With Hermitcraft season 9 coming to a close, I wanted to pull up this clip from Joe Hills’ ten year anniversary stream. It’s a clip I think about often.
Joe: I— it’s so hard, like, to say goodbye to ten seasons— or— ten years, of Hermitcraft. But then, I guess, I realize, I don’t have to, because we’re gonna go make more.
It just… it reminds me that we’re not saying goodbye, y’know? And there’s always a bit of that somber energy around a season ending, as exciting as it is otherwise, so I’ve been thinking about this again. Immediately after that clip, Joe goes on to talk about plans that they all have for an event the following day, and it’s just…
It’s okay. There will be more Hermitcraft tomorrow.
only sokka would call zuko's aura dark and sexy and then immediately deflect a compliment to point out zuko's abs (and then praise himself for creating said abs)
literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped
A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence
an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.
thoughts about oliver specifically are loosely organized in my #bambi tag
A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn
a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in
alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship
The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]
how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired
may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn
alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay
Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry
a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion
a celebration of the grotesque and an examination of why we would label it as such
least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn
if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me
edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!
okay so. like. wan ed 12. dazai is stopped by a log in the river and starts actually drowning. funny haha wan bit.
but repeating something ive said (hi haven) i think this is actually a really good example for how ada dazai doesn't really want to kill himself. he could've actually drowned here. thats his 'goal' right? but the moment it starts happening he's trying to get his head back above water.
"I thought I was dead"
hilariously wet and horrified or not he obviously didn't want to die here. theres nobody around to hear what he said anymore anyway. and that's why, despite being yk... a wan ending animation? i still think this is such like. a case in point.
Portrait commission for Avmire on Flight Rising. This one took much longer than I expected, but I think it really turned out well in the end :] Getting to draw an Undertide for the first time was so fun, too!
*breathes* Okay I finally listened to the teen talk proper, no longer just specific clips and reading other people's summaries of things, and can I just say I wish I'd done this a week ago, cause I definitely feel better about some things now, and it's a pretty entertaining teen talk overall (since this episode is available on the site anyways I'll probably clip some specific bits soon to highlight!). Regarding Sparrow and Norm specifically there's definitely more nuance to what is actually said than what a lot of the recaps/paraphrasing I've seen here had me thinking (for one as a Sparrow freak with a lot of Opinions, knowing that Will immediately follows the bit on Normal's interpretation of the love wolf scene with "but that's not necessarily right cause that's not necessarily what Sparrow is feeling" would have spared me a lot of psychic damage, personally, but also on the topic of Normal's future I mean I'll still be picking and choosing from what was said I won't pretend I love all of it but I think the whole discussion and depiction of it is more nuanced and optimistic than much of what I've seen on that front too). You might expect that I, Baba "I like overtly disagreeing with popular fandom opinions" C. Multitudes would think twice before taking fandom interpretations of something for granted, but I didn't, so honestly fuck me I guess. Still side-eyeing a lot of fandom takes but Will Campos you are free to go 😌. Otherwise Matt's discussion of the gothcleats in the epilogue and everything Will had to say about Nicky gave me life, but I'll clip that stuff soon like I said and *maybe* say more on some of that then lol.