2.7k, 7 screenshots)
Flipping the open sign to 'closed', you wait for Minho behind the counter. There hasn't been much more communication from him since the last time you talked, only a confirmation of when you're meeting. Changbin made sure to leave before he decides to show up, feeling too uncomfortable facing an old friend. Other than the occasional check-in text from Jeongin, you haven't had much ghostly interaction either, which you think is for the best.
Each interaction so far has taken more and more energy, starting with the man on the bus and then the elderly woman. A headache, then nearly passing out? At this point, you'll end up in the hospital. A chill goes down your spine thinking of that; would it be easier for the ghost to get to you unprotected like that, lying in a hospital bed unconscious and exposed?
The sound of the bell alerts you of Minho's arrival. Adjusting yourself to lean against the counter, you watch him close the door and lock it. When he turns around, he catches your eye and gives you a light nod of acknowledgment. Slowly, he makes his way toward the counter, fingers trailing over an arrangement of pink carnations mixed with greenery. Minho stops, letting a petal fall between his fingers and onto the floor. Shaking his head, he closes the distance between himself and the counter with a couple of strides.
"I don't know if I believe you," Minho says, leaning on the counter; his face is too close to yours. "But I'm willing to try and help. I owe Changbin."
"How so?" You ask, unsure if you'll get a reply when he places his bag on the counter and takes out a sleek laptop.
"Why do you need to know? That's between me and him," Minho doesn't even spare you a glance as he opens the device and starts typing. "What's the kid's name again? Any lead suspects yet?"
"Yang Jeongin and no, not really," You answer with a shrug. "I guess the most notable person is his best friend, Hwang Hyunjin."
"Have you looked into him yet?" Minho's eyes dart up between yours, returning to the screen and starting to type. "Could be something there."
"I don't know-" You're interrupted by a buzz and look down to see a text from Jeongin.
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Rolling your eyes, you place your phone face down and focus back on Minho's typing. He's not saying anything, but his eyebrows are knit together in concentration as his fingers fly over the keyboard. Other than the sound of the keys, the flower shop is eerily silent, making you slightly uncomfortable. Ever since this has started up, quiet rooms have you on edge, waiting for the next visit from another spirit.
Minho sighs heavily, stepping away from the screen and pacing in front of the counter. You let him take his time, a hand sitting in his hair showing he must be thinking hard. Hopefully. You'll see in a moment.
"Nothing is showing up," Minho stops in front of his laptop, slamming it shut with the hand not holding his head. "Absolutely nothing, just a warning- error, whatever."
"The same thing happened to me!" You stand up straight, fingertips holding the edge of the counter tightly. "When I found this blog that was talking all about his death, it wouldn't let me read the rest of it and said there was an error! It's like something is stopping us from finding out-"
"Invisible forces?" Minho raises an eyebrow.
"Isn't that the whole thing? Normally, people can't see ghosts. Why do you think probably half the world doesn't believe in them?" You say. "So, yeah, invisible forces."
"Alright, sure," Minho slips his laptop bag into his bag, swinging it over his shoulder. "I'll look into Hyunjin. Goodnight."
"Wait-" As he turns to leave, you call out; he looks back at you over his shoulder. "Would you... could you give me a ride? Being alone right now has me kind of freaked out."
"Won't you be alone at home?"
"Yeah, but it's different," You mumble, looking down at your feet. "It still feels safe there."
Minho hums in response and you don't move.
"Aren't you coming?" He asks after a moment, car keys jingling in his hand.
You lift your head and spot him holding the front door open. Grabbing your bag and jacket, you walk out after Minho and follow him to his car parked down the road. He opens the door for you politely and you step in with a small 'thank you', fiddling with your bag strap as he walks to the other side and lets himself in. The ride to your house is silent, save for the occasional direction from the GPS.
Along the way, you spot a few stragglers out on the streets, one catching your eye when you're stopped at a red light. An uncomfortable feeling washes over you as they keep staring and you shiver, breaking the eye contact and focusing on the road in front of you. When the light turns green, you take one last look and jump. They're right outside your window, the imprint of a hand left on the glass as Minho starts driving again. He gives you a weird look that you miss, too busy trying to learn how to breathe again.
Ten minutes later, you're standing outside your door picking up the keys you just dropped from your hands shaking too much. Minho is stationed outside watching you get in safely, your cheeks flushing from embarrassment when you struggle to get your key in the lock. Switching the light on, you can hear the rumble of Minho driving away and take a deep breath. You're home now, nothing can hurt you here.
Entering your bedroom, you flop face first into your plush bedding and stay like that for a moment. You feel a dip at the end of the bed, but it doesn't freak you out. By now you can tell when it's Jeongin; his presence feels familiar. The bed moves slightly as he adjusts and gets comfortable beside you and you turn your head enough to be able to peek up at him. He's staring straight ahead, hands folded in his lap, and you see he's even kicked his shoes off. Shaggy black hair falls into his eyes and he shakes his head enough to clear his sight, his eyes then falling onto yours- you've been caught.
"Like what you see?" He teases, head rolling to his shoulder to face you completely.
"No," You lie with a grin, propping yourself up on your elbow. "Not at all. Personally, I'm not a fan of having dead people in my bed."
Jeongin laughs at that, crossing his arms over his chest and closing his eyes. You watch him relax, sliding further down into your pillows with a content expression. As much as you want to join him in seemingly falling asleep, you still need to change and wash up. But-
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"I gotta go," You say, rolling off the side of your bed.
"What?" Jeongin sits up, hands behind him. "Why?"
"Changbin wants to hang out."
"I thought you were in for the night?" Jeongin's voice goes higher at the end of the sentence.
"Me too! But it's been so long since we've done something fun. Now, which is better? This," You hold a plain black dress up to your body. "-or this?"
You switch the black for a dark red strapless shirt and some black pants and watch his reaction. Although he hesitates, you can already tell he's thinking the second and you toss the dress back toward your closet. After he covers his eyes, you change quickly and do some last touch-ups before leaving the room. Jeongin follows you and you both keep an eye outside for Changbin.
"Be careful, okay?" Jeongin talks low, keeping his eyes on the road when you look over at him. "Lots of energy in those kinds of places, don't need you getting hurt. Especially if you're planning on drinking."
"Are you worried about me?" You tease.
"No, I just don't want you to become one of us before my case is solved."
"Cold."
"Just like my case." This makes you laugh, a light catching the corner of your eye.
Changbin steps out of his vehicle and starts to approach, but you're already waving goodbye to Jeongin and exiting before he can get up the steps to the front door. The night air is crisp, goosebumps forming on your exposed skin, but you're quickly ushered into the warmth of the car. In the window of your house, you can still see Jeongin watching when you drive off. On the way to the bar, you and Changbin sing along to his daily playlist to bring up the mood, and it works incredibly well. By the time you're entering the building, any thoughts of ghosts and death are gone.
Ordering two of the same drink, you and Changbin sit with your backs to the bar and observe the others, making up backstories for each person who passes by you or seems interesting. About four drinks later, Changbin has convinced you to join him on the dance floor. One more drink, and you find yourself surrounded by strangers, distracted by the loud music flowing through your veins. It seeps into your skin and you can feel the beat moving inside you, letting your body take control. In front of you, Changbin shows off his moves and you can hear people cheering, but you know to him it's just the two of you here.
The music slows and so does your body, adrenaline leaving as you brush some hair out of your face. Changbin's expression is all scrunched up in a pout and you laugh at the way he appears to be going in slow motion; it's funny, that is until you notice how everyone around you is following his lead. Panic starts to settle heavy in your chest, turning every direction to try and spot what's causing this.
You sway on your feet as you see the first spirit weaving through the bodies toward you. There's a hole in the center of his head, dried blood crusted down his nose and chin. Moving back to the bar, you stop when you almost hit the chest of someone else; her eyes are dark as she towers over you and you step away. You let your body guide you away, walking turning into a frantic dance to avoid the mass amount of spirits that seem to be mixed with the crowd. The exit isn't too far now, but you seem to be getting sluggish purely from being near this many spirits. You can hear your breathing turn to wheezing as you stumble forward with a hand out, your fingers barely brushing the red handle before someone is wrapping an arm around your waist and pulling you away. There's no fight left in you, your eyelids heavy and your body falling limp. Someone is calling your name as you're torn away from whoever is holding you, blurry visions of colourful figures above you being the last thing you see before your eyes flutter shut.
-
When your eyes open, you don't recognize the room you're in. Dust falls from the ceiling, visible in the moonlight coming through a window above you, white curtains pulled to the side. The bed you're in is much too small for your body, pale blue sheets twisted under your legs. Rubbing sleep out of your eyes, you sit up slowly, a wave of dizziness rocking you. Once it's over, you take in the rest of the room.
It appears to be a child's bedroom, string lights pinned corner to corner emitting a dim gold on the walls. Tucked in the corner is a small desk with art supplies messily organized in compartments, one cup of paintbrushes knocked over with dried paint water soaked into a drawing. You stand and pick up the drawing; there's two boys standing by water, but one has been smudged by the spillage. They seem to be watching something out there, but the drawing is unfinished.
Directly next to the desk is an open door leading into a short hallway. Stairs lead downward with candles melting over the railing, wax dripping onto the wooden steps. As you walk toward the stairs, you can't help but look at all the photos covering the walls. Most are artsy, decorative shots, but one in particular catches your eye. There's a family of four, but the photo is torn at the parent's middle, leaving only the children to be seen holding hands and smiling wide. It's almost unsettling.
Following the pathway, it ends at the doorway to what looks like a living room, but all the furniture is covered in white sheets. You cover your mouth to suppress a noise when you spot a man standing by a fireplace. The sound of your hand slapping over your mouth must have alerted him, his head whipping around to look at you.
"What are you...?" He's turning fully now, head tilted to the side and eyes squinting. You have to hold in another gasp when you realize it's Hyunjin you're looking at.
"I don't know," you reply quietly, bringing your hand back to your side. "I've never been here before. I don't know where I am."
"You shouldn't be able to get in here. You-" He stalks toward you and grabs your wrists, bringing you into the room with him.
You watch his eyes widen as the moonlight hits you, eyebrows knitting together and mouth falling open slightly. The grip on your wrists is bruising, and he gives no sign of letting go. There's a shift in the air and he looks away from you and past your head, eyes narrowing at something in the space behind you.
"Back off," He warns, and you're almost too scared to know what he's seeing. "Stay right there."
His voice wavers, hands finally loosening and you're able to pull away completely. This, however, is a mistake. Hyunjin is reaching for you again with a shout of your name as hands grab you from behind, tearing you away from the room, the house, this whole place.
With a gasp, you sit up in a hospital bed, lights blinding you. Someone is touching you, trying to calm you, but you fight them off; you've had enough of peoples skin on yours. Head in your hands, you take deep breathes and notice just how badly you're shaking. You hadn't even realized you were crying until now.
"Y/n! It's just me-" Changbin's voice is clear beside you now that you're a bit more adjusted. "Hey, it's just me. You passed out."
"What?" You finally let him settle you back against the stiff pillow. "I did?"
"Yeah, and I think it's ghost related, but I don't know," Changbin shifts in his chair uncomfortably. "Jeongin's been blowing up your phone."
He hands you the small device and you unlock it to see he's right, Jeongin has been blowing up your phone.
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Jeongin replaces Changbin, sitting in the chair with his legs crossed at the ankles. Neither of you talk, but he does stare at you with concern visible on his face. You lay down on your side, keeping your eyes on him as you get comfortable, or at least as much as you can be. There's a moment when he opens his mouth, but a nurse comes into the room to check on you before he can say anything. She explains you'll be able to go home soon, just rest for now.
When she leaves, you sigh. "I wish I never left my bed."
"Me too," Jeongin admits quietly, a faint blush of red creeping up his neck and you giggle.
The energy with him is so different than other spirits and you can't understand why. With him, it's warm, easy; It's not draining or unwelcoming in the slightest. Being with him feels nice, like a dream you don't want to leave.
Jeongin follows you out of the hospital, into the cab they provide, and back into your home. He waits outside of your bedroom as you change, opening the door to let him back in. Crawling into bed, you catch a glimpse of Jeongin next to you. This is the first time you've seen him look so unguarded since you've met, so peaceful, and you drift into sleep thinking of him.
~
notes ~ this is unedited bc it's 2:30 am and i'm tired so pls ignore any mistakes lol
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the-ace-with-spades · 9 hours
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I'll never write it so gonna post the abandoned idea for it here (also as a reminder, all my fic ideas are for grabs unless stated otherwise so if someone wants to pick it up, be my guest)
Red strings of fate/Soulmates AU
You are connected to your soulmate by a red thread only you and your soulmate can see and touch (and cut). When your soulmate dies, the thread solidifies and becomes heavier, as long as the distance between the soulmates was the time one of them died — almost like a chain.
Jake and Bradley find out they're soulmates early on in flight school — it's hard not to when the thread pulls tauter and tauter until they finally meet in the same classroom and they can see the other end of the thread for the first time.
There's fascination, there's the thrill of sneaking around (they should disclaim it, as soon as they learn, so it can be put in their records, but they never do) and everything is new and bright. They start to treasure the string, turning around their fingers and finding joy in noticing the other end twitching and pulling — with time, they notice the motions translate over the tread no matter how far away they are.
They make up a system of pulls and tags, using Morse code and it becomes something else, they become something else — in the air, wordlessly in sync, on the ground, talking to each other whenever they want, during sleepless nights and separate schedules and long-distance deployments.
Until.
Things start getting complicated. Bradley has commitment and abandonment issues, Jake's an all-or-nothing type of guy and just being soulmates isn't enough.
They go their separate ways. Bradley still, sometimes, when he can't sleep and the night makes him feel like nothing has a sense or a purpose, sends little messages down the thread. He never gets replies.
The day they meet again at the Hard Deck, Jake suspects Bradley is coming for the same assignment. The string’s been getting lighter and lighter the whole night, dropping down, no longer stretched to its limit.
They try to ignore the string the whole time the training goes on, but Mav still suspects. He doesn't say anything, but he feels like history is repeating itself.
When Mav and Bradley are arguing in the debriefing room and Warlock comes in, he doesn't say anything but Mav looks down at his own wrist and his face turns white and Bradley knows at that moment.
(Whether Mav and Ice are soulmates and married or they are soulmates but Ice still married Sarah, that's up for discussion).
During the whole funeral, Mav rolls the invisible thread around his wrist, moving onto his arm when it's not enough.
It's at that moment — Bradley decides Jake will never have to do the same.
The minute he turns around for Mav, he makes up a plan in his head.
They find each other in the snow, and argue, but by the end of it, Mav is making up a crazy plan and they'll try to return in one piece. Try being the keyword.
He pulls on the string, the thread between his thumb and index finger.
Mav frowns. "What are you doing?"
"Sending a message before we go."
He repeats it, just in case Jake hasn't realized in time to catch the whole thing at first. And then he starts looking through the pockets of his life vest.
“He’s not walking around with a dead man’s chain, Mav.”
Mav tries to stop him the second he realizes what Bradley is going to do but it's too late — with the same knife he cut his parachute off, he cuts off the thread, close to his wrist, letting it fall limping into the snow, red almost looking like droplets of blood.
It takes Jake a minute to realize that the tagging is a physical feeling, not just wishful thinking formed by his imagination.
The carrier deck is a mess, the foxtrot teams returned, Phoenix is now arguing with the admirals about Rooster's position — he might not be dead, sir — and the ringing in Jake's ears doesn't stop until he looks down at his wrist, and sees the string moving, the pulling a rhythmic, well-known motion.
Aloud, breaking up the vivid discussion about Maverick and Rooster's status, he says, “Rooster is alive, he’s—he’s talking,” and it almost feels like it's someone else using his voice.
“What do you mean, Hangman? His comm is silent.”
“Can feel it on the string, it’s still red and he’s— he’s tugging in Morse code,” he says. He closes his eyes and lets himself be pulled by the wrist. “S-O-R-R—Sorry, he’s—sorry and—and—I-L—Shit, no.”
I-L-Y
The string flops down, loose. “No—”
He cut it. He cut it because it's still red and not gray but still too limp and he knows it. His wrist feels too light, too free.
When Bradley lands on the carrier, his wrist is bare and the thread pools around Jake's feet. It doesn't magically reconnect when they touch, when they shake hands.
Jake tries to desperately find the other end, carrying rolls and piles of it with him as he follows Bradley to the med bay.
“Jake, just—just cut it,” he tells him. “It’s going to connect you again in a day or two.”
Jake ignores him, pulling miles and miles of the thread into circled piles next to Bradley's bed. He can't see the floor — it's just red and red and nothing else.
“No,” is all Jake says. “Not to you.”
It'll find him a new match, connect the thread to someone else, to someone who isn't Bradley.
"Bring me some scissors," Bradley says. He almost feels bad, when Jake's gaze turns up to him, glaring with shiny eyes. "Just do as I say for once."
Wordlessly, looking like it pains him, Jake brings him disposable scissors.
Bradley grabs his hand before he can move away, pulls about three feet of the thread from the pile, and cuts off the excess on the floor.
He wraps it around his own wrist, the string thin and soft, and a little clumsily ties it into a loop over his arm. When he leans away again, the thread takes a second, taut, and then stretches with the distance, like it has always done.
Jake stares at it, too focused and too absent. "That's the shittiest knot I've ever seen."
Bradley huffs. "Well, you gotta learn to live with it."
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bestworstcase · 6 hours
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Thanks for your response ala Ruby & Yang, great stuff!
Idle aside, but do you have any thoughts on Yang's role as the sort of black sheep of the family by dint of Raven associations?
Cos like, Tai overtly favors Ruby, projects Raven onto Yang, resents Raven being rough up and is bad enough about reminders of her Yang feels she has to apologize for his negative reactions. Let alone his... Everything else.
Then there's Qrow who doesn't seem to interact with Yang over much at all and one of if not their most major interaction. Involves him straight up saying he thinks she's either a liar hurting people for fun or "crazy".
I recall someone I was chatting with wondering: Imagine doing everything you can to keep your family from breaking apart & being compared to the woman who left you when you were a baby?
Cos I do wonder how Yang feels about all that given she seems to downplay and or try to work around her family's issues when she can. Let alone what it says about the adults in the room.
smth i think about a lot is the way yang’s narrative about her childhood shifts between v2 to v5
’cause in v2 it’s: “it was tough. ruby was really torn up, my dad kind of shut down. it wasn’t long before i learned why…” all to provide context for this anecdote about putting ruby in a wagon and running away to find her mother. and then her conclusion is “my stubbornness should have gotten us killed that night.”
and while there is a degree here of yang framing the story to emphasize the point she wants blake to understand, it’s also very obvious in her delivery that the emotional reality of this memory for yang is “the time my stupidity and stubbornness almost got me and ruby eaten by grimm”—when she was [checks notes] like five, six years old, and regularly left at home unsupervised.
but in v5, it’s: “my mom left me. ruby’s mom left too. tai was always busy with school, and ruby couldn’t even talk yet; i had to pick up the pieces. i had to pick up the pieces. alone.”
aside from the telling slip (tai, not dad)—yang centers her own feelings and the harm this situation did to her this time. which is something she’s always felt but i don’t think she could have brought herself to say it out loud to anyone during the beacon arc, because it was pressed down under the guilt on display in burning the candle, the feeling of having been inadequate and too stubborn and too selfish and and and–
coughs quietly. “my stubbornness should have gotten us killed that night.” / “you were predictable. and… stubborn. and maybe a little boneheaded.” yang’s narrative about the wagon incident—which happened when she was five or six!—pinning the blame on the thing tai imagines to be her fatal flaw is…probably not coincidental. yang in v4 after a year of being loved by her team and supported by mentors like glynda / oobleck / port has the perspective to know that tai doesn’t know what he’s talking about; but as a small child who’d just had a terrifying near-death experience with her baby sister… 😶
it definitely had a big impact on the way yang sees herself
BUT i do read qrow's talk with yang in 3.8 pretty differently ->
because the context is: yang saw mercury attack her and struck back in self defense, then had like a dozen synthetic soldiers point guns in her face, then looked up and saw the replay footage of herself walking over to shoot a boy who was just kneeling on the ground. and some of the most powerful authority figures in the world are pushing this narrative that stress and adrenaline "clouded her judgment."
like this would make anyone doubt their sanity. bc holy shit.
yang, though...a couple weeks ago, yang after being knocked unconscious woke up and blearily saw someone she thought was her mother walk away from her and disappear in a flash of red light. she hasn't mentioned it to anyone, because it's just so bizarre—yang doesn't know about raven's semblance yet—she must have just been seeing things. right?
aside from raven (who isn't here) and yang (who believes she hallucinated), the only other person who knows that yang saw her mom on the train is qrow, because raven told him about it. he also knows that:
tai insisted on not telling yang ANYTHING about her mother, and qrow respected that up until now; so yang doesn't know about raven's semblance and can't make sense of what she saw.
salem's infiltrators are the same people who attacked amber, and qrow didn't get a good look at them because they seemingly vanished into thin air—pretty damn good chance that one of them has a semblance that manipulates what you see.
ozpin wants #2 kept secret, so yang has some very powerful people actively trying to convince her that she's crazy. ironwood is straight up gaslighting her.
qrow also—based on the first thing he says, which is "why'd you do it?"—seems to consider it a possibility that it is what it looked like but yang did have a good reason, and i actually do not think that is an outrageous thing for qrow specifically to think. because qrow was emotionally abused as a child, and he knows yang, and in the event that yang really did suddenly turn around and punch a guy who was kneeling on the ground, why would she do it?
glances at shay d. mann. well. maybe this kid has been harassing her? maybe he said something horrible or threatening to her and in the heat of the moment she just snapped? maybe "he attacked me, i saw him attack me" isn't really a lie per se, she's just scared that "he's been picking on me ever since he got here and he made a disgusting remark and i just couldn't take it anymore" won't be taken seriously? as in, he did attack her—verbally/emotionally.
it's probably worth asking, at least!
so, qrow leads with "why'd you do it?" in case there is some invisible reason justifying the apparent action. yang says "you know why." qrow goes okay, well, i only know what i saw, so you're either lying (i.e., yang had a reason she now isn't telling) or crazy (i.e., yang saw something different from reality that was very real to her).
she says "i'm not lying." qrow believes her: "crazy, got it."
at this point, he knows the most probable explanation is that one of salem's infiltrators fucked with her head. the inner circle's gaslighting doesn't sit right with him; he's not going to buck ozpin by telling her the truth outright, but he wants to make sure yang knows she isn't losing her mind. he also has all the info needed to guess that yang is actually really really scared that she might be crazy.
which is why he kicks off the wall and begins to pace around. the language he uses sounds dismissive, but his tone is mild and his body language implies "let's talk about it, let's figure this out."
leading to:
YANG: Who knows? Maybe I am. QROW: And here I thought your dark-haired friend was the emo one. YANG: I saw my mom. …I- I was in a lot of trouble, took a pretty hard hit. But when I came to, the person attacking me was gone, and I thought I saw… her. Her sword. Like the one in you and dad’s old picture. QROW: You’re not crazy, Yang. That was your mom, alright. Let me guess—she didn’t say a word, did she? YANG: How did you know that? QROW: I don't see my sister very often, but she does try to keep in touch... whenever it suits her. YANG: Wait—you mean you talk to her? That was real!? QROW: Yeah, she found me. Had a tip from my most recent assignment and wanted me to give you a message.
it's really telling that yang responds to him this way. 'cause we've seen how yang acts when she feels dismissed or belittled:
TAI: Well, "normal" is what you make of it. YANG: What is that supposed to mean? Do you want me to just pretend like nothing happened? I lost a part of me. A piece of me is gone. And it's never coming back. TAI: You're right. It's not coming back. But that doesn't have to stop you from becoming who you wanna be. You're Yang Xiao Long, my sunny little dragon. You can do whatever you put your mind to. So whenever you're ready to stop moping, and get back out there? I'll be there for you. YANG: I– I...
she freezes and shuts down! her teachers have to come to her rescue!—but when qrow goes "crazy, got it" and suggests she's being "emo," yang blurts out her big secret. i saw my mom. to me that suggests a level of trust and understanding that isn't there with tai: qrow says stuff like "okay, so you're crazy" and "here i thought your friend was the emo one" but what he means is "hey, i know something's really bugging you, tell me about it," and yang picks up what he's putting down.
it's akin to how ruby goes "did you miss me? DID YOU MISS ME??" and qrow's like "nope" and they both laugh. or the back-and-forth ribbing between him and the girls in 3.4. there's this layer of mild ironic meanness in the way qrow converses with his nieces that all of them are fluent in, and in this scene he's using that mode to signal that "crazy" is not off-limits, that it's okay to talk about openly.
crucially, there's a code-switch in the middle of the conversation: as soon as yang gets real and says "i saw my mom," qrow reflects that seriousness back to her. you're not crazy, that was your mom, she found me afterward and told me about it. it was real. you're okay. qrow's ability to do that—to shift into a more serious mode when irony isn't appropriate—is why yang can have this rapport with him that she doesn't have with tai, because tai isn't... being ironic when he says mean or dismissive things to her.
anyway, qrow passes on raven's terrible message and then kind of annotates it: "raven's got an interesting way of looking at the world that i don't particularly agree with, and she's dangerous." (which is a very diplomatic way of saying he thinks raven is full of shit. lol.) but then he connects this whole conversation about raven back to what happened after the match: "you're a tough egg, kiddo. don't let this tournament thing getcha down. you had a slip-up; sometimes bad things just happen."
implicitly: yang isn't crazy. what she saw on the train was real, a product of raven's personality and her semblance. sometimes bad things just happen. qrow believes that yang had the experience she says she did when she punched mercury. he doesn't know why she had that experience—yang doesn't either!—but he knows she isn't just "crazy." sometimes things that seem crazy are actually real.
remember what he tells the girls in 3.4? "you may be acting like huntresses, but you're not thinking like one." same thing here. he's telling yang, hey, you're not crazy, you know what you saw, but you don't know what or who caused you to see it. "you cut off the head of the king taijitu, but now the second head's calling the shots."
hint, hint.
it's subtler than the hints qrow drops for ruby in 3.12, but very much in the same vein, and yang is plenty smart enough to figure it out. she might... not have? in the couple of hours between this conversation and everything going to straight to hell, but if they'd had literally just one more day, just long enough for the wheels turning in yang's head to click together with what ruby heard from velvet about coco hallucinating during her and yatsu's 2v2 against emerald and mercury, she would've had it.
more... generally, i've never gotten the sense that qrow projects raven's flaws onto yang in the way that tai does; qrow is definitely a lot closer with ruby than yang, but i think that has less to do with favoritism on qrow's part than it does ruby thinking he's like the COOLEST uncle ever and wanting to use a scythe like he does.
'cause like, qrow isn't their parent, he doesn't live with them, he's not responsible for raising these kids like their dad is, so while he obviously did contribute to fucking them both up because: alcoholic, ultimately there just isn't the same degree of betrayal or emotional abandonment; he's not their dad. both times yang talks in detail about her childhood, it's "my mom left, ruby's mom left, tai wasn't really around, ruby couldn't even talk, i was alone"—she doesn't mention qrow. there isn't that deep hurt, that feeling that qrow is someone who left.
when he isn't drunk, yang seems to feel pretty okay around him, and qrow likewise treats her... honestly a lot better than tai does:
he stops by their dorm in v3 to hang out with both his nieces; yang is fully in sister mode—cheers for ruby to beat him until ruby loses, immediately shoves her out of the way like "my turn!! >:D"—and qrow ribs them both, takes ribbing from both of them in good humor, tells both of them "you two are gonna go far."
qrow nicknames to show affection; ruby is "pipsqueak," yang gets "firecracker."
we only see qrow's goodbye to ruby, but in 5.4 yang indicates that qrow came to talk to her before he left, too. she also has complete trust that he's keeping the promise he made to look after ruby.
yang, as noted, opens up to him about seeing her mom; she's also shocked that he's still in contact with raven and indignant that he didn't tell her sooner, but—unlike with tai—she doesn't seem surprised that qrow is willing to talk about raven in general.
which tracks with what tai says in 4.11: "despite asking him numerous times not to, i know qrow told you where you're mother's been at these days"—meaning, this was a point of contention between him and qrow. behind the scenes, while tai refused to discuss raven at all, qrow was going okay well, let me tell her then, she deserves to know. and then ultimately he just bit the bullet and told her behind tai's back. i wouldn't be surprised if it turned out qrow had been straight with yang that her dad wanted to be the one to tell her the important stuff, and he wanted to be respectful of that, but raven wasn't an off-limits topic.
general contrast between yang-tai and yang-qrow dynamics; for example both of them say almost verbatim "you've got a long way to go before you're ready for the real world" (3.4/4.4). from tai it's belittling, he's insulting her; from qrow, it's meant to encourage, it's "remember you're still new to this, you'll make mistakes, just keep learning, keep trying." (rwby does stuff like this all the time, refracting an idea in different directions to highlight contrasts between characters; ozpin's advice to ruby vs port's advice to weiss is another example.)
a lot of qrow's resentment toward raven is centered on her abandonment of yang: "did you know yang lost her arm? [...] rhetorical question, i know you know. it's just obnoxious that you'd bring up family and then carry on like your own daughter doesn't exist. [raven: "i saved her."] once. because that was your rule, right? real mom of the year material, sis." like he is PISSED on yang's behalf that raven won't even try.
my impression is that qrow—although a) often away on long missions in far away places and b) an alcoholic who sometimes got blind drunk and became a burden yang and ruby needed to take care of—when he did manage to be there, made a serious effort to connect with both of them. he ended up being closer to ruby bc she wanted to learn scythe-wielding, but i do think qrow would've trained yang too (or instead) if the girls had different combat interests.
and while his relationship with ruby has a mentorish aspect, i don't get the sense either of the girls see him as a parental figure: he wasn't part of their household, he traveled a lot, his alcoholism in combination with tai's neglect eroded the adult-child boundaries because they had to be responsible for him as often as the reverse. he's a friend who also happens to be related to them. and that's especially true for yang, because he wasn't her teacher.
(i know it's a... pretty common headcanon / fanon that qrow lived with them, but i really don't think that's supported by the text? whenever ruby or yang look back on their childhoods, the family unit is always them + tai, and qrow isolates himself out of fear that his semblance will injure those he cares about. plus ozpin sending him all over the place as the one member of team strq still active. it makes way more sense to think he lived alone, and visited when he had the chance. which is the main reason i'm WAY softer on him than on tai, 'cause qrow wasn't in a caretaker/parent role; at most he was an occasional babysitter. so while his incidents of turning up drunk on the doorstep contributed to the harm... it's like, it would absolutely have been better for them if qrow were sober, but that wouldn't have changed anything about their home life. they'd just have somewhat easier relationships with qrow.)
TO WRAP THIS BACK AROUND TO THE QUESTION, tai is unfairly judgmental and harsh with yang bc he projects his idea of her mom onto her; yang also has a better relationship with her mom's brother than she does with her dad. how do these two dynamics interact? how does yang feel about hearing from tai that she's too branwen, so to speak, while also getting along better with the branwen side of her family? how might that fuel her desire to find raven?
if her uncle treats her better than tai does, then... maybe her mom would too, if only yang could reach her?—obviously it's not rational, but like. i don't think five year old yang put her baby sister in a wagon and ran away to find her mom because she thought she would ask "why did you leave me?" and then get her answer and go home. as yang grew older and developed a more realistic perspective it shifted to "i just need to know why she left" and she projects that backward onto herself as a child, but at the time what she wanted, what she was looking for, was someone who would take care of them.
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wildissylupus · 2 days
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Is Gerard alive in the Mirrorwatch universe and if he’s alive than that means that Ana could have possibly been brainwashed into killing her husband Sam do you think the mirror watch version of Widowmaker is better than the normal talon version?
In voice lines it is confirmed that MW!Gerard is still alive and most likely still an Overwatch agent (cause there is no way in hell that man is a civilian), it's also confirmed in voice lines that Ana did betray Sam in this universe. Likely meaning that she killed him.
Though something interesting to note is that not only is it implied that MW!Ana used to be an Overwatch agent, but there is no indication that she's been brainwashed. Actually there seems to be more of an argument that Reinhardt is the one that's brainwashed with is line of "You hold my leash no longer" when he eliminates Ana and the fact that his skin is called Fallen Knight. There is also the consideration that though MW!Ana sees emotion as a weakness, she hasn't had them dulled or removed.
In all honesty, though MW!Ana seems to very much be in Widowmakers role, personality wise she seems more like Moira, as well as her motives being similar to Doomfist with a lot of her voice lines talking about how the world has grown weak and complacent, along with her line "I chose greatness, you chose failure". It's also implied that whatever was done to Rein in the world, it was done by Ana, not only because of Reinhardt's line but also one of Ana's own; "Mind yourself Reinhardt. You're still of use to me."
As for MW!Ameile being better then Widowmaker? Absolutely. I've talked about the problems with Widow's fighting style before butthe main problem and the main thing that holds her back is that her fighting style isn't personalized. It's all Talon training and the few moments it isn't are the moment when she actually hits her shots. So with Amelie not being brainwashed and only having a few augmentations, that being her eyes, cause not only is one of them a prosthetic but her eyes are still yellow in this world, meaning Moira did something to her eyes at the very least. It means that Amelie would incorporate more of her own style into her fighting, specifically I think MW!Amelie's fighting style looks more like dancing then fighting.
Also even though it's not really implied and it might be a stretch, but if MW!Ana was previously working for Overwatch, It's highly likely that Ana trained Amelie in this universe. So yeah, I think that Captain Lacroix would easily be a better sniper and fighter then Widowmaker, however, she would not be the better assassin.
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digisurvive · 1 year
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A matter of survival
About the high-stakes framing of the game to addressing trauma and maladptive behavior using its most overt portayal: Shuuji.
cw: mentions of self-harm, death, trauma
Shuuji’s mistreatment of Lopmon being a metaphor for self-harm and a way to externalize his self-loathing as well as a way to portray the parental abuse he endured (continues to endure?) is a well-known fact by now (I want to believe). While Shuuji getting devoured by Wendimon is generally seen as comeuppance for his treatment of Lopmon, from the in-game description of the creature (Wendigomon is not completely evil, and kindness hides somewhere deep in his heart. But the power of rage suppresses this kindness, making him devote himself to destruction) and the fact it merges both Lopmon and Shuuji to finally voice their pain and downright suicidal ideation, it should be clear the imagery corresponds to Shuuji being swallowed by his own darkness, fully epitomizing the extremely destructive downward spiral he’s been since the beginning of the game.
In the vanilla pre-timeline split, the debacle wraps up with Shuuji’s death whereas in the Truthful route, after Ryo calls him out, Shuuji gets a very needed wake-up call and apologies to Lopmon, getting the chance to change his ways. Of special note is that Ryo not only punches and berates Shuuji—bringing his behavior into perspective— but he also seeks to demonstrate to him that even though he’s at his worst, he still has a place in the group, the others will still try to help him. This places the idea of Shuuji getting support and addressing his trauma and the pernicious behavior stemming from it as a literal life-or-death matter; for leaving it unchecked completely shuts down the possibility of him ever growing more authentic to himself since he ends up being completely at mercy of his anger and pain without any regard to reason nor kindness (not to mention the literally dying).
 This idea not only applies to Shuuji and Ryo, but arguably to most of the cast. When the kids can’t meaningfully address their underlying anxieties and troublesome behaviors and don’t get the support they need, the ensuing result is usually their death (after some really intense lashing out in certain cases—Aoi and Kaito). In this way, parts 3 and 5 —especially 5— could be said to be a cornerstone and primer to Survive core messaging: for the group’s continual survival and growth to be possible at all, it’s absolutely essential to foster a caring community for them.
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2boldlyqueer · 1 year
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Ignore this if you don't care about my life but I'm gonna lose it on my fucking grandmother one of these days I swear to God. We live together because we're both disabled and can't survive alone but she's such a fucking asshole I'd rather take my chances on the goddamn fucking street sometimes
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fmhobeus · 2 months
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fwb!suguru who knew he wanted to fuck when he first laid eyes on you. then wanted to take you out to endless dinners to chat his ears off when he first spoke to you.
fwb!suguru who grew to like you without fucking you, almost forgot it was what he wanted you for – a life together or a night together?
fwb!suguru whose dick got painfully hard when you taunted him, rolled your eyes at him or outwitted him. he lived for your sassiness.
fwb!suguru who happened to fuck you on a random night unexpectedly and it changed the trajectory of his life.
fwb!suguru who stayed after every dick appointment. cuddled with you on the bed, watched movies or your favourite TV show, ordered take out and held you in his arms till you both inevitably fell asleep.
fwb!suguru who couldve sworn he wasn't in love with you. he would still fuck other people (and then come back to you, poor baby was thinking of you the whole time)
fwb!suguru whose grown accustomed to your presence. he calls you when he isn't feeling okay, you call him when something bothers you. he's grown used to you telling him all about work, how you got your nails done, how you saw a cute cat near your apartment. trivial details, which coming from anyone else he would hang up, but he looks forward to them with you.
fwb!suguru who eventually stops fucking other people and is just your man, without you knowing.
fwb!suguru who is determined to mark you up in placed people will notice. your neck, your thighs, your collarbones.
fwb!suguru who believes in giving you his all. all of his long girthy dick that pumps you full it should be criminal, his long slim fingers that have made you orgasm so often and hit that deep spot with unbeat ease, his long tounge... oh god his tounge. he thinks maybe even his long life ahead is yours too, all yours. his little kids too maybe? he doesn't like to think too much about that.
fwb!suguru who has to have your pussy checked with his tounge daily. he has to lap up your insides no matter any circumstances. his voice purrs across your body when he talks you through your orgasm.
"mhmm yeah cum all over my face beautiful, I know you want to"
fwb!suguru who gets sick at the thought of you sitting so pretty for another man when you tell him you're going on a date. suguru who looks so disturbed at the thought of another man even looking at his pretty girl who isn't really his.
fwb!suguru who takes you to corporate events just so he can call you his girlfriend, even if it's just pretend. when you question him it's always "easier explanation than a friend i fuck on the regular, isn't it?"
fwb!suguru who knows how you like your coffee in the morning. he knows what you like for breakfast, your comfort food, your hobbies, your favourite movies, your least favourite movies, your icks, your past. he knows you like he knows himself. he thinks of you when he passes your favourite cafe, he texts you when he sees something in the colour you like.
fwb!suguru who is sure he hasn't felt this way before, who is so vulnerable with you that it scares the shit out of him.
fwb!suguru who is afraid, angered at everything about you. he's angry at how you lull him into a sense of security, how you hold him, how sweet your voice sounds when you call him by his name, how you take care of him, how you listen to him. he hates how your pussy clenches his dick for dear life, milking it dry and how you never let a drop of his cum go to waste, licking it up like a little slut. he's fearful too. about losing you. about where loving you the way he does leads. loving you? wait. he loves you? fuck. fuck. fuck. this hasn't been according to plan at all.
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homunculus-argument · 11 months
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Idea for a Generic Medieval Fantasy Setting: The characters refer to their nameday as an apparent stand-in for birthdays, celebrating it annually according to their respective preferences and perhaps family customs, as one does. People talk about things that happened before someone's time as having gone down "before you were named", someone grievously insults an opponent on the battlefield by going "your mother should never have named you." So with the way naming is always talked about, as a reader you start to somewhat assume from context clues that these people have some sort of a taboo about the word "birth" or something, and naming is used as some sort of an euphenism to avoid naming the process in which people come into the world.
Then somewhere halfway through the story it turns out that in this setting, people aren't named immediately after being born. This is a semi-realistic-gritty fantasy setting, after all. Due to the somewhat high infant mortality, to at least somewhat soften the blow of potentially losing a child, babies just aren't named before the parents are pretty confident that the kid is going to survive. The naming ceremony is where a baby is officially aknowledged as an entire individual, a member of the family and a legally existing person, instead of just a gurgling extension of the mother who may or may not disappear from this world. And that timespan between birth and being named is - depending on the situation and the family - somewhere between 1-4 years.
And suddenly the whole bunch of annoyingly-too-mature teenagers and other weird remarks about age start making sense in hindsight. The heroine protagonist who celebrated her 16th nameday at the start of the story is actually 19 years old. The wild difference in maturity between two characters who were both named the same year wasn't just a difference in backgrounds, The Rich Idiot isn't just rosy-cheeked and naive due to being sheltered growing up, but actually literally years younger than a peasant "of the same age". A character who's sickly and was frequently remarked to look much older than their years hasn't just been harrowed by their illness, but was not named before the age of seven because their parents didn't think they'd survive.
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UPDATE What's up, it's the proposal guy. You said you wanted to know how this turned out, so I figured I'd tell you. First some context though, because I'm mean and I wanna keep you in suspense longer.
1- I don't wanna doxx us so I'm not telling you where we live, but suffice to say, neither of us are American, and gay marriage has been legal here for less than five years. For both of us, this is the first relationship we've had where marriage was even an OPTION, and I think that's where we've been getting some of that whole 'this has to be a REAL proposal with EVERYTHING' idea.
2- I gotta figure out how to explain this properly. So, I'm pretty used to being the GUY guy in relationships? I was always the one who did the nice gestures, not the one they got done for. Before I met my dream guy, I didn't really notice or care that it was such a thing, I just assumed that's how shit worked. Also, I promised I wouldn't talk a lot about his stuff here, but his last boyfriend before me SUCKED. Anyway point here is, it turns out we both REALLY like feeling swept off our feet sometimes, and a big part of finding each other has been getting to feel special for once? That's a stupid sappy way of putting it the point here is I think all that's what morphed into "I need to be the one getting proposed to, also it has to be completely perfect", and then our Petty & Extra genes got involved.
So I'm sitting in bed thinking about all that up there, and watching all the comments coming in basically being like "Dude, you are BLOWING this" on repeat, and telling me to compromise, and I look up and see him flossing in the bathroom and making all these doofy faces at the mirror, and it's like a switch just flips in my brain, and I'm like "Oh, I'd rather he gets to have his perfect proposal than we both have an okay one". I'm gonna do it.
Morning rolls around, and while I'm 'out for my jog like normal' I hit up a pawn shop for a temp ring (the ring pop thing is cute but NOT HIM). I found one I was at least confident wouldn't get ruined the first time he got his hands greasy (he fixes old machines as a hobby it's hot as hell), got back home, and hid the box in the toe of my nasty ass workout shoes in the bedroom closet, since I figured he'd check there last.
He was still asleep, because he stays up late no matter what and then is SHOCKED he's tired the next day, so I called and booked a table at our usual anniversary spot. (Side note about the 'he picks bad restaurants' thing. This isn't an 'I like Greek, you like Chinese' situation, dude's just BAD at finding places. He either assumes pricey is tasty and I get to eat some overrated gourmet bullshit, or he'll try and find something hip and underground and risk giving us food poisoning again, and he REFUSES to give up and pick somewhere we've been before when it's his turn to plan date night. I'm obsessed with him <3.) Date was set, I'd propose on the 21st.
Some of you might have noticed this, but fun fact! It's currently the 16th.
Last night I'm doing dishes and he's been sent to our room for mug collection duty, and he's taking FOREVER, so I go check just in case he found the ring, because the man's a gift tracking BLOODHOUND. Turns out he hasn't, he's found my Angry Box.
I assume other people have an Angry Box? Basically, we had this huge messy fight right when we first moved in together, and I never wanna let it get that bad again, so I have this shoebox where I keep a bunch of our stuff I can look at if we're fighting and hopefully cool off. There's one of those photo booth roll things, letters we wrote when he moved back with his parents for COVID, the wine cork from our first date, shit like that. Anyway, he's just sitting on the floor staring at it, and I explain about the Angry Box, and then he! Proposes!!! Kind of.
He definitely didn't have anything prepared, because by 'propose' I mean 'ugly cried & rambled at me for several minutes before I figured out it WAS a proposal', but once I got on the same page it was amazing. I said yes, and he had to admit he didn't have a ring for me because he was CONVINCED he'd win and I'd do it, so I grabbed mine because, yeah, he was right. He was like "this is the ugliest ring I've ever seen" and I was like yeah well the plan is to replace it later and he went "No. You can pry this off my cold dead fingers. After I'm buried with it." So I guess it's not a temporary ring anymore.
I'm just gonna go ahead and skip to this morning. I pointed out we still have the reservation, and he said I should propose there anyway because "We can get a free dessert. They have those creme brulee shot glasses you like. And for love, or something" and I said ok deal, but that means you gotta get me a ring to keep it fair, and his eyes LIT UP. When I swung by his work for lunch he was still on the phone with a jeweler and he had a whole page of notes on three other ones. Pray for me.
OH PS: I was RIGHT that he'd been the one behind the cat biting me, but it wasn't about the proposal stuff, it's because I paid my baby sister three dollars to shout 'fuck you' every single time he enters a room she's in for (if you ask me, he should be madder at my sister for charging so little), and he did it by giving her a bunch of treats for biting his hands too, so now neither of us can pet our baby girl without oven mitts on. HOLY SHIT I love this man.
Oh my goddddddd I love everything about this <333 I awwww'd out loud on a voice call, like, six times while reading. You two are friggin perfect for each other and so obviously smitten with each other and I wish y'all all the happiness in the world
PS Are y'all planning to have a big wedding? If so oh boy I can't WAIT to get that one in the inbox
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rizsu · 7 months
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ex-husband!gojo, who wakes up every morning to his disappointment. it's been well over a couple months, yet he still extends his arm to feel for you.
ex-husband!gojo, who still has your contact saved as his main emergency contact. he uses this to his advantage— ringing your phone with the excuse of being "too drunk to drive." it works. he isn't exactly high off his brain, but he has alcohol in his system.
ex-husband!gojo, who happened to spot you with another man. who is he? is he your friend? your lover? perhaps you met after the divorce? whatever the status is, it doesn't help to soothe his jealousy. it's not like he can walk up to you — you might issue a restraining order against him.
ex-husband!gojo, who finds himself at your doorstep. it's late, storming, and you're probably asleep. he doesn't move. mind set in chaos as he ponders whether he should leave or ring the bell. he wants to see you, but the look of disgust he might receive is something he isn't ready to face.
ex-husband!gojo, who's shocked that you opened the door. he didn't ring the bell. were you already there? probably. his throat ran dry, unable to speak a word. you're leaning on the door's frame, arms crossed as you tilt your head. "you need something, gojo?" you asked, not willing to receive an answer.
"can i — can i come in?" he stutters, a little shocked at the use of his surname. the little sparkle of hope that you continue using his first name has been dusted.
ex-husband!gojo, who's fidgety in your home. your silence isn't helping him relax. hell, he hasn't known relaxation ever since the divorce. "help yourself to the kitchen. sleep wherever, i'm going back to bed," your voice held no volume of softness. it was as if you were but a stranger, yet he refuses to let you become one.
"then, may i sleep in your room? on the floor, of course," he's hesitant with his request, deciding it's best to justify himself, "i don't know my way around this house."
ex-husband!gojo, who's yet again stunned that you allowed him in your room — let alone your bed. now he's as still as a stick, unable to fall asleep due to his itching urge to pull you into him. you're most likely sound asleep, uncaring to the man you once called your husband.
ex-husband!gojo, who calls out to you, keeping his voice low as he speaks, "can we talk?"
you replied to him, voice still holding its tone of harshness, "what is there to talk about?"
"anything. how's life been for you?" he keeps his speech short, afraid of annoying you. it's a little late for that, however. you're already annoyed by the attempt of useless talks. "just get to the point, gojo."
and so he follows, sighing before he reveals his intentions, "i fucking missed you, that's all."
ex-husband!gojo, who's surprised when you sat up. although your room holds no light due to the black-out curtains, his eyes adjusted to its darkness, being able to see your every feature. your face, hands, neck, collarbone, chest — everything. he misses being able to run his hands through your body ever-so lovingly. when you lowered yourself right above his face, his eyes kept your gaze. your jaw's clenched. why does he look as if he lost everything? wasn't the divorce mutual?
ex-husband!gojo, who's rendered speechless when your voice cracked. he didn't expect it, nor did he expect you to say what you did. "i missed you, too." did you really miss him? he feels as though he's being lied to. raising a hand to cup your cheek, he shares his words, "really? then why not act on it if you're not lying?"
ex-husband!gojo, who happily accepts your kiss, moving his hand from your cheek to your nape. softly pushing you closer to himself — and to deepen the kiss. it's soft but rough. passionate but seeping with hatred. it's everything at once. you're pulling at his hair, purposefully tugging it as if you're using it to distract yourself from the escaping emotions. he's the same. using his other hand to travel along the junction of your neck and shoulder, squeezing it each time he feels to let the tears flow.
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luxesiren · 9 months
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⸻ 𝐇𝐎𝐂𝐊𝐄𝐘 𝐏𝐋𝐀𝐘𝐄𝐑!𝐀𝐑𝐌𝐈𝐍 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐎𝐍𝐒
cw :: mentions of violence, nsfw headcanons (MDNI)
a/n :: i saw this picture again the other day and i had to write something abt it cause jesus christ…look at him! (art creds: @/jpegjetty on twt)
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hockey player!armin who's been skating since he was young and started playing hockey in memory of his dad.
hockey player!armin who usually isn't into violent sports but loves hockey with a burning passion and it is extremely good at it
hockey player!armin who outsmarts his opponents in every game, making them mad but he never cared. he always bragged by smirking and skating past them sometimes winking just to spite them.
hockey player!armin who has many girls fawning over him just like his other teammates but is always surprised by the number of girls who actually like him
hockey player!armin who met you at one of his games and it was completely random but he saw you in the stands and was instantly attracted to you.
hockey player!armin was too nervous to say something to you even though eren had prompted him to say something stop pining over you. "dude, just talk to her." he would shake his head and sighed, "i can't.
hockey player!armin who almost fell to his knees when you finally talked to him.
hockey player!armin who you realized was a sweetheart out of the rink and just kept the cocky persona when he was playing cause it made him feel good.
hockey player!armin who takes you out every friday after his games even if he's tired, bringing you flowers and making sure you have a good time. going all out because he wanted to see you.
hockey player!armin lets you wear his backup jersey to all of his games now even though he hasn't asked you out yet but he loves seeing you with his name on your back.
hockey player!armin who points to you in the stands when he makes the shot because you're his good luck charm and even though all the other girls fawn over it, you know it's for you and you only.
hockey player!armin who finally asks you out on one of your dates and completely surprises you but of course, you said yes.
hockey player!armin who is usually the calm one out of everyone on the team and talks everyone out of fighting each other but gets into an altercation with another player on another team. you see the big group before it even happens standing on the bleachers to get a better look, the crowd gasping when everyone starts to move and a fight breaks out.
you move faster than expected, sitting in the front by the barricade watching eren pull armin off the other player. both of them still yelling at each other and armin trying to break out of eren's arms, but that unwavering cockiness was still there when he wiped the blood off his lips and skated towards the barricade shooting a smirk your way before sitting out for the rest of the game.
hockey player!armin loves kissing you, whatever chance he gets. sometimes you're in his lap and his hands are all over you, you can't help but to squirm in his hold.
hockey player!armin who took such good care of you when you guys had sex for the first time, taking his time prepping you and making sure you were satisfied. "right there, baby?" "does that feel good?" "can you cum for me?" "you look so pretty like this"
remember when i said hockey player!armin was a sweetheart? yeah not when he's frustrated or when he's lost a game, having never lost a game before, his first loss got to him and he took it out on you. you would never forget how rough he got, how filthy his words were as he fucked you into the mattress.
"min, min, 's too much. s-slow down!" you cried out but he just sped up, his hips smacking against your ass loud enough that it echoes in the room, "c'mon you can take it. you've taken it before like a good slut, haven't you?
hockey player!armin doesn't get jealous often but he notices how men look at you, he's usually embarrassed when he leaves marks visible on your neck but tonight he makes the exception. he wants to send a message to the guy who's always hitting on you, that way he won't hit on you again.
hockey player!armin who eats your pussy like a starved man, he's sloppy with the way spit over your cunt and slurps up your slick making your thighs shake but he loves when they're around his head trying not to close around his head but he doesn't care. "f-fuck, armin!" your hands carding through his hair and pulling him closer to your pussy.
grinding on his face but his hands grip your thighs even tighter, he relishes in the fact that he gets to see you like this and no one else will see you like this. it doesn't take him long to make you cum, overstimulating you when he licks up all your cum. "you taste good, baby."
hockey player!armin who says 'i love you' after months of being together and takes you back to his place to engrave it in your skin with every kiss and every word he whispers in your ear as he slowly thrusts into you, taking his time enjoying this part of his thoroughly planned evening making sure you feel all of his love, "i love you, baby." "i love you too, minnie."
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© 𝐥𝐮𝐱𝐞𝐬𝐢𝐫𝐞𝐧 | all rights reserved to me, please don’t steal, copy, or repost to any other websites
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chromatic-corrosion · 6 months
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Character/Show information found on Gooseworx's tumblr (part 1)
I went into Gooseworx's tumblr and made a list of all the info found on there so far.
Note: This will update as more and more posts are made.
Caine named himself before deciding that it's an acronym that stands for Creative Artificial Intelligence Networking Entity (he thinks it makes him sound professional)
Caine does not have an age. He is an AI.
Apparently, Caine is likely the best singer out of everyone in the circus.
Caine would own a circus peanut shotgun.
Caine can't grasp the concept of irony.
Caine is not affected by "this statement is false"
If Caine could remove his clothes, he'd have nothing underneath.
Caine would only bite his eyes or tongue if he thought it's funny. Otherwise, they clip through his teeth
Caine is short.
Caine does not understand verbal pranks (example: 'Joe Mama', 'Updog' etc). Even after having them explained, he'd still take them literally.
Bubble speaks in reverse once in episode 3.
Bubble is a much simpler AI created by Caine
Apparently, Bubble is the biggest slut.
Bubble is Caine's little hype man
Bubble likes being popped.
Bubble is a boy
Out of everyone, Bubble is the most likely to wear drag.
The moon is an AI "like Bubble".
The sun can talk too.
Pomni's hat is a part of her body
Pomni does not like being touched
Pomni's first design looked liked a frog
Pomni's reaction to herself in the mirror isn't a positive reaction
Apparently, Pomni's hair is black.
Pomni is good at accounting.
Ragatha gives the best hugs
Ragatha has been in the circus the second longest.
Ragatha is older than Pomni.
Ragatha likes horses.
Ragatha can play the Cello.
Ragatha can see through her button eye.
There's a particular character who hasn't been revealed yet who's practically a Gooseworx self-insert. (He's the mean one...Jax?)
Nobody likes Jax
Jax doesn't have a tail.
Jax's colour is periwinkle.
Jax deserves to be trapped in the circus the most
There's nothing heroic about Jax.
Jax is morally the worst character in the show.
Jax is the youngest member in the circus.
Jax didn't enter the circus at the age of 14.
Jax mistreats Gangle the most because shew the easiest to mistreat.
Jax is afraid of corn because it reminds him of something called 'the farm'.
Jax is a troubled individual.
If you gave Jax an unholy amount of praise, he'd be confused and frightened.
Jax mainly bullies the girls because he has issues he hasn't worked out with himself yet.
Jax most likely went through an emo phase
Gangle like to draw, specifically anime.
Gangle only has comedy and tragedy masks.
Gangle's favourite animal is Azumanga Daioh.
Gangle has a body pillow with a character on it.
Gangle watched One Piece, and her favourite character was Chopper.
Kinger is not British.
Kinger is the tallest and oldest
There is an episode that heavily features Kinger.
Kinger and Zooble eat like a chao
Kinger saw the gastral giveaway in a vision after eating two spoons of gravel.
Kinger knows how to play chess.
Zooble almost gets no screen time in the first two episodes
Zooble's appearance is based on ZoLo blocks
Zooble has a 'zooble box' of parts in their room.
Zooble does not like hugs
Zooble has been in the circus the second shortest.
Zooble is very grouchy and irritable.
Zooble is half a year older than Jax.
Zooble is alright with any pronouns
Zooble would smoke weed if possible.
Zooble is the worst at giving hugs
Zooble is constantly trying out different parts.
Zooble is the most likely to punt Jax into the abyss at any given moment
Zooble can play the drums.
Zooble most likely went through an emo phase.
Zooble was a tattoo artist at one point.
Zooble was a stoner
Zooble most likely dyed their hair in the real world.
How each member of the cast would react if you called them 'adorable'.
Nobody in the circus is truly sane
Heres the casts ages.
Pomni - 25
Jax - 22
Ragatha - 30
Zooble - 22
Gangle - 26
Kinger - 48
The performers can feel pain
Every character has a reason for the way they act.
The cast doesn't have bones, but they do have a visible skeleton when they're being electrocuted.
The black queen chess pieces name is Queenie
Queenie being a black chess piece and Kinger being a white chess piece has no relevancy to their relationship. It's only a design choice.
Queenie and Kinger aren't siblings.
The abstracted and lost eyes only look similar due to limited creativity in creature design.
Abstraction can't be undone.
The abstracted all look the same
A gloink king exists. It looks exactly like a normal gloink and dies immediately after mating.
There's "technically" a worm in episode 2.
There are "many" characters in the show that we don't know of.
The typical episode length will be 21-25 minutes.
There won't be any romance on the show. Stop asking.
Some episodes are a '1' on the horror scale, some are a '6'.
Apparently, a character we haven't met yet is getting the next episode for them.
As of november 6th, Gooseworx says, "The plan is eight episodes total, one season"
Note that some of this info may have changed since posting (or may have been revealed in the pilot), some may change during the course of the show, and some may be joke answers. Please let me know if there's anything I missed!
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Here's a lil idea that I simply do not have the time to make a full fic of, but I gotta get it out or it won't leave me alone.
Steve thinks he's in a happy, fulfilling relationship with Eddie, while Eddie's insecurities have him believing he's just a place holder for the future Mrs. Harrington.
It comes to light when Steve does something cheesy and romantic and Eddie, not able to handle it because it's too romantic, tries to joke about it like "why would you bother to put all this effort in just for me?"
And Steve like "what do you mean? You're my boyfriend and I wanted to"
And then Eddie like "yeah, no, I know that. I just don't understand why." And then he goes on a little self-deprecating rant, explaining all the ways he's not good enough for Steve, all while Steve just stares at him, brow furrowing more and more as Eddie speaks.
When Eddie finally runs out of words, Steve says, "I don't understand? What have I done to make you think this?"
And Eddie kinda blue screens. Because Steve hasn't done anything to make Eddie think this; he's been a perfect boyfriend. It's just... it's inevitable, isn't it? That Steve'll move onto to bigger, better things? Eddie says as much.
"Why?"
"Because it's- because you're Steve Harrington!"
Since Steve's brow can't possibly furrow anymore, he starts to frown now. "I still don't understand?? Why did- do you think I'm just going to be going through the checkout at Melvald's and just decide I want to marry some random woman instead of being with you?"
"What? No. It's not- I don't think you'll intentionally decide you want someone else more just randomly but, like..."
"There's no 'but' here, Eds. I asked you out because I want to be with you. You said yes because, I assume, you want to be with me, too! Was I wrong to assume-"
"NO! No! I do want to be with you!"
"Then.... you think I don't want to be with you?"
"I didn't say that."
"Sorry, it felt like you were implying it. So. If I haven't done anything to make you think I don't want to be with you, and you just said you want to be with me, then what... I don't understand where these thoughts have come from. Have you- were you just going to go through our whole relationship waiting for something bad to happen?"
And Eddie can just look down and shrug because, well, yeah. He had been thinking that. He has been waiting for the other shoe to drop. And now they're having this conversation and he's ruined Steve's sweet, romantic gesture with his own bullshit. So, even if the shoe wasn't going to drop before, it will now, because he's gone and fucked it up by putting his insecurities onto Steve and-
"What can I do to help you believe I'm in it, for as long as you want me?"
Eddie looks back to Steve then, because that's not what he expected to hear. "What?"
Steve steps closer, the furrowed brow and the frown gone, replacing it instead is the sappy look he catches on Steve's face every now and then, when Eddie's doing something particularly Eddie-ish. "Tell me what I can do to help you believe in this. In us. And I'll do it. Every day until we die."
"Steve," Eddie warbles out, surprised by his own watery voice. "I-I'm sorry. I-"
"Hush," Steve says, gentle and sure as he takes Eddie's face in his hands. "No apologies. I get it, so you don't have to apologize. Just. Talk to me, okay? Because I'm not holding out for something better. Not when you're the best thing that's ever happened to me. Besides Robin."
"Besides Robin," Eddie agrees, nodding his head as much as he can in Steve's grasp. "But, uh, things like this. This helps." He gestures at the romantic candle-lite dinner slowly getting cold. There are flowers in a vase, and a cheesy little Garfield plushie sitting on the table, leaned against Eddie's wine glass. It's a Tuesday night in June and nowhere near a birthday, or holiday, or anniversary. Steve's just made him a sweet, romantic dinner just because.
"Oh good. You have no idea how much I'm restraining myself by not doing this weekly," Steve whispers before placing a kiss to Eddie's forehead, nose, then lips. "Now. Let's eat dinner before it gets too cold."
And it might take a while, for Eddie's insecurities to fade, but Steve keeps being Steve, which means perfect if not a little snarky, and then the next thing Eddie knows, it's been several decades and Steve will walk with him hand in hand to the courthouse and stand in line for hours to quickly get married. (They'll spend another two years planning the actual wedding because Eddie's dramatic and Steve's a perfectionist.)
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