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blackswaneuroparedux · 4 years

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Treat Your S(h)elf

Travels with Myself and Another: five journeys from Hell by Martha Gellhorn

The door [of their accommodation for the night] opened onto the street and the smell thereof. The mosquitoes were competing with the flies and losing… I lay on the boards, a foot off the floor, and said in the darkness, ‘I wish to die.’

- Martha Gellhorn, Travels with Myself and Another: five journeys from Hell

This fantastic quote perfectly embodies Martha Gellhorn’s feelings when Hemingway to whom she just married had brought her to the front lines of the Sino-Japanese War for her honeymoon.

Travels with Myself and Another describes her globe-spanning adventures, both accompanied and alone. At heart it’s a collection of "the best of the worst journeys," originally published in 1978 and spanning a swath of history from the WWII Greatest Generation to the 1970's counterculture revolution. In the complexity of her observations ‘she prefigures the works of people like Bruce Chatwin and Paul Theroux and Jonathan Raban and the renaissance of first-person adventure writing. For Martha Gellhorn had a full life that very few of us can only ever dream of let alone emulate.

“Martha Gellhorn was so fearless in a male way, and yet utterly capable of making men melt,” writes New Yorker literary editor Bill Buford in the foreword of the book.

As a hard bitten war correspondent, Gellhorn covered every military conflict from the Spanish Civil War to Vietnam and Nicaragua. Gellhorn witnessed the invasion of Normandy as a stowaway after getting kicked off the press boat and wrote over a dozen fiction and non-fiction books in her 60-year career. A feminist at her core, Martha, M as UC (unwilling companion, AKA Hemingway) calls her, sets off on each “horror journey” as she’s dubbed them, without a great deal of pre-planning, other than the bare minimum required by her destination. The era of traveling by your bootstraps, hopping flights when you need them, hoping to stumble upon a hotel with available rooms each night, etc. is simply unheard of today.

Indeed Gellhorn was enraptured. She went to toe to toe with Ernest Hemingway with her courage as they dodged shell fire together. Gellhorn and Hemingway had been married a few months before and this trip to the front lines of the Sino-Japanese War was in effect their honeymoon Their compared experiences of the trip create much of the humour, as he is happy to drink, smoke, and chat with locals, while she is trying to get material for her article and remember important details, as well as deal with guides and officials that barely speak English. With razor-sharp humour and exceptional insight into place and character, she tells of a tense week spent among dissidents in Moscow; long days whiled away in a disused water tank with hippies clustered at Eilat on the Red Sea; and her journeys by sampan and horse to the interior of China during the Sino-Japanese War.

"We are supposed to learn by experience;" Gellhorn reflects on her repeated travels in her introduction, "fat lot of good that does if you only remember the experience too late." We start out in WWII China with Ernest Hemingway as her unwilling "another," and end with her babysitting her helpless driver in East Africa. Her laugh-out-loud descriptions of lunches with everyone from Chiang Kai-shek and Madame Chiang in war-torn China to Mrs. Mandelstam in the oppressive Soviet communist regime provide an entertaining romp through history with someone who has been there. Her casual mentions of the countries in Africa and realistic dialect of the natives of the Caribbean made me pick up an atlas. Her character as a true free spirit who hires her own boats against the advice of locals shines through in her tight and un-politically correct prose. "I remember West Africa the way one remembers pain, as an incident but never the precise sensations."

While I’m sure there are readers who would find it difficult to turn off their 2018 PC filters and would find her recounting of her 1962 trip to West Africa offensive, at it’s core it is a compelling historical and sociological exploration into the changing nature of how we travel and interact with people, and is definitely worth reading. People can skip it if they feel offended but the rest of the book is a treasure of insight, history, and world travel.

When M and UC (Hemingway) go to China during World War II, it never feels like there is a great threat on their lives. When M goes to the French islands of the Caribbean, I learned a great deal about how the Vichy government affected their lives, but I was never fearful of M’s survival. These adventures, and M’s quite frequent poor decision making – when the pilot of the boat tells you he won’t wait for you to scale a dormant volcano because he can’t dock safely, you should probably heed his warning and not be surprised when you get up in the morning and he’s gone – just a thought. But all these adventures are learning experiences for M and for us, her readers, 40 years after the original publication, 70 years after the adventure.

Still I found myself admiring Gellhorn's quick and direct writing style, impressed by the amount of description she is able to capture in just a few words. I loved reading her stories that contained the honest appraisals of her thoughts and impressions of this most extraordinary woman.

Along with Freya Stark and Beryl Markham and I would have Martha Gellhorn as one of my travel muses. Her books are never far from reach. I would often take a book of hers with me when I went traveling and simply say “Oh Martha”. Travels with Myself and Another opened my eyes to the depth of knowledge in women's lives and stories. And the best of Gellhorn doesn’t typically discuss how her gender has anything to do with her ability to travel and I really love her for that. Reading her I always got a real sense of, “If M can do it, so can I!” not because of my gender but because of my insatiable curiosity and need to travel and explore.

#treat your s(h)elf #books #reading #livres #martha gellhorn #gellhorn #author #culture #travel #adventure #femme #icon

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natsthinkitythinkthinkthonk · 5 years

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Mental Health in Anime - Rant + Vitamin (Manga) - Thoughts

Sorry for the random capslock. I do that when I’m really livid.

Trigger warning: This post mentions mental illness including depression, anxiety, obsessive compulsive disorder, post-traumatic stress disorder, and eating disorders. It mentions suicide and assault that may make some readers uncomfortable.

I wanted to keep this safe for the guidelines, but I also didn’t want to shy away from these topics because I know how hard these things hit sometimes, and I don’t want to shy away from things like these anymore. These topics all have a huge place in my life which I advocate for, and I wouldn’t want to downplay it.

For the first time in a VERY long time, I read a manga series. Series meaning three chapters. I have commitment issues. Lots of them. Anyway, I read it thinking, “I want to read a series that addresses mental health in a more realistic way”. Why do I say that? Well, for now, I’m going to rant about anime and mental health as a whole. After that, I will get to the manga I just read. It won’t be a review as much as it’ll be the thoughts I had on it.

Well, shounen anime I’ve watched and the stuff that’s directed towards me definitely doesn’t touch mental health often. You can see below that shounen manga will do ANYTHING ELSE BUT THAT. Usually, it’s shoujo manga that gets into emotional territory, and sometimes, I watch it for stuff like that. I don’t want to watch something that tells me to man up all the time or that friendship is everything or that I can have superpowers and be admired by people out there all the time. When it comes down to it, sometimes I want characters that I can relate to on a more intimate level. I want to feel like I can have a heart-to-heart with them without someone out there laughing at me. I don’t want to cry tears that are laughed at. But even then, a whole lot of the time, I don’t see mental health interpreted well in anime.

Well, let’s see... as a general overview, let’s see what I’ve seen in depictions of shounen and shoujo anime/manga:

Shounen manga:

CHILDHOOD TRAUMA IS NORMAL. DEAL THE F**K WITH IT. HAD YOUR PARENTS KILLED? ME TOO. BEEN MURDERED? ME TOO. I’M DEAD. IN FACT, I’VE MURDERED PEOPLE. Mental health? They can barely keep their regular health in order. The only treatment you need is friendship speeches and training montages. Trauma makes you stronger even if it breaks you with no one there to help you. It’s alright until you’re dead.

Examples: - The entire cast of Naruto ~ Yeah, Naruto’s an orphan, his village hates him, he was bullied, he made through his childhood struggles by making it through mischief. Sasuke had his entire family killed by his brother. I can go on. - BNHA Class ~ Attacked by villains? Who gives a f**k, you’re aiming to become heroes. Please, we already spent the budget on those costumes. No one needs help. Hell, we spent our health budget on Deku’s bones. No complaints. - Mirai Nikki ~ I know it’s like all other manga where they give it the excuse that it’s the point of the series, but we all know both Yukki and Yuno are not healthy.

Shoujo manga:

Your beloved what’s-his-face will come running in to save your butt because we know that real help is an illusion. Issues can be solved if you fall in love... obviously.

Too many examples to list. Let’s move on.

Bad Examples:

This is just my opinion. Maybe you think this series interpreted it well, but for at least the first part of the series, all of these did not.

Soul Eater: Death the Kid

I know it’s supposed to be funny, but come on, the guy needs help. No one addresses it. It bothered me the whole time I was watching the show. I think you can make me laugh without making fun of OCD.

I think you can leave Crona agender WITHOUT forcing pronouns onto them. Seriously, some people think that Crona’s gender is a joke. I’m still not over the fact Funimation thought that “he/him” was the most gender-neutral they can get.

Literally Watamote’s existence

It’s about a person with social anxiety? See? It’s funny. Because... they’re socially awkward... and anxious... I don’t get it.

The Beginning of Watashi ga Motete Dousunda

NOW, THIS. THIS IS THE REASON WHY I DIDN’T WANT TO EVEN TOUCH THIS ANIME.

How is “losing a ton of weight randomly” healthy? Or even more beyond that, her dreams come true once she does? Uh... for a comedic reason? Hmm... that’s not a very good reason. I think we ought to deal with eating disorders in a better way than this.

Bungou Stray Dogs: Osamu Dazai

There are many reasons why I was uneasy with Bungou Stray Dogs for a while. Dazai was practically the sole reason. I get that Asagiri (the creator) wanted to dodge the interpretation of real-life Dazai’s suicidal tendencies but his anguish came from literal turmoil and struggle. We learn that Dazai’s does too, but it’s portrayed in such a superficial way, and while I do that too as a coping mechanism, I completely understand when people say they will never touch Bungou Stray Dogs because Dazai sets a bad precedence. I personally do not like the way that they chose to go about this. It’s one of the reasons why I actually don’t like Dazai as much as others do.

Sayonara Zetsubou Sensei

I understand that this is a weird Studio Shaft series, but joking about suicide to this extent made me find it a bit distasteful.

Good/Better Examples:

These ones tried and did a slightly better job than the ones before. I didn’t comment on the ones I haven’t watched.

A Silent Voice

This story is about a depressed and suicidal man who tries to atone for his past deeds and sins. It’s a beautifully adapted movie, an arguably better manga, and it’s just a masterpiece.

Yuri!!! On Ice

The main force working against our protagonist is himself, or more specifically, his anxiety. As an older figure skater, he has a tough time with his self-image, handling his nerves, etc. I relate.

School-Live!

Yuki lives in a lie and has problems facing the truth about her reality. This is arguably played off as a horror trope, but I found it pretty well-done.

Your Lie in April

The character deals with past trauma with the abuse of his deceased mother.

Tsuritama

It properly and accurately interprets social anxiety as a kid who keeps moving has to introduce himself over and over again. He feels like he’s drowning and gets pulled up into fishing with his friends as he tries to learn how to handle his stresses with the people around him.

Anohana

The cast has a ton of problems dealing with their past trauma and has no choice but to face it by all means necessary. They didn’t get proper help even though they should’ve.

Monster

Orange

March Comes in Like a Lion

This boy overcomes past trauma and stress by relying on those close to him.

Psycho-Pass

Fullmetal Alchemist

This deals with everything from our characters’ past trauma to post-partum depression (the first time I have ever seen it interpreted in an anime and a SHOUNEN anime at that).

Vitamin - Thoughts (BELOW)

I read this manga knowing that it contained content to do with mental health, and honestly, I don’t think it had enough time to fully flesh out its capabilities. Its THREE-CHAPTER run was super fast. And it was heavy. And I mean HEAVY. The art was done powerfully. The contents of the story weren’t filtered; it wasn’t held back.

We deal with a character who’s on top of the world with friends, a boyfriend, good studying habits, but it spirals out of control fast.

This anime deals with many untouchable topics such as the risk of suicide, mental illness, (I swear I’m gonna get flagged) s**ual assault, eating disorders, drug abuse, and probably a few other things that I missed.

This hit me and had me having feelings like the little bitch I am. Holy cow cakes. I was reading this with my mom in the same room just trying to not look like the little poop I am. That stuff hit so hard and so close to home.

You think it’s too out there to really be true, but I don’t think so. At my old school, we definitely had stuff like that.

The growth of this character was rushed, and even if it’s slightly exaggerated, I empathized and felt her pain because bro, I’ve kinda (not to that extent) been there too. It dealt with her attempt, drug abuse, assault, bulimia, and everything. It was blinding, hurtful, and it tears open wounds like no tomorrow.

This isn’t even this mangaka’s first time at it. She has written quite a bit of heavy shoujo stuff.

The ending felt so satisfying. This manga wasn’t eye-opening in ways that it might be for some people. I have been to places like those. I know how it feels. I know other people have been there too, but to see it so rawly interpreted into a manga-format for people to read, that was unexpected. Overall, it was a really well-done manga. In a way, I wish it was longer so it would be a bit more realistic in some ways, but at the same time, I’m not sure how much longer I would’ve lasted.

#sfw #I just don't want this to get flagged #mental health #suenobu keiko

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