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lee-em-dee · 5 years

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A Season 6 Bellarke Recap [a.k.a. the Receipts]

Before the finale airs, I thought we were due for a recap of some of the major B/C moments of Season 6, episode by episode.

6x01 “Sanctum”

[a.k.a. “It’s not crazy.”]

This felt like such a turning point for Bellarke, particularly on Bellamy’s end, because you can finally see him starting to fill in the blanks of their relationship. Clarke is so tentative and reticent about addressing the radio calls. Bellamy recognizes her vulnerability, understands the significance of this admission. And by assuring her “it’s not crazy” that she depended on him for six years, he reveals that he relied on her memory just as much, thus affirming the strength and stability of their relationship. Devotion is the name of the game.

6x02 “Red Sun Rising”

[a.k.a. “I don’t need you anymore.” + “This time, you die. Not me.”]

Talk about Foreshadowing™. This episode allowed audiences to get into the heads of each character (sans body snatching) and fully grasp what it is that drives/haunts them. Case in point, during Bellamy’s red sun psychotic episode, his compulsive need to protect and save his people is underscored, as is his deep-seated fear of being abandoned by/losing Clarke. This illustrates how, to a certain extent, Bellamy is terrified of how much he depends upon Clarke, knowing fully well the toll her death took on him for the past six years.

6x03 “The Children of Gabriel”

[a.k.a. “She is. She can speak for us.” + “We’ll bring Madi back. I promise.”]

Though the two are separated for the majority of this episode, Bellamy and Clarke’s “Together” partnership and co-leading dynamic are back in full force. Theirs is a relationship built on trust and mutual respect, a fact made very apparent when Bellamy doesn’t hesitate to allow Clarke to unilaterally conduct diplomatic affairs in Sanctum while he reconnects with their people. Likewise, Clarke entrusts the safety of her daughter to Bellamy in spite of the calamitous series of events that transpired in Season 5. It’s truly a redressal of S5, and it establishes how a relationship as profound as theirs is only strengthened by past disputes, betrayals, and grievances.

6x04 “The Face Behind the Glass”

[a.k.a. “You’re my family, too.” + “You’re too important to me.”]

I found this moment particularly significant when juxtaposed with the B/C dynamic in Season 2. Clarke’s “You’re too important to me” is very reminiscent of her S2 “I can’t lose you, too,” only this time around Clarke doesn’t attempt to diminish Bellamy’s value to her and, instead, recognizes that her love for him is a strength, not a weakness. She conveys to him how deeply she regrets abandoning him at the pits (much like her abandonment of him at the gates of Arkadia in S2), vowing to never lose sight of the fact that he is and always will be family to her.

6x05 “The Gospel of Josephine”

[a.k.a. “How are we on different sides of this?”+ “Who are you?”]

The strength of B/C’s relationship is even further bolstered with Josephine acting as a foil character to Clarke. Bellamy and Clarke know and understand each other so well, and her absence is glaringly obvious to Bellamy when he recognizes how uncharacteristically out-of-sync they are. He is the first and only person to have figured out that Clarke had been bodysnatched purely from knowing who she is as a person—her mannerisms, the way she speaks, the way she thinks, the things she values most (the same cannot be said of her own mother, but c’est la vie).

6x06 “Memento Mori”

[a.k.a. “...the hardest decision of his life: he will not take revenge.”]

Bellamy reveals the depth of his love for Clarke not by being consumed with his desire to exact revenge on her murderers, but rather by pushing aside his rage and grief in order to honor her. His inconsolable, bereaved, emotionally volatile state screams at him to perpetuate the cycle of war and violence, yet he overrrides his natural bloodthirsty instincts, all for Clarke. Bellamy is a fighter, and him choosing not to fight to preserve Clarke’s legacy is precisely why his love for her must be true and abiding—a love that stands the test of time and transcends death.

6x07 “Nevermind”

[a.k.a. “You’re too afraid to face him.” + “I’ll take your deal.” vs. “We’re gonna get her back.”]

The noticeable absence of Bellamy in Clarke’s mindspace (save for the drawings of him on her cell walls) is very weighty, especially when accompanied by Mindspace Blodreina’s spiel about Clarke‘s subconscious being unable to conjure Bellamy up due to fear. Fear that he will always resent her for her mistakes, fear that he views her as a selfish monster. It’s evident that Clarke values Bellamy’s perception of her to an unparalleled degree. Pieces of him are scattered throughout her mindspace (notice how a sketch of him is hanging in the area of her mindspace that symbolizes home, happiness, security, and family). He is literally ingrained in her head. This makes her decision to sacrifice herself to Josephine all the more meaningful. It is only when Clarke assumes Bellamy had given up on her without a second thought that she, herself, gives up. What she doesn’t get to see is how devastated he had been by her death and how determined he is to get her back when he discovers she’s still alive.

6x08 “The Old Man and the Anomaly”

[a.k.a. “You only care about Clarke.” ATTA BOY, JORDAN]

Bellamy is a man on a mission, and he’ll stop at nothing to save Clarke, regardless of the fact that doing so potentially endangers his people and their prospects for peace. While it’s inaccurate to suggest that Bellamy “only [cares] about Clarke,” you cannot deny that in this precarious situation she takes priority above all else. Saving Clarke is more important to Bellamy than ensuring that the peace deal for his people is fleshed out without a hitch. “He’d do anything for her. To protect her. Just makes sense.” Yet another S2 parallel. Bellamy will do whatever it takes to bring Clarke back, consequences by damned. If that entails leaving his people to fend for themselves, then so be it.

6x09 “What You Take With You”

[a.k.a. “Your people are in trouble. I guess you care about her more.” + “Now that’s a weird relationship, isn’t it?” + “I won’t let you die.” + “I’m not leaving you.”]

This episode was truly an ode to the history between Bellamy and Clarke—a complex history characterized by its highs and lows, by reconciliation and betrayal—but a history of devotion, nonetheless. Bellamy’s interactions with Josephine are enlightening, to say the least. The clinical way she breaks down the complicated relationship between Bellamy and Clarke is not only a testament to who she is as a person (i.e. a psychopath) but also to how deeply B/C must care for each other. In spite of everything that’s happened between them, their love and devotion to one another remains. Josephine leaves no stone unturned when it comes to recounting the bad and the ugly aspects of Bellamy and Clarke’s relationship, yet she redacts all of the good (those deep, intimate, emotional moments must be difficult to comprehend through the eyes of a psychopath). Everything about this episode—from Bellamy’s heartfelt “I won’t let you die,” to the terror and desperation in his eyes when J!Clarke is on the chopping block, to Clarke’s adamant “I’m not leaving you”—affirms that their bond is unbreakable.

6x10 “Matryoshka”

[a.k.a. THAT SCENE]

It takes real acting chops to simultaneously rip my heart in half and stitch it back together, yet, within the span of two measly minutes, Bob Morley accomplished the feat seamlessly. When Bellamy is confronted with the reality that Clarke is dead on that operating table, his greatest fears in 6x02 paradoxically come alive before his very own eyes. “I’m not losing her again.” “I need you.” “I’m not letting you go.” The shift from denial to desperation to devastation is as breathtaking as it is heart-breaking to watch. Speaking of the heart, what elevated the CPR scene to a caliber rivaling that of poetic cinema was its overt symbolism. Bellamy is Clarke’s heart. Clarke is Bellamy’s heart. When she’s trapped in her own head, it’s Bellamy’s voice that brings her back and jumpstarts her fighter instincts. When her heart’s stopped beating, he pumps it for her. He’s begging for her to come back to him because she is his touchstone, his other half. “The heart and the head.” “The head and the heart.” In other words, we belong Together. In other words, I love you, and I don’t want to live without you.

6x11 “Ashes to Ashes”

[a.k.a. “You saved me.” “So how do we save everyone that I left behind?” + “For Monty.” “For Monty.”]

The guilt sets in for Bellamy as he begins to think about the potential repercussions of his actions. Leaving everything behind to save Clarke was purely a heart move, and now that he’s got Clarke back, his head is starting to punish itself for shutting down and abandoning his people. Bellamy is off kilter and guilt-ridden. His plans for a peace deal fell apart, and he’s terrified that he won’t be able to protect his people just as he had failed to protect Clarke before (a 6x02 callback). Now, more than ever, it’s evident that Bellamy relies on Clarke to center him. She is his voice of reason, the head to his heart—a heart that, in a lot of ways, beats for her, as evidenced by his adamant refusal to allow her to jeopardize her life by acting as the inside man. Objectively, he knows her plan is the smart play and the only way to ensure that they “do better” per Monty’s charge, but he can’t risk losing her again. Bellamy eventually conceding to her plan illustrates how ideologically-attuned they are now. They’ve never been more Together, and, above all else, they uphold faith in each other.

6x12 “Adjustment Protocol”

[a.k.a. “I left them.” + “What took you so long?”]

Though this was definitely more of a fast-paced, plot-driven episode, the flashes of Bellarke peppered throughout are very telling, teeing up a major emotional moment for them in 6x13. While waiting for Clarke to shut down the shield, Bellamy is once again plagued by guilt for leaving his people behind without a second thought. Octavia’s verbal consolations do little to ease his mind, which goes to show how tormented he is by his actions. He genuinely believes dropping everything to save Clarke was a selfish decision on his part because he couldn’t bear to live without her. It wasn’t so much about Clarke needing Bellamy than it was about Bellamy needing Clarke.

He needs her. Not just as a co-leader, not just as a partner. Bellamy needs Clarke. His person. Never mind that his people may need him. If Clarke’s in trouble, he’ll go through hell and back to save her.

Pivot to the Becho reunion. Bellamy’s just been reunited with his girlfriend, the person he’d entrusted to protect his people while he went off to galavant around the woods with J!Clarke. The pure relief on his face upon being reassured that Echo okay is apparent. He left her behind, she was in trouble, but now she’s okay. He’s comforted by her presence in the same way that he’s comforted by the knowledge that a member of his family is safe.

But that look on Bellamy’s face when his eyes meet Clarke’s and everything around them seems to melt away? That’s more than relief. That’s yearning. That’s devotion. That’s “You came through. I knew you would.” That’s love.

#bellarke #the 100 #bellamy x clarke #analysis #season 6 recap #mine*

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laufire · 5 years

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ENDGAME

Okay. I definitely won’t be able to sleep today, so I might as well pour out all my Endgame feelings right now.

First thing first, I was probably in the WORST POSSIBLE HEADSPACE to watch this film; national elections where fascists could take over Congress (spoiler alert, they didn’t. I literally just cried with relief for over ten minutes) AND being extremely concerned about characters you over-identify with on the same day, all after the worst year of your life, apparently don’t mix well. Who would have thunk.

(btw, I was spoiled as I was voting about That Very Big Thing; everyone who follows me probably can guess what I’m talking about. I almost threw hands tbh. Then almost cried over a dozen times on the way to the theatre because the stress of the day was killing me ugh).

All this to say, my head is a mess right now, I don’t even know if this post is going to make any sense, and I will probably take time to process certain things and have a definite opinion on them LOL. But well, here is now.

And err. Warning for a brief mention of suicide ideation?

(crossposted to dreamwidth, livejournal, and pillowfort)

TONY (& CO)

– In case it wasn’t obvious, the thing I was spoiled about? Yeah, it was Tony’s death. FML. I mean, even if I wasn’t spoiled, I would’ve seen it coming as soon as we saw him after the five years jump, lbr (happily off-screen married to Pepper? With an adorable daughter? Pepper resigned to the possibility of losing him instead of begging him to stay like in IW? And then the movie kept hammering it home LMAO; that and a lot of things for the mains that I kind of saw coming from less than a third into the movie, which IDK if it’s because I was particularly intuitive, or the foreshadowing was that heavy handed xD).

Obviously, I’m not rocking your world if I tell you I’m extremely heartbroken, I guess. Especially because, as I said, my emotions were already all over the place. And seeing a character I adore, and in who I project a lot of my issues on –including, yes, suicidal issues–, sacrifice their lives (no matter how poignant, and moving, and well-written it might be) was incredibly hard for me. So, yeah. I’m going to have to deal with that for a while I guess. Which I plan to do by writing a bunch of Fix-It and Not Actually Fix-It fics ASAP.

But. I mean, out of all the endings Tony could have, this was always my second choice for him. And he was grandiose in this film. He figured out time travel. He created a gauntlet capable of holding the Infinity stones. Beings far more powerful than him were trying to carry that gauntlet to the van and none of them thought to use it, but he did. He was completely vindicated. He is the Saviour of the Universe.

And he looked gorgeous the entire time, which is truly important for me.

– In all seriousness, the thing I take to heart the most is that

his legacy remains intact

, and it’s inspiring, and heroic, and poetic, and prosperous. Clearly, without him, my enthusiasm for the universe will never be the same, but one thing that worried me is that I wouldn’t want anything to do with Marvel for a while after this film, and that’s not how I’m feeling; I’m very much looking forward to further parallels and homages to him in my ever-growing list :P

Tho, honestly, I’m kind of side-eyeing myself for the fact that, the one time!!! I go and fall in love with a male lead character, he happens to be genuinely heroic and self-sacrificing, instead of just using those concepts as lip-service and getting to have his cake and eat it too LMAO. I mean, sure, given my reactions to those characters, the AeJons Snowrgaryens of the world, I wouldn’t have liked him so much if it was the case, but dammit. It’d be nice to experience that high sometime xD

– The Iron Fam is the best part of this movie for me. Tony’s relationship with Morgan was way too adorable to handle it; Pepper was enormous and so poised (and the scene where they circle around each other in their armors… poetic cinema); I didn’t get enough Iron Husbands to satiate me (Rhodey’s caress should have been skin to skin!), but I loved what we got; Happy is an assholes who made me cry ABOUT CHEESEBURGERS.

And let’s not talk about Peter, OMG. My heart. And Harley appeared to Tony’s funeral! Though, honestly, the person I missed the most there was Christine Everhart, who should have been there just on the basis that I like her (plus, ya know, IMO she was important to Tony’s origin dammit).

I’m going to consider Nebula an honorary member, tbh. Her scenes with Tony in space cut me deep; and she and Rhodey are buddies!

Natasha and Fury (I loved his appearance *sniffs*) are honorary members too, because fuck it. They both appeared first vis a vis Tony on his movies, and have two of my favourite relationships with him, and I say so.

– Related to that, one Failure™ of this movie, is not providing a Nat & Tony one-on-one scene. Seriously, I can’t believe they didn’t realize how necessary that was. But I ADORED the scene where they and Bruce are lying down bouncing ideas about the stones (it made me softly whisper “ot3” LOL); it was possibly the only “Avengers” moment that worked for me –other than Clintasha, but that’s on a different league tbh.

I wanted more Nebula & Tony scenes too; I would’ve loved to see Tony interact with Past!Nebula. Yes, realistically, he would probably had made her LOL, but. I needed it. it’s definitely on my to-write-list :P

– I wanted just some positive interaction between Carol & Tony to counteract Current Comics Bullshit and I got Carol rescuing him, smiling beatifically at him, and Tony basically saying she was Da Bomb and the Avengers should follow her lead instead of keep sucking xDD So that was nice.

– I loved the scene at the beginning where he fucking SNAPS, and goes for Steve’s throat. It was probably my favourite scene. It’s resolution with everyone’s reactions and after the flashforward kind of… totally sucked, but whatever. Still amazing.

– The only part of his storyline that I HATED, and I mean absolutely loathed, was his scene with Howard. Jesus Fucking Christ. They went with the most simplistic take they could have, didn’t they. I haven’t felt more insulted in the theatre in my entire life, and my family made me watch both Ocho apellidos movies with them, so Marvel? That’s a feat. The moment where he says his father hit him with a belt so we (Tony included) are supposed to think, well, at least Howard wasn’t physically violent with his son, hooray?

And I think we’re supposed to take his “wouldn’t want my son to turn like me” as motivation for Tony’s actions and like… newsflash, but Tony has “put the worlds’ needs over his own gain” since Iron Man. Fucking. One. It’s literally what he does in this film, because we’re shown that, despite having achieved his happy ending, he was still trying to figure out time travel even if it meant risking his future.

Seriously, if they wanted me to be moved, they should’ve used Maria. Or hell, Edwin Jarvis was right there. And if whitewashing of Howard’s abuse becomes one of those MCU things that ends up bleeding into the comics, I’m gonna riot. Ugh.

BTW, just thought about this. Has anyone confirmed what the H. of Morgan’s second name stands for? Because my immediate idea was that it was for Happy, but now the fear that it might relate to Howard has entered my brain and I need someone to drive it out.

OTHER FAVES :P

– I am a lot more heartbroken over Natasha’s death than I expected to be. I like her character on paper a lot, but sometimes the writing or the acting don’t agree with me; neither was the case in this movie. I thought she was incredible. I loved the scene where she’s leading the post-dusting council. So losing her in this movie, of all movies, really hurts. And I understand why people who love her would be unhappy, and even furious –to some extent, so am I, tbh; specially because I don’t think she was properly honoured by the other characters after the fact–, but I do think it was extremely fitting for her arc.

– I loved Nebula’s storyline; how she was able to form new relationships, and what I know will be enduring friendships. Her interactions with her younger self were fascinating too; I loved that she perfectly followed the time-travel mumbo-jumbo. And she was so adorable at the beginning. Her bond with Tony didn’t have as much screen time as I wish it had, but the rest of the movie really shows how much his kindness touched her, and I love it. I’m a bit sad she didn’t get to kill any Thanos, tho.

– Okay, putting him in the “faves” section doesn’t exactly feel right, but whatever: I maintain that Thanos is a great villain. I don’t know what people that say otherwise are thinking. He’s the perfect foil for so many characters, and he is genuinely villainous; he is so delusional and self-righteous (seriously, his “solution” for the Snap 2.0 was… o.0) his plans feel sincerely menacing. He perfectly spells out his own doom; narratively speaking? He’s a joy of a villain to me. And I loved how he reacted to the information about the future; specifically, that upon learning about Nebula’s “betrayal”, his tactic was SOFTENING towards past!Nebula to make her even more eager to please him.

– Carol didn’t have much screen time, but I liked what she got (like, nothing too deep, but I didn’t expect much). I liked the Carol/Rhodey nod, even if I’m not sure how I feel about the ship in this incarnation. I wanted to hear something about Maria, but welp.

And on a shallow note, I kind of love that fandom absolutely freaked out about her wearing lipstick on a scene (while praising the “~natural no-make-up make up, effortlessly feminine without looking like you’re actually trying” look that she sported on CM, and disregarding that while yes, it was a troubling look that fitted a pattern across movies, A4 was made first so it was hardly a “betrayal” of the semi-grunge style), for the movie to go and give her the butchest look she’s ever gonna get on film lmao (and I will be pleasantly surprised if they’d keep a look like this for a movie where she’s the lead and not a supporting character, tbh).

– Sam and Bucky were So Soft™ with each other OMG. If their show doesn’t have at least ONE episode centred on them going undercover as a married couple, I’ll write it myself, because they are perfect for it (especially if you add some of the early banter/antagonism).

Btw, Sam getting the shield? The only good part of that mess at the end LMAO.

– I have mixed feelings for the Alt!Gamora development. I just… really loved the GOTG-IW versions of her character and her ship, and she’s gone and just… :( And that type of pseudo-amnesia/relationship do-over thing can be so badly written sometimes… But she’s back, and if done right, the role-reversal between her and Nebula could be gr10 for GOTG 3. We’ll see.

THE BAD™

– I know if I walked up right now to the Russos, and asked them why they hate Thor so much, they wouldn’t even understand the question. They would say, but we love Thor?? He’s such a fun character?? Or some version of the sort. They can fool themselves, but not me. You don’t do this to a character for whom you feel a modicum of respect, IMO.

Like, the fat-phobic jokes? The way they dealt with his substance abuse? How his arc about stepping up and assuming responsibilities ended by… him throwing away his responsibilities. Losing his hammer was a turning point for him to relearn the lessons about value and worthiness and power he’d been taught, and then… this movie. I couldn’t even fully enjoy his scenes with Frigga because I was so appalled by it all.

His only great scene, IMO, was how horrified and out of it he sounded after killing Thanos. I really felt that.

I didn’t even enjoy that he passed his power to Valkyrie because… unlike with Sam, that basically came out of nowhere. If they at least had given them ONE more scene at the beginning; seriously, it writes itself: just put her in the room when Bruce and Rocket are trying to convince him to go with them, and have her being the one that does it. Make her help him the way HE helped HER in Ragnarok; show her trying to help him and getting angry and frustrated. IDK, something.

And I know I’m probably alone in this because everyone around me practically creamed their pants when it happened but… having Steve control Mjolnir felt like adding insult to injury. Not just lifting it (which I would’ve been annoyed by too, given that they rewrote the new Asgardian mythology just to have this scene lol), but commanding it as only Thor did. Just. How much more are you going to take from Thor, people.

I want to make it clear that my problem is with the execution, not with Thor going through this; that, written differently, with more care, I could have loved.

– I’ve always been conflicted with MCU Steve. I loved the Captain America old comics I read as a child, and 616 Steve was A Hero. So I wanted to love MCU Steve just as much but… it often felt that he just didn’t measure up.

Well, conflict over. I don’t like the guy. Reading Man Out of Time just a few months ago probably isn’t helping (and yeah, that’s not a fair comparison, but it illustrates why I look at 616 Steve, and I adore him, and then I turn to MCU Steve and just… this guy is not worth my time).

I couldn’t even enjoy the ship, because my feelings for it come solely from my love for Peggy, and she didn’t even get to say a word? Add to that the fact that an endless loop of “OMG HE MADE OUT WITH YOUR NIECE. NOW HIS NIECE. RUN” was going through my head the entire time (the fact that Sharon was absent from the funeral when EVC acted in half of the MCU Russos films is hilarious in light of this xDD).

MISC

– I really enjoyed some of the heist shenanigans. Especially Tony’s plan for a distraction being GIVING HIS PAST SELF A HEART ATTACK. How extra and edgy can my man be xD Tony and Scott are A Duo.

– I was thinking that Alt!Loki might make an appearance in GOTG3 if Thor is really a part of it, and how that might mix, but then a friend reminded me about his show, so I guess that’s where they’re going? IDK, The Avengers’ Loki is probably the one I liked the least out of all his appearances, so unless I hear something really good about it, I’m not picking it up.

– IDK if it’s because I was desensitized, but the white suits and Clint’s hairdo didn’t look as ugly on the final product?

– So THAT was the gay character Feige went on about. I knew he was going to be an unnamed nobody with less than five lines LMAO. Stop being cowards and give us Danbeau and WinterFalcon.

– I was very touched about Ned and Peter’s hug (MY BBYS), but isn’t Ned supposed to be five years older? AKA out of high school? I mean, he looked like he had missed Peter, not like he had disappeared with him too? And the entire class is going on a trip in FFH? Is it because of nostalgia/a friends thing? Were all of them dusted? Because poor teacher then xDD

– I think a lot of emotional threads were unceremoniously dropped, but other than the ones I’ve mentioned, I’m more indifferent towards their recipients so… eh. A great example is the fact that Bruce’s conflicting journey with Hulk was solved off-screen LMAO. Some of the humour felt extra-cringy too tbh.

– I have Tony-related fanart as my lock screen, my computer background, and my phone background. I get teary eyed with just looking at them. I should think of changing them, but I wont xD

– I know I’m forgetting things but whatevs, I can talk about them later.

#tony stark #mcu #marvel #iron family #thor odinson #nebula #natasha romanoff #thanos #winterfalcon #and other stuff but i'd be here all day #marvel (movies)#gamora #avengers (movies)#avengers: endgame #endgame spoilers #my thoughts #talking to the void #marvel thoughts

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