“Abundance” by Amy Schmidt, published in Rattle
January 20, 2019
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A Palestinian couple celebrate after their wedding ceremony as part of a protest against Israel’s separation wall. Photographed by Muhammed Muheisen on July 14, 2006 at the village of Bil'in, near the West Bank town of Ramallah. © Keystone SDA.
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grief by Barbara Crooker
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“My friends are cyborgs, but that’s okay” is a mockumentary project made to imagine a world where Asian bodies navigate as cyborgs in a hegemonic human society. It explores the complex state of being cyborgs and asian — fluid, transgressive, marginalized but also stereotyped as unemotional and inhuman.
In A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century, Donna Haraway once suggested that “'women of color' might be understood as a cyborg identity, a potent subjectivity synthesized from fusions of outsider identities''. Cyborg myth for Haraway is about “transgressed boundaries, potent fusions, and dangerous possibilities which progressive people might explore as one part of needed political work”.
Asian bodies especially, in the media and in general are often seen as robotic, intelligent but less human. Different from Orientalism, the Techno-Orientalism found in many speculative fiction films and books, such as Blade Runner, imagines the future to be hypo technological cities resembling Tokyo, Hong Kong, and Shanghai, and sexualized, dehumanized asian looking cyborgs. The series is an attempt to create a narrative of cyborgs of our own: My friends are cyborgs, but that’s okay. It is to envision a change of the prevalent binary view, reconstructing the boundaries of daily life and to create a dangerously happy ever after posthuman world for cyborgs.
so enamored by this photo project by ramona jingru wang
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Miyuta Komachi
こまちみゆた
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what are we, some kinda bottoms (2023 dir. emma seligman)?
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id rather you have cringy but honest interests than try and act like everything youve ever loved was in an ironic way cause you think that love for simple or useless or silly things is beneath you . pathetic! embrace existence with both hands coward
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Penang, Malaysia by kevouthere
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"Growing Around Grief"
Lois Tonkin, 1996
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IN A WORLD WHERE BEAUTY AND ATTRACTIVENESS HAVE BECOME SO COMMONPLACE AND MUNDANE THE EXCEPTIONAL UGLINESS HAS BECOME DIVINE
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I took this picture at my old house at least 8 years ago when we were about to leave to the store and someone had backed up a couple times and made these perfect two hearts and my mom stopped the car before driving over them so I could take a picture and I dont know how you could ever do that again if you tried but this is one of the most important photos to me I have ever taken
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