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#the crown review
stutee · 7 months
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Thoughts while and after watching The Crown Season 6 part 1 -
1. As the crown was and is about the Queen(now Late Queen), this season made me dislike her character more. Claire Foy's character was, if not sympathetic, at least helped us in humanising her as a young woman who did not like the spotlight but had to become one of the important people in the world. With Olivia Coleman's queen, her coldness grew. And Imelda Staunton strengthened her position as the cold mechanical Queen. Still won't deny that she had some sort of charm that made people like her or at least be intrigued about her but other than that, there is nothing
2. Season 3's Charles deserved sympathy. He had so much potential to do something but was constantly shut down and beaten until he lost that battle and ended up being ruthless. But if at one side you wish to show the utter heartlessness with which he and others treated Diana, then how can you show Charles as someone who needs to be sympathised and felt sorry for. Sure as any other human he deserved happiness but on the cost of what? This whole thing with Diana was a huge chain of events that resulted in this. There are articles which wrote that in a better way on how if at one side the crown shows him as the selfish husband, on another side it shows his political/royal campaigns as an attempt to show that he is not entirely a bad person?
3. Which brings us to here, the Ghost of Diana. That was terrible. If that all, we were supposed to have Diana's spirit visiting someone it should be only and only her sons. Some article or someone here wrote how it would be better if Diana haunted the Queen and Charles provoking feelings of regret and guilt rather than a learning and a redemption arc. But out of all the people she went to comfort and impart wisdom to the two people who were the most responsible for her pain.
4. Showing Diana as reckless and seeking attention was a terrible move again. Okay maybe they showed how the royals perceived her but the writing was also aimed at showing how she was also not without her faults and even going to the extent of showing Charles as the bigger person.
5. What's interesting is seeing the growth of Prince Philip. From someone who valued his freedom and independent thinking to becoming one with the royals. Sure if we see from Season 1 and 2's perspective of the husband he was, this is better in how Elizabeth and Philip have now become partners. He advises her and supports her and even fights for her(season 5) but now he is just another royal. Telling her how she should not go to London to offer her regards to Diana's funeral. In real life he is known for weird racist remarks which obviously weren't shown here and yes he wasn't any better either way. But still, he eventually became the Prince of windsor from just Philip.
6. There is obviously a grey area where one finds themselves standing, when we see a personal tragedy depicted in a fictional series. Sure Diana was the people's princess and a public figure but somewhere it felt slightly strange witnessing the whole thing. I can't name or describe the strangeness but well it was there.
7. Last and not the least, there is this one thing that I conclude every season i complete, that is, the royals are utterly useless. Now I get that you are all from a large history and it is nice to keep your traditions and cultures alive but not growing or staying stuck to it even after the world outside was changing rapidly? Saying the same old scripted speeches when the common people were desperate for food and better living conditions is terrible. I am not saying to abolish the monarchy, I mean yeah that would be great but sure if you wish to keep that culture but why the pomp and show and treating them as invincible and even funding them. Why can't they have normal jobs? Sure some royals lead pretty normal lives, so why can't they just be normal? Why on earth do they still feel so superior and God like even in the 21st century? The recent events of King Charles lll speaking of poor living conditions sitting on a throne of jewels. That's such a poor taste and being so ignorant of basic things.
I have always loved the cinematography and acting of this series. No wonder it won awards. And while some of it remains in the final seasons, it lacks the same charm of the initial seasons.
Waiting for part 2 to see how this series concludes.
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thecrownnet · 2 years
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Manville and Dalton are a joy to watch in this tale of love rekindled too late.
Peter Travers, Review: The palace intrigue of 'The Crown' will hold you spellbound, ABC News Nov 6, 2022 ♚
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sincerelyhannibal · 27 days
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thecrownnetflixuk · 6 months
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Fond Farewells Mark the End of an Era for The Crown.
Pt 2 of Season 6 Accedes to the Next Generation – But Reigns Most Triumphant Saluting Its Sovereign.
Review & gifs by L.L @The Crown TV
I wasn't sure what to expect from the final 6 preview episodes of The Crown. Part 1 gifted us with a season-defining performance from Elizabeth Debicki, but such intense focus on the tragedy of Diana and Dodi's deaths was heavy-going. How to move forward?
Not many TV shows stick the landing, but I believe The Crown does, mostly by putting Queen Elizabeth front and centre. In four different ways! But Part 2 takes a while to forge ahead and reign triumphant.
Ed McVey and Meg Bellamy make shy William and swotty Kate believable as a young couple who meet at university – or earlier, as per a flashback with (not Ghost!) Diana. I still found it hard to invest in their will-they-won't-they relationship (we already know they do.) 
Instead, it’s sisters Elizabeth and Margaret who have long been the emotional heart of this show; at every stage of their lives.
Former Oscar-nominee Lesley Manville (alongside Queen Imelda Staunton) is truly magnificent in Ep 8 as Princess Margaret, though it's painful watching this vibrant lady struggle as her health worsens.
Memories of the 1940's are a delight. However, I wish we'd seen more of wide-eyed teen Lilibet let loose (Viola Prettejohn) and carefree Marg (Beau Gadsdon) before older Margaret says her final goodbye.
Staunton saves her best for last, bringing dry humour, vulnerability as well as leadership to Ep 10. The 70+ min epic finale 'Sleep, Dearie Sleep' has its shaky moments, but beautifully completes Queen Elizabeth's story when it counts, bringing near-perfect closure. That alone elevates Season 6 beyond Season 5.
Warning - MAJOR SPOILERS AHEAD. This is my final *EVER* review (might be extra long!)
S6 is NOW ON NETFLIX - WATCH THE EPISODES before reading.
Images: courtesy of Netflix
Starting with less good news; the first couple of episodes of Part 2 were my least favourite. Ep 5, 'Willsmania', feels transitional, and a little stuck in the past. Following his mother's death, Prince William (Ed McVey; taking over from younger actor Rufus Kampa) turns inward as he struggles to cope with public attention and grief.
It's an understandable reaction to losing a parent, but Part 1 already spent nearly half a season on Dodi and Diana. It felt like we grieved in real time. As a result, whenever the subject of Diana crops up again in Part 2, it tends to weigh down both pace and narrative.
Ep 6 brings a welcome change of topic. This being The Crown, I'm sure there are critics poised to be offended by Queen Elizabeth's nightmare about Prime Minister Tony Blair being crowned king, but to me, his 'coronation' was hilarious, as was the choir boy singing Blair's cheesy Labour pop anthem.
It felt like deliberate tongue-in-cheek humour, an absurd reminder why monarchy might still be better than populist elected leaders.
I really wanted this episode to work, but it didn't go anywhere, and themes like tradition-vs-modernity were covered more effectively in episodes such as 'Marionettes.' Bertie Carvel has Tony Blair's voice down but suffers from comparisons with Michael Sheen, who was uncanny as the Prime Minister in 3 earlier Peter Morgan projects.
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^ PM Tony Blair. The Women's Institute weren't fans of his grandstanding.
The Crown: The Next Generation fully arrives during Ep's 7, 9 & 10. Some will love it. Those who prefer more historical episodes with broader scope may be disappointed, as the show follows William and Kate through University life in the early 2000's.
The newcomers do bring fresh energy to the show. It helps that they cast Ed McVey and Meg Bellamy, who make a sweet couple as Will and Kate, even if William sometimes comes across as petulant.
Unlike Ed McVey as William, Luther Ford doesn't bear much physical resemblance to Prince Harry, other than red hair. Ford does however put in a good performance as Harry becomes increasingly reckless.
The Crown doesn't hide either Harry or William's bad behaviour. The brothers seem to get on well at the start, but it later seems like they're more at odds. Underneath a lot – a LOT – of boozing, both boys appear quietly screwed-up over their mother's death. Neither of them seem to enjoy playing happy families with Charles, either.
The show mostly concentrates on William and Kate, but there aren't many episodes left to develop a genuine romance. They have potential, but it feels fairly surface level. Suddenly, they rush to move into a house share together when we've barely seen them kiss. They (and we) needed more screen time to really get to know each other.
There's a bigger issue here with Kate's mother, Carole Middleton (Eve Best.) Pushy parent Carole is keen to play matchmaker between her 'commoner' daughter and the young eligible Prince, keeping tabs on William. Carole isn't as conniving, but ... didn't we just watch a similar storyline with Mohamed Al-Fayed/Dodi/Diana in Part 1?
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^ Kate 'n' Will. Her Mum would frame this picture.
Ep 8 'Ritz' plays like a standalone film. Margaret's final story is touching, but upsetting, at times; I was a fan of Diana, yet sobbed as much for Margaret as the credits rolled, even though her eventual death isn't shown. In fact, her final goodbye is sensitively done and stands as a fitting tribute to the princess, as well as to the Queen.
Lesley Manville makes Margaret's predicament so real as her health slowly breaks down. She bounces back from one stroke, then another hits. How awful too for Elizabeth to watch a much-loved sister deteriorate, though it was wonderful to see Lilibet read Margaret a bedtime story. It brought out the warmer side of Staunton's Queen.
The scene where Margaret scalds her feet in the bath is genuinely horrifying. I've suffered from ill health and loss of control myself and this was so much worse. I could feel her pain. That poor woman.
Human moments are where The Crown excels; through this episode, this working-class lass from a council house could somehow relate to a Princess in a palace. Peter Morgan has surely done more to humanise the royal family than any P.R team ever could.
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^ Fans of Margaret (and Lesley Manville) prepare yourselves for her sad final journey.
Onto the big reveal: when I mentioned at the start there are FOUR ways Queen Elizabeth appears – this is what I meant:-
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^ Newcomer Viola Prettejohn plays teenage Princess Elizabeth.
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^ & there's Olivia Colman & Claire Foy alongside older Queen Imelda Staunton.
Satisfyingly, all 3 of The Crown's leading ladies return to close the show. Olivia Colman and Claire Foy each have an additional scene, too (I won't spoil the entire finale, as it covers a lot of ground in over 70 mins, but Olivia and Claire aren't back as 'ghosts.')
As we get older, the ghosts who speak loudest are our own; the former versions of us we berate ourselves with. Not everyone may warm to the Queen (sort of) talking to herself, but personally, I was thrilled to see these talented actors on screen together.
Foy's scene with Staunton is particularly effective, as the younger Queen gives her older self an old-fashioned dutiful talking to. It's somehow also credible that they're aspects of the same person.
It reminded me of Peter Morgan’s 2013 (extraordinary) play, ‘The Audience', which inspired this series, and included scenes where Helen Mirren shared the stage with young Elizabeth. That play is also why this theatre-fan started watching The Crown to begin with, and later went on to create this website.
When Ep 10 finished playing, my Netflix returned itself to Season 1. 60 episodes over 7 years! I will miss the grand scale of The Crown, but appreciate the legacy which remains. Now feels like the right time for this story to end. A full-circle moment in more ways than one.
**Majestic thanks for reading, and to every person who has liked, reblogged, messaged, supported The Crown TV for all these years.
💎♕You each deserve a Crown of your own!♕💎**
N.B: These are my humble opinions at this point in time. No offence is intended. Agreement = lovely; not compulsory. Disagreement = happens; kindly coexist. Ta!
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TIL
That Princess Margaret's then-husband Antony Charles Robert Armstrong-Jones, 1st Earl of Snowdon would leave her lists of insults stuck inside random books and such places where he knew she would find them. One of them read: “You look like a Jewish manicurist and I hate you.”
Now, as a Jewish woman I should be horrified and offended, but honestly? I am DECEASED. We stan an extremely specific bitchy insult, and this one's right up there with YOU'RE A VIRGIN WHO CAN'T DRIVE.
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everythingroyalty · 4 months
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2023 IN REVIEW ↳ Queen Mary of Denmark ✨
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abybweisse · 9 months
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Ch204 (p1), Cover and title pages
As I mentioned before, in spoiler posts, Snake and Finny are wearing variations on the costumes they wore to the Halloween party in ch120... which was less than two months ago (for them).
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Snake's witch/wizard costume now looks more like he's a student at Hogwarts, while Finny's vampire outfit now looks inspired by Anne Rice characters.
But I also mentioned the glasses and the crown of thorns, which have been added to the costumes and hold separate meanings from the costumes. I see Snake's glasses as an indication he has trouble seeing the truth about Doll as an enemy. And that Finny wears that crown of thorns because of the burden he bears, the feelings of guilt he has for not telling Snake that his friends died... and how Finny had a part in their deaths.
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adobe-outdesign · 9 months
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hve you reviewed iron crown yet? thank you!
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Most of the future paradoxes suffer from the same problem, which is that they're just robot versions of [insert Pokemon here]—a few of them have actual themes, but most of them are pretty bland. Say what you will about the incredibly silly brontosaurus Raikou, but "bland" is not a word you'd use to describe it.
For the most part, Iron Crown falls into the same category, but I'll admit, I do kind of like it. This is mostly because it's a (subtle) improvement on Cobalion's original design:
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This is mostly in the legs. The original has this weird "Gumby-leg" problem wherein it has no actual ungulate anatomy, making it look weird and plastic-y. Iron Crown's legs are not only jointed, but they're narrower at said joints, and the hooves are much smaller. They're still not "correct", but it's no longer noticeable thanks to these changes.
Other small improvements include reducing the palette down to primarily gold and teal with very few black areas, making the "beard" the same color as the other grey-ish parts of the body, giving it more of a sloped back that makes it look taller and more regal, and being able to do this with its horns:
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My only nitpicks are that the back "fin" would've looked better in gold, seeing as there's less gold in this palette than in Cobalion's. Also, the placement of the front fins feels weird—it would've made more sense for them to either come off of the shoulder joint or off of the top of the chest piece, rather than just being stuck in the middle.
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Regardless, while Iron Crown isn't anything particularly surprising, it is a straightforward improvement on Cobalion's design and caries a partially imposing air that I wish the original had captured better.
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folk6crows · 5 months
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Is Throne of Glass worth the hype?
YES
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ofliterarynature · 13 days
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APRIL 2024 WRAP UP
[loved liked ok nope dnf (reread) bookclub*]
Death in the Spires • Heartstopper Vol 4 • Heartstopper Vol 3 • To Marry an English Lord • The True Queen • (Heartstopper Vol 2) • Fun Home* • (Arabella of Mars) • I’m Glad My Mom Died • (Sorcerer to the Crown) • And Then There Were None • Vassa in the Night • Queen of the Night • The Other Significant Others • Most Ardently • The Reformatory • The Book of Love
Read: 14 (10 audio, 4 print, 3 DNF)
The Other Significant Others (5 stars)- I've been anticipating this one ever since I first heard about it and it didn't disappoint! Not only does it tell the stories of people in close, non-traditional relationships, it also talks about marriage, raising kids, and aging, and it was all incredible. I've recommended this in the tags of so many posts and I need y'all to read it.
Queen of the Night (3 stars) - I've heard this glowingly recommended. I liked the author's story in the Sword, Stone, Table anthology. The events in the book are incredible! I should have been fascinated! But I was so bored! Part of it was that the mystery/thriller element in the description - someone has written an opera based on the main character's scandalous secret past, who could it be? - was extremely oversold, most of the book is recounting said past events, and we don't really dive into the present mystery until the very end. I've read similarly slow books so I don't know why I didn't like this, but I wish I'd dnf'd it. I'd recommend you try The God of Endings by Jacqueline Holland instead.
Vassa in the Night (4 stars) - this one surprised me! It's YA, I've heard pretty mixed reviews, and it's been sitting on my shelf for a while - starting it, the VERy in-your-face YAness almost threw me off but I'm very glad I stuck through it. I live for magic and fairy tales being dumped into modern times, and the really smart thing about this book is that it keeps a very tight focus (no space for the larger worldbuilding to fall apart lol). We've got a morally-grey magical doll companion who's a kleptomaniac and will eat you out of house and home, Baba-Yaga and her 24-hour convenience store on chicken feet, her disembodied hand assistants, weird guy on a motorcycle, and oh yeah, if they catch you stealing they'll put your head on display (and they're not above framing you to do it). Yes this is perfectly normal, why do you ask? I'm not saying it's perfect, but I had such a good time!
And Then There Were None (4 stars) - my first real attempt at Christie! I did enjoy listening to this, enough that I think I'll try some other Christie, but it wasn't entirely to my taste. I prefer having a detective figure in the story to follow, and the "reveal" after was disappointing.
Sorcerer to the Crown (3.5 stars) - this was a reread, and I definitely liked it a lot less for some reason this time? Maybe it was changing formats, but I love a historical fantasy romp and this should have been right up my alley! The True Queen (4 stars) was much more enjoyable, so maybe it was the characters, maybe it was the rereading itself. I think this might be my sign to call it quits with Zen Cho.
I'm Glad My Mom Died (4 stars) - this isn't really one I think I'd have ever picked for myself even though it got popular, except that my book-club friend recommended it. I'm finding that I'm not really one for memoirs, but despite the heartbreaking contents this was very easy to read - largely chronological with short chapters, and the author is clearly aware that things were bad even when her younger self did not. I accidentally started this when I was also reading Fun Home, so that was a lot of bad-parent-memoir at the same time, oops.
Fun Home: A Family Tragicomic (4 stars) - I've been eying this one for a while and am glad to have gotten it on the list for book club! Deeply fascinating, if not always an easy read - the subject on one hand, but the density of the pages, the differences between the comic panels and the narration outside them, and the jumping through time that memoirs do sometimes made events hard to follow. I admit my favorite parts were seeing the different queer books Bechdel slipped into her illustrations (one that I'm reading right now even!).
Arabella of Mars (4.5 stars) - Y'all, we are sleeping on this book, I had so much fun! Here's to girls dressing as boys, sailing ships, steampunk space travel, and vibes straight from early sci-fi adventure novels. I can't believe I forgot about this and am just glad I picked up a copy at the library sale to make myself reread it. I do apologize for thinking this was YA (which it isn't), but further thoughts on that and the rest of the series will have to wait for next month.
Heartstopper Vol 2-4 (5/5/4 stars) - finally! I read part of the comic online ages ago, and read Vol 1 for book club the other month, but I finally got started on the rest of the series. I had definitely read through Vol 2 previously, but everything else was new to me. I had a good time, but Vol 4 was a bit of a(n expected!) downer, and the time jump in the middle ruined the flow a bit for me. I do have Vol 5 in my hands currently, and if I didn't have so many other things to do I'd be tempted to do a big Alice Oseman re/read.
To Marry an English Lord (4 stars) - I encountered this at not one, but TWO unrelated book sales before I caved and bought it. I enjoyed it! It's mostly a sort of overview/reference covering the period around the Gilded Age - the New York upper crust, the European Aristocracy, and the various societal events that lead to a pattern of marital exchange. Did I skim the bits where it just listed name after name after name? Yes, but! Highly recommend to anyone reading romances or general fiction set in the period, I really wish I'd read this before trying The Age of Innocence! (its also very funny how occasionally it makes references that make it very obvious it was written in the 80's lol). Pairs incredibly well with another book I bought at the same sale, The Divorce Colony by April White.
Death in the Spires (3.5 stars) - I love KJ Charles, but I've often felt that her plots and romances can sometimes be at odds - so I was very excited when she said she'd written a mystery! But I'm lukewarm about it at best. The campus novel portions were fascinating, and I'd have loved more of them. But Jem as our narrator just wasn't engaging for most of the book. I wouldn't say it's his fault necessarily, but he's not really a good detective, there are either no clues or they're just going in circles, and the promised attempts on his life just aren't happening. Once we hit the 2/3 mark, where we're on campus, have more characters together, and they're talking - that's when things got good! Maybe this will be be better on a reread, but for now my hopes are for some good fanfic. Would recommend more to the dark academia people rather than mystery fans.
DNF
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Most Ardently (20%) - the vibes were very much, "here's my blorbos, I'm putting them in a Pride and Prejudice AU." Which is great, if that's what you want! It was not what I wanted alas. Biggest cons, the de-ageing of the characters and the generally modern YA/queerness. Pros, they did keep all of the other Bennet sisters! I was so tempted to keep reading just to see how Oliver and Darcy got together, but I knew I wasn't going to enjoy myself. Would have loved to see this presented as an original work rather than an adaptation, or as something hewing closer to the original tone and period of the novel.
The Reformatory (43%) - this was good, really! It's just that I'm only so-so on horror on my best days, and both story lines were sad and dark and depressing. I could have probably handled one or the other, but I wasn't really having a good time (that's not the right phrasing exactly, but you know what I mean). I had other things I wanted to read and it was a long book.
The Book of Love (6%) - I've heard multiple people sing the praises of Kelly Link, so while I wasn't really drawn by the description, I thought I'd give it a shot! I did, and it still didn't draw me in. Maybe I'll give it a try again someday, but I think I'll try her short fiction first.
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a-snowpoff · 2 years
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When you try to take a nap but you're haunted by the weight of your unearned success and unintentional double-kill.
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Song by Toby Fox: Undertale OST: 072 - Song That Might Play When You Fight Sans
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stutee · 2 years
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Final opinion after finally finishing the last episode of Crown -
Underwhelming.
Sure it has its intense moments and grey and complex moments, but over all, somehow this series could not entirely live up to the vibe of the last 4 seasons.
The ending especially was abrupt and it is as if there is another episode coming up but now we don't know when.
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thecrownnet · 2 years
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Within seconds of her appearance onscreen in the opening 'Queen Victoria Syndrome' episode, no one can doubt that [Elizabeth] Debicki was born to play Diana, and the casting of The Night Manager actress was a masterstroke among the precarious scripts.
Dominic Patten, Deadline
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godzilla-reads · 1 year
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👑 The Hero and the Crown by Robin McKinley
Rating: ⭐️⭐️⭐️⭐️⭐️/5
“Go slay a dragon, lady! Lady Aerin, Dragon-killer!”
The prequel to THE BLUE SWORD, we find ourselves in the land of Damar, following Aerin, the daughter of the king but also a witch-woman who died when Aerin was born. The Damarian people cannot trust her due to her heritage, but destiny will be greater than the people know as Aerin battles dragons, meets wizards, and searches for the lost Hero’s Crown.
I took longer to read this book than I thought because I was so caught up with savoring the story. Aerin was such a wonderful character and I loved watching her excel and grow and become truly herself by the end. I loved seeing her relationships with people and animals alike. You can really feel like you’re a companion with her on this journey to save her country and everyone she loves.
Now that I’ve finished this book, I wish I could read it for the first time again. That’s how much a I enjoyed it. Luckily, Robin McKinley wrote THE BLUE SWORD, which also takes place in Damar but a while into the future.
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thecrownnetflixuk · 7 months
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Goodbye to Diana, Goddess of the Hunt
Pt 1 of The Crown S6 Will Stand as the Definitive Dramatised Version of Diana & Dodi’s Final Days
Review (& gifs) by L.L @The Crown TV
Having seen Pt 1 of The Crown S6 before its official release, I can understand why Netflix decided to split the final season. The first 4 episodes are almost exclusively dedicated to the events surrounding the tragic deaths of Princess Diana and Dodi Fayed.
It's first-rate drama, but it's not always an easy watch. The series does have some lighter moments too, but it makes sense for The Crown to take a short pause before moving forward in December.
To be clear, Diana and Dodi's car crash is not portrayed in a voyeuristic way. We don't see the moment of impact; hearing it is traumatic enough. Diana's body is not shown. The show doesn't delve into what caused the accident. This is still The Crown, not CSI Paris.
Kudos to Peter Morgan and his research team who somehow scrutinised all reports of Diana and Dodi's final days and managed to turn no doubt conflicting accounts and opinions into 4 brilliantly dramatised episodes which feel like a definitive screen version.
I prefer the sharpened pace of S6 after a disjointed S5. All the cast seem more comfortable in their respective roles ... except ... Dominic West is a great actor, his grief and regret is so believable in these episodes, but for me, West's natural charm and roguishness still doesn't fit well with Charles. Perhaps Camilla would disagree!
There are no such issues with Diana. It's a difficult task playing an icon hunted by the paparazzi, but Elizabeth Debicki radiates the right emotional intelligence and effortless star quality of the princess. In fact, Debicki's empathetic and assured performance largely carries these pivotal episodes and tops her earlier impressive work in S5.
Warning - long read: more detailed spoilers ahead! GO & WATCH THE EPISODES FIRST (NOW ON NETFLIX)
Interview/images: courtesy of Netflix & Elizabeth Debicki.
The final season of The Crown begins in Paris with a bold flash forward to a dog-walker who witnesses the crash at the Pont de l'Alma tunnel. It's a jarring change of tone after S5, but effective.
From the start, we know where this story is headed. But first, it's back to Diana on her summer hols, impertinent rodents scurrying in the palace and Charles getting grumpy over the Queen not showing up for Camilla's birthday. Reassuringly, it's royal business as usual.
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^ Happy 50th, Camilla. I'm with the Queen about this pair; still not quite on board.
Enter Dodi Fayed, who could not be more different to his overbearing father. Khalid Abdalla infuses the shy son-of-a-billionaire with an engaging soulfulness which contradicts Dodi's two-timing behaviour.
Dodi starts out romancing his fiancée, Kelly Fisher (Erin Richards), but after being bullied into it by his father Mohamed Al-Fayed, Dodi pursues Princess Diana. For a while, Dodi juggles both women, before redeeming himself and confessing the truth to Diana.
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^ Diana & Dodi. This time, it's Diana herself who ends up not quite on board this ship.
BAFTA nominee Salim Daw is a force of nature as a magnificently Machiavellian Mohamed Al-Fayed. Daw's performance, along with Elizabeth Debicki's note-perfect Diana, is a standout in S6.
Those who had concerns that The Crown was too generous towards the real Al-Fayed in S5 have no such worries about S6. By episode 3, Mohamed almost crosses into arch villain territory, bribing Dodi into marrying Diana to get British citizenship and raise his social status.
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^ Mohamed Al-Fayed. Give him a cat & he'd be the perfect future Bond villain.
It's a controversial post-death chat with a 'ghost' which (nearly) absolves The Crown's Mohamed. Salim Daw is tremendously genuine during his imagined conversation with Dodi, sobbing for forgiveness. Too little, too late, but we feel his real pain about the loss of his son.
Before watching these episodes, the idea of Ghost!Dodi and Diana in the show did seem off-putting. Confession: I didn’t make it through the surrealistic film ‘Spencer’, where Diana talks to the ghost of Anne Boleyn (although Kristen Stewart seemed well cast in her role.)
Now that I've actually seen the 'ghost' scenes in The Crown, they don't feel ghoulish or disrespectful. Following the crash, both Charles (Dominic West) and Imelda Staunton’s Queen have small conversations with Diana, as though the princess is still with them.
You could take that to mean they’ve gone full royal-bats-in-the-belfry, but as a person who recently lost my dad, I talk to the dead all the time. It’s often what happens when you lose somebody you love. To see this depicted on The Crown felt honest. And human.
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^ Wassup, Betty? Just chillin', chatting w/dead Di* (*not dialogue from The Crown)
As the show wades through the aftermath of the crash, dealing with public sorrow, funerals and grief-stricken young William and Harry, it becomes heartbreaking. However, The Crown does handle heavy subject matter very well, as shown in episodes such as ‘Aberfan.’
With a golden jubilee coming up, hopefully Pt 2 of this final season will be more uplifting, and feature more scenes with Imelda Staunton as Elizabeth II. When we do see the Queen in Pt 1, her intonation is superb. There’s continuity too, with Staunton merging Claire Foy’s vulnerability and regality with Olivia Colman’s steely durability.
I'm no ardent monarchist, but now that we've said goodbye to Diana, I can't imagine that The Crown would end without paying tribute to another Queen of Hearts who reigned for over 70 years.
THE CROWN S6 PT 2:-premieres on Netflix | Thurs 14th Dec 2023
N.B: These are just my (humble) opinions at this point in time. No offence is intended. Agreement = lovely; not compulsory. Disagreement = happens; kindly coexist. Ta!
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doubleddenden · 5 months
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Okay I had a whole thing typed that was my review for the new Pokémon dropped in Indigo Disk, but tumblr ate it, so take 2
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Starting with my favorite, Archaludon. It's a dragon, a kaiju, also a stapler remover, also a bridge with power cables inside. This is a really cool design overall and fixes what I dislike about Duraludon, and it's fun to play with. 9/10
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Hydrapple fixes what I dislike about Dipplin, but does make Flapple and Appletun a bit obsolete. Regardless, it's a fun idea and concept- I love that 7 Syrpents (which I guess aren't individually pokemon on their own? Slowbro Shelder situation I guess) make up 1 pokemon. It's silly but fun. 8/10
Also these two are neat because the concepts tie into New York/ Unova if we look at it through lense of Archaludon's Sky Arrow Bridge being based on Brooklyn Bridge and Rainbow Bridge, and Hydrapple clearly being a Big Apple reference. Very creative
Onto the paradoxes
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Raging Bolt is interesting. I prefer Raikou, and I'll be the first to admit that I do not give a shit about how many cultural or historical references are in a design, if it looks like shit its a shit design. But this design is pretty okay, and because of that I can appreciate ALL of the inspirations that went into its design.
First off, with the Beast Paradoxes drawing inspiration from dinosaurs, we have Raging Bolt as the Thunder Lizard- aka Brontosaurus. That alone is meat, but it's still pretty mammalian compared to Walking Wake- that's because there's references to something called a Questing Beast. In Medieval times, before the age of cameras or fact checking, a description of an animal far far away- such a giraffe- can get twisted abd distorted via several games of telephone until we get to a creature that combines the lower body of a leopard and deer and the neck and head of a snake- aka the Questing Beast. Raging Bolt plays a bit with all of these ideas in a pretty unique and fun way. 8/10
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Iron Crown- admittedly the Justice Paradoxes suffer a bit from the same "just make it a robot" mentality that plagues other Violet Paradoxes, but the Swords of Justice got the better end of it, I'd say. Iron Crowns in particular actually fixes what I hate about Cobalion by adding segments to the legs and thus making them feel less like bipedal knees on a quadrupedal animal.
It's signature move, Tachyon Cutter, also looks so cool in action by making the horns HUGE and GLOWING. That's awesome imo. 8/10
And now the new paradoxes we knew were coming
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Gouging Fire, Entei's Paradox. I'll say that I like it, although this is the least changed of the Beasts and is basically just Entei in a fancy hat. Hey, that's fine though.
The dinosaur Entei is based on is some kind of ceratopsian blend. I personally thought they'd go in that direction with a triceratops design, so I was close. The head dress piece actually gives me Ho-Oh vibes, in particularly the gold and greens, which could be purposeful and root the Beasts Paradoxes back to the Beast's master, Ho-Oh. Fun design, 8/10
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Iron Boulder. This one imo is more of the "robot" angle but done in a very good way. I like Terrakion best out of the Swords to begin with, but only at certain angles in 2d (they murdered him in SV. Murdered. He looks like a cross eyed frog now.) Iron Boulder takes the bulky build of Terrakion and makes it work better in 3d by incorporating spherical and cone builds along its body and head.
It definitely looks the LEAST like a psychic type out if any psychic type I've ever seen, but that's fine. Like Iron Crown with its twin horns and Iron Leaves with its 3 blades, Iron Boulder has a cool looking sword move- his turns his two larger horns into ONE MASSIVE GLOWING BLADE. THAT'S REALLY COOL! 8/10
And now. The Boy
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Terapagos is a cute design that becomes more elegant, refined, and Stellar as it becomes stronger. While I'm a bit disappointed at how they handled it in story after a year of build up, I do think the designs after it's base form are incredibly detailed and creative.
The type patterns on its shell actually shift and change smoothly to other types, and the Terastilized form is even more incredible by representing every type plus a hat version of its original form. Beautiful, yet imposing, and a tad silly. The dome is an interesting take that I believe might represent the world or perhaps even a larger turtle- the design could reference one of many World Turtle mythologies and possibly have it represent a planet in space, or maybe a Turtle floating in the ocean, perhaps it's even a reference to the Tale of Urashima Taro. If Terapagos was available in Blueberry Academy- which I think it started out that way in planning- it could even represent the Terarium itself. Perhaps a deeper story was originally planned but dropped- like the castles and gigantic tree of Crown Tundra.
Regardless, base form is a 6/10. Its cute but kinda pointless. The other forms though are 8/10 though for incredible execution, wonderful and pleasing use of color, and overall just being great.
This batch of new Pokémon is way better than Teal Mask's, let's be real. For the paradoxes, I'll say the Future ones got better after Iron Leaves, while Walking Wake was the peak for the Beasts. Ogerpon wins for cutest legendary with the best build up, but Terapagos definitely wins for best design. This batch is an everall 8/10
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