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#the nun 1966
la-cocotte-de-paris · 11 months
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A lesson in the lustful female Gayze™: LA RELIGIEUSE / THE NUN (1966), dir. Jacques Rivette
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misandriste · 11 months
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The Nun (1966) dir. Jacques Rivette
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zombiebluejay · 9 days
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When you can relate to your childhood being like The Nun (1966)
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filmpalette · 8 months
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La religieuse (1966) dir. Jacques Rivette
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centralbazaar · 2 years
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Matka Joanna od Aniołów (Mother Joan of the Angels), Jerzy Kawalerowicz (1961) x La Religieuse (The Nun), Jacques Rivette (1966)
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garbagequeer · 1 year
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just saw the trouble with angels get called dark academia..
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filmaticbby · 4 months
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The Nun (1966) dir. Jacques Rivette
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Stats from Movies 401-500
Top 10 Movies - Highest Number of Votes
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The Platform (2019) had the most votes with 1,912 votes. Sauna (2008) had the least votes with 546 votes.
The 10 Most Watched Films by Percentage
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Zombieland (2009) was the most watched film with 69.3% of voters out of 858 saying they had seen it.
The 10 Least Watched Films by Percentage
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Slender Man (2018) was the least watched film with 71.9% of voters out of 1,354 saying they hadn’t seen it.
The 10 Most Known Films by Percentage
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American Psycho (2000) was the best known film, only 1% of voters out of 1,171 saying they’d never heard of it.
The 10 Least Known Films by Percentage
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Beaten to Death (2022) was the least known film, 92,86% of voters out of 658 saying they’d never heard of it.
The movies part of the statistic count and their polls below the cut.
Prey (2022) M3GAN (2022) Caveat (2020) Patchwork (2015) All Cheerleaders Die (2013) The Final (2010) Disturbing Behavior (1998) The Gate (1987) Sssssss (1973) Xtro (1982)
Body Melt (1993) Mr. Sardonicus (1961) The Abominable Dr. Phibes (1971) Eating Raoul (1982) Peeping Tom (1960) Night of the Scarecrow (1995) Bad Milo! (2013) Patrick (1978) Beaten to Death (2022) Lovely Molly (2011)
The Passenger (2023) Rent-A-Pal (2020) The Cell (2000) Faust: Love of the Damned (2000) The Children (2008) Prince of Darkness (1987) Escape Room (2019) Eraserhead (1977) Incubus (1966) Blacula (1972)
I Drink Your Blood (1971) Dementia (1955) Hollow Man (2000) Thir13en Ghosts (2001) The Endless (2017) Bite (2015) Idle Hands (1999) Undead (2003) At Midnight I'll Take Your Soul (1964) Daddy's Girl (2018)
Bad Boy Bubby (1993) Warm Bodies (2013) Resident Evil: Welcome to Raccoon City (2021) The Haunting in Connecticut (2009) The Stepford Wives (2004) Fright Night (2011) The Witches (1990) The Hills Have Eyes (2006) Cat People (1942) AVP: Alien vs. Predator (2004)
King Kong (1933) The Happening (2008) Blade (1998) Blade II (2002) Blade: Trinity (2004) Bone Tomahawk (2015) Resident Evil (2002) Don't Look Now (1973) I Know What You Did Last Summer (1997) What Lies Beneath (2000)
Sauna (2008) The Orphanage (2007) Eight Legged Freaks (2002) The Windmill Massacre (2016) Antlers (2021) Slaughterhouse Rulez (2018) Dark Signal (2016) When Evil Lurks (2023) Huesera: The Bone Woman (2022) Halloween (2018)
Halloween Kills (2021) Halloween Ends (2022) Smile (2022) Orphan (2009) Orphan: First Kill (2022) Fresh (2022) Texas Chainsaw Massacre (2022) White Noise (2005) The Platform (2019) In the Tall Grass (2019)
Slender Man (2018) It Chapter Two (2019) Annabelle (2014) The Conjuring (2013) The Nun (2018) Urban Legend (1998) Bones and All (2022) Deep Rising (1998) Black Friday (2021) Werewolf By Night (2022)
Deathgasm (2015) Slither (2006) American Psycho (2000) Friday the 13th (2009) Revenge (2017) Host (2020) A Bay of Blood (1971) Black Christmas (2019) Zombieland (2009) Zombieland: Double Tap (2019)
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la-cocotte-de-paris · 11 months
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Needless to say this scene changed my entire being's chemistry
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Vincent Price as a bearded pregnant nun playing ball behind the scenes of Dr. Goldfoot and the Girl Bombs (1966)
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warningsine · 2 months
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Good post op.
For those interested, here are some such films to know herstory:
"Mädchen in Uniform" (1931)
"Anna and Elizabeth" (1933)
"All about Eve" (1950)
"Olivia" (1951)
"Mädchen in Uniform" (1951), dir. Géza von Radványi
"Girls in Uniform" (1951), dir. Alfredo B. Crevenna
"No Exit" (1954)
"The Girl with the Golden Eyes" (1961)
"Walk on the Wild Side" (1962)
"The Nun" (1966)
"Persona" (1966) (yes, I'm including it)
"Belle de Jour" (1967)
"Les Biches" (1968)
"The Killing of Sister George" (1968)
"Baby Love" (1969)"
"The Exquisite Cadaver" (1969)
"The Vampire Lovers" (1970)
"Daughters of Darkness" (1971)
"The Bitter Tears of Petra von Kant" (1972)
"The Beguines" (1972)
"Successive Slidings of Pleasure" (1974)
"Twice a Woman" (1979)
"Desert Hearts" (1985)
"I’ve Heard the Mermaids Singing" (1987)
"Betty" (1992)
"Les Voleurs" (1996)
"8 Women" (2002)
"Nathalie…" (2003)
"Night Fangs" (2005)
"Backstage" (2005)
"Pretty Persuasion" (2005)
"Loving Annabelle" (2006)
"The Page Turner" (2006)
"Notes on a Scandal" (2006)
"Bandaged" (2009)
"Chloe" (2009), American remake of "Nathalie…"
"Cracks" (2009)
"Gigola" (2010)
"Bloomington" (2010)
"A Perfect Ending" (2012)
"Concussion" (2013)
"Nymphomaniac: Vol. II" (2013) (going controversial with this one)
"Tru Love" (2013)
"Clouds of Sils Maria" (2014)
"Sand Dollars" (2014)
"The Duke of Burgundy" (2014)
"Unexpected" (2014)
"4.48" (2014)
"Carol" (2015)
"Freeheld" (2015)
"Summertime" (2015)
"AWOL" (2016), dir. Deb Shoval
"Bird of Prey" (2016)
"Foreign Body" (2016)
"Allure" (2017)
"Atomic Blonde" (2017)
"Daphne du Maurier: In Rebecca’s Footsteps" (2017)
"The Party" (2017)
"You, Me and Him" (2017)
"Lizzie" (2018)
"The Favourite" (2018)
"Suspiria" (2018)
"The Bisexual" (2018)
"Clementine" (2019)
"Greta" (2019) (anon's* choice ❤️)
"Saint Maud" (2019)
"Ammonite" (2020)
"I Care a Lot" (2020)
"T11 Incomplete" (2020)
"Take Me Home" (2020)
"Parallel Mothers" (2021)
"Vigil" (2021)
"Benedetta" (2021)
"Anaïs in love" (2021)
"Eileen" (2023)
"May December" (2023)
Some of them are subtextual, some of them explicit, some--to use Tumblr's favorite word--problematique, some do not revolve around romance, some are cinematic masterpieces, some utter trash.
*Edit:
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Ok, I laughed out loud, but on second thought? #valid
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angelap3 · 2 months
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Sulla particolare bellezza di Titina, Eduardo scrisse, nel 1966, una commovente poesia:
"Nun era bella
ma ‘a bellezza soia
‘a sapeva sul’essa,
e s’ ’a sapeva spennere
pè dint’ ‘o specchio,
quanno n’ata faccia
‘e na femmena bella,
bella ‘o vero,
le cercava ‘o piacere
d’essere cumm’a essa
pè na sera."
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chernobog13 · 2 months
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Ron Ely as Tarzan, and his chimp co-star Cheeta. Though they look like best friends, Ely suffered several bites from the little guy during the course of their two years working together.
For kids in the mid-to-late 1960s, Ron Ely WAS Tarzan.
Ely was the star of the 57-episode Tarzan TV series that ran two seasons, from 1966 to 1968, and then in near continual syndication for several years afterward.
The television series was executive produced by Sy Weintraub, who had been producing the Tarzan films since 1958. Weintraub was responsible for replacing the monosyllabic persona of Tarzan, made popular by the Johnny Weissmuller films of the 1930s and40s, with the educated, well-spoken character from Edgar Rice Burroughs' novels. True Trazan fans were delighted with this move, and I'm sure Burroughs himself would have been as well had he lived to see it (he died in 1950).
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Tarzan about to demonstrate his vine swinging skills.
Weintraub also filmed his Tarzan movies on location, as opposed to in a studio with stock jungle footage. This made for some spectacular scenes, but it was rough on both the crew and his Tarzan actors: Gordon Scott, Jock Mahoney, and Mike Henry.
When he decided to make the Tarzan television series, Weintraub wanted Henry to continue in the role. However, Henry had made 3 Tarzan films back-to-back in 1965 and was physically exhausted. Thus the TV role eventually was awarded to Ely.
Like the Mike Henry films, the TV series was filmed in Brazil (first four episodes) and Mexico (the remainder of the series). This explains why the scenery, while lush and exotic, sometimes doesn't quite gel with images we'd seen of the African wilderness. It also explains why many of the extras appeared Latin as opposed to African.
Ely insisted on doing his own stunts for the series, a decision later on he would come to regret. He suffered more than two dozen serious injuries, which included two broken shoulders, lion bites, and several bites from his co-star, Cheeta the chimp. Allan Sherman, in an issue of the Tarzan comic book when it was published by DC, wrote an article and chart detailing all the injuries Ely incurred in the two years of production. Unfortunately, I have not been able to find the article to include here.
The one thing Ely could not do: the famous Tarzan yell. The production ended up using a recording of Johnny Weissmuller's version of the yell.
Ely's other co-star in the series was Jai, an orphaned boy (played by Manuel Padilla, Jr). Jai took the place of Boy, Tarzan's son from the Weissmuller films, and gave the ape man someone to protect and/or rescue every episode.
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Manuel Padilla, Jr. as Jai, Tarzan's companion throughout the TV series, with Ron Ely as Tarzan.
As in Weintraub's films, the character of Jane was not present. Weintraub preferred a Tarzan who was a lone adventurer. The TV Tarzan was not a globetrotter like his film counterpart; his adventures were limited to a fictional African country.
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The Tarzan series had several high profile guest stars including, believe it or not, Diana Ross and The Supremes: Cindy Birdsong, Mary Wilson, and Diana Ross as a trio of nuns.
The series got off to an uneven start, as the location shooting took longer than anticipated. Early episodes show signs of hasty, almost haphazard editing as they were assembled at a breakneck speed to meet NBC network's broadcasting schedule. Luckily, the production eventually found its footing, and things smoothed out quickly.
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For a brief time Tarzan's TV adventures took over the cover spot on the Tarzan of the Apes comic book.
Warners Brothers has released the series on DVD back in 2012 and 2013. To my knowledge (which, admittedly, is faulty) it is not currently streaming or available on any cable channels.
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fatecolossal · 7 months
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TWIN PEAKS: THE MISSING PIECES (2014, Lynch) x PERSONA (1966, Bergman) - near the end of both films
A nurse, in a distinctive nursing cap, cares for a largely mute patient in bed, & at some point is seen to take on some element of her identity...
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Though the scene at the end of THE MISSING PIECES is short, it also parallels 3 other distinctive moments or elements from PERSONA: One, the nurse waves her right hand in front of Annie's face, just like the boy in the prologue to PERSONA waves his right hand in front of our face.
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Two, we see Annie and the nurse reflected together in a mirror, just as in PERSONA we see Alma and Elisabet together in a mirror, in one of the most iconic sequences of that film. Notice also in the TP:TMP image above that there is a crucifix conspicuously hanging over Annie.
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This crucifix brings out a third parallel, its Christian iconography echoing the Christ-like elements of PERSONA's symbolism, from that film's repeated imagery of a nail driven through a hand, to its moment of blood-drinking, to its mention of eternal life, & more...
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The distinctive nursing caps/uniforms worn in each film further draw out these Christian parallels by arguably evoking those of nuns' habits, a comparison underscored both in PERSONA by its nurse being referred to as "Sister Alma," & in TP by Annie's past life in a convent.
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In addition to the world of religious symbols opened up by each work's implicit or explicit monastic references, the nun allusions also tie in themes of sisterhood, silence, and renunciation that are relevant to both works.
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Indeed, Annie's situation at the end of MISSING PIECES seems to intentionally be suggestive of a type of return to this monastic state of silence, seclusion, and an absence of men, one steeped in Christian symbolism.
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While neither Lynch nor Frost are practicing Christians (both seem more drawn to Dharmic religions), Annie's Christian faith is strongly emphasized in the series, carrying on a streak in TP's symbolism stretching back to MIKE's "face of God" soliloquy & forward to FWWM's angels.
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While the Nurse-Annie scenes in TP:TMP may arguably be viewed as somehow less important to TP canon, given that they were originally deleted, it's important to note the very strong ways that scene parallels Laura's critical, Annie-featuring dream sequence in FWWM:
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Consider the ways the Nurse-Annie scene mirrors the Laura-Annie scene. In each: 1). Annie recites the same statement. 2). The jade ring is then passed on to a new person 3). The ring-bearer then sees a reflection, looking back over their right shoulder into a room with a bed
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Indeed, as regards the "mirroring" moment, the construction is remarkably similar: we see a rectangular frame with a ring-bearing blonde looking over her right shoulder into a room with a bed. In the case of Laura, her outstretched right hand touches her shadow's hand; in the case of the nurse, her outstretched right hand (as seen in the mirror image) touches her left hand.
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(Like the Annie-Nurse scene in TP:TMP, the Annie-Laura scene in FWWM arguably evokes moments of PERSONA as well, albeit here the parallels are more tenuous...)
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(It's also perhaps worth noting a connection between Laura & a nurse made in the pilot episode, where a nurse stuffed-animal (a sockpuppet monkey?) can be seen in her bedroom.)
Other minor observations:
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-In one of the few other notable elements of mise en scène in the TP:TMP scene, a painting of a lake in a forest can be seen behind the Nurse as she stares down at the ring (just before looking in the mirror), arguably evoking another iconic PERSONA image
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-The design on Laura's lamp post seen in several shots of Annie distinctly resembles a divided heart (much like the wreath on the Palmer House door, both suggesting Laura's "divided heart" necklace).
-Note also the 3D "flower" scrunch-flourish on Annie's dress evoking a blue rose.
Much more could be said about all of the topics herein, including especially the links between PERSONA & TP/Lynch generally, as well as the links between the Annie-Laura scene and the Annie-Nurse scene, each of which is deceptively deep.
To end, here's a 2018 quote from Lynch on what motivated his choice to return to TWIN PEAKS: “For a long time, no itch. But at the same time, there’s a thing in FWWM where Laura is in her bed and she's visited by Annie. Annie says, ‘I’m in the Black Lodge with the good Dale. Write that in your diary’. That little bit right there held a string of dreams"
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