Ok I'm curious, could you elaborate on art school education when you have the time?
Mainly because my friend went to art high school and feels she wasted all the years there while I've been self-teaching myself for a few months by just messing around, so I was wondering just how different the two approaches are :0
Oh, I have lots and lots of thoughts on art education. I do feel that I need to preface this with the whole "my experience is not universal", bc all my feelings about art and art education stem from my own experiences of being self-taught and then getting actual formal college degrees in art.
The shortest version of my long rant, under the cut, is that there isn't a superior way to learn art. With art education, you run the risk of getting bad teachers who don't teach the subject well, and you can also run into teachers who aren't open-minded about approaches to art that differ too much from their own--the flipside, of course, is that there are sometimes amazing teachers who can challenge you to try new things you'd never had thought of on your own, or who have already made a lot of mistakes that they can tell you about so you don't have to make them yourself. With being self-taught, you have to figure out everything on your own, and sifting through online tutorials or reading books can be difficult to find "actually useful and well-explained" advice, but you do also get the freedom of doing literally whatever you want and really focusing what you learn based on what you're actually interested in. Each has it's pros and cons, but neither is technically better or worse, per se, although education of any sort comes down a lot to each person's situation in life, as not everyone has access to education or even the tools for making art.
For the long, long expansion of my thoughts and some of my personal experiences with art education specifically...
In short, I'm technically entirely self-taught, despite holding two different art degrees. Aside from some feedback I got from my 8th grade art teacher (who had agreed to look at my hobby art in her own spare time outside of class), I basically taught myself to draw entirely on my own, using various "how to draw" books, online tutorials, and just a lot of general experimentation and continued drawing on my own. Which meant I made a lot of mistakes, or didn't try out certain things, or got frustrated bc I couldn't figure out how to do something, but overall I had a lot of fun. The actual art classes I took in middle and high school? Well, I took a life drawing class in high school that taught me how to draw from life, a skill I never would have acquired on my own bc the process for learning that skill requires a lot of patience, and personally, I find life drawing to be extremely boring. My high school art teacher was also allowing blatant copyright infringements to occur in her class, which was something I learned years later when taking a media law class in college to learn about copyright law specifically, so I guess I learned what to not do as a teacher if I manage to become one, but I didn't learn a whole lot of actual art skills or even really improve my art in any significant way. I never actually learned anything like the elements of art and how to use them, or color theory, or any of that, in class or even on my own, but because I was constantly looking at lots of art online, and making art on my own and experimenting with new things, I ended up learning all of the "essentials of art" intuitively, sort of like how children learn the grammar of whichever language(s) they grow up speaking without learning the actual formal grammar of the language. Which I think a lot of artists actually do as they continue to make art, even if they don't realize it.
Anyhow, moving on. I personally really enjoyed my undergrad illustration degree. Now, to be fair, if someone was willing to pay me to attend college for the rest of my life as my actual career, that is what I would do bc I love learning, and I love the challenge presented by college courses. But do I feel like I learned anything new about art in those classes? Yes and no. I took a lot of art history classes bc I had never had any art history before college, and found I loved the topic a lot. The life drawing classes I was required to take felt like a waste of time bc I already had that skill from the one high school class, and I spent most of those classes fighting the teachers about why we should have less nude models (bc nudes are super easy to draw from life, but clothing is very, very difficult, and I wanted to learn how to draw clothing as a challenge bc I was bored in those classes). I spent one class teaching the entire class how to use Photoshop bc the teacher's method was absolute BS and I could do everything faster and easier than what we were being taught bc I had been using the program for years (the teacher even joked about how I had hijacked the class, to which I'm still not sure was meant to be friendly or malicious). The "Anatomy for the Artist" class I took was one of the most useful classes I've ever taken, and really helped me with drawing not only humans, but anything with a skeleton and muscles, since the teacher's approach made it so I learned the skill of using actual real-life anatomy as a means of creating art from the knowledge of anatomy (and I lucked out for this class bc I had an adjunct who was there to cover the actual teacher who was on sabbatical, and from what I heard from classmates I would have learned nothing from the usual teacher's approach to the class; I hope the teacher I did have found a good stable job bc she was amazing). Most of the actual core illustration classes helped me improve my art a great deal, but not bc they taught me anything--more so, it was that I had to create a lot of art for them, and find creative solutions to the challenges the projects would present (there were lots of "illustrate this abstract concept without using x, y, or z imagery" or "create an illustration within these specific parameters" which really required me to think about how to plan and go about completing the final project). Somehow, the actual "foundations classes" that I took--where I was supposed to learn things like design theory, the elements and principles of art, color theory, etc.--well, let's just say the teacher was on his way to retirement, and didn't teach any of that really well, so I still ended up going through my undergrad more or less on intuition and the art skills I had cultivated on my own. Mostly, college art classes were useful in helping me to improve my art, not because I learned new things (although I did learn some new things), but rather because I needed to make lots and lots of art in a relatively short time, and making art constantly is the fastest way to improve.
That all said, I still never really got the point of things that I kept seeing or hearing as common art advice. For example: "Use references." Okay? What does that mean? What does that look like? How do I do that? I was never taught that once, and it was only partway through college that I figured out that people meant "look at a photo of a real person to figure out a pose or something" and not "learn about the subject you're trying to draw so you have an understanding of that subject that allows you to draw it from your imagination how you want". And honestly the former advice is useful but...only useful to a point, so I'm kinda glad I never learned it bc it would have stunted my development and presented a roadblock. In either case, I was never taught how to use a ref or what "use a ref" meant in my formal art education, and by the time I figured it out on my own, my repertoire of art skills made the advice moot.
So what's all the long and short of this? Is art education a sham and useless? Well, not entirely, but maybe sort of. It really comes down to which teachers are teaching the subject, and how they do it. I only had a handful of art teachers who were really able to get me to think about art differently and push me to learn more and improve. But I also had a friend in my undergrad class who had never drawn in his life and he found most of the classes super useful bc he wasn't coming in being self-taught and already drawing. We were at different places in our art journeys, and so we got different things out of the college classes.
I do feel overall that the focus of my college classes was more productive than the lack of focus from my high school classes. Would I tell everyone who wants to get better at art to go to art school? Hell no. I got a degree in art because I love it, and because I had hoped to work as a video game concept artist (for which one does need at least a BFA to get hired by most companies). Of course, by the end of my degree I had figured out the video game industry in America was absolutely not a place I wanted to be working for my own health, but my frustrations with how my art education had been structured, paired with the fact that I spent a few classes actually teaching my classmates things, made me think I might make an okay art teacher. But even my wanting to be an art teacher still comes from a place of deep love for art. For those who just want to take up art as a hobby, self-taught is fine, and sometimes it will be better than getting stuck with a bad teacher who'll crush the enjoyment of art. Yes, I think a well-structured art course could help someone learn art and become confident in their art, which is part of the reason I want to try teaching it (esp. bc it took me years to learn some things that a good teacher would have just like, covered in a core class), but like...self-taught or school-taught, there isn't a superior way to learn art. They're both just very different approaches.
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hey keeley just here to say I enjoy your posts, the little life updates, tea parties, aesthetic journaling I love it :)
here's a birb for u (he's helping! (throwing everything back out that I just put in))
fran this means so much to me, honestly. sometimes it truly feels like i'm yelling into the void on here and it's just nice to be seen 🩷 and what a handsome birb he is!!
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when you look at the voice lines daniela is literally the only one that refers to ethan by name, which in bela’s case makes sense because she wont refer to a man by his name lol, shes way too much of a misandrist, but bela actually does know his name.
in cass’ case… despite hearing cina say it, and hearing daniela talk about him so much, i think she honestly just completely ignored his name and doesnt actually know it at all. it starts with an E, thats all shes got lol, the part of her brain that focuses on concentration was sorta stabbed w a parasite that managed to latch onto her frontal lobe at the minimum, ans scar placement suggests cerebral cortex, i think it managed to barely skip over the brocas area and hit just below to the temporal lobe too (maybe, like its an if since her motor functions are already off due to the cadou causing dyspraxia, some of the equilibrium does appear off as well, but that can be related to the motor functions. ) on her personality. like she already was adhd, autistic, and had dyslexia prior to the infection. she developed dyspraxia after the cadou altered her brain.
honestly the main thing that hints at short term memory issues is probably a game function issue where she can sometimes mention ethan killing bela, but then still calls for her. or if tou kill bela and dani first, she also still tends to call for them while knowing theyre dead. but again, its a video game and that can just be data error lol. but the cadou’s implanted in her brain, girls gonna probably have some memory issues anyways. this post isnt rly abt her cadou tho or the way it effects her brain ima do that later bc its a lot but yEAH
anyways main point of this post; bela just hates men and refuses to give ethan even the decency to refer to him by name, dani knows his name and uses it, cinas said his name multiple times, and cass didnt listen and doesnt care, even in timelines where she survives and he survives and she knows him and even if she got to know him it would probably take weeks, months or even years to get his name right lmao
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mojo dojo casa house
Howdy folks! Sorry for the delay, I was, uhhhh covering the Tour de France. Anyway, I'm back in Chicago which means this blog has returned to the Chicago suburbs. I'm sure you've all seen Barbie at this point so this 2019 not-so-dream house will come as a pleasant (?) surprise.
Yeah. So this $2.4 million, 7 bed, 8.5+ bath house is over 15,000 square feet and let me be frank: that square footage is not allocated in any kind of efficient or rational manner. It's just kind of there, like a suburban Ramada Inn banquet hall. You think that by reading this you are prepared for this, but no, you are not.
Scale (especially the human one) is unfathomable to the people who built this house. They must have some kind of rare spatial reasoning problem where they perceive themselves to be the size of at least a sedan, maybe a small aircraft. Also as you can see they only know of the existence of a single color.
Ok, but if you were eating a single bowl of cereal alone where would you sit? Personally I am a head of the table type person but I understand that others might be more discreet.
It is undeniable that they put the "great" in great room. You could race bicycles in here. Do roller derby. If you gave this space to three anarchists you would have a functioning bookshop and small press in about a week.
The island bit is so funny. It's literally so far away it's hard to get them in the same image. It is the most functionally useless space ever. You need to walk half a mile to get from the island to the sink or stove.
Of course, every McMansion has a room just for television (if not more than one room) and yet this house fails even to execute that in a way that matters. Honestly impressive.
The rug placement here is physical comedy. Like, they know they messed up.
Bling had a weird second incarnation in the 2010s HomeGoods scene. Few talk about this.
Honestly I think they should have scrapped all of this and built a bowling alley or maybe a hockey rink. Basketball court. A space this grand is wasted on sports of the table variety.
You would also think that seeing the rear exterior of this house would help to rationalize how it's planned but:
Not really.
Anyways, thanks for coming along for another edition of McMansion Hell. I'll be back to regular posting schedule now that the summer is over so keep your eyes peeled for more of the greatest houses to ever exist. Be sure to check the Patreon for today's bonus posts.
Also P.S. - I'm the architecture critic for The Nation now, so check that out, too!
If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.
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