LE GRAND CHARIOT von Philippe Garrel
LE GRAND CHARIOT von Philippe Garrel @berlinale #berlinale2023
Francine Bergé, Louis Garrel, Aurelién Recoing © Benjamin Baltimore / 2022 Rectangle Productions – Close Up Films – Arte France Cinéma – RTS Radio Télévision Suisse – Tournon Films
Philippe Garrel inszeniert seine drei Kinder in einem Film um eine Künstlerfamilie, mit einem antiromantischen Impetus, der gleich wieder umschlägt ins Lob der Kunst, die sich bewegt.
Schausteller sind sie,…
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Le grand chariot
Un film de Philippe Garrel avec Louis Garrel, Damien Mongin, Esther Garrel, Lena Garrel, Francine Bergé Trois frères et sœurs – joués par les enfants réels du réalisateur Philippe Garrel – constituent la dernière génération d’une famille de marionnettistes. Sera-ce la dernière ? Un événement tragique met à l’épreuve leur volonté de poursuivre la troupe, remettant en question la notion même de vocation. Notre avis: Pas encore vu
Retrouvez l'article complet ici https://is.gd/DS4VWQ
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Berlinale 2023 - Competition Lineup
January 23, 2023 - the Berlinale announced the titles from the Competition section.
18 films will compete for the Golden and the Silver Bears. Productions from 19 countries are represented. 15 films are world premieres. Six films were directed by women. Eleven filmmakers have been at the festival before, eight in Competition. There are three debut films represented in the Competition program.
20.000 especies de abejas (20,000 Species of Bees)
by Estibaliz Urresola Solaguren | with Sofía Otero, Patricia López Arnaiz, Ane Gabarain, Itziar Lazkano, Sara Cózar
Spain 2023
Competition | World premiere
Bai Ta Zhi Guang (The Shadowless Tower / Der schattenlose Turm)
by Zhang Lu | with Xin Baiqing, Huang Yao, Tian Zhuangzhuang, Nan Ji, Wang Hongwei
People’s Republic of China 2022
Competition | World premiere
Bis ans Ende der Nacht (Till the End of the Night)
by Christoph Hochhäusler | with Timocin Ziegler, Thea Ehre, Michael Sideris
Germany 2023
Competition | World premiere
BlackBerry
by Matt Johnson | with Jay Baruchel, Glenn Howerton, Matt Johnson, Cary Elwes, Saul Rubinek
Canada 2023
Competition | World premiere
Disco Boy
by Giacomo Abbruzzese | with Franz Rogowski, Morr Ndiaye, Laëtitia Ky, Leon Lučev
France / Italy / Belgium / Poland 2023
Competition | World premiere | Debut film
Disco Boy
Le grand chariot (The Plough)
by Philippe Garrel | with Louis Garrel, Damien Mongin, Esther Garrel, Lena Garrel, Francine Bergé
France / Switzerland 2022
Competition | World premiere
Ingeborg Bachmann – Reise in die Wüste (Ingeborg Bachmann – Journey into the Desert)
by Margarethe von Trotta | with Vicky Krieps, Ronald Zehrfeld, Tobias Resch, Basil Eidenbenz, Luna Wedler
Switzerland / Austria / Germany / Luxembourg 2023
Competition | World premiere
Irgendwann werden wir uns alles erzählen (Someday We’ll Tell Each Other Everything)
by Emily Atef | with Marlene Burow, Felix Kramer, Cedric Eich
Germany 2023
Competition | World premiere
Limbo
by Ivan Sen | with Simon Baker, Rob Collins, Natasha Wanganeen, Nicholas Hope, Mark Coe
Australia 2023
Competition | World premiere
Limbo
Mal Viver (Bad Living)
by João Canijo | with Anabela Moreira, Rita Blanco, Madalena Almeida, Cleia Almeida, Vera Barreto
Portugal / France 2023
Competition | World premiere
Manodrome
by John Trengove | with Jesse Eisenberg, Adrien Brody, Odessa Young, Sallieu Sesay, Phil Ettinger
United Kingdom / USA 2023
Competition | World premiere
Manodrome
Music
by Angela Schanelec | with Aliocha Schneider, Agathe Bonitzer, Marisha Triantafyllidou, Argyris Xafis
Germany / France / Serbia 2023
Competition | World premiere
Past Lives
by Celine Song | with Greta Lee, Teo Yoo, John Magaro
USA 2022
Competition | International premiere | Debut film
Past Lives
Roter Himmel (Afire)
by Christian Petzold | with Thomas Schubert, Paula Beer, Langston Uibel, Enno Trebs, Matthias Brandt
Germany 2023
Competition | World premiere
Afire
Sur l’Adamant (On the Adamant)
by Nicolas Philibert
France / Japan 2022
Competition | World premiere | Documentary Form
The Survival of Kindness (Das Überleben der Freundlichkeit)
by Rolf de Heer | with Mwajemi Hussein, Deepthi Sharma, Darsan Sharma
Australia 2022
Competition | International premiere
Suzume
by Makoto Shinkai
Japan 2022
Competition | International premiere | Animation
Tótem
by Lila Avilés | with Naíma Sentíes, Monserrat Marañon, Marisol Gasé, Saori Gurza, Teresita Sánchez
Mexico / Denmark / France 2023
Competition | World premiere
We are happy to see diversity including female directors and debut films. We wish all the best to every team showing their work in this prestigious film festival.
Rendez-vous on February 25 to know the recipients of Golden and Silver Bears.
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Michel Vitold and Channing Pollock in Judex (Georges Franju, 1963)
Cast: Channing Pollock, Francine Bergé, Edith Scob, Michel Vitold, Jacques Jouanneau, Théo Sarapo, Sylva Koscina. Screenplay: Jacques Champreux, Francis Lacassin, based on a screenplay by Arthur Bernède and Louis Feuillade. Cinematography: Marcel Fradetal. Art direction: Robert Giordani. Music: Maurice Jarre.
Judex is, like Steven Spielberg's Raiders of the Lost Ark (1981) and the subsequent Indiana Jones sequels, an hommage more than a spoof. In both cases, the filmmakers were affectionately mimicking films of their youth: the cliff-hanging serials that often accompanied feature films. Unlike Spielberg, director Georges Franju had a particular director in mind: Louis Feuillade, who crafted adventure thrillers usually involving master criminals like the titular protagonist of Fantômas (1913) and the sinister Irma Vep of Les Vampires (1915-16). The original Judex serial of 1916 featured a masked crime-fighter, a figure that became increasingly popular after Douglas Fairbanks adapted a magazine story in The Mark of Zorro (Fred Niblo, 1920), leading to numerous comic books and movies about swashbucklers and superheroes using disguises to protect their secret identity. The archetype became so prevalent that eventually it was subject to amused mockery, as in the camped-up Batman TV series of 1966-68. But Franju isn't out to mock Feuillade's serials so much as to recapture some of the innocent thrills of the original, with sets and costumes evoking a pre-World War I naïveté. Judex (Channing Pollock) is a do-gooder who in the film is trying to expose the fraud and murder committed by a wealthy banker, Favraux (Michel Vitol). He has somehow disguised himself (with an obvious fake beard) as Favraux's secretary, Vallières-- the film never bothers with backstories of its characters, so we don't know how Judex/Vallières gained Favraux's confidence and trust -- and manages to fake Favraux's death and hide him away in an elaborate dungeon, where he watches Favraux via an improbably early version of television. But Judex's plans -- which are not entirely clear in any case -- are complicated by his adversary, Diana Monti (Francine Bergé), who has herself been operating as the governess for Favraux's granddaughter. And so on, through an increasingly intricate series of plot twists, clashes, escapes, last-minute rescues, and all of the trappings of the genre. It's really a good deal of fun, though it occasionally goes a little slack, especially if you're not in the mood for such Gallic nostalgia. Marcel Fradetel's black-and-white cinematography mimics the silent-movie style to the mark, even using old-fashion iris shots for transition, and at one point having the comic-relief detective, Cocantin (Jacques Jouanneau), peer through the keyhole, with what he witnesses viewed through a keyhole-shaped aperture. Judex is played by an American magician, Channing Pollock, who performs some sleight-of-hand involving doves. A very handsome presence but no actor, Pollock was hyped as a new Rudolph Valentino, but without success.
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