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#then “oh no she isn't actually dead but she is super depressed!”
torchwood-99 · 6 months
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Eomer: What about you Merry? Did you know Eowyn is betrothed to marry Lord Faramir?
Merry: Oh congratulations, my lady.
Eomer: Do not congratulate her.
Merry: What?
Eomer: Rescind your congratulations.
Eowyn: Eomer, this is silly.
Eomer: Please do not tell me how to speak to my own esquire.
Merry: My apologies, Lady Eowyn, but I must cancel my congratulations. At King Eomer's request.
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insanermin · 4 months
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oh god, can you make my heart stop?
pairing: college!au ellie x fem!reader
warnings: alcohol, uh soft ellie? lowkey nsfw, not really proof read sorry
word count: 1,8k
summary: ellie isn't a huge party fan but ever since you failed your only mutual class she hoped to see you again, and she does. or; ellie is lowkey awkward but you make out in the middle of a kitchen during a house party.
another friday night, another four walls you're not familiar with. ever since you failed this one class, you've been escalating a bit and suddenly you find yourself at every house party there is, but this is just temporary, to 'calm down'.
and for once, the music roaring from the speakers is actually good. although, when did it get so full? earlier, you could comfortably navigate your way through the living room all the way to the hallway, but all you see is bodies and red cups at this point.
so, the genius idea that the kitchen must be a little emptier comes to your mind.
you make your way to the kitchen, squeezing yourself through all the sweaty bodies until you can finally make out a room that looks like a kitchen.
relieved, you lean against the kitchen island.
"guys what the fuck, i'm not your barkeeper, i've been making drinks for 15 minutes now," a voice emerges from right behind you, how can someone speak so loudly over the booming speakers? you turn around, and,
oh.
that is ellie williams. the ellie williams you had literature with, which you failed horrendously. but it's too late to turn around now, she recognises you and a smile creeps up on her face.
"oh? i know you! haven't seen you in a while!" she yells, waving with the red cup in her hand. shit shit shit, not only did you fail the class, ellie knows too, and the worst: you will never see her again. you won't lie, yes, maybe you did have a crush on her but please, who didn't? it's not that big of a deal. and she probably knows that too. well, now you do care. what if she knows that you actually have been watching her this whole—
"hey? ignoring me? that's a little harsh," ellie shouts, her eyebrows rising in disappointment. why does she look so good? maybe you've had too much to drink, but you can't help but observe her.
white, unbuttoned shirt, black tank top.
sleeves rolled up, the tattoo on her right forearm on full sight. her hands are so veiny and big, you're relieved that no one can read your mind.
"no, sorry, just bummed about failing class, you know," you chuckle in self pity. damn, this is depressing.
"can't hear you, come here," she yells, her eyes squinting in order to hear you better, interesting. wait, did she just ask you to come closer? no, you can't, you probably smell like alcohol, you're super sweaty and why is the overhead light on? you will look so unflattering and—
ellie's standing right in front of you. now this was unexpected, you want to take a step back, but you're already leaned against the island. dead end, pretty much. you didn't expect her to be the same height as you, which makes you chuckle.
"laughing at me too now, huh?" you can hear her clearly now, all you can focus on is the way her lips move while she speaks.
"sorry, think i had too much, but how is, uh, uni treating you? doing well?" you ask, never have you ever thought so hard about what to ask during small talk. you see ellie's shoulders shaking, she's laughing. what's so funny? you pout, then realise you're standing in front of ellie williams, that probably looked really silly.
"okay, i see. small talk it is then," she chuckles, her head slightly tilted to the right, studying your face.
"what do you mean?" you ask, because quite frankly, what does she mean? small talk then? what kind of answer is that?
"don't mind me, i'm just the barkeeper," ellie says. god, she's awkward.
in your imagination, she was more cocky but now you can't decide if imagination or reality is better.
but what you don't know is, that ellie has been watching you the same way you've been watching her. the first time you entered class, ellie couldn't take her eyes off of you. you were totally her type and to her luck, you decided to sit right in front of her. she couldn't even concentrate, all she did was observe the nape of your neck and your side profile, well to specific your soft, plump lips. it was disheartening to hear that you failed class and that she wouldn't see you again, so unlike her usual self, ellie decided to go to a house party and forget about you. but here you are and you look way too good for her not to try and shoot her shot.
"can i make you a drink?" she asks, but all you see are her veiny hands.
"i thought you hated playing barkeeper?" you shoot back, is ellie flirting with you? you're confused, however you're liking where this is going.
"for a pretty woman like you, i don't mind," ellie chuckles while her hand briefly brushes against yours. you raise your eyebrow in suspicion, but ellie shakes her head, she'd never put something disgusting in your drink, not yet. ellie makes her way back to her friends, earning dirty looks from them.
"you suck, i'm losing millions of bets because of you," one of them says, but ellie returns only a smile. she finds some vodka and ginger beer, but moscow mule sucks without lime juice. you watch her open the cabinets, looking for something, her arms reaching for the top. they are really toned, you never noticed before. finally, she stops and you watch her hold something round and green in her hands. she cuts it in half, a lime you assume, you have perfect view on whatever she's doing. inappropriate isn't enough to describe what you're thinking and feeling while watching ellie squeeze the juice out of the lime, her fingers entangled in hot mess.
your whole body follows her as she comes back to you, your chest facing her again. ellie holds the cup up to her face, with her index finger on the rim of the cup.
"i spilled some lime juice right here," she taps her finger against the cup while she grins in anticipation. you cross your arms, tilt your head and raise your eyebrow in confusion.
"well, both of my hands are full—" she places her right hand on your left arm, her thumb stroking you gently.
"and you could help me out," ellie continues, her eyes fixated on your lips. suddenly, everything starts to spin around you, you feel the bass through your whole body, you see ellie's chest move up and down, her breath slowing down, slow and steady. anything you do now is a consequence of you drinking too much, you tell yourself. your right hand reaches out for her sleeve, you pull yourself closer to the raised cup, there where ellie's sticky finger rests. she looks you up and down and her gaze is so intense, you can feel your lower body throbbing. realising that makes you blush, you want to look away but you suddenly feel one of ellie's big, rough hand run your body down, leaving goosebumps everywhere. not once did she look away, her eyes still fixated on you, watching your every move. her hand stops right above your hip, pulling you closer. you look back up, move your head closer to the cup that hides ellie's neck, until you're lips are close enough to touch her fingers.
"return the favor?" ellie whispers, her grip tightening around your hips. you gently press your lips against her finger and use a little bit of your tongue, making sure it's completely clean, of course.
"tastes good, lime juice," you chuckle while you lick the lime juice mixed with saliva on your lips. watching you lick her fingers, then your own lips, ellie can't hold back anymore. she wants to know what it feels like to be kissing you, what you taste like. holding you close to her isn't enough anymore, her thoughts run wild. what does your skin feel like? how many clothes does she need to take off to get on your skin? you observe her put the cup on the counter and feel her hand leave your body as she runs it through her hair. you're surprised that you're disappointed that her hand isn't on you anymore, but before that disappointment could settle in, you feel both of them on your waist, pulling you closer than ever.
"if it's good, mind letting me have a taste?" you're even more astonished to see ellie's face turn a bright shade of red, you expected her to be a natural flirt, but she is much cuter this way. with your arms around her neck and hers around your waist, you could swear that heaven must feel just like this very moment. you nod and can't believe she waited for you to give consent, god, she is just adorable. her hands move up to your neck, cupping your face gently, the last thing you see is her smiling before you get a taste of her wet lips. ever since ellie saw you she couldn't stop fantasising about kissing you, she'd wanted your lips on hers for months and she makes sure you feel it.
your heart skips a beat or two, breath shortening, your hands suddenly in her hair. god this is messy. all you can feel is her body grinding up against yours as the bass roars from the speakers and pounds right through you. she slips her tongue in while you breathe in her intoxicating scent. burying your fingers in her hair isn't enough, you need more, and all of a sudden, ellie pushes her pelvis against yours, you inhale sharply. your lips were separated only for a few moments before she pulls you close again, devouring you. never has anyone kissed you as hungry and sloppy as she did and you felt so incredibly weak. and ellie realises that it's too late to stop, she doesn't want to, she wants her hands all over you, she wants you all to herself. She tugs your bottom lip in between hers and grins.
pounding bass, pounding heart, pounding pulse. her lips trail down to your neck, she breathes hot air on you. you roll your eyes back, biting down all sorts of noises you'd love to make at the touch of her lips. rough hands, she gently holds you by your hair and pulls your head to the side. chest to chest, you feel each other's palpitating heart while the throbbing in between your legs has made itself apparent. ellie glances down, there where you need her the most and she chuckles. You shoot her a glare; apologetic eyes return as an answer.
"you wanna take this like, somewhere else?" ellie whispers, her wet lips brushing against your ear. god, she's such a tease. you nod and she plants one more kiss on your lips, takes your hand and leads you through the crowded rooms, dancing bodies brushing against yours, but none of them feel like ellie's. her touch has left you lingering for more and ellie can't wait much longer to have her hands on you again.
a/n: wrote this omw to uni bc there's this one class that has mandatory attendance and i missed twice already,,, third time's not a charm. also this is inspired by 'bellakeo' peso pluma.
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brzatto · 10 months
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Okay the anon mentioning that thing about Mikey leaving Carmy the beef and in a way leaving Richie to Carmy IS FANTASTIC
This fucker really said these two idiots will only survive if I force them together.
Also I feel like Richie is dying to take care of someone in a way? Like, he was really good with Tiff and he wants to be a good dad so bad. And then his dead best friend said heard and just shoves this chaotic, broken, mess of a little brother into his arms with no direction or further guidance. And he grew up with this kid right? He saw all the awkward phases and knows him better than most of his family even though it was probably more of an annoyance than genuinely wanting to know.
So he, on a super base level, probably knows Carmy enough to be surprisingly good at keep him alive and healthy?
Mikey gave Richie the human equivalent of a depressed house plant and he's actually doing a decent job at keeping Carmy it alive.
Also
Also
Along this same train of thought, what would Nat and Donna do once they realize Richie and Carmy may be a little closer than they realized? I think Nat would give a fierce shovel talk to Richie and then hug him for a really long time. What about Donna? She's already fucking nuts. I kinda want to explore the idea of her snarling something about Carmy always trying to be Mikey but I also like the idea of her thinking they can support each other better than she ever did.
And I feel like it's just glazed over but the trauma of being in that fucking house? Like Richie's dad wasn't around right? I would argue that's almost better than whatever the fuck Donna was doing.
There's so much to explore there. Add in the stuff while Carmy was away with the fuck face chef and oh Lord this boy needs help.
Do I think Carmy is in a place like Mikey was? No, but not taking care of yourself is a form of self harm and that boy does not even know how to spell self care.
I feel like Richie would better understand and be very aware of those things. They're always yelling at each other but Carmy usually has like a meltdown of some type after. Maybe Carmy hates when someone's close behind him in the kitchen because it makes him think of fuck face chef. Richie clocking in on that and going out of his way to discreetly move people around Carmy quick or to place himself between Carmy and someone else if they have to be behind him. Because if Carmy would let anyone see all the little, broken, scared parts of him it would be Richie.
And possessive, protective Richie who picks up on all these little flinches, self deprecating remarks, the lack of self care, or general depression and putting all the pieces into a picture that he does not like. I think he'd pick it all up and make sure anything that may trigger Carmy is taken care of, within reason, and subtly do things to help or make things easier, all while Carmy is oblivious but also realizing he isn't as stressed as he usually is. And Richie seems very pleased with himself lately.
**I rambled again, sorry. I just love actually having someone to talk to about this pairing ♥️
you’re correct! something that really irked me before s2 came out was the mass richie misinterpretation where everyone thought he was fundamentally a bad person with a few good moments/interactions as opposed to vice versa. the way richie treats carmy is a testament to their closeness but also probably to how estranged they became since carmy left home, when we’re introduced to richie in the pilot he’s visibly very warm and friendly with everyone else in the kitchen (except for fak and syd who are outsiders that carmy chooses to bring in) and is seen being openly affectionate, kissing tina hugging marcus etc etc. richie takes good care of those he cares about and i’m so glad they gave us a glimpse into his dynamic with tiff while she was pregnant because richie was soooooo (biting my fist) i’ve never doubted for a second that he genuinely loved her and i’m glad they showed us them being happy and sweet rather than the deteriorated version of their relationship that probably came after eva was born/mikey’s addiction got worse.
i feel like growing up carmy was relatively sheltered in a way? probably naturally shy and quiet and introverted even when he was younger and in spite of all the chaos in his family i really feel like he was spoiled lol or at least comparatively. especially with the comment richie made to sydney about always being nagged about being careful with carmy i can see nat and mikey both being really protective of him. in opposition richie was definitely the one who’d tease and antagonize him the most but he still clearly had that sense of responsibility drilled into him back then because we can see how instinctual his protectiveness is with carmy even now. i’m still trying to decide what his relationship and dynamic with donna was like when he was younger because in fishes we see him successfully placating her when nat couldn’t, i can’t tell if she’s always favored carmy just for being the youngest or if mikey and nat had to shield him from the brunt of her dysfunctionality growing up or maybe even if she was more stable when he was younger and then her mental health deteriorated/behavior became increasingly more erratic over time?
richie’s a person who naturally receives gratification from doing things for others and feeling useful/needed and that probably manifests itself in a much more competitive/spiteful way with carmy because his feelings towards him are just Like That and carmy is also bad at thanking (not other people just richie specifically) him so it’s not quite as transactional as his dynamic with, for example, tiff where he does things for her and is directly rewarded with affection/praise/seeing her happy. i think at first richie just likes the idea of carmy, who he always knew as just some snot nosed loser and is now a well established name in a competitive and high end industry, still being incompetent in some facets and having to depend on richie for something (even if carmy would NEVER ask for his help first or even admit his dependency), likes the idea of having it to hang over his head etc etc (or at least this is how he justifies it to himself) and then with time it gradually morphs back into a Normal relationship where they’re willing to accept that richie takes care of carmy because he cares about him and carmy accepts it because he also cares about him but because they’re them and they’re difficult we have to go the long way around. this is the plot of bcm essentially
lol for sugar and donna’s reactions i think you summed up my own feelings pretty well. i do have a wip fic that sort of includes how that would go with sugar, but in it they actually don’t tell her about “being together” at all (because they do NOT think of themselves as “being together”) and she finds out herself after carmy has been unofficially living with richie for like the past however many months and is understandably pissed. it’s supposed to be a more lighthearted fic so there’s no seriousness to it but i think having known for richie for so long she’s already intimately familiar with all his loser scumbag asshole tendencies as well as carmy’s bullheadedness and notoriously bad decision making but she also knows richie’s good at heart and carmy needs someone like him in his life. especially in light of richie’s apology to her in s2 and effectively amending their relationship (which meant SO much to me) genuinely i can only see her being mad over them not telling her about it rather than anything else. also i love the implication that mikey and richie were also romantically involved before at some point too and donna weaponizing that… when i choose to incorporate past richie/mikey in my carmrich plots the notion that richie is just another one of mikey’s hand me downs or that carmy is simply mikey’s fill in for richie is always one of carmy’s biggest insecurities and i can’t quite decide if donna would be cruel enough to weaponize that against carmy specifically but the thought has delectable angst potential. your mind
i think about richie’s family life a lot like goodness what was going ON in the jerimovich household that donna berzatto could’ve possibly been the better alternative… in reality i think richie’s mother actually just wasn’t present at all, like i think she probably either died or left when he was a child but since sydney’s mother also passed away when she was young and i doubt they’d repeat that plotline for richie i’m guessing it’s the latter. his father also probably wasn’t around very much because of service, but when he was he was probably a dick because he was a cishet (vine boom) white man (vine boom) in the military (VINE BOOM)
and actually it’s funny that you say that because to me i think carmy would definitely have his own vices, like obviously we see his smoking habit but a personal hc of mine i’ve always had for him even before s2 came out is that he has a bad relationship with alcohol—not to the point of addiction or anything like that but i think he probably abused it a little to cope with mikey shutting him out and stopped once it posed the risk of interfering with his work. if you happen to remember in ch2 of bcm there’s a line where carmy mentions richie knowing carmy doesn’t drink—there’s a reason why and that’ll get expanded on in future chapters! but yeah carmy’s form of self harm definitely manifests itself as self neglect. i’ve seen a lot of people write him with an ed but i don’t necessarily think he has one or that his relationship with food is tainted per se i think his eating habits just reflect his own self negligence. carmy definitely is on his way to developing gastritis if he doesn’t have it already
and this is such a sweet scenario for them i love this >_< anything with richie being attentive, considerate, thoughtful, gentle, tender etc etc i am seated immediately… like sometimes i read my own writing and feel like i’m projecting because i want him so unspeakably badly. always nice to see you in my inbox thank you for this anon 🤍
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ghostlyhamburger · 10 months
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Husband Watches Miraculous - Heart Hunter
[Hi I'm not dead, just suffering super depression]
God I can't believe we're doing this again
Alcohol: check. Water: needed.
I am prepared for this! I am not prepared for this.
This is clearly the good animation studio, there's subtleties in the hair motions and the way their fingers bend as they're swiping. I feel bad that this studio has to work on such a dogshit show
Also fuck Luka.
God I hate this man and how pretentious he sounds. I'm not nearly drunk enough for this. He has the second most punchable face on the show. He has one of the most annoying personalities. It's only compounded by the fact that there's people who actually think he's a deep character and would suck his dick. Ugh.
[Who's the most punchable face?]
Kyle XY. He does a disservice to Kyles everywhere.
It doesn't help his case that he's holding her off from her job to play this shit song. He could be like oh you're busy let me help you and then show you this thing. This man aggravates me.
Does he actually have to be doing this right now?
You just said you found her sound and now you're saying it's not right? What a dick
Where did he have the second helmet?
That [Gabriel's gift to Andre and Audrey] looks horrible.
They blue-ified Kagami's hair.
The actual answer to their long 20 years of marriage is the fact that she cheats on him on the regular. That or he's a cuck.
Chloe grew up in an environment where her parents didn't love each other, and she didn't learn love. And in that way, she's neglected like Adrien or like Kagami, which makes them all foils to Marinette, and that's what makes this interesting. All these characters are reflections of each other. Marinette has the both loving parents, Chloe has no loving parents, and Adrien and Kagami each have one distant parent. Which is also why Luka is a foil for Adrien, because he has one parent but a much different relationship with them. It's good writing.
Party foul. You don't put a cookie back once you pick it up.
It is nice to see Kagami and Adrien just being kids.
They're going into the pool full of eggs. Oh they're balloons. IT'S A BALL PIT.
How does her hair gain an entire foot of length just by taking it out of very short pigtails?
This feels like it was meant to be the end of the series.
Oh they're getting merged into another akuma aren't they. It worked well for Alya and Nino's shared embarrassment, so maybe their shared hatred of each other?
Did they just fucking bail on the party?
I'm surprised it took them this long to do another doub-OH MY GOD I HATE IT.
Fang has a little bow!
I like how simple and elegant Mayura's transformation is.
oh it's THIS episode isn't it. I remember you BITCHING about this episode.
So Adrien is peppermint?
Just put three scoops of ice cream. You dickwad. Peppermint is actually two flavors. Orange and blackberry work really well.
"Are you sure, Marinette?" You're the one who says they can't have multiple you dick!
Mint abhorrifies a lot of flavors. and orange is one of the WORST. it's like the orange juice curdles in your mouth.
They should've swapped Kagami's and Adrien's. Orange makes sense for Kagami. Blackberry for Adrien, raspberry for Marinette, so they're a perfect pair but also Kagami makes a really good complement to them.
I do like this show but I can't wait 20 years for a reboot of it so it's actually good
"I wish I didn't have to involve you in this." No you don't you don't give a shit.
I like how Hawkmoth is calling out the entirety of the plot.
Is this the episode that makes her think she should start handing out the miraculous permanently? That would be good storytelling.
You just carry all the miraculouses around with you, Fu?
Maybe don't scream shout your transformation
Okay I actually like Fu's hero design
So this is the one that confirmed adults don't have a time limit.
Chloe really actually should've gotten a miraculous. She had a very good point. They're her parents, she should be the one to save them.
I actually really like this moment. He brings up a good point. Marinette has let her hatred of Chloe get in the way.
Huh he can deakumatize them himself.
Why are the Chloe episodes always the best?
Kagami's wearing American shoes. the converse.
That's actually a really good moment for Luka. If this was my first time seeing him I'd think he was a little weird but an okay fit.
[Please remember husband is watching these blind and does read comments on these posts. no spoilers.]
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sweetpea394 · 26 days
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tortured poets department song opinions if you don't care then don't continue reading
Fortnight ft post malone
i like this song so much more then I thought I would
like it's actually so good
not how I expected "I love you it's ruining my life" to be used but by gods do I love it
Overall 8.3/10
The tortured poets department
Its really good
Unexpected name drop in like the first minute
Okay just drop the fucking f bomb go off taylor
Oh shit she actually name dropped jack antinoff(?)
Overall 6.9/10 (haha 6.9)
My boy only breaks his favorite toys
I was actually scared for this one
HOW DOES THIS SONG ONLY HAVE 5K LIKES
This song isn't what I expected but at the same time it is
I really like it. It's giving delulu.
It's stuck in my head now tho.
Overall 7.7/10
Down bad
unexpected but totally welcome
I think this is one of my favorites so far
Also another f bomb in the chorus holy shit taylor.
Very katniss and peeta coded
This whole album is unexpected
I expect folklore Evermore type album, but it's like synth
which is fine it's still great just unexpected
Overall 9.2/10
So long London
Track 5 wish me luck :)
I am OBSESSED (with your ex) with the call and answer in the beginning ahfjdhsjdhchfj
I will never be the same after this song
This has changed me forever
But I love it so
Overall 8.9/10
But Daddy I love him
This right here is fear
Side note: Thank God this draft saved
THIS IS THE BEST SONG ON THE ALBUM I LOVE IT SM
girl taylor you can't just say shit like that then go "no I'm not"
I feel like this whole songs reason for existence was to freak people the fuck out.
Like that one line "I'm having his baby no I'm not but you should see your faces"
Taylor was like "what if I pranked their asses?"
But still my favorite so far
Overall 9.5/10
Fresh out the slammer
it was really good I liked it. Not as much as the others but I did like it.
Also why did the beat randomly change near the end. I'm not crazy that happened right?
Also that beat change was kinda giving reputation soooo
Overall 7.0/10
Florida!!! Ft Florence +the machine
I don't really know if I love it or like it yet
Its either gonna be one of my favorites or I will only listen to it once or twice.
But I will say Florence's voice is heavenly
Also f bomb number 3 taylor.
Overall either 6.3/10 or 8.4/10
Who's afraid of little old me? (I am. I'm afraid)
THIS THIS IS WHAT I THOUGHT THE WHOLE ALBUM WOULD BE
I LOVE THIS ONE ITS MY FAVORITE PERIOD DONE THATS IT.
Hfjchdjdbfjfjd holy shit I am in love with you taylor swift
Overall 10.5/10 exquisite
I can fix him (no really I can)
AGAIN THE FOLKLORE EVERMORE VIBES IS WHAT I EXPECTED
this song is better than I thought and I love it oh so much
I envisioned mist or fog for this song idk why
It just has misty vibes
Still I love this song soo much
Overall 10.8/10 (they are just gonna keep going up I think)
loml
loss of my life at the end 😭😭😭
Literally the saddest song on the album
I love it sooooo much though
I just realized I think I forgot guilty as sin? Oops
Still 10/10 song
Overall 11/10
Guilty as sin?
I predicted that this song would be my favorite and it might be if I listen to it more but rn it isn't
It is the most relatable tho.
Am j allowed to cry apparently not.
I do really like this song tho
Overall 9.8/10
I can do it with a broken heart
I have 2 thoughts
1 this song is so relatable its funny
"I'm so miserable and nobody even knows"
This whole song is just like:
✨✨️✨️✨️ I'm super depressed ✨ ✨️✨️✨️
And she's so real for that
But thought 2
This song is so sad and now every time I watch the eras tour I will think of "the crowd keeps chanting more"
Overall 12/10
The smallest man who ever lived
H my God this is like literally a diss track
Like dam taylor he's already dead.
The bridge >>>>>>>>>>>>>>
I was like "OH YEAH HERE WE GO" when that bridge started.
Overall 7.3/10
The alchemy
not what I expected
Definitely my least favorite
I don't know why but I don't like this one as much as the other ones
Overall 5.9/10
Clara Bow (again we are afraid)
this one was really nice
I like the message of like hey there were people before me and there will be people after me
Ya know like everyone is like omg your the next taylor swift
I like that she's addressing that.
Overall 9.8/10
Okay that's it I did the whole album. I will do the other bonus(???) Tracks later cause Jesus christ there is a lot of them. But thanks for reading my shit opinions on @taylorswift and the new album.
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alpona · 1 year
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Geats episode 10 liveblog:
After a break, we begin with a fresh new game, new arc. The 'scheme' arc.
Before I begin watching,
-I'm excited to see the new arc, we'll have some new characters, and given the format, new opening lineup as well.
Haven't been paying attention to episode names, but they're quite cool! We finished the encounter arc, and now the scheme arc starts!
-Will keiwa return?
Now, let's begin:
- Tsumuri is doing the recap this time... And recording on her tablet? Wow, nice idea you took from Keiwa! Lol
- DGP staff as family, yup. By the way... How far does his wish of 'DGP staff' extend, we're only going to see Tsumuri and concierge -san for now, but does other unseen members, plus punkjack gets technically included......?
- yes we do have new disposable characters in opening lineup. But wait... Michinaga is there, but Neon isn't? Hmmm?
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- since everyone involved here retains their memory, Ace's wish basically turned out as playing pretend family with DGP staff like a lonely kid.... Sigh..
- but here's the true objective, it'll give Ace more opportunity to closely investigate DGP huhuhu!
- And here's our first important question of the day! How are players selected? I've been curious too.
-Heh, careful examination. Their criterias are sus as well.
If defeating Jamato monsters were their main goal, they'd select people who at least have some fighting experience, not be super random like grandpa's and people with zero fighting ability....
- Ace-kun's previous wishes!! And woah woah woah, his first wish was to participate in every game?
So this way Ace is garunteed to have chances even if he loses a game. Also gets to prevent anyone's catastrophic wish being granted, also *getting lost in 105th theory and questions*
- his other wish of living without having to work is THE wishful life though 😄.
- And he definitely didn't just win 4 times only, right? We're only seeing a few cards here.
- Pfff.. Ace on super troll mode 🤣 Ace-sama's autograph! (a Tumblr user literally predicted this scene!)
However, we do get another confirmation from this funny scene - previous wishes indeed gets carried over to the next reset world.
- The little moment of Ace falling behind a few steps and quickly catching upto Tsumuri, a slight crack to his cool demeanor, I'm loving such small details in this show.
- Keiwa-kun!!! Okay, I can stop being suspicious about disqualified rider's fate, they did went back to normal lives... For now at least.
- Keiwa's personality may seem totally different, but you know what, it's actually not that strange. He's on his depressed state, he is kinda emotionally vulnerable and Can lose hope, as we've seen in episode 1. Makes sense. Unless there's more to it of course.
- But picking sushi over tanuki soba?? 😵‍💫 Now that's a plot twist I did not see coming!!
- oh right, punkjack. Going in to rig the game huh.
- Haha, now there's a wild character who can even annoy Ace!
- But is Tsumuri aware of the punkjack invasion?
- Ace is absolutely dumbfounded for once! Woah, his reaction is SO keiwa-like, I mistook this voice as keiwa's in the preview!
- disposable character's talk time. I almost gave Azuma-kun's reaction too.
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- Aha, important question no 2! Is this punkjack the same as before? That little expression of yours spoke 'yes', even if you deny so hard, Hareruya Win-san.
The name's also something, if it's even his actual name.
- Oh hello timefire-san, I mean Neon's father. And we have another new character join the suspicious list.
- But they can add more players after a round? okay.
- oh wow, the new girl's already dead, way too disposable. I didn't even get her name or rider name. She's *reads back* letter? Ok whatever, sayonara.
- Neon's cool entrance! And Beat buckle debut! Not gonna pretend to see this for the first time, I've been seeing pics beat Nago, and Na-go's default form is very funky, so cool, love the design.
Well, now we have 2 guitar yeilding players. Just drop everything and give us a concert now! 😁
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- however, Beat buckle's debut was so... Unceremonious, off screen, compared to some other main buckles....hmm
- Neon dropping everyone's honorifics, lol
- *gasp* Ace actually spelt out his goal!!! But of course, wrapped it with his signature 'can you believe me'.
- and the parallel between Ace and Neon, one trying to run away, another trying to find his mother... Ah... the feels
*Staring off into the sunset just like the characters*
- We already knew why you put punkjack in the game, game master-san. What should I even call this guy...
This is the 'scheme' of the scheme arc?
Is it because you're evil or you think Ace is a threat?
.... These review-ish things are becoming longer and longer each week, and I'm actually skipping many things. Geats is just that Good and intriguing!!
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taiblogcomics · 6 days
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Time to Start the Countdown!
Hey there, crafting in a fugue state. Well, while it's not quite blogaversary time, I think it's closer today than it will be next week. So it's the blogaversary! We're on… lucky thirteen, isn't it? Oh boy, that's a sign if ever I saw one. And moreover, we've had it good for a while, no? And we've had it too good too long. Three miniseries (well, two miniseries and a cancelled series) in a row that I actually liked. And when did we last do something truly awful? Avengers Arena last summer? Well, if that's the case, I propose we cover a truly heinous series. And one that won't leave us wondering what to do for a while~
Here's the cover:
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Oh yes, my dear readers. We're going to review fucking Countdown.
"But Tai!" you might say, "this series is from 2007! Hasn't it been done to death?" Well, first of all, age has not improved this story. It is still terrible 17 years later. Second, perhaps some other reviewers may have covered it. Maybe some more popular than me (but not more popular than the BeeGees). But I wanna do it in a different way! And by which I mean, I want to review it like I review everything I do: one issue at a time. This comic was released weekly, after all. So I wanna replicate the experience of what it must've been like to read it week by week! Now that's how you get in all the suckiness!
As for the cover itself… Well, it's a fucking image of a bunch of popular heroes (and Jason Todd) running at the camera on a white background. Whoop-de-doo. I will give the series credit for one thing right off the bat, though: the numbering. We're starting on issue 51 and counting down to 0. Because it's called Countdown. That's at least some thematic gimmickery that I can appreciate. It won't help the overall score in the end, but it's at least something~
So, where do we start with this pile? Well, you're familiar with Infinite Crisis, 52, Identity Crisis, and Batman: Under the Red Hood, right? That's basically where you need to be in DC history to have a basic understanding for this series. That's the mark of a great series, eh? In short: Ray Palmer has disappeared following the insanity of his wife, Jason Todd is back from the dead, the Multiverse and the Monitors who watch over them have returned, and Superboy-Prime will be our villain. You got all that?
We open on the hellish and goofily-spelled planet Apokalips, where sadist torturer Desaad is waxing poetic about the lack of value of a single life. Ah, setting the mood and tone for the readers right away. Even Darkseid tells Desaad he's a depressing nihilist. Darkseid is busy organising his pretty sweet collection of DC Comics character statues. He must've been a big fan of Kenner's Super Powers line back in the day. He does concede one point to Desaad: he's right in that all lives, no matter how meager, touch another. That's downright positive for Darkseid!
As he moves a figure of Duela Dent, we transition over to that character on Earth. Thankfully, this is not the Duela we know from the New 52, but her much better and more interesting and likeable counterpart in the Post-Crisis universe, where she was an on-again-off-again member of the Teen Titans. At this point, it's "off again". She's dancing at a club, and then decides to kidnap and ransom the pop star hosting the event. As she tries to escape on a parachute, she's shot down by Jason Todd, who catches the pop star in midair.
Duela and Jason exchange some banter, mostly where it's reiterated that Duela isn't literally the Joker's daughter, and she retorts that he's not Batman's son either. Jason prioritises getting the girl to safety, which is probably the most heroic thing he'll do this entire maxi-series. Duela makes an escape, but is shot down again--by someone we can't see right now. She's pursued, and as she runs over the rooftops, she crosses a hospital, which transitions us over to our next character. I'll be fair, this transition is pretty good. If they continue to be non-jarring, I will award another point at the end of this review~
So Mary Batson (AKA Mary Marvel, so we can just call her Mary either way) has just recovered from her coma. During Day of Vengeance, the wizard Shazam was killed, severing Mary's connection to her powers. She also went into a coma, as you may have heard. She's fine now, and even has no hospital bills to look forward to, as they've all been paid off by Freddy Freeman (AKA Captain Marvel Jr). But Freddy's not here, and all he's left her is a note that says "Don't look for me". So she opts to walk home in the rain.
Also out in the rain is James Jesse, AKA the Trickster, one of Flash's Rogues. The Rogues are having a party, and Trickster's gotten here early, to Heat Wave's annoyance. Heat Wave's annoyed in general, since Trickster went straight for a few years, willing to help the Flash out on occasion. He hates the idea of how blurred the line has become for the Rogues, and is planning something big to get them back on track. Trickster assures him he's got his head on straight now. Also listening in is the Pied Piper, another Rogue who sat on the blurry line like Trickster, wondering if he's horning in on his turf. No rat metaphor he can use her?
As the rain comes down, Duela Dent continues her rooftop run, unloading whatever tricks she's got up her sleeve at her pursuer. You know, silly string taser, that sort of thing. (Where does she get those wonderful toys?) But her pursuer just shrugs it off, and she screams as he begins to shoot at her. Jason hears the scream, heading back to see what's going on. He tells the hulking figure that he doesn't tolerate gun-wielding crazies in his town. Well, of course not, that's your gimmick, isn't it, Jason~?
Jason attacks the guy, and we get a good look at him at last. Jason has no idea who it is, but the reader does (or should, at least is the hope). It's… the Monitor! The big good of Crisis on Infinite Earths, back again! And he's hunting Duelas! He claims to be the multiverse's only hope and that anomalies must be purged. To that end, he shoots Duela dead with his laser gun. Jason is enraged and punches the Monitor, who aims his weapon at him next. The only thing that keeps him from shooting Jason Todd as well is the sudden arrival of… a second Monitor??
So yeah! This was a reveal at the end of a one-shot called DC: Brave New World, which showed some upcoming premises for a few heroes' solo series, and then finished with a shot of the Monitors promising to, well, monitor these events. The end of much-better weekly comic 52 (this comic's direct predecessor) saw the restoration of the DC Multiverse into the cosmology it would use from here on out (even into the New 52 and beyond). Not an infinite multiverse, just 52 parallel Earths (including the main one), and a Monitor stationed to watch each one.
That's where we are. This second Monitor (who is subtly different to the Duela-shooter) stops the first from shooting Jason as well, saying he's acting outside his jurisdiction. The first claims his job is to eradicate anomalies and dimension-jumpers. The second says he'll report him to the rest of their brethren, and the first is sure the others will support him. Both teleport out, but not before the second one does offer an apology to Jason for Duela's death. However, since he doesn't offer the same to the reader, I am not inclined to forgive him.
And so our comic closes out with another Monitor flying out into space. I can't tell for sure, but I'm assuming it's the second one, since he has the same blue bodysuit. (The first one wore red.) He's out at the Source Wall, which is a literal wall at the edge of DC's universe. It's a Jack Kirby thing, don't question it. He asks the Source Wall why there is tension among his fellow Monitors. Great flaming letters reply "GREAT DISASTER". He asks what can possibly stop this Great Disaster? And the flaming letters reply: "RAY PALMER". Which I'm sure means a lot to this multi-dimensional space being.
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Well, there we are. Off to a smashing start, huh? Usually you have to wait 'til the middle or end of the sucky event for the unnecessary deaths, but this one shows you what you're in for right away by fridging Duela Dent in its opening issue. And while this series will eventually reveal her backstory (a long-confusing thing for her character), she'll still be dead by the end of it, so it's not like the reveal will benefit her. And once again, we're murdering a former Teen Titans member to do it! Hey, DC: stop treating the Titans as your C-list fodder! Didn't you already get enough of this during Infinite Crisis two years ago (at the time of this issue's publication)??
The rest of the issue is... not much better. The reveal of multiple Monitors is pretty shocking, but not to a character who has no idea what that implies. The brief scenes with Mary Marvel and Trickster are at least setting up something, but their scenes are so short that it can barely do more than hint. Get used to that being a recurring theme throughout this series! And worst of all? This isn't even half our focus characters. By the end of this, there will be no less than eight storylines jockeying for control of the narrative, and they won't overlap until late in the game.
I can't wait to show you how bad this is going to get~
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nysocboy · 1 month
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Gemstones Episode 3.5: A pukka shell necklace, a stolen ring, castration anxiety, and Y2K
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Episode 3.4 concludes with the family in disarray. Both BJ and Keefe have broken up with their partners in the aftermath of a betrayal, Jesse and Pontius are sparring, and the Montgomery Boys are secretly planning a violent retribution. 
Judy's Back Story: Rogers High School, 2000.  High school-aged Judy tries to flirt with her crush, art student Trent (Braxton Alexander), by throwing her hair over his desk.  He asks her to stop several times, but she says "You know you like it, Stud," embarrassing him in front of the class.  Finally he gets even by cutting her hair. Wait -- why isn't the super-rich Judy in private school?
She doesn't notice until the girls in the restroom laugh at her.  Then she storms into band practice and smashes his saxophone, yelling "I liked you, asshole!  I loved you!"
Some fans wonder whether Trent is gay.  Of course, lots of straight guys would reject Judy's vulgar come-ons, but Trent wears a pukka shell necklace: according to my research, around 2000, that was a queer code, a way to identify other gay people while leaving the straights oblivious. Plus he's an artist and a musician.  "Artistic" and "musical" are  often code for "gay."
Y2K is Real:  Remember the Y2K panic that Eli and his wife Aimee-Leigh profited from?  A reporter from Time Magazine shows Eli the commercial, telling folks that God wanted them to buy Gemstone Brand survival buckets, first aid kits, commode liners, and so on.  "So...do you think it's ethical to scare people and then benefit from that fear-mongering?" 
Kelvin's Little Tiny Doll Pecker: College-age Jesse brings his girlfriend Amber home to meet the family. Is she pregnant?  Gideon is going to be born in a year or less.
At dinner, Judy criticizes her for coming from a poor family.   Jesse says "Suck my dick!", and she responds "I want a meal, not a snack."  
Kelvin laughs: "That was good.  She means you have a tiny little titi" (pronouncced tih-tee).  Jesse then criticizes Kelvin's "tiny little doll pecker."  It is probably perfectly normal for a prepubescent boy, but Kelvin doesn't know that.
The Snake Handler. After a scene where Judy bullies Amber and steals her ring, setting up their squabbles in the present, we cut to a service at Peter Montgomery's Pentecostal-like snake-handling church.  Actually, he's the only one playing with a snake, while his sons play the guitar and violin, and his wife May-May goes into a filled-with-the-Spirit ecstasy. 
Background note: Snake-handling, based upon the injunction to "take up serpents" in Mark 16:17, was introduced by the Church of God with Signs Following during the Great Depression, and spread throughout Appalachia.  Today the practice is illegal in most Southern states, including South Carolina, and there are no more than 100 snake-handling churches left.  
In Them That Follow (2019), Walton Goggins (Baby Billy) plays the pastor of a snake-handling church.
Gemstone-Montgomery Tensions: At the Gemstone Compound,  May-May complains about having to identify herself at the security station, just to put flowers on her father's grave. "You can visit the grave whenever you want," Aimee-Leigh assures her. "We'll have security flag you right on through." But she's not satisfied. Geez, he's been dead since 1995. Haven't you figured out the visitation schedule by now?
Later she bosses Peter around and rejects every effort of Aimee-Leigh to be friendly, suggesting a long-standing feud.  We can see parallels in Amber and Judy in the present.
The Gay Pride Shirt: Continuing her harassment, May-May criticizes any idiot who believed that Y2K was real.  Peter looks nervous. Uh-oh, did he sink his money into Gemstone Brand survival supplies? 
Yep -- later, he tells Eli that he spent the family's life savings on a warehouse full of Y2K buckets to sell after the world ended, but the world didn't end, and now no one will by them. So you criticize Eli for profiting from the Y2K panic, but you were planning the same thing.  
Eli offers to buy his stock back.
Meanwhile, the Gemstone and Montgomery kids ride four-wheelers, then watch Jesse smash stuff with his Redeemer.  Wait -- the swingset -- this is the site of the Season 3 finale, coming up in a few episodes!
Kelvin is wearing a t-shirt with a row of multicolored hibiscus flowers, a flowered shirt, and a pukka-shell necklace similar to Trent's.  Some fans suggest that his shirt features a pride rainbow, but in-universe, his mother or a professional buyer is picking out his clothes at this point, and they would hardly be thinking of LGBTQ Pride.  Costumer designer Christina Flannery wanted to subtly suggest that Kelvin is gay, not imply that he is self-aware.
Castration Anxiety: There are dozens of protesters at the Salvation Center, claiming that Eli and Aimee-Leigh grifted them, and demanding their money back. Geez, what's the problem?  That stuff could be used as general survival supplies or even camping gear. Aimee-Leigh offers a lackluster non-apology.
Meanwhile, Kelvin cheers as Jesse drives the Redeemer: "That is the coolest thing ever!"  Jesse calls it "the moist maker," referencing lady parts, but Kelvin doesn't understand. Well, he's only eleven.  I didn't know about lady parts getting moist until I started watching this show.  
Uh-oh, Amber's ring is missing.  Kelvin thinks that Judy stole it: she steals a lot of things, dragging him to the mall to distract the salesclerk while she shoplifts. She threatens to cut "his private off" if he tells their parents.  It's not enough to make fun of his dick size, you have to introduce castration anxiety, too?  
I made a mistake:  At their after-church lunch, Peter owns up to the money he lost investing in Y2K gear. May-May rushes to confront Eli: "You tricked him!  You did this on purpose to punish me!" Yep, just like Judy, it's all about you. "But Eli is going to buy it back!"  "Nope, we're not taking his money.  It's evil!"  
Remember in Episode 3.1, May-May attacks Aimee-Leigh for "what you done to my family"?  I can't see here that Aimee-Leigh did anything; she's been perfectly nice.  It's all on May-May for bullying Peter and refusing to let Eli help.
All sensitivity: Jesse rushes into Judy's room to yell at her for stealing Amber's ring, but she is so distraught over her parents' ridicule that he ends up consoling her.  He explains that they both get angry easily, because they take after their father, whereas Kelvin "is more like Mama that way.  He handles things more like a girl does. Just sensitivitively and stuff."   Sounds like he is identifying Kelvin as feminine/gay at an early age.
To get revenge on Trent for the hair-cutting, Jesse breaks into the school dressed as Slenderman and bashes his face with a cymbal.  Surprisingly, that doesn't knock him out or kill him.  
Next Jesse shaves his head and pantses him. The other students all point and laugh.  He turns around, but now everyone is laughing at his penis! Ulp -- like Kelvin, the adult Trent will face fears of sexual inadequacy.
Left: not Trent's dick.
Peter's Fall:  In a very effective staging decision, we are looking through the window of a coffee shop as Peter enters the bank across the street. We hear screams and gunshots.  People rush out, followed by Peter and the security guard. Our view is obscured by cars driving past and the condiments on the table, but it looks like they exchange gunfire and collapse. Peter has been shot in the face and the leg. The security guard is dead.     The end.
The full review is on RG Beefcake and Boyfriends
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ghostgirlgeist · 1 year
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ʇ s ı ǝ ɓ s ı l l ʎ ɥ d
phyllis geist is based on phantasma from scooby-doo and the ghoul school. she is a 23 year old ghost, librarian, and uses she/her pronouns. she has the power of head spinning, invisibility, psychokinesis and floating.  
penned by HARPER 
reflection
face claim: madelyn cline sexuality: bicurious height: 5'4 eye color: blue hair color: blonde piercings: n/a tattoos: n/a
attitude
positive traits: bold, chatterbox, always laughing, quirky, extroverted, spontaneous, social butterfly, whimsical negative traits: morbid, oversensitive, inhibited, uncommunicative, struggles to accept her phantom-hood, assumes the grass is greener on the other side likes: crystals, reading fantasy novels, her ghoul friends, the color blue, small animals, late night fly-sessions, spooking humans, music in all forms, scary movies, big sweaters, dead flowers, thunderstorms, tarot cards dislikes: people being afraid of her when she ISN'T trying to scare them, finding clothes, the dark, the calloway cadettes, phobias: n/a hobbies: visiting the funeral parlor, hanging out with her ghoul friends, hiding in the library to read after hours, leaving little trinkets and 'haunts' for her friends to find, composing music, watching dogs in the park and wishing she could pet them, hacking the arcade machines at pizza planet. aesthetic: the smell of drying flowers, goosebumps rising on your skin, the feeling of silk, laughter that echoes in an empty hallway, the sound of an orchestra swelling in volume, the feeling of a soft sweater, the smell of incense, the glow of the moon at night, the sound of creaking floorboards when you're home alone.
relations
mother: a human, name and origins unknown. father:  the phantom sibling(s): n/a pet(s): boo ( a grey kitten )
headcanons
† the small shiver you get when you think you’re all alone, but you can just tell there is someone else in the room with you. † phyllis is all too familiar with stinging cheeks that have been drawn up for too long due to being unable to stop smiling. she loves smiling. she smiles every morning in the mirror (even though she can't see herself in it ) to ensure she starts her day off on a positive note.  † she often gets really, really loud- ESPECIALLY when she is talking about something she is passionate or excited about- part of it unintentional, part of it to subconsciously make up for the space she can’t physically take up. † big chunky sweaters with embroidered sleeves and the initials P.G. hand-stitched into the hem with thick, white yarn. † she found a small kitten that had been left to pass and named him ‘boo’ due to the spook he gave her when she came across him by a dumpster. she always knew animals had spirits, too. † the sound of an organ playing frighteningly morbid and borderline-depressing music, but each song accompanied by a bright, cheerful and effervescent “oh my god, YES!” after they finish. † sharpie tattoos, wild hairdos, and obnoxiously large white boots that are always pristine because they never actually touch the ground. † phyllis couldn’t count on both hands the amounts of times her boss thought she had flaked on a shift… when she was actually right there, buried in a book with such intense focus she hadn’t even noticed she had gone transparent. † using tarot card readings as a love language accompanied by the littering of shelves in her friends homes with little crystals and spiritual memorabilia; “you gotta keep your vibes up!” † getting super offended by people thinking they need a ouiji board to talk to her and persistently insisting that they’re just a way ghosts play pranks on living people. † phyllis always wondered what life would have been like if she had gotten to experience it... well, alive. it's hard living in a world that you are tethered too but can't completely interact with. it's hard on her, but she's trying her best to manage. a feat easier said than done.
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pluckyredhead · 2 years
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What did Tom King do to Kara?
you don't like woman of tomorrow? thats interesting, from what i can tell that seems to be one of king's least uncontroversial DC works and gets unanimous praise from the fandom + comic readers in general (not that i've read it myself, just from what i've seen)
Combining these two related asks!
I want to start out by saying that ALL of my problems are with the writing - Bilquis Evely's art is breathtaking and I wish it was being used to tell a story that deserves it.
I have two problems with Woman of Tomorrow:
King does the same thing to her that he has done with literally every other character, which is to cherrypick their history to tell the bleakest, most nihilistic, least heroic story possible. It's not super noticeable with Batman because Bruce is kind of always in that zone, but it's very obvious with characters like Wally West (Heroes in Crisis: Therapy Is Bad and Will Kill You), the JLI in Human Target, and Kara. His Kara is a depressed, foulmouthed, murderous drunk who spends the entire book suffering physical and mental torments. I am just so exhausted by the lack of creativity. Dude is a one trick pony and I don't understand why this isn't more widely recognized. (Oh wait, I do, it's because pessimism is so often mistaken for genius, and also he loves a nine panel grid which too many people think immediately makes a comic Deep (TM) instead of just copying Watchmen.)
THE STORY ISN'T EVEN ABOUT HER!!! The main character is Ruthye, the alien girl who hires Supergirl to avenge the death of her father. Ruthye narrates the book. Ruthye drives the plot. Ruthye has the emotional arc. Kara could be replaced by any Super or other strong alien - J'onn, Sodam Yat, fucking LOBO - and the story would be exactly the same. (Because it would be True Grit. It's literally just True Grit But Supergirl Is There.)
Now, there's a place for bleak and even completely pessimistic, nihilistic stories - but Supergirl ain't fucking it. Supergirl was created to give little girls a heroine to look up to who had all the powers of Superman. She is aspirational and inspirational. She is joy.
Woman of Tomorrow is aggressively Not For Little Girls. To me, it radiates a deep contempt for the idea of Supergirl as a happy, kid-friendly character. It drags her through the mud on purpose, and then looks at you like it's making a point, but the point is just "mud exists." Yeah, Tom, I know. WE ALL KNOW.
(In general, King seems to really hate the idea of "nice" girls - look at what he did to Tora in Human Target. There's an issue of WoT that flashes back to Kara's origin and the destruction of Krypton - except it goes all the way back to the Silver Age, which is a generally bright and happy era, and pulls directly from that version of events while also making it as bleak as possible. Like, at one point Kara finds a dead baby on the sidewalk. HE PUT A DEAD BABY IN THE SILVER AGE. HE IGNORED THE FACT THAT THIS ORIGIN IS FOUR REBOOTS OUT OF DATE IN ORDER TO PUT A DEAD BABY IN THE SILVER AGE.)
I wouldn't be nearly as angry about this book if it wasn't capping off 20 years of DC treating Kara like shit, but since she returned in 2003, they have had her try to murder Clark, had her sexually preyed on by Darkseid, implied an incestuous relationship with her father, had her be abused, made her a blood-vomit-spewing Red Lantern (an arc I actually liked because Guy Gardner as Kara's Space Dad has my whole heart, but it's part and parcel of Angry Violent Sexy Kara), had her infected by the fucking Batman Who Laughs, and more. And that's when they even bother to publish her! They refused to give her a 60th anniversary special in 2019 because "she has a TV show," even though Two-Face got a 75th anniversary special a couple years before. Fucking Two-Face!!! Kara didn't even have a regular comic for much of the run of her show, because why court an audience of millions when so many of them are icky women?
Grant Morrison said it recently and said it best (they were talking about "Superman as fascist," but I think it applies to this too):
"Why, I say, oh why, is it so hard to simply serve the concept and write the adventures of a smart, creative and kind-hearted teenage girl with superpowers?
[...]
"To undermine the fundamental appeal of superheroes like Superman and Supergirl by re-casting them as anti-heroes at best or outright monsters - dragging imaginary childhood paragons off their pedestals to reinforce a fairly facile point about the tendency of real world heroes to exhibit feet of clay, struck me and strikes me still as imaginatively lazy.
"Using kids’ adventure heroes to make hackneyed observations about typical human behaviour that does not in fact apply to made up comic book characters strikes me as – I don’t know - whimsical? Dilettantish? A squandering of energy and creativity?"
Supergirl isn't for the edgelords of the world. She isn't a tool for reiterating, yet again, that life is pointless and full of pain. She is intended to inspire little girls, and anyone who doesn't understand that has no business writing her.
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ryder616 · 3 years
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You know what really gets me about Agents of S.H.I.E.L.D. S5? How unsatisfying most of the characters' arcs are, especially in the context of a final season, which is what S5 had been written to be.
Coulson's arc is just downright depressing from start to finish. He's resigned to his fate and never tries to fight it. Watching the equivalent of a terminally ill person marching inexorably toward an inescapable death isn't my idea of entertainment. Sorry.
Daisy's is...weird. Her agency is repeatedly taken away by multiple friends and foes over the course of the season and she never really takes it back nor is she afforded any kind of closure with her offenders.
it's pretty boss how she breaks out of Kasius Sr.'s mind prison like it's just another Tuesday, but he's a minor villain with 5 minutes of screen time. Who cares?
Passing leadership to Mack, shouldering all responsibility for the team's fracturing is actually a great leadership move (ignoring the unfairness and all the other issues, not the point here), but is this really how you want to end your heroine's journey?
the choice to sacrifice Coulson should have been pivotal and super meaningful, but it doesn't feel like it because, by the time she makes it, it's do or die and Coulson half-made it for her already. The nebulous nature of what exactly breaks the loop doesn't help either.
all the conflicts with the other characters are left unresolved or are only sort of resolved (if you squint) and entirely off-screen with throwaway lines (Elena). Daisy is the character who, more than anyone, embodies the Found Family theme of the show. In the potential final season they broke half of her relationships, never fixed them and yet there are no consequences. At the end of 5x22, Daisy's still with everyone in the final "family" portrait, still with SHIELD, and heading to space to fetch Cryo!Fitz. All is well. How? When? Why?
Fitz's character is reset to the end credits of 5x05.
"Ah, but the other characters lived through it and will remember it!" Yes, well, they didn't. And, if it had been the final season as it was supposed to be, would it have mattered what the other characters would or wouldn't have remembered? They weren't going to be on screen again.
In addition, the impact of his death - possibly the most emotionally manipulative death that I have ever seen - is completely undermined:
he doesn't know that he's effectively trading his life for Mack's (and Polly's). He knows Mack is in potentially mortal danger and he's taking a personal risk to save him, but that is a done-twice-everyday-before-breakfast situation for a SHIELD agent. Wouldn't a deliberate sacrifice be more poignant, especially after everything? (also, maybe the character he sacrificed for should have been Daisy, or, alternatively, Coulson. This is fiction, not real life, after all).
It's immediately brushed away. Oh, he's dead, cry hard now but no worries! There's a spare, and without the burden of seventeen episodes worth of choices. But, he didn't miss much, did he? Unbelievable.
I don't know if May and Simmons even have what could be called an arc, tbh, but I don't think either ended up in narratively rewarding places: May gets (another!) death watch for all her troubles and Simmons is all about Fitz, again. Perpetually separated and perpetually offered a second chance. At least it's consistent, I guess.
The exceptions, to me, are Mack and Elena.
Elena suffers one whammy after another (and delivers a couple) but her story is actually compelling and very central to the proceedings. This was her first season as one of the leads, so she didn't have as much to wrap up and bring full circle as the others. She has closure with Coulson. And almost all of it carried over to the extra seasons, so bonus points there.
Mack's arc is honestly the only one that feels appropriate for a potential final season, at least as my preferences in such matters go. The guy who wanted to quit ends up in charge. That's cool.
Of course, I can't fully shake the feeling that they made him Director because they had decided Coulson would die and Daisy wouldn't be but somebody had to be in charge and they didn't know what else to do with his character. Still, it was a good place to leave him, then. It's S7 that did him wrong in my opinion, with the Fury cosplay and without giving him a truly new horizon, like it gave Daisy and FS.
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lightrises · 3 years
Text
"Only in allowing her to pass..." — Hornet, The Radiance, and the means by which Hallownest turned its victims against each other
A quick note: I read Hollow Knight as an anti-colonialist text. As such I'll be touching on topics related to colonialism as it's depicted in the world of the game, and said analysis will reflect both a sympathetic take on The Radiance and a critique of The Pale King that won't pull its punches. If this sounds up your alley, hello and thank you for the read! Let us be sad about these bugs together.
———
So!! A while back I realized something about pre-canon that felt rather... "curious" is one way to put it, I think. To wit: for all the effort and scheming and determination The Pale King poured into trying to get rid of The Radiance, neither of his plans involved directly killing her.
Was that his long game? Well, sure, that seems clear enough. His tack changed from luring the moths away from their god and creator to a more literal form of incarceration once the infection became a factor, but at its core the end goal never really changed—The Pale King very sincerely wished to destroy Radiance via obsolescence. The Seer lends us foreshadowing to confirm as much:
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[Image descriptions: Two screenshots from Hollow Knight, showing the Seer and Ghost in the Seer's alcove at the Resting Grounds. Across both screenshots, the Seer tells Ghost the following: "None of us can live forever, and so we ask those who survive to remember us. Hold something in your mind and it lives on with you, but forget it and you seal it away forever. That is the only death that matters." End description.]
(Which, by the way and given the context, talk about an extremely unsubtle allusion to cultural genocide huh!!! Whew.)
In any case, we're left with a whole bunch of machinations which build up to... well, two very roundabout attempts at committing deicide. That's kind of weird, all things considered! Why not just do the deed in one fell swoop and get it over with?
This could be for any number of reasons. Maybe the king was devoid of the means to instantly kill another higher being. Maybe his personal sense of scruples stopped him short of signing off on MURDER murder (although, y'know, the aforementioned genocide + eternal imprisonment = still cool and copasectic apparently!). Maybe the long drawn-out cruelty was the point. Maybe the idea of playing fuckign 4D chess with the circumstances was too delicious for him to pass up—that man did love to tinker and stick his claws where they sure as hell didn't belong—or maybe it was a little bit of All The Things. Who knows!!
But interrogating The Pale King's methodology on this count isn't what I'm here for, at least not really. The main reason I raise this question at all is that in her own way, Hornet did too.
"I'd urge you to take that harder path... "
See, going by The Pale King's actions and what The White Lady explicitly says, they both foresaw two outcomes wrt the infection: it can be allowed to spread, or it can be contained. At Teacher's Archives, Quirrel acknowledges the fact that Ghost is expected to do... something about this, but he doesn't elaborate on what HE thinks that's supposed to be apart from the obvious "Gotta bust into Black Egg Temple first". Hornet is the one person who presents to us—to Ghost—what's framed as a third option: confront and destroy the infection at its source.
And she doesn't bring it up like it's just another tactic for Ghost to consider, prim and indifferent to what they would do. She nudges them towards it, actively, up to the point where she throws herself into the fray against Hollow at a juncture that's uniquely dangerous to her and her alone just to make that option feasible.
Even when she's couching it in disclaimers that this is still Ghost's decision to make (and let's be fair, she's extremely not wrong about that lol), no one can pretend Hornet is unbiased. It's obvious in that buttoned-down Hornet kind of way that she is way the hell done with the increasingly tenuous stalemate that's kept Hallownest's desiccated corpse from collapsing in on itself. Personally it's hard for me not to read some Toriel Undertale-esque "My father was too entrenched in his own foolishness to pursue any course of action that would have DEFINITIVELY ended this" shade into her stance here, regardless of whether that's strictly true in canon.
And that bit—Hornet's hopes for an end to Hallownest's stasis, moreover her grim calculation of what needs to be done to get there—that's the bit I find super interesting but likewise tragic and depressing as shit, on multiple levels. In no small part because a) canon itself gestures towards Hornet feeling conflicted about the very plan she's pushing, and moreover b) she has at least two (2) damn good reasons to feel that way.
So, what do I mean by that? Let's look here first:
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[Image description: A screenshot from Hollow Knight, of Hornet and Ghost inside the Temple of the Black Egg, standing in front of the unsealed egg itself. Hornet has been struck by the Dream Nail and her dialogue is displayed as follows: "... Could it achieve that impossible thing? Should it?" End description.]
As the curtain is about to drop on things one way or another, Hornet thinks,
... Could it achieve that impossible thing? Should it?
Now, looking at that last bit it's easy to go "Oh no, Hornet's worried that Ghost won't survive killing The Radiance!" And I do think that's part of it: Hornet is, categorically, not her father. By endgame it's clear she's not content to view her Void-borne siblings as tools to be used then disposed of. She's also well aware that as a healthy autonomous Vessel amongst the countless dead, Ghost is the only person left alive who has a fighting chance against The Radiance. Knowing someone is the only qualified candidate for the job doesn't make encouraging them to embrace a probable death sentence any less of a bitter pill to swallow, though. And odds are on that this sentiment extends to Hollow too, who IS going to die no matter what happens here. To put it bluntly, it's more than reasonable to conclude that Hornet hates the absolute fuck out of this.
But I don't think that's all there is to it either. Remember what I said earlier about The Pale King's bids for genocide? Well, it's not like the man deigned to limit his efforts to just the moth tribe.
"We do not choose our mothers... "
On top of everything else—an infected Hallownest being all she's ever known, the fact that she only exists because of the infection, the list goes on—Hornet has spent her life wedged into a position that's been uncomfortable and terminally unglamorous at best: she is both a daughter of her father's kingdom and of Deepnest.
Deepnest, which like the moths and many others was here long before the wyrm and his lady wife swanned onto the scene and the God Become Bug laid claim to everything the Light touched plus a considerable amount of change. THAT Deepnest, which has fought claw and thread to retain its sovereignty against same-said settler king, and for which Herrah not only surrendered her life but also agreed to bed her worst enemy, all in hopes of securing a viable future for her people (put a pin in that last part by the way, I'll come back to it soon).
Two Worlds, One Family (Ft. An Indigenous Woman Trying Her Damndest To Work With What She's Got Versus An Imperialist Who Only Signed Up For This Because He Needed The Political Favor THAT Badly, So It's The Height Of Dysfunctional Actually). Fun times!!!!
The baggage this entails for Hornet is gnarly enough without implications made by The White Lady and the pre-canon timeline of events and even Team Cherry's dev notes that the king may well have looked at baby Hornet, gone "YOINK", then ensured she spent the lion's share of her childhood reared within the pearly auspices of his Pale Court*. That would be rather advantageous for Him Specifically after all, the potential to mold a born foe into a future ally and even have her trained in combat under the same tutelage as her doomed sibling. And far be it from him to stop a grown Hornet—his own flesh and blood too!—from making Deepnest her forever home if she so pleased. He totally wouldn't be reneging on his "fair bargain made" by doing this one simple thing until Hornet came of age, not t e c h nic c a l l y.
If that is indeed the case, there's a non-zero chance Hornet's formative years were a hot mess of cultural alienation and being a good deal more privy than most to just how much of a bastard her father could be. There's an equally non-zero chance that at some point she stood or sat within earshot as The Pale King finally, finally dropped all pretense and euphemism to name the Light for precisely what (for who) it was.
See, in conjunction with the question that started this whole dang train of thought I've been asking this one too: Does Hornet know? When she speaks of confronting "the heart of [the] infection" does she know she's talking about not just a literal person but someone very specific? The Radiance, who god though she may be shares skin in the game alongside Hornet as a native woman screwed over by the same settler king, likewise deprived of her kin and saddled with a life gone horrendously pear-shaped?
I'll assume for the sake of exploring the possibility and because I think it's a likely one anyway that yes, Hornet does know. She knows, and despite everything can't help empathizing. She might even look at Radiance and see bits and pieces both reflected and slightly inversed in her own mother: Radiance was forced to the sidelines while her people—her children, the brood she was meant to lead and care for—died out under The Pale King's rule, and it's no stretch to assume she's at least as upset about that as she has been about everything else; Herrah too took drastic measures for her people's sake, trying to head off annihilation by relegating herself to the sidelines in an act that was as much calculated risk as an attempt to find wiggle room and leverage in the face of a nasty proposition.
A calculated risk that, if things continue as they are, might well amount to nothing as the rest of Deepnest gets eaten alive by the infection. It survived The Pale King's advances for so so long, only to fall here. Herrah's sacrifice would be for naught; the other tribes—themselves the king's victims—would keep succumbing to the infection too.
And this is where things fall apart.
"... or the circumstance into which we are born."
Let's be clear: I think Hornet is wise enough to know what's what here, that all the carnage and suffering falls on her father's head for starting this slow-motion trainwreck in the first place. Hallownest wasn't always Hallownest. This domain was Radiance's home first, along with many others. It was the worm-turned-king who rolled up on the scene unsolicited and decided this was a ""'problem""" that had to be """solved""".
But the fact of the matter is that he's gone and The Radiance is here, raging, seemingly inconsolable. Above and beyond being Deepnest's rightful heir, Hornet isn't in a position to countenance more splash damage even if the grief and fury fueling it makes perfect sense. She can understand without ever bringing herself to love Radiance, and she can bend her knee to practicality even if she hates the everloving shit out of it because the fact that it "has" to end this way isn't fair.
This lends itself to one last awful conclusion: that Hornet has probably considered and (rightly or wrongly) discarded the possibility that Radiance can be saved, at least not without dragging more collateral along for the ride. If even her mother and every other enemy to the king seemed to dismiss talking Radiance down as an option way back when... well. Why should Hornet hope for any better after things have escalated so far?
Again, it's practical. A practical net good is what Hornet strives for. And again, it fucking sucks.
For extra tragedy points, this makes Hornet's extended crypticness around Ghost followed by her last minute casting about for a reason to tell them "Wait, don't; not just yet" that she never voices even more of a gut punch. She can't bring herself to burden Ghost with the context that haunts her so, least of all when it might weaken their resolve to go through with what (she thinks) needs doing.
It's the "same song, different verse" which led to the mantis tribe and Deepnest being pitted against each other: Hallownest rigged the game so that two women who could have been powerful allies—who have a mutual vested interest in driving out settler rule—wound up poised as enemies instead. And how awful is that? The king for all his being extremely fucking dead still gets the last laugh, because outside of a miracle the game never manifests Hornet can salvage what her mother started and look forward to a future where Deepnest pulls itself back from the brink if and only if The Radiance dies.
Resolution comes at the price of a completed genocide. Add two more dead siblings to the unconscionable pile thereof, while we're at it. That's what it boils down to whether or not Hornet can bear to articulate it as such, and there's no grace or even a properly bittersweet ending to wring from this clusterfuck. And that is rough.
———
* This has been better explained elsewhere, but a quick rundown: The White Lady tells Ghost that Hornet and Herrah "were permitted little time together." On its surface this can be taken to mean that Hornet was still very young when Herrah was shipped off to Eternal Dreamland—except this doesn't jive with the fact that we meet Hornet as an adult. If the stasis kicked in once the Dreamers went to their rest, which in turn halted the aging process for every living bug in Hallownest, AND before all this Hornet experienced little by the way of quality time with her birth mother... I think you can see where I'm going with this.
To top it off we've got Team Cherry weighing in ominously from their dev notes on Herrah: "As part of the agreement for her alliance and her role as a dreamer, King gave her a child (Hornet). Was she allowed to keep this child or was she taken away?" This isn't confirmation by itself of course, but given additional canon details (see above): Can I get a "yikes" in the chat fellas.
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cryptke · 2 years
Note
heyy,
it's been a while i feel like. though, time has been weird as of late, it's been moving way too fast and i feel like i can't keep up at all lol
how's life going? did the apartment ever work out?
on another note, I'm utterly in love with »After« and the way you portrayed bucky in it, his thoughts and the general awkwardness that comes with it. the entire thing felt so in-character, and i loved how blunt and straight-forward the reader was, super refreshing to read. you literally find the perfect blend of words every time, and I'm amazed. deadass, if i could eat it and keep the words close to my heart, i would.
also, i finally finished reading tender is the flesh after like half a millennia, no idea why the second half took me so long, but oh boy do i have thoughts. one of the best books I've ever read, but at the same time it's almost repulsive, and every time you think it can't get any worse, it gets worse. the scene where he came to that butcher lady... what was her name... Spanel i think it was, and he fucked her in that cooler room - whole thing felt like a fever dream. there's so much internal conflict within the entire narrative, but at the same time establishes these strict rules that make you feel like a criminal in Marcus' stead, when he impregnated the female head and kept her inside... i felt seriously stressed when the inspector swung by. i absolutely loved how the zoo kind of meanders through the entire book as a recurring theme (never wanted to smack the shit out of a couple of teenage boys so badly...), especially with the parallels to his father and the birds, it made the book feel entire pounds heavier than before. also, that sister was an absolute bitch (so were those vicious offsprings of hers), but at the same time there was a sort of understanding as to why she acts the way she does. in general, descriptions of any sorts were bone chilling, especially with Urlet. the ending itself was kind of shocking, did not expect that at all, it felt kind of dehumanizing, but i was kinda glad at the same time cuz at least he doesn't incriminate himself any more now - was still very torn as to how to feel about it lol
so many thoughts and feelings about this book, but i told myself not to write an entire essay on it this time, which i did again, I'm so sorry - thank u so much for the recommendation tho
i hope life treats you well, and I'm sending you all the best! ❤️
helloo lovepuppy
LOL, funny story but i've actually been living out of a motel. dean winchester isn't next door, unfortunately, though it does rain a lot and i'm open to the existence of demons
the ending of that book fucked me up the first time i consumed it. like literally exited the pdf in dead silence and stared at a wall. i think it sort of lulls you into a false sense of intimacy (security) in that you're nearly getting the impression of marcos being defined as being a "good" guy with the breakthrough perspective/he's an already broken man who's changed morally by "affection" and "companionship" and then you turn to the last page and the narrative is completely reverted to being a parallel of the same barbaric mindset the rest of society has been acclimated to. dehumanizing is a really good way to put it.
thank you so much for reading "after" :) i really liked writing it. it's very cathartic to drum up that clinical angst i like to incorporate without it making the entire fic prominently depressing. oh to see the world through the eyes of a 1940's soldier boy gone indoctrinated assassin. fanfiction bucky is legitimately the only media form of bucky that exists to me
LOVE YOU, miss you, always makes my week to hear from you! come over some time and listen to the rain
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Conversation
Oh, Incorrect Quotes Generator
-
Alana: Anyone d-
Connor: Depressed?
Jared: Drained?
Evan: Dumb?
Alana: -done with their work... what is wrong with you people...
-
This one's a bit more?? Um?? Non-kid friendly TTvTT
Zoe: Guys, is having a penis fun?
Connor: It has its ups and downs.
Evan: It's gets a little hard sometimes.
Jared: IT'S A PAIN IN THE ASS!
Zoe: Jesus fuck, you guys.
-
Evan: You're a loose cannon, Jared.
Jared: No, I'm not. I'm a cannon, maybe. But a loose cannon? Is that what you think of me?
Alana: I think you play by your own rules.
Zoe: No way, he thinks rules were meant to be broken.
Evan: Those are all attributes of a loose cannon.
Jared: No, I'm just a reckless renegade. Connor is the real loose cannon.
Connor: *Smashes a chair*
-
Evan, trying to convince Connor to join the group: You know... I just thought it'd be good to have someone to come along who's... strong!
Alana: And loud!
Zoe: And grumpy!
Jared: And oblivious to reality!
Connor:
-
Alana: What did you guys get in your yearbooks?
Zoe: 'Prettiest smile!' :)
Evan: 'Nicest personality!' :)
Jared: 'Most likely to start a bar fight.'
Connor: 'Least likely to start a bar fight, but most likely to win one.'
-
Zoe: Bridge the generation gap by combining old and new slang into one!
Evan: Tubular AF!
Alana: Mood to the max!
Connor, annoyed: Groovy, I hate it.
Jared, just as annoyed: If she breathes she's a square.
-
Evan: You KIDNAPPED Connor?! That's illegal!!
Jared: But Evan, what's more illegal? Briefly inconveniencing Connor, or destroying our dreams?
Evan: Kidnapping Connor, Jared!!
Zoe: Evan, listen, whatever I may think of you right now- these people need you to inspire them!
Evan: What, to KIDNAP PEOPLE?!?!
Zoe: To work together!
Evan: TO KIDNAP PEOPLE!?!?
Jared: Evan, I thought we both agreed, a stoner is not a people.
-
Alana: Evan, stop! This isn't you! You've gone mad with power!
Evan: Well, of course I have.
Evan: Have you ever tried going mad without power?
Evan: It's boring.
-
Evan: .. .----. -- / ... --- .-. .-. -.--
Jared: What was that??
Evan: Remorse code.
Jared: I'm even angrier at you now.
-
Connor, high off his ass: I'm at least 10 times funnier and sexier than you.
Evan: But 10 times 0 is just 0.
Zoe: Then I guess the jokes on you, because he can't do math.
-
Jared: I can explain.
Evan: Can you?
Jared: If you give me 30 seconds to think of a lie.
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Jared: If you were to vacuum up jello, it'd make a neat noise.
Evan: I beg to differ.
Jared: Then beg.
-
Jared: This is such a bad idea.
Evan: Then why are you coming along?
Jared: One of us needs to be able to talk the cops out of arresting us when this all goes terribly wrong.
-
Connor: *Accidentally hits Jared in the face*
Connor: *Can't decide between saying 'I'm fucking sorry', and 'Are you okay'*
Connor: ARE YOU FUCKING SORRY??
Evan: What is wrong with you?!
-
Evan: This is bothering me.
Jared: Well, you are digging up a corpse.
Evan: No, not that. That's, uh, pretty par for the course, actually.
-
Jared: You're the love of my life, and my best friend. I would do anything for you.
Evan: I want you to eat three meals a day and have a decent sleep schedule.
Jared: Absolutely not.
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Jared: I was arrested for being too cool.
Connor: The charges were dropped due to lack of supporting evidence.
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Jared: Name a more iconic duo than my crippling fear of abandonment and my anxiety. I'll wait.
Evan: You and me.
Jared, tearing up: Okay.
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Jared: God, give me patience.
Connor: I think you mean strength.
Jared: If God gave me strength, then you'd be double dead.
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Connor: I prevented a murder today.
Alana: Really? How did you do that?
Connor: Self control.
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Jared: I am not out of control! I am a law abiding citizen!
Evan: Name one law.
Jared: Don't kill people?
Evan: That one's on me. I set the bar too low.
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Alana: Whaddaya call a fish with no eye?
Jared, not looking up from his phone: Myxine Circifrons.
Alana:
Alana: A fsh
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Evan: I turned out perfectly fine!
Zoe: This morning you thought a ghost made your toast!
Evan: I DIDN'T PUT THE BREAD IN, Y O U DIDN'T PUT THE BREAD IN-
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Jared: WHAT'S YOUR TYPE
Evan: Anything, honestly. But nerds especially.
Jared, desperately as Evan bleeds out: YOUR B L O O D TYPE
Evan: Oh! B positive.
Jared: DON'T TRY TO CHEER ME UP, JUST TELL ME YOUR BLOOD TYPE
Evan:
-
Evan: It's dark in here...
Jared: Don't worry dude, I've got this
Jared: *Stomps his foot on the ground*
Jared: *Heelies light up*
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Evan: Treat spiders the way YOU want to be treated!
Jared: Killed without hesitation.
Alana & Evan, simultaneously: nO-
-
Miguel: Let's watch Sharkboy and Lavagirl.
Connor: Okay?
Miguel: And make out during the scary parts.
Connor: The-
Connor: The scary parts-
Connor: Of Sharkboy and Lavagirl?
-
Evan: Can you PLEASE be serious for 5 minutes??
Jared: My record is 4, but I think I can do it.
-
Evan: So that's my plan.
Jared: Are you fine with constructive criticism? I don't want to sound mean.
Evan: Sure, go ahead.
Jared: It fucking sucks.
Evan: That's not constructive criticism.
-
Jared: Fuck.
Alana: We've got to work on your cursing.
Jared: Why? I'm pretty good at cursing already.
-
Connor: Lol heads up if you try to make a candle with food coloring, the food coloring will just sink to the bottom of the glass, and when the flame eventually reaches the bottom all the food coloring will catch fire and become one giant tall flame that you cannot possibly blow out and the glass will start to crack and then you'll throw your tea on it in a panic and then the extremely hot food coloring will boil and sizzle horribly and then the glass will shatter. Please take my word on this lmfao
Evan: What did you do-?
Connor: A MISTAKE-
-
Larry, with his back turned: I've been expecting you.
Connor: How did you do that without turning around?
Larry: I'm gonna be honest, the first couple of people I did that to were not you.
-
Evan: How petty can you get??
Jared: I once edited a Wikipedia article to win an argument I was wrong about.
-
Jared: Today is a day of running through hurdles.
Alana: Aren't you supposed to jump OVER hurdles?
Jared: Whatever. Fear is only something to be afraid of if you let it scare you.
-
Jared: May I sit there?
Evan: That's my lap.
Jared: That doesn't answer my question, Evan.
-
Jared: So.. are we flirting right now?
Connor: I'm LITERALLY stabbing you.
Jared:
Jared: That does not answer the question
-
Aftermath of the last one- lmfao-
Evan: I'm begging you, please go to the hospital-
Jared: Oh, i'm sorry, is this OUR stab wound? Stay out of it.
-
Jared: Do you have any skeletons in your closet?
Connor: Do you mean literally or figuratively?
Jared: The fact that I have to specify...
-
Evan: Jail is no fun. I'll tell you that much.
Connor: Oh, you've been?
Evan: Once. In Monopoly.
-
Evan: Your right.
Jared: That's... an unusual phrase for you. Did you just learn it?
-
Jared: Petition to remove the 'd' from Wednesday.
Connor, high: Wednesay.
Jared: Not what I had in mind, but i'm flexible.
-
Alana: Man.. I only ever see you awake. Don't you ever shut down or stop running?
Jared: Oh, i'm always running.
Jared: The question is from what.
-
Evan: Top 30 reasons why Evan is super sorry! ..Number 5 might surprise you!
Jared: Top 30 anime deaths. Number One: YOUR FUCKING ASS RIGHT NOW!!
5 notes · View notes
jpat82 · 5 years
Text
Secret World
Chapter 9
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     "Hey Echo!" He called out, waving his hand in the air even though I had already seen him. I sped up a bit, throwing a casual glance over my shoulder toward the car only to see Happy shaking his head as he pulled away.
    "Hey Peter." I smiled back and stopped as I got closer. "How was school?"
    "Meh, it was school. You know how that goes." He shrugged as I followed him away from the building down the street. "How was the rest your of night?"
    "Actually, that was the most sleep I've gotten in a couple years." I chuckled softly, looking down at the ground.
    "Seriously?" He asked taken back as the both we walked on the sidewalk, the exhaust from cars passing us lingering in the air.
    "Yeah, I've been on my own for a while." I admitted, I could feel my heart slowly started to speed up. I crossed my arms in front of my chest out of instinct.
     "Really? Like what did you do?" He asked, looking over at me. I bit my bottom lip, trying even think of where to start. "You know what?"
    Suddenly he darted in front of me, causing me to abruptly stop so I didn't walk into him. I stared at him as he grinned at me, he had his thumbs under the straps of his backpack giving him almost a comical look.
     "Let's go have fun, we can go an arcade or movie.. or we can just walk around. Whatever you want." He beamed, I couldn't help but smile back.
    "Peter, I don't have any money. And the idea of movie where it's dark doesn't exactly thrill me." I replied with a sigh, he gave a small shake of his head as he pull one hand away from his backpack and held it up.
     "I have some money, and as I said I know an arcade. We can play some games, and just hang out." He told me. "So what do you say?"
    I bit on my lip trying not to grin, it had been years since I had had a care free day. One that wasn't interrupted by the thought of the shadow creatures or running from people. At least here nobody knew me, here I had someone that maybe I could rely on. I nodded my head to him and watched his smile grow.
     "Arcade it is." He hooked his head and stepped off to the side.
    We wound through the streets, Peter talked about the various studies he was going through. The kid was smart, hella smart. Making me feel kind of left out on the things I missed having been pulled out of school when I was. The fact I never actually made it to high school.
Peter was very animated as he talked, his face always so full expression.
"So, I have a question." I spoke up, his eyes wide as he walked backwards in front me.
"What's up?" He replied.
"So that first day, the one where you found me in the street." I started, braving myself to put myself out there a bit more.
"You mean the one where you called me Spiderling." He nodded.
"I looked up the snap, as I'm sure you could tell. Are you the guy they called Spider-Man in the news reports?" I asked, I could see the neon sign behind him that shouted movies and arcade.
"Don't tell anybody." He quickly stated, stopping in his tracts.
"Peter, who exactly am I going to tell? The people I stayed with last night? I'm sure they know, am I right?" I replied.
"Okay, maybe you have a point. But, I mean, if you run into anybody you know." He winked and gave me a nudge as we crossed the street.
    "Ha ha, web boy." I shot back, following him inside.
     "So, all joking aside, what was your world like?" He asked, we walked around the arcade, kids loitered about, the dings and music of the games played over the music coming out of the speakers. The lights were slightly dimmer but it wasn't dark inside.
     "Depressing. There was war everywhere for the most part, I guess not to much different from here. Besides there isn't any aliens or robots to blame it on. Super hero's don't exist, I wish they did." I shook my head as he dropped some change into a pin ball machine, he offered to let me play first by motioning. "Let me see how it works."
     "You don't know how to play pin ball?" He asked, his eyes widening again and he purposely dropped his jar lower.
     "Never had a chance. I've been on the run for the last four years." I shrugged.
     "Alright, you watch me, and tell me more about your world. Then you try? Deal?" He stuck his hand out, I took and shook it.
    "Deal." I replied, watching as the ball rolled into place.
    "So can I ask though why you've been on the run the last four years?" He asked, his eyes glued downward as he pulled a leveler back and let go causing the ball to shoot forward.
     "Well, it’s cause I can see things. Like I told you, but also.. I see creatures, these things in the shadows. My mom couldn't raise me because she didn't know how to deal with it so after sending me to mental institutions she sent me to live with my Aunt and Uncle." I told him, watching as he hit the buttons on the side, causing the little paddles inside the machine to flip any time the ball came near. "She was awesome, she was the one to give me the name Echo. Unfortunately late one night, someone shot her, the P.D. said it was a mugging gone wrong but I just couldn't deal with it."
     "I'm sorry Echo, the same kind of thing happened to my uncle." Peter replied, his words were sincere, as he continued to watched what he was doing.
    "It was about that time word got around school, and the some guys from the government showed up at our apartment. They talked my Uncle into me going with them, and they ran a bunch of tests on me. Late one night, I had just about had it." I tried to explain, trying not delve to far into the past where it hurt. "I had been screaming in the metal room they locked me in, and went to test the door knob and it was unlocked. It was weird, the entire hall was empty and dark, it's the only time I didn't the shadow creatures but I didn't wait around."
     By this point Peters game had stopped and he was leaning his hip against the machine and just listened to me. Nodding while I spoke.
    "I took off, got a prepaid debt card, panhandled, did some illegal stuff, like opening cards in others peoples names. Did everything I could to stay alive. I was squatting in a house for a bit, but.." I shrugged, I took a deep breath as I looked around. He stepped to the side, grabbing my arm and pulled me toward the machine.
“Let me just say, if aliens wind up implanting eggs in my chest or something and I eat one of you, I'm sorry." I heard his voice crystal clear even though his lips weren’t moving. Peter raised his eye brow as I must’ve made a face.
“I don't want another single pop culture reference out of you for the rest of the trip. You understand?" I recognized the voice as the one that said Spiderling before.
“I'm trying to say that something is coming.”
“Seriously, you made a reference to Aliens?” I asked chuckling as I stared at him.
“What?” He asked genuinely confused.
“You were talking about eggs implanting in your chest.” I giggled even harder. “I gotta know what brought that on.”
“Oh, when I was on a spaceship in space.” He replied dead serious as he moved behind me to the other side. “Me and Mr Stark and a bunch of other guys were fighting aliens on their ship or donut, whatever it was.”
“That must of been intense.” I replied looking at him wide eyed.
“Dude, this alien kind of looked like Squidard, and he could make these crystal like knife things and move things with his mind. We ended up cutting a hole in the side of the ship like in that movie and sucked him out.” He told me excitedly, I just stared in wide eyed confusion.
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spring-lion · 7 years
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Yoongi used to be my ult bias, too! Now, he's just in a special place in my heart. I realized that there are many different ways to love a person, and that's why I don't think much about if I consider him my bias or not. Oh and, isn't that a Studio Ghibli film? I'll watch it this week and I'll tell you my impressions!! And it's super nice that you have a versatile taste in music, too! If you want, you could recommend me some groups or artists ♡ I like a lot of styles as well, and +
+ even though I love softer, ballad-y songs, I usually prefer more hip-hop or hard-hitting songs, hehe >
+ because Heather represented my mental state back a lot of years ago. She was sad, weak and had a lot of problems, just like me. I even chose Heather as my Internet name, and I used it for years but because it held a lot of bad memories I eventually dropped it. Heather represents the dark, blue part of myself. The sad, depressive and scared one. Daryl Dixon remembers me of my father more than me, but looking deeper into his character, he has a lot of characteristics that are the same as mine. +
+ Daryl (at first) looks like he doesn’t care. He’s rude and arrogant, but if you know how to see him well, you can see that he’s not actually like that. He cares, and he shows it silently, without anyone noticing. I think I’m like that too, I’m not usually rude but I don’t show my care or love saying “i love you” but rather doing things to help people or just because, you know? Idk if i expressed well myself. He also had a rough past, and though mine is not as bad as his, I had +
+ a pretty bad one too, and I understand him and some of his traumas and insecurities, because I have them too. Also, he’s a quiet, observer guy, and I am too. Even though people that doesn’t know him well can’t see his way of showing he cares, he on the other side can see that in people, and I think I’m like that, too. Idk, I love Daryl so much and I relate to him a lot, too. Plus, I love bows and he loves his crossbow, and I love motorbykes and he had one of my fav models so, hehe. +
My lovely anonie, I’m sorry but I was only able to receive those messages above ;_____; Maybe you can tell me the rest and I cold get your question later? :/
Yea, I definitely agree with you that there are so many different ways to love people! And that every relationship you have with every person is very different, but beautiful all the same. :)And that film isn’t Studio Ghibli film, it was actually produced by an anime studio called Brian’s Base! It’s super good, and I’m excited to hear what you think! ^.^
Oh my goodness for music other than kpop, I definitely recommend Shawn Mendez (Mercy, Stitches) and James Arthur (Is This Love, Say You Won’t Let Go)  … I think these songs/artists really define my taste right now, haha. You could recommend me some of your’s too!
And thank you so much for sharing the three characters you would define yourself as! I for one truly believe that the characters we are drawn to, we are drawn to for a reason in that they reveal to us a part of ourselves, and they become a part of us as well. :)I’m sorry that I wasn’t able to get your whole answer though >.
I guess I’ll end with another question for you: what was your favorite subject in school, and why?
Have a wonderful day, my lovely anonie! ^.^
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