Last Words of WIP Meme
“They tend to worry,” Michael said after a moment. “It seems to be a very human thing.”
“I am also worried about you,” Raphael said. “I’m not human.”
She definitely felt worried. “There’s no need to worry, Raphael.”
“Isn’t there?” A hint of frustration crept into Raphael’s voice. “I can tell something is wrong. I don’t know what it is, but I know something is.”
Michael watched her for a moment. “There’s nothing wrong.”
I was tagged by @kurowrites ! Thanks very much for the tag.
Tagging…who’s still writing nowadays? @onemuseleft , @sineala , and other people who write?
17 notes
·
View notes
Ineffable Bureaucracy and Ineffable Husbands
So, especially in the early days after the release of S2, I saw and heard a lot of people comparing these two as if they were the same. There were fan comics and fanart and fanfiction that included dialogue that was something along the lines of "why are they so healthy after only a few years and we aren't?" or "why do THEY get a happy ending and we don't?" And I mean, I haven't seen any of that in a while so maybe people have come to this conclusion on their own, but just in case, I wanted to point out
That they are fundamentally different. They are not the same.
And the reason why comes down to this conversation from 2x3:
So, hold this conversation in your brain while we go through this.
First of all, we have our Ineffable Bureaucracy, Gabriel and Beelzebub.
So these are the ones who, figuratively speaking, were born in a castle.
Gabriel was the Supreme Archangel for however many millenia, and Beelzebub was the Grand Duke of Hell for the same, roughly speaking. They are equals in positions of power.
So, when they fall in love, you have two supernatural authorities who have lived their existences believing that they can reasonably expect to have and keep whatever they want. After all, that's exactly what their lives have been (with the one exception being Beelzebub's Fall) - they want something, they get it, they keep it, and no one tells them no.
The biggest risk is to Gabriel. If Heaven were to find out, he would Fall. I can imagine Beelzebub being a bit concerned, but "Oh no," Gabriel probably figured "I Fall to Hell, and straight into your arms!" And I could see Beelzebub with a little smirk saying "I'd look after you, babe," in response.
The only time Gabriel actually worries is when he finds out that there's another punishment that he didn't realize was a possibility.
Falling to Hell is one thing, but having his memories erased is an actual threat, and possibly the first time he's ever been told no. This is when we see him panic, and leave Heaven in a mess, storing his memories away to keep them safe from the Metatron. We find out later that he was on his way to Hell anyway and just forgot halfway there and got lost.
And so, we have two beings who were always told they were Good Enough, who approached each other knowing they were able to have whatever they wanted, and were therefore able to communicate and fall in love in a healthy way. They didn't need to tip toe or hide, because they had no reason to believe anyone would ever tell them no until someone did. Their risk, because of their positions of authority, wasn't nearly as great as Aziraphale and Crowley's risk.
So now we come to our Precious Ineffable Husbands
Crowley and Aziraphale start off in much lower positions on the Celestial Food Chain. We know that they have to be very careful about their relationship to avoid the repercussions. They can't mention The Arrangement out loud, they can't put their feelings for each other into words. It has been made clear to them that they are always being watched, and anything they have can be taken away from them on a whim.
So how can they communicate safely when they've spent millenia living on eggshells and tightropes? Of course they won't, and of course it's going to be much harder for them to believe they can once they finally are safe. I definitely believe that they will get there (for my own wellbeing I have to believe that their love is stronger than anything), but they will need to fight tooth and nail in a way that Gabriel and Beelzebub didn't. All because they aren't figures of authority.
It might honestly be another good argument for Crowley taking the Grand Duke of Hell job (even though I reeeeaaaally don't want him to). It would put them in the same position as Gabriel and Beelzebub, and might give them the footing to actually escape the system (even though I think it's more likely that they're going to dismantle and/or repair the system in s3, but that's my own opinion).
These two pairs aren't mirrors of each other. Rather, they illustrate the problems with inequity that Crowley was pointing out in Edinburgh. And if S2 showed us that, I'm hoping S3 will show us possible solutions for it.
418 notes
·
View notes
aziraphale is pretty sure attempting to sneak a demon into heaven is a bad idea.
forget the fact that he’s the supreme archangel. forget the fact that the second coming is not going at all according to plan—his plan…the ineffable plan? forget the fact that he and crowley haven’t had a moment alone that wasn’t interrupted by muriel or maggie or nina or a legion of demons or the end of the world.
forget the fact that crowley hasn’t taken those wretched sunglasses off since…
it’s definitely a bad idea.
crowley is wearing a cream-colored suit over one of those turtlenecks with a gold version of his usual scarf, saying something about heavenly bees, but whatever joke he’s trying to make falls flat because all aziraphale can think is, i could appoint you to be an angel, you could come back to heaven, and isn’t that the pinnacle of cruel irony?
he understands why the disguise is necessary; it’s the not-so-subtle rub-in-the-face from a bitter demon squeezing his heart into a fist. it’s the prick of unease in the back of his mind that something isn’t quite right, the floor is at an odd angle, that book belongs on a different shelf. at the same time, it’s the you’re gorgeous he’s longed to return since before the beginning, sitting behind clenched teeth every day for 6,000 years. and it’s the realization that this was not what he imagined at all.
“this the one?” crowley asks, flipping through a file laid out on michael’s desk. “supreme archangel, and they’re still keeping secrets from you, huh?”
aziraphale would appreciate it if crowley would refrain from certain reminders. “yes, that’s it.” he looks around the pillar he’s taken to leaning against, waiting for the inevitable repercussion of being caught in the act. his suit is newer, sharper, grayer, but at this rate, all the worrying his thumbs have been doing to the fabric of the jacket is bound to have him looking his normal self. he supposes crowley sees something similarly foreign whenever he looks at him.
“wait, these are—”
“i know.”
crowley’s frown deepens as he rummages through the papers and documents and photos that aziraphale spent so long staring at, debating if coming back to beg crowley for help was worth the knife wounding his pride, and whether crowley would simply twist it instead and tell him to fuck off.
(he did, at first.)
too many things on the tip of his tongue—another apology, a frustrated yell, the heavy memory of crowley.
“you were right,” he settles with a sigh.
the demon pauses, considers him, then closes the vanilla folder, dragging the projected holograms back into the file. aziraphale braces for an “i told you so” or the self-deprecating laughter that’s made an increased appearance in wake of his leaving. the damn sunglasses render his expression unreadable, a book aziraphale regarded himself as an expert on, but now he isn’t so sure he’d ever gotten the words right to begin with.
then crowley is smiling at him. no sneer, no malice. crowley’s smile is small, two parts sad and muted expectations, and aziraphale feels like he’s being offered something important, more than a title, more than a job, more than the opportunity to fix the unfixable, though he certainly tried, and he’ll be damned before he lets it go. it’s still angry, but it’s so much realer than anything aziraphale has felt up here for months, and aziraphale knows. he knows they need to talk, and even if they’re just as irreparable as heaven and the whole system, he knows which one he’ll be devoted to mending.
“can i get that in dance form?”
and suddenly aziraphale knows what it is to soar without wings.
he doesn’t get the chance to respond before michael’s approaching voice sends him into a panic. aziraphale hopes the click of heels on white porcelain tile will drown out the sound of their own shuffling as he lunges for crowley, who just manages to grab the file they came for, and pulls him around the pillar.
there aren’t many good hiding places in heaven. why would there be? it’s supposed to reflect truth and dispel lies. the good thing about being an archangel, however, is the ability to alter heaven’s layout, although minutely. you want a desk? there. you want to lengthen the hallway from uriel’s office to yours? done. you want a slightly darker corridor leading into the wall a few feet to the left of michael’s desk? aziraphale does.
he almost shushes crowley’s quiet yelp of surprise when he frantically presses the demon into the alcove out of sight, and aziraphale feels the punched-out exhale more than he actually hears it.
it’s deja vu. they’re back in tadfield manor except crowley’s holding a folder containing plans for judgment day trapped between them, and aziraphale’s the one with his hands clutching lapels like they might leave with another stinging don’t bother. the moment is dangerously loaded because fuck, aziraphale has no idea where crowley’s sunglasses got thrown in his haste, and crowley’s looking at him, really looking at him, without dark lenses to hide the way his eyes flicker down or the split-second fear that flashes across them.
aziraphale is crushing their chests together, and crowley is caving under him, and jesus isn’t here yet, but there wouldn’t have been room for him anyway.
“angel,” crowley breathes, and aziraphale knows it’s a slip of the tongue because crowley hasn’t called him that since they last parted ways.
aziraphale’s mind is a constant loop of yellow, yellow, yellow, and it takes every ounce of remaining self-control in his body not to lean forward and do what he should’ve done months ago. he doesn’t have quite enough left to pull back though, so he’s stuck on the verge of never knowing how to ask for what he wants, always too good at backtracking for their own safety, afraid to do it now because he really thought last time was the last time, and he doesn’t know if crowley can take another rejection.
aziraphale doesn’t know if he can either.
any sound of michael has disappeared.
aziraphale reckons this is the part where he’s supposed to say something like, “i’m not nice. nice is a four-letter word.” aziraphale reckons crowley might even agree with him. he doesn’t feel nice; all these millennia of you go too fast for me, crowley, and i don’t even like you.
their noses bump as crowley shifts his head. “aziraphale,” he says. it makes the angel want to cry. “‘s alright.”
so crowley’s catching the bullet this time, and that’s all it takes for aziraphale’s grip to loosen. he steps back—all too familiar a motion—and watches the demon smooth himself out.
“crowley, i—”
“nah,” he interrupts, waving the file in his hands. “talk later, remember?”
aziraphale relaxes, wonders what miracle gave him this and who performed it, wonders which stars aligned and whether crowley knew about them. the angel nods.
neither speaks again until the elevator doors are closing and the angel disguise has fallen away.
crowley, in all of his too-tight pants and infinite patience, doesn’t even look at aziraphale when he says, “dance later, too.”
137 notes
·
View notes