Hmmm my titles for you are:

"Honks that Honk the Loudest"

"Untitled Goose Game"

"Peace was Never and Option"

good luck >:3

Techie....bruh, these are hard but okay let's do it lol

"Honks that Honk the Loudest"

I could see this starting out with reader having an argument with Crosshair. It eventually boils over into 'what are we fighting over' but neither one wants to give in out of pride....and thus the Bad Batch have their mission.

"Untitled Goose Game"

Mmm, I selfishly want this one to be Wrecker x reader. So this all starts as playing a joke on the big guy. He never seems to get flustered but the same can't be said for you. One day you decide to turn the tables when he's got his back to you and while he's busy with a crate you strike. Butt has been pinched, and you take off like a bat outta hell. This has now become a game between the two of you. Don't leave your back exposed...or else you gettin' goosed.

"Peace was Never and Option"

You feelin' COD, Techie? I'm feelin' COD. I'm thinking full on prank war between the boys. Who started it? Probably Soap. Who's the undisputed prank king? Look...Price didn't get to the rank of Captain for nothing.

tashiart can only ever be Exactly What They Are, patricktashi is the comfort and possibility of pretending like you're both still teenagers, patrickart is sandbox love that actually never died, patricktashiart past present and future all together baby

IDK if you've ever said anything about it, but in the Lights Out AU, what was Wally's first reaction on realizing that Frank was alive and he wasn't alone anymore? I imagine it was...quite emotional

i Haven't talked about their Initial Reunion yet, no! but yes, it was very emotional! there were certainly many emotions!

namely: fear, confusion, shock, and nearly killing your friend with an oversized baseball bat <3

it's been raining nonstop in brindleton bay...

"The colonial practice of zionism..." you know, if you don't even know the basic FACT that jews come from Judea and therefore cannot be colonizers in their own land, then maybe you shouldn't be speaking about things you neither know nor understand? Only two words into a sentence and you're already wrong. Truly, every day you absolute uneducated baffoons on here and twitter are just continuously proving that before the age of internet only your family knew you were a fool

tfw when you write an entire novel with two protagonists that spent the entire plot getting closer to each other, becoming best friends and eventually both of them deciding they would rather die than allow the other to not live a long, fulfilling life, their friendship carrying most of the emotional weight of the entire plot and the emotional climax being one of them sacrificing his life so the other can live and then the other crossing literal universes to find him, a tearful smile in his face as he confesses how much he missed him. which is the scene you wanted to write and show the most because, again, this is the pay off to the slowburn you've been writing in the entire novel and what everything has been building up to since the very first chapter. and then you end the novel by having them share a smile, finally confident they'll be able to have a happy future.

but you also just gotta have one of them marry offscreen because everyone knows you can't be happy if you're not in a het marriage with kids lmao it's whatever it's okay i'm fiNE-

29th November 1963. The Beatles release their fifth single, I Want To Hold Your Hand. Because, you know… they’d had a quiet month.

The Beatles performing I Want To Hold Your Hand at Granada television studios, 25th November 1963 - part 1 (part 2, part 3, part 4, part 5)

day 25 was to draw in a style ive never drawn in before!!! so i replicated @zankydraws and @0xeyedaisy

Y'know the thing about writing feral/unhinged versions of Orion/Optimus, is that you can't go too far into the feral/unhinged direction to a point where OP's core character traits are lost or become too diminished. After all, in a multiple-continuity franchise like TF, part of what makes the stories make sense is that even if details change (sometimes major details), the characters are still recognizably themselves to one degree or another. (Although this isn't always the case due to executive meddling or some characters being such blank slates from their initial G1 appearances that there's basically nothing to model them off of, but I digress.)

It's pretty much another reason why I love IDW1 Optimus, bc he literally is a canonical feral/unhinged Optimus who's unhinged as a direct consequence of who he is as a person and what he's been through. Like, he still has those fundamental character traits of trying his best to be moral and make good choices, trying to be a role model, etc, except after 4 million years of war and untreated depression he's basically holding onto his sense of self by his fingertips. So when he "goes feral" e.g. losing his temper and beating up/killing people or saying hurtful things, he's feral in a way that's directly tied to his normal personality and not just as a random quirk he has.

IDW OP's feral moments arise from the gaps between "Optimus' attempts to be who he thinks he needs to be" and "the reality of the world that he can't fix/seems to only make worse" that cause him to lose hope, or become cynical, or lose his temper. But in this case, the unhinged-ness makes perfect sense because it arises out of Optimus trying and failing to be the best person or to make the most morally good choices he's trying to make. Basically, the "feral/unhinged" label is just another way of me trying to say that he's not just unhinged because he's weird or because he's a bad person, but because it's an emotional reaction (more like an emotional explosion due to pent-up emotions) to the context he exists in.

I'd also say that IDW OP's personality being generally reserved/stoic and (trying to be) noble works in tandem with those moments he has of going feral because it makes him more realistic. His psyche is treated in a way where the writers are like, "Hey what if the pressure of having to be everyone's idol and be the best person in the galaxy at all times actually broke Optimus down mentally and emotionally?" It makes IDW OP far more relatable. Instead of naturally being a perfect Christ-like figure who never wavers in his morals or convictions and is just naturally a nice person who always has the wisest and best answer, being a good person is something that IDW OP has to consciously strive to be. Even when he feels like it's useless, or the cycle of violence will never stop, or any attempts he makes to help only ends up with things becoming worse.

And I feel like this does a service not only to IDW Optimus as a character, but also as a sort of moral/philosophical perspective for the reader to ponder upon? I feel like culture at large (or at least my experience of it) tends to believe that "goodness" in a person is simply an innate feature that people are born/not born with, and that being "good" means that you must be good at all times, both in your actions as well as the way you feel emotionally about yourself and the world. Like, there's a tendency for our vision of "a good person" to be good in every aspect at all times without having to try to be a good person. So I think IDW Optimus' character stands as a good example of how someone can be good at heart but still struggle to maintain those feelings of optimism and hope and justice. It's a good idea to have such a paragon of a character (in-universe and out-of-universe) be so conflicted and to even be mistaken, misguided, or make things worse because it shows that goodness is as much about "trying to behave/act in a way that is good" and not just "existing as an innately good person."

It's way more realistic for a person to want to be good, try to be good, and sometimes/often fail than it is for them to just be a good person. I enjoy the fact that IDW Optimus is both a good person at heart, but also has to strive to be a good person and live up to other people's expectations of what they see in him. I like how he wants to be a good person and change society for the better, but he also spends a good amount of time either feeling hopeless and alone or being angry at/detached from other people because of how frustrated they make him. He's realistically portrayed as someone who wants to be good and hopeful and change things for the better, but is also mentally and emotionally broken by that burden because of how impossible it is for him to Fix Everything and be the Perfect Prime/Leader/Autobot that people see him as. It's this fascinating mixture of "yes, this is who he is as a person" but also "there are things he desires to be that he could never possibly become or live up to."

This got really far off based from feral/unhinged Optimus sdklfjaslkdlfkas. The TLDR is that if people want unhinged OP, I feel like they should give IDW OP a chance because he IS unhinged but he's unhinged in a way that's a realistic/thematic representation of how being an Absolute Good is impossible. And how being a good person isn't just about Existing And You Are A Good Person, but rather goodness is a constant state of flux in which you adjust, you make mistakes, you lose your temper and feel hopeless, but then you pick yourself up and try again.

Also IDW OP really likes climbing in dangerous wilderness and jumping out of flying vehicles which I think is very feral and sexy of him to do.

Endlessly tickled by the idea of Akira being a good shot but a shit gamer. I like to think its cause hes got incredible hand eye coordination and super steady ‘surgeon’ hands; hes very good with precise movements, but panics when he has to do brain melting inputs. His brain can keep up but its hard to make his hands follow suit. Its why u can have him be dogshit at arcade cabinets; panicking with the little joystick and button mashing like mad, while having him be a beast at things like darts and billiards.

The only arcade games he can play is house of the dead-esque shooting games (hes literally at the top of the leaderboards for MILES and he draws crowds whenever he plays) and DDR cabinets (hes just very light on his feet)(NOT to be confused with stepmania; he would die if he had to do arrow inputs with his HAND). Its kinda fun to watch him fumble with the other silly gimmick cabinets, but its more entertaining to watch him do what hes good at. If u take him to play darts, and if the darts are super cheap, he will absolutely try his best to split them down the middle each time. Doesnt always work, but its insane to know that he lands the bullseye literally 100% of the time.

"The point of challengers is that it's two men in love with eachother and one woman in love with tennis"

Umm no the point of challengers is that Tashi has two boyfriends and they're best friends and she loves it when they french kiss

That TV-Y7 rating is about to get a swift reassessment with that kind of language

sun & moon boyfriends

kit and/or surge for the requests? :O

:D

i cant tell you how much i ADORE this first episode of my beautiful man s2. there’s something about the pace of it, especially in hira and kiyoi’s interactions, the quick back and forth, hira saying something, kiyoi catching him out, hira backing down, kiyoi getting mad about that, hira stuttering to try and say the right thing. the way they interact is this seemingly endless cat and mouse going in circles around this big, huge centre thing that is ‘the point’. they both want to convey so much but neither can put the plain and simple words to it, hira is too much and kiyoi is too little. and yet they still have these moments, when they let the plain truth slip, hira saying you’re just too cute, or kiyoi earnestly asking hira not to leave him, it peels back at their true sentiment that’s always being danced around.

and the thing is, if you didnt watch the first season, this relationship could so easily be seen as bad bad really bad, the way they almost bicker and get mad, how kiyoi appears to pick at hira and gets mad so easily, how hira acts more like an avoid stalker than a boyfriend and always seems on edge or off in his head catastrophising. some people still might. i can see how it can be a difficult relationship to digest. its weird, awkward and uncomfortable at times, and almost absent of the usual softness of a bl couple. but thats why i adore it. because i think its so important and interesting to portray a different kind of relationship, even if maybe exaggerated to fit the king and servent original premise that hira still holds onto. bc the thing with these kinds of relationships is it doesnt matter what we think of it, whether we like it or think its ok, its about the people in it. some people are just different, they act differently, and interact differently, and thats ok if its ok for the people involved, and thats what i think the case is for hira and kiyoi. obviously they still have problems, this relationship isnt perfect, and i think this series is gonna show that, but thats also ok. just bc a relationship isnt perfect, doesnt mean it shouldnt exist. there has to be something there in the first place for it to be worked on. and there is. at the core of it all, these two people really really love and care about each other, they just express it differently, and maybe need to learn how to express it in a way that makes it easier and better for the other to feel it. maybe hira needs to let kiyoi off that pedastal, and maybe kiyoi needs to not view his feelings as this weird, gross thing. but that takes time, and i think is truly worth it.

and what makes it work and so thrilling and interesting to watch as a show is that kiyoi and hira somehow both encourage that detrimenal behaviour but are also so incredibly good for each other, and good at challenging that behaviour. hira wants to see kiyoi as a god and kiyoi wants to be loved, so he can be that godly figure. you can see it in this almost entitled way he acts, pushing hira around, even when he just sits down in the rocking chair, above hira, very mch the image of a king and his bowing servent. as someone that was starved of love as a child, he laps that up. but its when his feelings grow for hira that he realises he doesnt want to be some god or king, he just wants plain and simple, human, equal love. so he ends that scene lying on hira’s lap, lower than him, airing his insecurities of being abandoned and asking hira to stay with him, very much that lonely child wanting someone else’s love. not devotion, not sacrifice, just love. and its his feelings for hira that allow him to push hira in a good way, challenge him, bring him out of his shell, which he desperately needs. hira is so stuck in his head that he hasnt reared his head enough to learn how to act like an actual person. so used to blending into the background, he doesnt know how to be his own person and not an object or a piece of the furniture. you see it at the party, that he doesnt know enough small talk words to get through a conversation, let alone actually be himself and interact with others on an equal level. thats why he takes on this servent role, bc he’s never seen himself as enough of a person to be anything else. he can only be made real when characterised by his actions for others. kiyoi’s rejection of these roles means he can challenge hira to step up, to be on his level, and in that find himself. there’s hints, you can see it, in his love of phtography, when he talks about the moon, when he’s around others and even kiyoi and they have these softer moments where it feels like hes breathing and calm instead of stuttering and panting through an interaction and his brain is running a mile a minute. kiyoi has seen it too, and thats why he fell in love with him. ok, maybe he likes his eccentricities too, but he sees a person that he wants to be with, on equal terms, and in that he wants to pull hira up and see him be himself, realise himself as a person, just as much as he has to step down. and they dont explain these things plainly, voice that they want to help each other in this way, but you see it so clearly. its the subtext of this almost other language that they speak together thats full of twisted meanings and hidden intentions, at the heart of it is, like i said before, actual love and care for each other. do they need to get better at it? yes. but do they need to become our idea of a normal relationship to do that? no, absolutely not. after all, hira will always be hira, and kiyoi will always be kiyoi, and if they lost that, they’d lose themselves and their love for each other. so stay weird, stay unconventional, and stay yourselves, my beautiful couple.