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art · 4 months

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Creator Spotlight: @jijidraws

Jiji Knight is a latina pinup illustrator. Her work is overall geared toward thick ladies and dedicated to fat positivity out of a purely selfish need to create art she wished she had seen growing up. She often features sexy and soft macabre themes on vibrant or sweet colours and takes great joy in making folx feel good about themselves with her work. She holds a Bachelor of Fine Arts in Illustration and operates out of her very sunny hometown of Las Vegas.

Check out our interview with Jiji below!

Have you ever had an art block? If so, how did you overcome it?

Oh my gosh… I have art blocks all the time. My favorite way of overcoming it is by making fanart. Funnily enough, that’s something I don’t do in my own work anymore. But there are still IPs I return to that still bring joy to my heart. I love returning to drawing Sailor Moon like when I was in first grade. Or I’ll even look up the last fashion week and start drawing the fashion week outfits from the Paris or New York show. Stuff like that is what gets my creative juices flowing.

What medium have you always been intrigued by but would never use yourself?

Resin. Resin art is so stunning. People make the most amazing and beautiful sculptures using resin, and I don’t think I could ever bring myself to play with something so complicated. There are a lot of ways to cure it, and sometimes, it doesn’t cure properly…I already work with enough chaos as it is! I respect resin artists, but I don’t think I would ever touch it. I’ve admired it from a distance. There is an artist I follow who does these resin layer paintings. So they’ll paint a layer of resin, then cure it, and paint on top of the cured layer. They build up these amazing paintings using resin…I could never. Maybe one day!

What is one interaction you had with a fan of yours that has stuck with you over the years?

I still remember…It was my first and only Flame Con in New York. I had a fan come up to my booth. They didn’t say hello or that it was nice to meet me. They started to cry! They cried, and the first words out of their mouth were, “I’ve never seen myself in artwork before.” So, of course, I started to cry! So we were just crying across the table at each other. It was just one of the sweetest interactions, and it really sticks with me still to this day.

What is a recent creative project that you are proud of?

My latest collaboration with the artist Missupacey. We’ve been collaborating for two years now, and our last collaboration was for Midsummer Scream. It was two very cute clown girls, and I designed our T-shirt. It was one of the most fun projects we’ve done in a long time. We love doing collaborative work because it keeps working in the art industry fresh—being able to bounce ideas back and forth. So we do it where someone picks the color palette, and someone picks a theme. We’ll get references together, put them on a big board, and send each other sketches. It’s really nice to work with somebody else.

How has technology changed the way you approach your work?

Honestly, it changed everything. I mean, I used to draw for myself a lot. And while I still do that, I now predominantly draw for my Patrons. For a while, I was drawing for the internet. So I was drawing stuff people wanted to see in terms of plus-sized versions of characters—a plus-sized Poison Ivy or a plus-sized Sailor Moon. My Patrons have allowed me to start drawing for myself again. But technology, for a while, essentially dominated what direction I was taking with my art, so I’m grateful to take some of that power back.

If there is one thing that you want art enthusiasts to remember you by, what would it be?

Body positivity. I would love for them to remember that there is an artist making work that is making people feel good about themselves and about the way they look at themselves.

Top tips on setting up an Artist Alley booth?

Have a method of taking money, have a method of displaying your work, and have a way to take a break. I have a plastic picnic cover that costs like a dollar at any store. All I have to do is clip it to my display grates, and it covers up my entire display. I feel secure enough to take time for myself in a 10-hour workday to eat something, go to the restroom, or even take a moment to breathe and reorganize my inventory. So it’s so funny that this one-dollar piece of plastic is like the most life-saving item in my display of items.

Who on Tumblr inspires you and why?

@mayakern comes to mind. She is another body-positive artist who expanded into making body-positive clothing. She’s amazing, and just to see someone else out there promoting body positivity. Maya’s been doing it longer than I have, I believe. It feels good to know that I’m not alone. Her work is always stunning, and I love her body-positive DnD characters and the fact that she’s still plowing through the clothing industry. For example, she’s expanded from skirts to button-downs and even custom-wrap shirts. I love to see what she’s doing, and it inspires me to pursue different avenues with my own work.

Thank you so much for stopping by and sharing, Jiji! Be sure to check out their Tumblr blog over at @jijidraws.

#creator spotlight #artists on tumblr #jijidraws

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elitadream · 9 months

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🎆 Sing for Absolution: behind the scenes 🎆

Hello everyone, and welcome to this summary on how the story was visually built! If you happen to come across this post and would like to read (or reread) the collab @drones-of-innocence and I have created together, just click on the title above and it will take you right to it! 🤗

With that said, let's begin! :D

As some of you already know, this was an idea that Drones had for a long time. It was brought up during one of our many conversations a few months ago, in which she briefly described the plot and sent me a condensed version. I- immediately and completely fell in love with the concept, so much so that I couldn't keep still. 😂💘 I practically begged Drones to let me draw a few frames for it, and she happily gave me permission. At first, what I intended to do was make about 3 or 4 thumbnails, like I had done with One Step Closer.

I returned with 22.

And from there, we both decided "Okay. Yeah. Let's make this official. 🙌💯" LOL

What's interesting here is that, as you can see, some frames didn't make it to the final cut! 🤓 And inversely, new frames were eventually added as the collab progressed. Out of all the sketches that were either abandoned or later deemed superfluous, my personal favorite would probably have to be this shot of Kamek. 😈

From the rough thumbnails I had presented, Drones helped me select the best and most eloquent ones, and I also changed a few other things along the way. For example, one panel that was entirely redone was frame 3 (where Mario enters Peach's room), because the initial composition didn't allow for the reader to see the setting very clearly, and I felt that the establishing shot needed to be wider.

Many of the drawings were also ultimately flipped to give the visuals a more coherent direction and better flow, including this one!

I decided pretty early on that the palette should be made of cold hues, seeing as these events happen to take place at night and that a warm overlay wouldn't adequately have conveyed the more ominous and solemn tone of the story in my opinion. 🤔💁‍♀️

Oh! And I almost forgot: using cold colors for the backgrounds and characters was also very convenient because it helped make the magical effects (the fire, the spells, etc- all the bright, warm and/or complementary nuances) really stand out, which resulted in a more interesting and visually striking contrast overall. 😌🎨

As I do with all my illustrations, I started by cleaning the sketches and adding a unifying background filler for all the frames. Then, I selected the colors I wanted to use (a gradient made of a mix of navy blue and purple) and worked on each drawing individually. Even with simple tones, we can observe the sheer difference that shading makes! 👀😉

There's a visual element that appears in the story and which I had borrowed from Drones before, and that would be Peach's healing magic.^^ ✨ I remember I was fascinated by the idea when I first discovered it in Un Fiore Per Te, which had prompted me to ask her if I could feature it in a piece where the Princess is seen using said power while at Mario's bedside in one of my other tangents. 💞

I kept the effect similar on purpose in Sing for Absolution, so that the slight reference would be easier to catch! 😊

And last but not least, there's that cheeky little Fire Flower! 🤭🔥

As mentioned in a previous ask, the flower actually signifies a lot in this case as it somewhat embodies the deeply affectionate bond between Mario and Peach, glowing brighter and closing its eyes in happiness when the two are close. 💖

While admittedly not the first drawing I made in which a Fire Flower appears, the one that actually inspired both Drones and I to include this symbolic power-up in the story was one that I made all the way back in February for Valentine's Day. 🥰 The subtle yet direct reference can be spotted twice in the text, linking this piece to the collab and establishing a bit of a chronology as well. I was very honored that Drones added this small detail, and I very much look forward to working on more ideas with her in the future! 😁🤝

Big thanks once again to all of you dear friends and followers who have commented and given their thoughts on this projects. Drones and I can't thank you guys enough for your interest and enthusiasm!! 😇💗

ALSO ALSO- I have shared here my visual side of the collab's progression, but Drones intends to give her own side of the story's development soon (explaining some of the themes and narrative elements a little more in depth), so make sure to stay tuned and check her blog as well! ^-^ 💫

#Mario #Princess Peach #Mario x Peach #Mareach #concept #story #collab #Sing for Absolution #fanart #fanfic #elitadream #drones-of-innocence #creators on Tumblr

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gffa · 1 year

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“Beyond a Jedi,” Lin Zy | Star Wars Celebration 2023

"'Beyond a Jedi' is me getting to explore one of my favorite characters in the Star Wars universe! I was so inspired by Ahsoka's return in the Star Wars Rebels series that I wanted to do a piece that would showcase her ethereal spirit and her evolution towards becoming something more than a Jedi. Rebels is one of my all time favorite shows. So with the show's stylization in mind, I moved forward by utilizing a more subdued color palette with blues, purples, and whites, but of course wanting the main focus being on my girl Ahsoka. I really wanted her to pop and be the main visual opposition in the piece. I hope you enjoy it as much as I enjoyed creating it!"

#ahsoka tano

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ds-towhoknowswhere · 3 months

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After I finished Wilson's wardrobe I was having an itch to draw other outfits for everybody else. In particular, the Magmatic line up. To be honest, it's my least favorite line up. I don't hate it but I wasn't huge about it. Mainly since overall to me it felt kind of rushed and didn't really match the same level of awesome as the Gladiator line up. They just didn't feel like proper "sequel designs" as it were. I always saw the Magmatic as an upgrade from Gladiator. They're returning champions so they should look the part. And so here we are.

The main core elements for each one were the following:

Same color palette. (Black, Red, Yellow and Brown)

A champion belt or accessory.

Integrating parts of the Gladiator into the Magmatic.

Reflect abilities and battle roles in design.

Overall, very pleased with the results. Had a lot of fun too. Def will need to do some art with these versions of the Magmatics. And of course I'll touch base with everyone's personal wardrobes but for now just wanted to get these particular outfits taken care of since redesign was inevitable for all of them. Better to just knock it out now.

Hope you enjoy and I'll see you on the next one.

#don't starve #don't starve together #wilson percival higgsbury #willow #wolfgang #wigfrid #wickerbottom #wes #webber #wendy #winona #wx-78 #maxwell carter #woodie #concept art #to who knows where

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slightlyhopefulromantic · 11 months

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a return to the monsters and mommies au designs, this time properly lined and in color! :D posted in the middle of the night just like last time though because i have problems <3 there are some small changes to these designs, but for the most part i was pretty happy with them so this was mostly just to give myself a color reference for them all lol

gonna ramble about small decisions i made below the cut, but its not necessary at all to understanding the designs! just wanna dump my thoughts somewhere :P

for the most part, the kids' designs are the same as i do them for normal canon, but there are some small differences. i've never really done a proper reference for their kid designs either though, so i guess no one would even notice LOL

freeman family: well, firstly - nick's last name is freeman in this au LOL but its easier to refer to him as nick close so people know who i mean as opposed to nicholas foster. usually, i draw nick close with blue hair (i think he goes through a range of colors, but blue is my default), but i do this because he does it to honor morgan. since she is alive here, instead, his default is pink because thats his favorite color to dye it! morgan and nick both have various bead jewelry because i like to have the headcanon that morgan is really into pony bead jewelry; this is also why all of my nick and nicholas designs have the same trans pride necklace, morgan made it for him :] both nick and morgan wear glenn's old clothes, both of them are wearing his shirts in this piece. aaand morgan has subtle heterochromia as a reference to the split timeline! she always has it, it doesnt just magically happen or anything, but its just a small nod to that.

wilson family: its real important to me that grant got his dad's exact coloration except for his gray eyes, which are all carol. why is this important? i dunno! its just interesting to me. also, carol doesnt usually leave her top buttons undone, but upon entering the forgotten realms, she unbuttons it because otherwise her shirt will pop open while she's doing things (to be honest, as a person with a larger chest myself, her shirt probably still pops open but it does help-!). usually i draw grant with a gay pride necklace, but since he doesnt come out pre-forgotten realms in this au, i tragically had to drop it. i miss my rainbow grant. please come home, baby.

oak-garcia family: i always forget to do mercedes's tattoos in my sketches because tbh i never know exactly what to give her. but! but. this time i just went for it. these tattoos arent necessarily set in stone, but i think theyre cute. the tattoo hidden by her skirt is an oak leaf for henry :] her gem necklace is also the same color as his eyes! her skirt is supposed to be, like, tie-dye or maybe more bleach washed, but i dunno how to draw that so whatever. the twins are, like, 100% the same as usual, i just gave sparrow a pink bead necklace instead of the multi-colored necklace i use for my default canon design lol. also, i think i drew the twins slightly too tall here, which is funny because theyre the only ones who are notably shorter than their mom HDFJKGHK

stampler family: i struggled a lot with what colors to give samantha, because i wanted her to have a bright color palette but not anything garish or patterned. originally she was gonna have a white shirt, but then i realized that would make it so all the moms had white shirts and i just couldn't have that LOL so i ended up landing on red for her! it matches with terry junior, so i thought that'd be cute :] terry's design is probably the most different from my default for him? which still isn't a lot but i swapped his dark blue flannel for a black undershirt instead. i cannot explain why i did this. it just felt right in the moment. i gave him a sweet revenge shirt instead of the usual black parade shirt i give him because... well. if you know, you know. and finally, terry gets a little concert admission bracelet!! i always do that, but i just wanted to point it out because i think continuing to wear an admission bracelet for ages after a concert is a very teen thing to do. i always felt so cool doing that in high school hehe

#monsters and mommies au #dungeons and daddies #dndads #morgan freeman dndads #carol wilson #mercedes oak garcia #samantha stampler #nick close #grant wilson #lark oak garcia #sparrow oak garcia #terry jr stampler

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say-al0e · 2 years

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Bad Day

Rating: PG-13

Summary: Rooster knew that wedding planning wouldn’t be fun. He didn’t take into account how difficult it would prove when family got involved.

Warnings: Abusive parents (no details, but implied), parental mental disorders (again, no details, but mentioned), bad/nonexistent relationship with family, Rooster reflecting on his family.

Pairing: Rooster x fem!Reader (I think can technically be read as gender neutral but, just in case, tagging as fem!reader)

Word Count: 2.3k

Top Gun Taglist | Requests are open!

The sound of slamming doors was not one often heard in your shared home. The few times it happened, it was an accident or the subject of a quick apology. Most of the time, when either you or Bradley arrived home, it was to the sound of music or idle chatter as someone spoke on the phone. Others, it was silence, though that depended on how the day had gone.

When Bradley arrived home to a flurry of movement and noise, he knew that whatever it was was bad. He assumed it was work related, as it so often seemed to be lately, and stood quietly as he watched you storm around the kitchen. Your anger would ebb, or boil over enough for you share your feelings sooner or later, he just had to wait it out.

His entrance was quiet and went unnoticed. You were too caught up in the emotions roiling in the pit of your stomach to feel the weight of his gaze as he took the time to observe you. Little had changed about the kitchen since he’d left for work - a pile of wedding magazines your mother sent were scattered across the counter, a few samples of card stock you’d picked up for invitations remained in a heap, and the notepad you’d been using to keep track of it all had a flurry of ink smeared across it - and he began to wonder if that had more to do with your mood than work.

The pair of you had yet to set a wedding date - his schedule was a little more set these days, since returning to Top Gun as an instructor, but there was never really any guarantee when planning something so far out - but he knew the planning wasn’t exactly your favorite thing.

Still, he was surprised when you finally turned and met his eyes. Yours, while usually so bright and full of life, were rimmed red and clearly exhausted. It had been a rough day, that much he could tell, but he knew he needed to wait for you to start the conversation.

With little hesitance, you shook your head. “All of this shit looks the same,” you huffed, voice breaking slightly as you gestured to the pile of magazines. You could feel your bottom lip begin to tremble as you scrunched your nose in an effort to stop the tears stinging the backs of your eyes from materializing. “And it’s all so fucking expensive, for just one day.”

To his credit, Bradley managed to keep a straight face. He knew you. He knew that it was uncharacteristic for you to get so worked up - just last week, you’d said the same thing, only it was accompanied by a laugh and a half-hearted plan to just elope in Vegas - and he did little to hide his frown as he stepped a little closer.

This wasn’t about the cost of the wedding or the similarity of the items and he knew that. So, he asked, “What happened, honey?”

With a sigh, you folded your arms over your chest and shook your head. “My mom called. She wanted to know what color palette we were hoping to use and if I’d given bridesmaids any thought. If I hadn’t, she was going to suggest my cousins. Then, she asked about the place settings and flowers and dinner. There’s so fucking much involved in planning a fucking wedding and it all just looks the same and she keeps asking, even though I’ve told her I’ve got it a thousand times.”

When you announced your engagement - well, when your mother noticed the ring you wore and stopped long enough to ask - she threw herself in headfirst. The constant conversations, more communication than you’d had in years, was taking its toll on you. That, in and of itself, was of no surprise to him. In fact, he’d seen it coming, even if he’d hoped he was wrong.

Still, Bradley knew that your relationship with your family was tenuous, at best.

The beginning of your relationship was slow, a little cautious, and the topic of family was avoided for as long as either of you could stand. He wasn’t sure how to bring up his parents and neither were you. However, your story came a little later than his.

Nearly a year into your relationship, you explained why you were so reluctant to tell him about your past.

If Bradley said any of it was a surprise, he would’ve been lying. He’d figured it out - as much as he could without being given specifics - but it wasn’t any easier to hear when you finally told him. Your mother, while physically present, was distant and difficult. She’d been married a half dozen times and each relationship seemed worse than the last. There was a myriad of mental illnesses and other concerns, none of which she sought help for, and Bradley was stunned at how little she seemed to care for you.

While hearing about your relationship with her was tough, your relationship with your father was worse. It was practically nonexistent and for good reason. You’d spared him the details but he understood why you cut him out of your life.

As difficult as it was, growing into adulthood without his parents - whom he loved beyond words - Bradley knew he was lucky to have had the parents he did. They loved one another fiercely and him even more. While he would give anything just to see them one more time, he was able to understand that not everyone was so fortunate. His heart ached that you were one of the unlucky ones, especially because, given the circumstances, you’d grown into one of the best people he’d ever met.

Since announcing your engagement, he’d been able to see what an interaction with your mother did to you - what she was like, how difficult she could be. This, however, felt different. So, he waited a beat and ventured a step further into the kitchen before asking, “What else happened?”

Bradley watched as you swallowed, blinked a little too fast to hide the emotion, and leaned back against the counter. For a moment, you chewed the inside of your cheek as you willed yourself not to cry. “My mom gave the other person responsible for my existence my phone number.”

That was the thing he’d been afraid of. While Bradley - and everyone else who knew the story of your father - understood why you cut him out of your life, your mother refused to see reason. It was only a matter of time before she did something like this but, still, he’d hoped this day would never come. “Shit.” He sighed, the sound quiet, as he leaned against the counter beside you and tipped his head to glance at you. “Did he call?”

“Mm.” You heaved a heavy sigh but kept your eyes on the tile floor instead of glancing at him. You knew that if you did, the tears would start and you would be rendered speechless. “I didn’t answer the first time for obvious reasons, but he annoyed my mom so much that she guilt tripped me into answering. She called after he did, well, four times while I was on the phone with him, and I snapped at her because he was a fucking dick, as per usual. Now, she’s pissed at me and he said he’d call back in a few days.”

There was little Bradley could say that would help - he knew that this wasn’t the moment for practical solutions or encouragement - so, he remained quiet and allowed you space to release everything you were feeling.

“I just…” With a harsh exhale, you shook your head and lifted a hand to wipe your eyes. “He calls and he asks what the weather’s like here, how I like my new job, if I like California better than Virginia, what you’re like. He’s pieced together my life from other people and he asks me these questions like he knows anything about me, like he’s entitled to know anything about me. All the while, he completely glosses over the fact that I spent the majority of my teens and early twenties completely afraid of other people because of him. He glosses over the fact that I hate every memory of my childhood, what memories I do have, because of him. He glosses over the fact that even though I know people love me, I still question it because of all the times he told me no one ever would. He glosses over the pain he caused because he feels entitled to a relationship and I know he’s only doing it because his time is almost up and he doesn’t want to die alone.”

Bradley remained quiet, gaze soft and so fucking heartbroken that you couldn’t stand to look at him as you shook your head. He stood still by your side, completely aware that you would want physical comfort but only after you’d gotten what you wanted to say out.

“That’s such a shitty thing to say and to feel, I know, and I hate it. But… Fuck, he asked when the wedding is and when he should be here, what color tie he needs to walk me down the aisle. He talked about not being able to walk very far anymore but said he’d do it, just to get me there, and it’s all such fucking bullshit! I don’t care if he really wants to make amends. It’s been years. He destroyed my life and he doesn’t get to do this shit, just because the end is near. I want an apology. I want an acknowledgment that he hurt me, physically and mentally, and then I want him to fuck off. I don’t want a relationship. He’s not invited to this wedding and I’ll be damned if my mom guilts me into having him or brings him herself. I don’t want either of them here, honestly. I love you and I’m so excited to be your wife. I just don’t want the best day of my life to be spent afraid of my fucking parents.”

When silence settled over the house, disturbed only by your uneven breathing, Bradley closed the distance he’d left between you and wrapped his arms around your shoulders. He pulled you into his chest, pressed as close as he could get you, and sighed as you wrapped your arms around his waist and gripped the t-shirt he wore.

The way you shook in his arms made his heart break. He’d been toying with the idea of offering to elope since asking you to marry him - neither of you cared that much about the wedding itself; his parents had a small wedding, limited to their closest friends and family, and that was what you’d both wanted. Now that he knew the headache an actual wedding would entail, Bradley knew what needed to be done.

“Forget the wedding.” Bradley felt you tense, if only for a moment, before you lifted your head to glance at him. There was a confusion there, a little bit of hurt, and he was quick to shake his head. “Forget the actual wedding. Let’s just elope.”

“Bradley.”

Bradley moved his hands to cup your cheeks, touch soft as he brushed his thumb over your cheekbone. “I’m serious, honey,” he declared, eyes searching yours. “No day is worth feeling like this. All I want is to be your husband. We can have a party later, invite our friends. The wedding can just be us, though. No fancy clothes, no stupid place settings, no monogramed napkins, no one to ruin the day. We can take a road trip, go to Vegas and get married by Elvis. All that matters is that we love each other and want to spend the rest of our lives together.”

There was a moment of silence, a beat in which the weight of the world seemed to melt from your shoulders, before you frowned. “What about Mav, Penny, the others?”

“They can come, if they want,” Bradley offered, shrugging slightly, though you knew how important it was to him that Maverick and the others were a part of the day. “If you want them there. But we’re the only ones who have to be there."

“I want them there,” you assured him, “if they want to come, I’d love for them to be there.” The entire group had become as much of a family to you as they were to Bradley and you could’t imagine your wedding day without them.

Bradley nodded, pleased with the outcome of the conversation, before he smiled. “What are you doing this weekend?”

“Marrying my best friend in Vegas, I hope.”

With a laugh, Bradley returned his arms to your shoulders and pulled you into another embrace. “Sounds like a plan, honey.” He ducked his head, just enough to press his lips to yours in a soft, sweet kiss, before he pressed his forehead to yours. “You wanna call Phoenix while I call Mav and Hangman, rally the troops?”

“I love you a lot, Bradshaw. You know that, right?”

“I sure hope so. It’d make this whole thing kinda awkward if you didn’t,” he teased, grinning when you rolled your eyes fondly.

Moments like that, little things that Bradley did to make you smile when you felt your worst, made you realize that if you only got one thing right, it was choosing Bradley.

In the end, he was right. The wedding itself didn’t matter. No place settings, monogrammed napkins, or fancy outfits were were important enough for either of you to lose sleep over. The only thing that mattered was that you loved one another and wanted to spend the rest of your lives together. The people that mattered would be there - physically and in spirit - and, at the end of the day, you were just happy to have fallen in love with someone who loved you back just as much.

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Author’s Note: The next fic I write will be light, I swear. Anyway, this won’t be everyone’s thing and that’s fine. I kinda want to write the elopement now, though. Anyway. Happy Monday.

Taglist: @lulu-noodles, @holachicos, @getmyprettynameoutofyourmouth, @withakindheartx, @ssprayberrythings, @verin93, @totalwitch2, @malindacath, @alexparkxr, @hangmandruigandmav, @alexxavicry, @calicokel, @jaymum, @dracosluvbot

#rooster x reader #rooster imagine #bradley bradshaw imagine #bradley bradshaw x reader #bradley bradshaw x y/n #bradley bradshaw x female reader #bradley rooster bradshaw x reader #top gun one shot #top gun maverick imagine #top gun maverick x reader #v's fics

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helluva-insomniac · 5 months

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“Poison” Deep Analysis

(Aka I had too much free time in study hall)

***Some of the questions are unanswered!!!***

Starting with the skulls:

This is one of the questions I have to leave unanswered! I can’t figure out if the skulls are just an omen of death and evil and stuff or if they have a deeper meaning in their design. One thing though I am sure of is any time in this video is when red skulls are used, it’s Valentino. Most red in the video is Valentino overall. (I’m also really liking the bisexual lighting lmao)

Right after the red skulls are used, there are skulls with an “Angel Dust” color palette. I have yet to figure out if these skulls truly represent Angel, but they are definitely used after the red ones to show that Valentino has authority over Angel Dust, which is why the red skulls are shown first.

Next, use of chains:

The chains are red, which agains means Valentino and the chains represent his control over Angel.

Glasses:

I can’t believe it took me so long to notice these!! Obviously Valentino being a dickhead.

Dancers:

The dancers here look exactly like the ones in the gifs released this year, so they are probably related.

(Sorry I couldn’t find a higher quality image)

And the ones in Poison:

I think this means the gif scene and this song are together, unless the dancers are shown in multiple scenes. (Return of the bisexual lighting!!)

The smoke:

The red streaks throughout are Valentino’s smoke, and are even further reinforcing the fact that Valentino has power over Angel.

How “Poison” is depicted:

Possibly one of my favorite points. The letters have another Angel Dust pallet to them, but the second “o” IS THE RED SKULL. This initially made me start this analysis. More of the “Val has power over Angel” motif.

“Every night I’m livin’ like there’s no tomorrow”

This lyric is really powerful along with the ones before it. Not only is Angel trapped, he feels it. This lyric is also very important because it changes later, to “Every night I’m wasted like there’s no tomorrow”, and that’s the first in this song (apart from the smoke) that says that Valentino is drugging Angel.

Angel streaks (??):

A lyric ends with pink streaks over the word that mimics Val’s smoke, but their pink color leaves me to believe that it represents Angel’s free will.

ALSO:

Going along with this, RIGHT after on the next word, Angel’s pink streaks are replaced with Val’s red smoke.

“Drownin’ in poison”:

At this point, Val’s smoke takes on a watery look. Once again showing the authority of Val over Angel and I’ve said that so many times and blah blah blah. But I think the style of it is really cool

“I’m fillin’ up my glass, but it’s always hollow”:

I really like the word choice here. But WHY DID THEY CHOOSE IT?? If it’s meant to be a “glass half full/half empty” thing, I’m assuming it’s Angel saying that his life is hollow and empty. In between this lyric and “full of poison”, the background turns from pink and on “full of poison” changes to red.

“I’m sick of the poison”:

During “I’m sick”, the screen is pink. On “of the poison” it turns red. Also Angel is expressing how he no longer wants to work for Valentino, but

“What’s the worst part of this hell? I can only blame myself”

I don’t think this lyric from earlier in the song is Angel expressing self-pity, but he may feel like he deserves the treatment he gets. That, or he was drugged or truly believed it was a good decision when he signed his contract with Valentino.

Last frame:

I had to remove one of the images I was going to use above so I could get the point across here because holy shit. As much as I want to be positive and say that Angel will get out of his contract nice n’ easy, I really don’t think that’s going to happen. I think that there will be at least a really bad fight between Angel and Valentino, if in season one Angel is released from the contract at all. Another scenario could be that Angel only gets out if Val gets exterminated or a being with high power (someone with power like Charlie or Lucifer or even a very high-ranking Overlord) forces the contract to be broken and Angel to be free.

Also: notice how “tomorrow” is in white while the rest of the lyric is in black. It’s either Angel’s final shred of hope or he has truly given up all hope. The skull reinforces my point above of this not going well for Angel.

————————————————————————

Please comment/send asks if you have your own ideas!!

I think Blake Roman’s voice for Angel is amazing!! I especially like that it is a bit more masculine idk why :) but like holy fuck!! I love this song so much it’s right up there next to Addict

(End- the rest of this is just notes)

Also: there are so many points that if I missed a few I’m sorry lol! It’s so easy to do an analysis on this and I might do one again on other songs when the show comes out.

Also also: I know some of the lyrics and some of my points have other darker/more sexual meanings, but I don’t have the time or mental capacity to unpack that lmao

#hazbin hotel poison #hazbin hotel #angel dust #this took me forever #I love it so much tho #hazbin valentino #hazbin charlie #hazbin lucifer #hellaverse

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magnoliaroad · 3 months

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Magnolia Road is Moving + Exciting Projects!

Hi there - Rizu here! It's been about a year since I last posted an update here. Life got really busy and pulled me away from Petz. As life calmed down I had the itch to return to some unfinished petz projects! Here's a look at some of the things I've been working on. The major one being the launch of my new home - Magnolia Road on Neocities! Keep reading for more details!

When I first launched this tumblr blog, I wanted a platform that didn't require a whole lot of set-up to get started. While it has served its usefulness as my first home in the Petz community, I need more room for the amount of content that I'm planning on making.

So I've been quietly working on a complete website overhaul and it's been such a blast. I think it will serve me better as a home for my crew and petz content. For the foreseeable future I am planning on keeping this tumblr for long-form write-ups on Petz things.

Without further ado, check it out here.

Not everything on the website is finished but I've put the 'good enough' stamp on it for now. I'm looking forward to fleshing out the pages more with some exciting content.

On that note...

Projects!

Something that I've wanted to do for a while is to create more custom content for Petz 5. Though Petz 4 is the community favorite, I feel Petz 5 has a lot of nostalgic charm and a lot of potential for quality of life upgrades. Despite Petz 5's glitches and bugs, I've by and large have learned to live around them without too much trouble and largely prefer some aspects of Petz 5 over Petz 4, such as the expanded color palette for playscenes, weather, day/night cycles, being able to carry all the toyz with you, etc.

With the new content that I am working on, I hope to inspire some more love for Petz 5 and make it a more welcoming home for your Petz!

So what am I working on? I've been working on a MASSIVE rework of the Petz 5 playscenes. They are quite dated and an eye-store in some instances.

So here's a sneak peek of what I've got going so far. These are not finished yet so these may change a bit!

I'm going for a Luxury Living theme based off of neutral beiges, greys, and gold, with a touch of rococo. I've painstakingly fixed the window sprites (they're a pixelized mess in the original), replaced the garden backdrop with my renovated back yard (see below), and gave the night scene some gentle spot lighting. No more ugly orange floor and yellow fridge.

Continuing on the Luxury Living theme, the family room gets an upgrade.

This one definitely needs more work before it is done but here's my Cozy Cabin themed room.

I've always disliked the original snow scene in that all the trees look like lifeless lumpy snow blobs. I wanted to bring back some greenery and make the scene look more vibrant. I replaced the really bland skyboxes with more realistic skies, with the night scene featuring an aurora borealis.

Inspired by my love for Lilly Pulitzer prints, this beach remodel is a more colorful upgrade over the original. I've recolored the sand to look more like....sand and less like this weird ugly yellow sand the original had. I'm planning to make a daytime one as well.

Salon upgrade. This one is very incomplete, so expect this one to change a bit. The original dresser is so hideous that it's hard to make it look "better".

And finally, perhaps my pièce de résistance and my most time consuming overhaul was the backyard. The original looks so junky with its broken fence, muted colors, and lack of landscaping. It definitely needed some more life to it. I hope I achieved that with my 4 seasons remake of the back yard. To say it was a challenge is an understatement. I had to make 3 versions for EACH season. Day, night, and stormy versions. So 12 BMPs along with the edited leaf sprites. The fall leaves are not stills - they are recolors of the original animated sprites and move in the actual playscene! I was excited to be able to pull this one off and I'm happy with how it turned out.

And lastly I've reworked the Petz 5 carrying case skin with a template that makes it easy to come up with new carrying case skins quickly.

Here's just one of the many carrying case skins that I have planned. This one matches the pattern featured in the beach remodel.

And there you have it! These are all works in progress and I can't wait to share more updates with you all. As always, thank you for stopping by!

#petz #petz 5

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alicent-vi-britannia · 10 months

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A brief analysis of color symbology in the important characters of Code Geass

Next, I'll discuss the symbology behind the color palettes of six major Code Geass characters. The purpose of this post will be to show how colors describe character traits. I clarify that I am not an illustrator or an animator. I'm just a quasi graduate who loves Code Geass and symbols and I want to use my knowledge to combine two things I like. And that I want you to take into account four points about the symbols and, therefore, the colors: The first is that they are polysemic. I'm going to adjust to the context of the series and the nature and role of the characters. Well, to give an example, violet is the color of sexuality and lust and I don't think that was what the animators had in mind when they established violet for Lelouch. The second is that they are ambivalent. They have two sides. One positive and one negative. The third is that the meanings of the colors vary depending on the cultures (and the times). I've tried to stick to universal meanings. And the fourth is that the symbols aren't isolated signs, they establish relationships between them and reinforce or annul meanings. Don't forget that there are colors that are born from the combination of two; so those resulting colors inherit certain meanings from their "parents", so to speak. Hence some of the connotations are repeated.

Having said all that I had to say, let's start with Lelouch. Black is Lelouch's signature color. He always plays chess with black, his casual clothes are black, his army is the Black Knights, his Knightmares are black, the two great rebellions he has led have been dubbed the Black Rebellion, one of his nicknames is the Black Prince, his hair is black!

So what does black symbolize? Well, black is precisely the color of rebellion and protests. It symbolizes how illegal and forbidden are many of the acts that Lelouch carries out. It's also a symbol of elegance and youth. This is because most of the youngsters claim that black is his favorite color and don't be surprised by this, but Lelouch is a youngster.

Black is the color of dirt and evil. How many times has Lelouch dirty his hands with shit for carrying out his goals? Infinite times! "The world does not change with beautiful words", it changes with actions and many are dirty. How much evil did Lelouch do for the greater good? Phew! We could spend hours talking about it!

Black is the color of brutality, violence and hate. Three meanings that it has in common with red and these two colors make up a standard combination (it's no coincidence that one of the people closest to Lelouch and with whom he forms a powerful team has red as his distinctive color). Lelouch harbors hatred towards his father, his family and the empire that disowned him. Hence why he is so ruthless against Britannia. Unlike Suzaku, he believes that violence is the answer.

Black is the color of death, destruction and mourning. Lelouch brings death and destruction wherever he goes (to give a couple of examples, just think of the Battle of Narita and the Japan Administrative Zone massacre). In the same way, he always has mourning in his heart. He is reluctant to let go of loved ones who die (since the death of his mother).

Black usually has a negative connotation and whenever he is next to bright colors he will subvert the positive values of it. In association with yellow (which is a color present in Lelouch, albeit to a lesser extent), it connotes selfishness, guilt, and melancholy. Lelouch started his rebellion for selfish reasons and ended up consumed with guilt as he watched his revenge spiral dragging innocents and loved ones into harm. He is a character with a melancholic-choleric temperament.

[Black symbolizes bad luck and Lelouch never overthrew Britannia while he was wearing black, is that why he was always so close to landslide victory? :v]

Soon I will return to black to point out two specific aspects, now let's talk about Lelouch's second distinctive color: violet.

The combination of black and violet is one of the least negative and symbolizes magic and the dark forces of nature and magic. The Geass was a supernatural gift that Lelouch possesses. Violet is the color of vanity and extravagance. Zero was a striking character, partly because of his manner, partly because of his aura of mystery, and partly because of his looks (Lelouch is arrogant and proud, but there is a shade of difference between pride and vanity).

Violet is the color of power. This is because extracting the violet pigment was difficult and therefore very expensive; so only the nobility and members of royalty could afford to buy clothes of this color. The fact that Lelouch has chosen purple as the color of his Zero costume seems funny to me because it means that he hasn't renounced his princely roots (the series itself wanted us to be clear about it and, for that reason, gave us the dialogue from the snow in episode 10 of the first season). He is and will remain a prince (in fact, his arrogance and negative outlook on vulnerability are a product of his upbringing in Britannia). Yellow reinforces this meaning.

It is the color of penance, martyrdom and mourning. Lelouch bears the weight of his sins and suffers as a result. Lelouch never quite gets past the dueling stage.

Violet is a singular color because it derives from the mixture of red and blue and these two colors represent opposite values. In violet these values are in communion. Hence, violet is considered an ambiguous color. In terms of morality, Violet is in the middle of good and evil, just like Lelouch, who is capable of doing good for the worst reasons and evil for the best reasons. This tells us about the amorality of the character. Violet combines the values of blue and red.

Blue is the color of coldness and intellectual qualities. Lelouch stands out for his intelligence, although the haters deny it. Red is the color of passions and Lelouch is a character moved by passions. He is very passionate, only he knows how to channel his emotions. Most of the time he is calm and he analyzes coolly, even in pressured situations. Only when his loved ones become involved does he lose control of his emotions and subservient to them.

In its negative aspect, violet symbolizes the abuse of power and who is distinguished by purple, besides Lelouch? His father who is a full-fledged tyrant.

Britannia is distinguished by the color white and white symbolizes the divine. It is the color of the gods and royalty, of absolutist monarchies, to be exact.

White as opposed to black symbolizes what we are all thinking: the eternal fight of good against evil. The angels are always attired in white robes and have white wings while the demons have black wings. Although the interesting thing about Code Geass is that it inverts those values since the Britannia (the whites) are the bad guys and the rebels (the blacks) are the good guys.

White recovers its positive values with Suzaku and Euphemia. Let's go with the second.

White is the color that represents good. I had already said it. And it is, additionally, the color of integrity, honesty, transparency and purity. White shares all these connotations with blue. In fact, white and blue are the colors of spiritual virtues. Blue is the color of trust, friendship and sympathy. What does this tell us? That Suzaku is a boy with a noble and pure heart and a good friend.

White is the color of innocence and, curiously, blue is the color of the unreal, that is, of ideas that are far from being realized. It is the color of dreamers and fantasy! Is this a subtle sign that Suzaku is some poor self-deluded idealist? Maybe.

White symbolizes mourning (in oriental countries and don't be surprised by this fact either, but Suzaku is Japanese). Like Lelouch, Suzaku also has a hard time saying goodbye to loved ones who leave this earthly plane.

On the other hand, blue represents the calm, the passive and the introverted. It is the color of longing and peace. Suzaku longs for a world of peace. He tries to leave violence as a last resort, before opting for peaceful ways when dealing with conflicts.

Blue connotes sadness and loneliness. Suzaku is a melancholic and withdrawn type. Note that he doesn't tend to socialize. He is more comfortable closed in on himself, in his comfort zone. I remind you that when he entered Ashford Academy he didn't try to make friends and everyone teased him until he demonstrated his bravery by saving Lelouch from falling. He didn't try to bond with the rest of the Knights of Round either, rather, it seemed that Gino adopted him just like Anya [normally, extroverts adopt introverts]. As he drowns in his problems, he isolates himself more and more from the people who love him and the rest of the world.

Speaking of melancholy, he had mentioned that it symbolized the union of yellow with black. Yellow combined with white connotes weakness and fear. Suzaku's fear of the dark side of him. Deep down, he is just as pragmatic and selfish as Lelouch, but he is terrified to admit it. His weakness to accept his true self and his reality.

By the way, yellow, in its negative aspect, symbolizes lying and both Suzaku and Lelouch are skilled liars. It's a very contradictory and fickle color (it radically changes meaning when paired with another color) and Suzaku and Lelouch are full of contradictions. That is what makes them so human. Likewise, yellow is the color of traitors and Lelouch and Suzaku have betrayed their loyalties for different reasons.

All the positive meanings of white that I highlighted in the previous slide with Suzaku apply to Euphemia, so I'll move on to talking about pink.

Pink is the color of charm, courtesy, sensitivity, delicacy, tenderness. In short, all the qualities considered typically feminine and that Euphemia possesses. I don't think I need to justify myself or provide examples.

Pink is the color of illusions and dreams and, in that sense, it reminds me of blue. Let's not forget that the dream of a peaceful world is inherited by Suzaku from Euphemia (she is an idealist at heart). Although she was aware of the evil that afflicted the Elevens and the grudge that Lelouch harbored in her heart, she was simplistic. We could say that Euphemia had a rosy vision of life (a good and insightful person, but a lousy politician without the necessary cunning and pragmatism). I reiterate that white is the color of innocence and pink is the result of mixing red (which is the color of love and Euphemia has plenty of love) and white.

White is also the color of neutrality and if there is a neutral character in Code Geass is C.C.

Perceive that C.C. is the only member of the Black Knights who wears a white uniform which I had already said is the color of the enemy, which is weird, but makes sense (let's just say she's really only true to herself). She also has a black uniform with the Black Knights symbol on her chest. She adopts black because of her alignment with Lelouch, but it's not like she really takes a stand on the rebellion. She is there for personal reasons that are neglected in the political context.

Green is the other color that predominates in it. Green symbolizes balance and consciousness. Whenever Lelouch is about to collapse, C.C., who is the voice of reason, is there to bring him back to earth (she did better in the first season, let's be honest). Green is the color of intermediate and impartiality, par excellence. In itself it is neither good nor bad. As C.C.

Green is the color of youth and immaturity. Due to the Geass, C.C. has earned eternal youth and, at certain moments, she behaves like a carefree teenager who doesn't measure the consequences of her actions (yes, I mean the scenes of her in Ashford and her interactions with the Black Knights ). In contrast, yellow is the color of maturity and C.C.'s eyes are amber. So many years of experience have given him a few kilos of wisdom. For me, C.C. part of the archetype of the mystical Greek goddess Hestia, the one who is young and old at the same time.

Yellow is the color of security, confidence and tranquility. In her role as her confidante, C.C. has known how to bring these sensations to Lelouch.

Green is the color of otherness (the strange). What color do monsters, aliens, witches and demons paint? Green. C.C. is the only Code Geass character with green hair. She manages to stand out in the sea of characters because of her looks (she has to, she's a witch).

Green symbolizes freedom. Because of her immortality, C.C. feels prey to this existential plane. She is wandering aimlessly through the flow of time that seems endless. At the end of her journey, she manages to free herself from those ties and learns to feel good about herself, renewing her will to live. Let's not forget that, although she wanted to die, she needed to live first because she had not really lived her life. Green is also the color of life and bitterness. At first, she was frustrated. She did not fulfill her wish to be loved and was forced to live an immortal life that she did not want.

Like C.C., Kallen takes on black after bonding with Zero; but it is indisputable that Kallen's color is red.

Red is the color of emotions and passions. Good and bad. Our face turns red with shame, anger, shyness, love (in fact, Kallen is the character who has blushed the most in the series for different reasons). It is the color of love and hate. Kallen loves her family, her friends, and Lelouch as much as she hates Britannia. She is the most emotional character in the series. I also think that she is the most impulsive and that's why: she gets carried away by her emotions.

Just as red has a natural alignment with black (Lelouch), she has a natural opposition with the passive soft blue and innocent white (Suzaku). Red symbolizes strength, courage and aggressiveness. Kallen's fighting style is aggressive, both in hand-to-hand combat and in a fight between Knightmares. Unlike Suzaku, she's not going to give you a chance to give up, she's going to kick your ass openly. She goes without saying that her two greatest virtues are her bravery and her strength (and I would add her poise).

Red is the color of fire and Kallen is a burning flame. If you approach sparingly, she keeps you warm. If you approach carelessly, you can get burned. She is warm and, at the same time, hot-tempered.

Red is the color of danger, violence and the forbidden. It is associated with the revolution. This reminds us of the meanings of black that we had reviewed with Lelouch. Kallen follows Lelouch and doesn't question him because they share his methods, his goals, and his beliefs. Do you see why black and red get along so well? Both are rebels by nature.

Red is the color of allure, and Kallen is the most sex-appealing girl at Ashford Academy. I'm not saying it, all the boys who wanted a kiss from her.

Red is the color of war and anger. Paradoxically, it is the color of freedom and justice, which are the two things that Kallen wants and demands for her people. Like white, red is a political color.

Kallen also wears pink (which results from the combination of red and white) and I think it brings out the softer, more youthful and sweet side of her.

To finish, I leave you with this curious fact. Let's see how much of you have noticed…

Throughout the series, Lelouch and Suzaku wear black and white respectively (I'll open a parenthesis for clarification: only Zero's cape is black, but, if you look closely, in R1 his suit is a darker violet than in R2 and I It seems that the modification is in line with his change, since in R1 we have the meanest and most vile Lelouch and in R2 we have the most self-sacrificing and noble Lelouch). By the time the series is winding down, Lelouch and Suzaku are reversed and now Lelouch wears white, posing as the Emperor of Britannia, and Suzaku dresses in black, reaffirming himself as Knight of Zero.

What does this mean?

It means that Lelouch and Suzaku have exchanged targets.

Lelouch, who wanted to destroy Britannia, is going to change it from within as the Emperor himself.

Suzaku, who wanted to change Britannia, is going to liberate the world by destroying the tyrant who oppresses it as Zero.

All in favor of the same purpose: to build a friendly world and establish an era of peace. Everything was thrown in our faces through the symbology of color before the meaning of the Zero Requiem was revealed in the final episode and we didn't realize it. [In addition, I think it is also a way of externalizing the final transformation that these characters have experienced at the end of their inner journey].

Were the colors chosen randomly without any special motivation? No symbols in Code Geass? Ha ha ha! Look how the cows fly!

This is as far as this analysis ends. They let me know if they knew this information. I hope you liked it a lot. I invite you to tell me in comments what you think and what is your favorite color.

I have two (I can't decide): the black and the pink. [Nobody cares to know, but I'll leave it there].

We will be reading, God willing and if not, too. To hell!

Greetings and thanks for reading.

#kallen stadtfeld #kallen kozuki #lelouch lamperouge #lelouch #lelouch vi britannia #kallen #code geass: lelouch of the rebellion #code geass: hangyaku no lelouch #code geass #euphemia li britannia #c.c. (code geass)#suzaku kururugi #colors

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dragonbma · 7 months

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More doodles for @yoguyslook’s Mimic AU! ^^ This time with 50% more mimics…

Plus another one ft. Spiromeo (slight blood warning)

Aw hell nah the spiders are throwing hands-

#mimic!vos has my whole heart #mcsm #minecraft story mode #mcsm vos #mcsm jack #mcsm romeo #mcsm mimic au #mcsm au #bermuda brainrot hours #scriptscratches #sea temple saturday #the return of my favorite color palette

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dragonsrfire · 10 months

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FAVORITE COSTUMES - THE LORD OF THE RINGS - POSSIBLY PART 1

The Lord of the Rings is a cinematic masterpiece. The directing and writing provides weight to the scope and the score is absolutely divine. Acting is on point but I think we need a new found appreciation for the costumes. LOTR has some of my favorite looks in film history. Now, some of them are not going to be flashy - but in my opinion it serves the purpose of perfectly highlighting the characters arc and journey.

Aragorn's ranger look - Practical - looks worn out - arm braces and things are added as the journey continues (proves loyalties - the strength of character)

Arwen's look from The Return of the King - It feels different - highlights a change in character and a turning point for her arc - stands out and does not blend into the atmosphere - expressive of her motivation to leave behind Rivendell

Boromir's Look from The Fellowship of the Ring - Practical and a juxtaposes with Aragorn's rugged look - Collects dust along the way and is worn out by the end - there are clues to indicate his loyalty to his home and it has a distinct silhouette - the bright red could indicate nobility but I'd say in a way it foreshadows his fate (thinking too deep into the premise)

Eowyn's White dress from The Two Towers - Signified purity - strength of character - she is the only one in that specific color palette so she doesn't blend in - stands out - it isolates her - again it's distinct from the elvish dresses worn by Galadriel and Arwen -

Merry and Pippin and those royal robes - Their loyalties to Gondor and Rohan - shared colors to show that they are bonded - silvers for Pippin and golds for Merry (Note - Pippin wore blues and Merry wore Yellows - similar tone) Shows their maturity and illustrates the difference they made.

Eowyn's dress in The Return of the King - Blends in - Still has white to signify purity - Brownish and red tones to show her desire to fight - A practical look that is worn out - Feminine silhouette which stands out from the battle look.

Eomer's Look from The Return of the King - Nobility - Worn out - distinctly red and gold - loyalties - once again a bold and distinct silhouette that makes him stand out from the rest - looks practical and can help him survive the circumstances of bad weather and bloody battles - The influences of the medievalism

#lord of the rings #aragorn x arwen #the fellowship of the ring #aragorn son of arathorn #boromir #eowyn of rohan #eomer #eomer of rohan #merry and pippin #the two towers #the return of the king

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tacobellabeanburrito · 21 days

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PLEASE spill the tea. the girls (me) wanna know

AHHHH I KEEP LOSING MY FUCKING POST FOR THIS.

ANYWAY. Show choir is fucking racist on a lot of levels. Like, very. Of course, there are exceptions (there was a show choir I saw once that was mostly black) but for the most part, show choir is racist (and also discriminatory against overweight people AND height discriminatory)

You see, young Strawberry, show choir is all about image. Think of it like being a Rockette. They have to have the same hair (if your show requires long hair and you have short hair, you have to get extensions), same makeup (you have to buy the SAME exact eyeshadow palette) and everything else basically has to be the exact same. And this is where the racism part comes in.

If you do not meet their standards (not the correct height, not the correct weight and not the correct skin color (I.E white) you will most likely not get in no matter how good you are.

This is mostly the standard for show choir royalty (show choirs that have won a lot of awards and competitions) my show choir isn’t like this and a lot of show choirs aren’t like this, but there’s definitely a reason as to why I don’t see many people of color in show choirs.

There’s also a money problem, a lot of show choirs cost about 1000 dollars to participate (kinda crazy). I have a seperate post about all this shit but yeah. A little wacky.

ONTO WHY TEACHERS HAVING FAVORITES IS BAD. This mostly goes for the creative fields in school (choir, theatre, band, orchestra, etc) but teachers have favorites depending on how good a person is, not how much they try. A lot of the people on my choir (not just show choir, I’m in a lot of choirs so this goes for all) are bitches. They’re mean and nasty. But they’re really good at what they do. So they get solos, duets, whatever (AND ITS THE SAME PEOPLE EVERY TIME) And despite me trying really hard (and also being good at singing) I don’t really get anything in return. Not to sound bitter I guess but it’s super disheartening to look up to someone and realize they look past you and don’t notice how hard you try, and then sometimes they DO and just don’t give any shots and that hurts.

I try not to let it get to me, but it’s hard sometimes. And this goes for regular teaching too. You know that “You’re student is a joy to have in class” meme? That’s code for “You’re student doesn’t talk and doesn’t make an impact”. A lot of the annoying, eccentric, attention whore students are ALWAYS the favorites and actual good students get left in the dust and that sucks a lot of the time. It’s disheartening and makes these students feel terrible about themselves.

NOW ONTO TEACHERS ABUSING THEIR FUCKING POWER. So, my senior year has been an absolute shit show, you know why? It’s because my teachers and mentors have been abusing their power.

So alright, context, this story is kind of crazy? And I might have forgotten some important details but anyway.

So, I know I’m a very good actor and pretty good singer (my actings better than my singing). And I’m also a senior. This year, I got ensemble for our musical. Despite the fact that for the past years I’ve gotten a lead in every play and musical before that. The people who got the leads are my friends, I was proud of them, but they were all sophmores and juniors. WHICH WAS CRAZY! Almost all the seniors got ensemble, which is pretty insane. It’s our last fucking year, they can have their moment AFTER we fucking leave. But of course, our director did not care. He called me (and everyone else who quit) pathetic. Ok, then. Director. How would you like it if we absolutely decimated your musical? So basically, long story short, I accidentally started a theatre revolution. I was the first one who quit because I didn’t get a good role (NOT BECAUSE I WAS SOUR GRAPES! But because I got cheated out a role, and a lot of people (even the underclassmen who got roles) agreed with me on that) and then a lot of other people also quit because they ALSO got cheated out of a role. This caused my director to put out three separate cast lists. Which was HILARIOUS to watch in real time. He got so pissed that everyone was quitting that he punched a cabinet in front of a bunch of freshman. And so, because everyone quit, the musical didn’t happen. THIS ALSO GOES IN TANDEM WITH MY CHOIR TEACHER. Omg she was also so pissed but very passive aggressive about it. I was talking about Legally Blonde once and my choir teacher pops in to tell us “Well we COULD’VE had a good musical if ALL THOSE PEOPLE didn’t quit” and it’s like, girl you were not in our conversation and our convo about how good of a musical Legally Blonde is has NOTHING to do with your shitty musical.

NOT TO MENTION. Our director KNEW EXACTLY what shows we wanted to do, and yet we didn’t do them. Like, what? He chose a stupid fucking musical nobody has heard about and a stupid fucking play nobody has heard about. Like, what? HUH?

Anyway, thats the story of how I destroyed our musical and also how much I hate my choir director and theatre director and how absolutely STUPID teachers can be. I haven’t even gone into detail about how stupid my choir teacher is (Omg, everyone is quitting everything because SHES A PASSIVE AGGRESSIVE BITCH) I hate her so much too.

If you wanna know more about how show choir works, I recommend my post on it. I did it a while back and talk about some interesting tidbits of lore. (Did you know that there is a 9/11 show choir show?)

#show choir #high school #high school theatre #theatre #theater #high school theater #choir #high school show choir #high school choir

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beneathashadytree · 4 months

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PAINTING - SHINGEN TAKEDA X READER

Warnings : implications of sex, reader is gender-neutral!

Genre : spicy (just tension, no NSFW!)

Word count : 0.8K words

Additional info : I know I haven’t written in literally 5 months or so, but I decided to come back with everyone’s favorite middle-aged otome man.

Tip jar if you’d like to buy me a Ko-Fi!

Masterlist

“You seem to be enjoying this.” Their voice light-hearted as they spoke, a look of amusement made its way on their face. Tracking their lover’s movements with their eyes, it was rather endearing to see.

“Very much, actually,” he replied in the same manner, an absent-minded smile on his face as he continued his actions. A gentle hand tipped their chin upwards. “Keep your head up for me, darling?”

Humming, they obeyed and stilled in their position, closing their eyes shut as they did. In return, Shingen’s index finger deftly brushed across their eyelids, each movement careful and precise. “Which color did you choose for my eyes?”

“Would you be too surprised if I said a shade of reddish brown?”

Huffing out a laugh, they thought that he couldn’t possible be more predictable. There once was a time when they couldn’t have deciphered the thought process behind any of his actions, but now that they were so intimately acquainted and so intricately entwined with each other, it felt like understanding him came as second nature.

“I’ll pretend not to notice that you have a penchant for decking me out in your colors.”

As they said this, his hand that had previously cradled their chin came up to stroke at their cheek, drawing invisible lines of his reverence against their skin. Somehow, even that sliver of a touch felt sensual when done so gently by his large calloused hands.

And it really, really didn’t help that he then chose to speak into their ear in a low purr that warmed the depths of their core. “Can you blame a man for being a little possessive? Deities are, after all, infamously hard to be blessed by.”

“Flatterer,” they chuckled, a little breathlessly as Shingen playfully nipped at their earlobe, earning a jangle by the dangly gold earrings he’d adorned them with.

“Only an old man as your worshipper, my dear.” Pulling back, he seemed to seriously contemplate as he stared down at the makeup palette in his lap. The colors were so stunningly vibrant, and so rich that they knew perfectly well that he must’ve spent an ungodly amount of money on these, straight from the ports abroad.

He seemed to—unsurprisingly—settle on a dark shade of red for their lips. Slight alarm seeped into their voice as they half-jokingly said. “I hope you don’t intend to make me into some sort of clown.”

“Wouldn’t dream of it.” Dipping a thin brush into a pot of water, he expertly swished it through the creamy pot of alluring red. His thumb teasingly swiped against their lower lip, eliciting a soft gasp from them, before beginning to slowly paint over it, like he was creating his own masterpiece.

They tried to call his name. “Shi—“

Quick to hush them, he pulled the brush away for a few seconds, just to kiss at the corner of their mouth—close enough to have them anticipating more, but not close enough to smudge the lipstick he’d applied so painstakingly. “Patience,” he murmured against their skin, lips merely brushing against them once more. “Wouldn’t want to ruin your makeup.”

The warmth pooling in their belly was too hard to ignore now. It felt like an inferno was brewing inside of them, aching to burst out them and pull him in, deeper and deeper. They knew, with all certainty, that their eyes now carried a hungry gleam that he would instantly recognize and pull forth. And frankly, they couldn’t care less. Perhaps it was a consequence of having married such a sensual man, but they’d grown quite shameless.

“You’ll ruin it anyways, won’t you?” They looked up at him through their eyelashes; something they knew made him all the weaker at the knees.

Shingen stifled a groan in his throat at the sight of them, all but dropping the brush unceremoniously to the side and pushing away all the makeup products he’d gone to such great lengths to obtain. Spoiling his darling like this could wait. Now, he clearly had a different idea of catering to their every whim.

“Oh, absolutely.” Though he sounded a little out of breath, nothing could deter him from smiling in that sultry, promising way of his. There weren’t any doubts in their mind that this was an oath he’d sworn to himself; that he’d pleasure them to the point of no return and till they could remember nothing but him and his passion.

Guiding them back onto the futon they’d yet to have made after their morning tryst, his nimble hands were soon dancing up the warmth expanse of their skin, pushing the hem of their clothes up with every inch he mapped out with his touch.

“We’ll see how ethereal you’ll look when you’re in nothing but makeup and those brand new earrings of yours.”

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mygreatadventurehasbegun · 5 months

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My Favorite New-To-Me Movies of 2023

Women Talking

This movie won the Oscar of Best Adapted Screenplay and deservedly so...it's scenes are so tightly written and delivered so beautifully by the incredible cast of actresses, that it held my attention for the entire runtime. Every performance was fantastic, and I wish at least one of them had received recognition from the Academy...personally my vote would have been for Claire Foy, but any one of them could have walked away with a nomination.

Pearl

This was such an interesting horror flick...the saturated color palette, the extreme bursts of violence and of course, the magnificent performance by Mia Goth. She was absolutely fascinating to watch...the character of Pearl is so desperate to leave her home and to become a star that she will stop at nothing to get what she wants.

They Shoot Horses, Don't They?

While I consider this to be one of the best movies I've seen this year...it's not necessarily one I'd ever want to watch again. At least not in the near future...because this movie is bleak. During the Great Depression, a group of people sign up for a dance marathon with the hope of winning the prize money. All the characters are so compelling and interesting to watch. Absolutely recommend watching it, especially for Jane Fonda's outstanding performance...but you might finish the movie a bit depressed.

Deathtrap

Man, this movie is fun. It's the kind of movie that I can't say too much about, because the plot is so full of twists...but the basic idea is: A famous playwright, coming off a string of flops, learns that his former student has written a surefire hit play, and he conspires to murder his student and take the play as his own. And you have Christopher Reeve wearing some fantastic sweaters.

Sweet Smell of Success

This movie is so good, I don't even know where to start. The performances, the writing, the cinematography...it's such a perfect example of a noir film (especially one that doesn't focus on a murder or a detective). I wasn't sure what to expect when I started, but from the moment I pressed play, I was completely engrossed.

The Last of Sheila

I really caught up on my murder mysteries this year...and The Last of Sheila is a really great one. Another movie that I can't say too much about because of it's twisty plot...but I will say you can definitely see how it influenced Rian Johnson for his Knives Out films. Also, this was co-written by Anthony Perkins and Stephen Sondheim!

Catch-22

I blind bought this one after Alan Arkin's death...I had never seen it, but thought it seemed like a fun enough film to take the gamble on. And boy, was I right! While I can see why some critics didn't love it back then, this movie is so wonderfully bonkers, I can't help but love it! The witty dialogue, clever shot composition and excellent performances by a massive cast make this movie a real treat!

Home Before Dark

This was a very random find for me...I actually just came across it on TV when it was starting and decided to stick with it (just like the olden days, get off my lawn). And while the movie itself isn't perfect, I was completely drawn in by Jean Simmons' performance. Her character has just returned home from a stay at an asylum, and while she tries to reacclimate to life at home, we start to see her lose it again...but we aren't sure if she is actually being pushed towards that breakdown intentionally. It has a few shades of the movie Gaslight, for sure.

The Collector

This may have been my favorite new-to-me movie of the year! It is such an intense and uncomfortable film, with amazing performances by the two lead actors and an ending that I did not see coming. Given the story and the setting, I could almost see this easily being turned into a stage play...I'd love to see a theater try and capture the claustrophobic feeling you get when Miranda is trapped in that cellar.

A few honorable mentions are: All Quiet on the Western Front (2022), The Thin Man, Sound of Metal, Persona and Somewhere in Time (this one mostly for the melodrama, lol)

Here's to more movies in 2024!

#the collector 1965 #home before dark #sweet smell of success #women talking #they shoot horses don't they #the last of sheila #deathtrap #pearl #catch 22 #movies

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scarlet--wiccan · 1 year

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Hello! I was wondering, what would you classify as the outfits defining the different eras of Wanda? Like her first, classic, Wada, and Dauterman outfits.

Well, I think you've kinda answered your own question. Wanda's had lots of costumes, but her most iconic ones can usually be attributed a specific artist's work on a specific book. She didn't really start changing up her look until the 90s, but I would say that her most iconic outfits, outside of the classic one, really are the Pérez dancer costume from Avengers (1998), and Kevin Wada's design from Scarlet Witch (2016). A lot of her other looks are more short lived, or just not well-remembered. The new one's made a big splash, but it's too soon to say what kind of staying power it'll have.

Some of those short-lived looks are actually my favorites, though, so I want to do a brief history of Wanda's costumes. This is only going to be from the main Earth-616 continuity, and, full disclosure, I'm cribbing most of these images from uncannyxmen.net's costume gallery.

The classic Scarlet Witch costume has had several variations over the years. She consistently wears some version of this outfit from the 60s through to the 90s, but there were often changes to the style and cut of her garments. She wore a wimple-like headpiece in her early appearances, and traded it in for the now-iconic M-shaped diadem in Avengers #36, published 1966. She also went through a few maternity versions of her costume during her pregnancy in Vision & The Scarlet Witch (1985).

Wanda's first major costume changes were actually the result of possession or mental manipulation-- when possessed by Chthon, Wanda takes on a ghastly appearance and her clothing transforms into a dark red bodysuit with a tattered cape, sans headpiece. [Avengers #186] Later, while under Immortus's influence, Wanda cuts her hair short, ditches the headpiece again, and dons a red-and-black costume with a dramatic purple cape. [Avengers West Coast #55]

Wanda began changing her look more frequently in the 90s. During the late run of Avengers West Coast through Force Works, she wore a red dress over a black one-piece, with a necklace, gloves, and boots-- no headpiece. This is the first real costume change that she made of her own volition. She also had a brief-lived costume which first appeared in The Crossing, that drew more inspiration from the magical characters in Doctor Strange.*

The Pérez design first appeared in the opening storyline of Avengers (1998). In an alternate reality conjured by Morgan le Fay, Wanda and Pietro both appear as sterotypical "gypsies." Wanda later adapted her her outfit from this world in a contemporary costume. This was intended as an earnest representation of Wanda's cultural identity, but it fell quite short of the mark. Alan Davis later designed a more conventional superhero suit combining many of the same elements, without being an ethnic costume.*

In the early 2000s, Wanda debuted a set of red body armor with that combined fantasy aesthetics with a superhero silhouette*. This what she's wearing during Disassembled, but it's not well-remembered, perhaps because of the understated color palette. Wanda returned in Children's Crusade wearing a slightly updated version of the classic costume, with a halterless one-piece and cowl-neck cloak. I think this is the version most people refer to when they draw her classic suit, so to that end, it might be the most iconic.

Wanda had another rapid succession of costume changes in the 2010s, starting with the knee-length red dress with built-in gloves she debuted in Uncanny Avengers (2013).* In the Uncanny Avengers 2015 miniseries, she and Pietro both donned new, but very short lived, futuristic costumes for a brief adventure into outer space.

Then, in late 2015, Wanda received her first solo title in two decades, and it came with full aesthetic overhaul. Kevin Wada designed a collection of looks inspired by witch-house and dark romance fashion trends. This was eventually streamlined into a cohesive superhero suit for other ongoing comics, with an ornate red bodice and jeweled diadem.

In 2022, Russell Dauterman designed Wanda's look for the second annual Hellfire Gala event, taking heavy inspiration from the silhouette of her Crossing costume and the darker, more ornate aesthetic of Wada's design. A slightly simplified version of this look became Wanda's main costume in Scarlet Witch (2023) Most notably, this design incorporates the same magical galaxy effect from her son Wiccan's costume into Wanda's skirt and hair, signifying her mastery of chaos magic. Whether or not this costume lasts, I believe that the dark, bejewelled aesthetic and galaxy effect will continue to define Wanda and Billy's looks for years to come.

*these are my personal underrated faves

#wanda maximoff #scarlet witch #robintext #scarlet witch costume

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