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#that was just a general statement

anachronistic-falsehood · 2 months

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leans into the mic. "saying all men are trash in response to the various ccs getting outed as abusers is the wrong move and will harm male victims of abuse and sa" and "the reason these male ccs were able to abuse people and cover it up for so long is because of rampant misogyny in the content creating space and it's important to listen to the women coming out with their stories right now" are statements that coexist. btw

#whiskey yelling into the void #i’ve just seen a lot of people saying shit like ‘men suck’ and ‘it’s always men’#as well as other people saying ‘this has nothing to do with misogyny!! it’s just a content creator issue not a gender issue!!’#but guess what. it is a misogyny issue. but also it’s not at the fault of all men #these statements are both true.#we can acknowledge the horrible misogyny in this community AND avoid villainizing men in general #you don’t have to put men down to lift women up #and you ALSO don’t need to lift your fav male creators up over the victims just bc ur afraid ur favourite white boy will get criticized

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eriyu · 2 months

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please talk about things you're still unsure of in your WoL's story

parts of their backstory you haven't worked out yet. a part of the game you're not sure is canon. a character whose relationship with them you haven't figured out yet.

i know my WoL is still a work in progress, and always will be so long as XIV is still going. how about you?

#i'm not sure if this is a general statement or a reblog-and-put-it-in-the-tags post #either is fine #but i just think it's fun to see people's thought processes and not just the end product you know?#ff #ffxiv

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isbergillustration · 6 months

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Sometimes the traditional artist experience is sitting at your desk wobbling a piece of paper like a lunatic because you're impatient for the paint to dry so you can scan and post it for that sweet sweet digital validation of your life choices but then you used a lot of water, and so you gotta sit there for a while, staring at it till you half convince yourself that wobbling face is looking up at you and that hand is reaching for your face.

#illustration #artists on tumblr #acrylic painting #colour pencil #painting #ink #my art #this one is about something and i guess that something is my continued status as a paragon of mental health #as evidenced above #coffee #as a material i mean that's her skin tone a splash of my now cold flat white but also just as a general statement #to be clear i do not own a hair drier or heat gun in this country or the wobbling would be less necessary

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simplydnp · 13 days

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hey there!

I kind of consider you the resident dnp expert (at least in dnp culture) so I wanted your opinion on a question that's been building for a while now.

What are the boundaries for dnp now?

There are so many things that I feel have changed even in the last four years: writing smutty rpf was Gross and Weird, along with art along that line, speculating about their relationship was ABSOLUTELY a no-go, all things that I see happening on Tumblr now. And I'm not saying that's a bad thing!! I'm just acknowledging things have changed over time. They're different people now and so are we, and the "we know you know" era is lots of fun.

I was browsing reddit today (bad idea, do not recommend) and came across a post from a new Phannie asking if DnP were in a relationship. And while I agree that we cannot say for absolute certain that they are, the responses had a VERY different vibe than on here, emphasizing how bad the speculation was (true) and essentially saying "don't even think about that, just enjoy their content." (or something to that extent.)

Which... is very different from this here website in which we joke about them being horney for each other constantly lmao.

Being a very rules-driven person, I like expectations to be made abundantly clear for pretty much everything. So that's why I want to ask: Is there a line here? Are we crossing that line? How defined is that line? (All of this, of course, I recognize is your opinion and yours alone, and if this is posted I encourage anyone else to share their two-cents in a respectful way.)

Obviously, trying to find out where they live/things like that is very clearly crossing a boundary. But is there some sort of limit or boundary I (and tbh the rest of the phandom), in your opinion, should be keeping in mind?

thanks xx

hi!

'resident expert' is a hefty title, i'm just here trying my best!

'what are the boundaries for dnp now?' is really a great question. cause the thing is, we used to know. there used to be a fairly well-defined and mostly agreed upon line, and ever since the dapg revival in particular, the line keeps moving.

i'll be honest, i never really saw phanfic as rpf, even though it is. my stance on phanfic is the same as dnps: it's a beautiful expression of art and creativity and is so, so important. they've always been pro-fic (even though we subjected them to some absolutely horrific crack fics), so i don't think 'smutty' fic has ever been gross or too far. they've given their blessing, and, as the conversation has been in fandom communities the last few years, rpf isn't 'for' the people in them, it's for the fans. so i digress.

art is much the same way. they love art! they even included art of them kissing in a tumblr tag video back in the day, so to say that's not allowed especially after they're out is kind of crazy to me.

i think the line with stuff like that was showing it directly to dnp--tagging them in explicit stuff, that kind of thing. but creating it? go for it! it's always been a green light. (i think fans have previously overpoliced this and we lost a lot of great fic, art, and community members over it)

browsing reddit is always a Choice. i've never participated on dnp reddit before but i am aware that it is an entirely different space than here. something that's important, i think (and i think you think this too as you're asking about them), is to respect the fandom rules of the place you partcipate in. tumblr is generally one of the most phan-positive places on the internet, especially publicly facing. we make a lot of relationship jokes, particularly because we run on the assumption it's already true, based on what they've both said publicly (mostly dan).

i won't comment on reddit specifically just because i'm not a part of the community there, but the speculation about dnp online was a Lot for a long time. but the worst part of it was the stalking, the digging into personal lives, the contacting family members--that is what was bad. dnp have always had a connection--and, honestly, they kind of love flexing it and kind of always have. they absolutely play into things now, but they certainly did even way before coming out too. i think a certain level of speculation was to be expected, especially in that era of online fandom. but it wasn't just the 'teenage girls' who cared, the media did too, and so did many others.

i think one of the biggest differences now is 1 the awareness of 'our' past and trying to make up for it, and 2 the broader societal conversations about parasocial relationships.

you see this reflected on the snippets ive seen from dnp reddit and dnp twitter. they tend to be Very 'cautious' about the words they say, often undercutting perfectly reasonable statements with 'but whatever their relationship is'. on one hand, they don't want to cross a line, and i can respect that. on the other hand... it's 2024 babes. they just put out merch of them holding hands. dan's directly, intentionally, and explicitly called phil a bottom on dapg. they reacted to all of the pinofs, made jokes about 'theyre touching', and even joked about the tackle being 'wrestling 👀'. dan posted half-naked catboy pics and showed us phil was taking them. the 'watch your step babygirl' tweet & their reactions to it. phil is credited in WAD. they're making threesome jokes about themselves as a unit. i could go on and on.

to me, there's a few things that have 'moved the line' for us, so to speak.

1 - DAPG returning. for the last few years they specifically were not a duo (for projects) anymore. (and no, not because they hated each other). they just weren't. they wanted to focus on their goals and projects. they didn't have to resurrect dapg, but they chose to. marketing and money aside, they knew that if this went over well, it would well and truly revive the 'dan and phil' brand again. it would be specifically returning to being a duo in the public eye. (however they've also fully embraced this in all aspects, including merch, videos, and general attitude)

2 - pinof reacts. even though they'd been out since 2019, we hadn't had regular joint content from them since before that, therefore, while they had become more comfortable with themselves and their 'outness', we hadn't (in terms of them making explicit gay jokes together). so i really think dnp had to de-fang a lot of the 'theyre touching' of it all, because we didn't really know where we stood on it anymore. i think they succeeded, too. we couldn't be here, with the content of the last 3 months, without them tackling it head on (well, as head on as they're want to do).

3 - dapc. genuinely another big shift. they did this for the real fans. purely a passion project, and a specific choice in doing the handhold. they know what we're like. and this wasn't a brief, unplanned, unscripted moment. it's a specifically blocked out scene. they know it's opening a door, and they chose to. this is doubled by the fucking iconic merch selling, and furthered by phil's twitter likes of arguably romantic phanart, and then dan's full straddle like.

even throughout the current 6 months of revival, the line has moved. i don't know where it will settle. dnp keep moving it, in my opinion, and, genuinely, i don't think it's going to leave much to the imagination. as you say, obviously not the stalking or the contacting, but beyond that? especially here on tumblr? i wouldn't get too worried. obviously people will have their opinions, but as long as you're generally respectful and recognize that humans will see your posts and humans interact with them, i think you're good.

my rule of thumb is anything they intentionally put on the table, we can joke about or at the same level. but in terms of art/fic? go off, live your dreams. dan and phil would want you to.

#i didn't include a cut because people don't always look under them and this is generally a whole statement. feel free to add things.#there's specific discourse i dont partake in. doesnt mean you have to avoid it entirely. but just dont bring it up to dnp and you're fine.#dnp #dan and phil #phan #<- for the fandometrics #c.text #answered

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talonbite4596 · 7 months

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I have some more !!!

I like the idea of irken blood being a pink/orange color and also bioluminescent, no reason other than its funky to draw I like it

I'll add some headcanons or something under the cut so !! Yay i guess !!

Don't tag my art as ship stuff or be blocked, thanks 💖

Headcanon time!! These have little to no reason to exist other than "its fun why not" and "I said so"

- I already mentioned the irken blood thing but it's one of my favorite little things

- irkens have tapetum lucidum and it can show thru in their disguises (mostly zims) so it can be a good way to clock them if needed

- irken antenna function a lot like dog ears, which is more so Canon than a headcanon, but still. Like, example, they're pinned back when angry, down when sad, up when curious etc etc. It's a fun little idea

I'd like to delve into some more stuff but a lot of it is au stuff and I don't wanna blabber about that yet !! But I will add tiny little ones maybe

- irken paks, as well as keeping them alive, also "programs" each irken to be the best invader they can be. It all depends on what they'd NEED to be successful. For some, it's power and strength, and for others it's wit and smarts. So the pak, basically shifts their identity to fit the task they need to accomplish.

- paks also prevent irkens from being themselves, their personality is locked behind a barrier basically. They ARE their own people deep down, they are just physically unable to show it due to the pak preventing it

- however an irken CAN be themselves, but only for a while. They'd need to take the pak off and permanently make sure it cannot go back on, which would free them. It would also kill them!! So they can live a long life being nothing but a slave, or live as themselves for mere minutes.

That's all I'll get into for now but if u want more lmk ✨️ I like blabbering about random stuffs

Another reminder to NOT tag my stuff as ship ✨️🥰

#my art #fanart #zim iz #zim #iz fanart #invader zim fanart #invader zim #dib membrane #gir iz #gir #do not tag as ship #also just a general blanket statement do not rb my posts w ship tags #iz headcanons #headcanon #invader zim headcanon

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dollystuffs-chiori · 13 days

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(disclaimer/heads up: usage of the word "you" is a general you)

might be a hot take but I think harassment of anyone is bad. no exceptions. "oh what about thie group" "what about this person" nope. don't care. I don't even care if you're talking about a criminal. harassment is bad. shut up. being on the receiving end of harassment is guaranteed to wear anyone down (not to mention harassment isn't legal).

this isn't even just a "they're human too" thing. it's a "why the fuck do you think harassing people makes you better than them." spoiler alert: it never will.

also callouts are stupid too. people are gonna be awful, yeah, but that doesn't mean it's okay to actually allow people to harass them. (you can name people without giving people the means to harass them. hell, you can even give them a fake name.) especially when you don't have all the key information to make an educated decision. even more so when you aren't involved.

seriously block me if you think harassing anyone is okay. learn to realize you never will be better than the people you're harassing.

#anti harassment #online harassment #harassment is bad. end statement #seriously. why do you (general you) people think its okay #never was and never will be #proship #profic #profiction #proship pls interact #proship interact #antis fuck off #im sorry i just had feelings #i see a lot of harassment in general and even when im not on the receiving end its so fucking irritating to see

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the-ace-with-spades · 14 days

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i genuinely think hangman is an asshole only if you let him. and by that I mean if you see how ridiculous he's being when he's trying too hard to be an asshole, then he simply becomes a dork in your head

#this is about hangster and rooster just treating jake's assholeness with 'what a dork'#(and how surprising it is when hangman is a true asshole - re: debriefing room scene)#so #hangster #but it is a general statement too #jake hangman seresin #tgm

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odessa-castle · 11 months

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I'm bouncing around a larger post about Nishiki and the mortifying ordeal of being known, but in the meantime I'm thinking about Nishiki and Kiryu and how the clothes make (or don't make) the man. Like, beyond my visceral horror that Kiryu begged Nishiki to pick out a safe and boring suit for him in Y0 and then said he was envisioning something purple with gold stripes.

I'm thinking about Nishiki's incredible sensitivity to image and his need to control how he's perceived. I'm thinking about Kiryu's inability to let go of the past. I'm thinking about how KIryu dresses like who he thinks he is, and Nishiki dresses like who he thinks he wants to be.

There's some interesting incidental dialogue between Nishiki and Kiryu in Y0 while they're en route to the men's suit store. I wish it wasn't so easy to miss, because there's a lot to unpack here. (I'm just transcribing the English in-game subtitles here; I don't speak Japanese so I have no idea how loose vs. direct the localization is in this part.)

NISHIKI: …now that I think about it, you've been dressing like an old man since we were kids. KIRYU: Have I? NISHIKI: Yeah. The few times we got to pick our clothes, it was always like, "you're choosing THAT?" NISHIKI: I wouldn't say you're a plain guy…You'd pick shirts with weird prints though. KIRYU: Guess I forgot all that. It's weirder to me that you haven't. NISHIKI: Well, confession time. You're why I started caring about fashion. I swore I'd never go out dressed like you. KIRYU: Come on, I'm not THAT bad. [we have already discussed why kiryu is, in fact, that bad.] NISHIKI: [laughing] Aww, did I hurt your feelings? NISHIKI: Well, this time you've got me with you. I'll see my bro gets taken care of. KIRYU: Heh. What an honor. NISHIKI: Leave it to me.

Nishiki doesn't bring up Sunflower Orphanage much; when he does share memories of his childhood, those memories are kind of painful (see: "do orphans not get to dream?"). Kiryu's surprised that Nishiki remembers how they dressed as kids, but it makes sense that wearing a limited selection of hand-me-downs stuck with Nishiki so strongly. His clothes announced his poverty, and they weren't even his -- he had to share them with the other orphans, so what he wore showed he belonged to yet another stigmatized group. And I'm sure people picked up on those visual signals, especially other kids. Kids can be vicious, and appearance is an easy and immediate target! We don't know for sure how young Nishiki interacted with his peers and teachers, but given what the Morning Glory kids go through in Y3 (and given, like, everything about Nishiki), he probably didn't have a great time.

Kiryu frames his childhood as poor but loving, and places much more emphasis on the latter. There might be some rose-colored glasses at work there -- let's look at the flashback where Kazama tries (and fails) to violently dissuade Kiryu and Nishiki from joining the yakuza.

KIRYU: I owe you everything, but this isn’t about that. [...] We’ve looked up to you for all this time. Your car. Your confidence… The way everybody bows to you. We idolized you. I want that life, too. Is that so wrong!?

Nishiki doesn't really speak in this flashback, but like, Kiryu uses "we" enough for us to draw some obvious conclusions about Nishiki's own motivations. That being said, I don't think Kiryu's being dishonest or disingenuous when he describes his childhood as happy, and himself as well-loved. He's not ashamed of his upbringing, and he doesn't hide where he came from. Nishiki seems to have the inverse view. It's not that he doesn't love (at least some of) the people he grew up with, but what comes up first for him is what he didn't have. He didn't have money. He didn't have respect. He didn't have a cure for his little sister. He didn't have a lot of choice, right down to the clothes he wore.

(There's a whole other essay here about why Kiryu's and Nishiki's perspectives diverge on this, but I'm trying to limit the scope of this post. Suffice to say that, while I don't think game canon gives a timeline, I do think Nishiki was a little older when his parents were killed -- old enough that he actually remembers them, at least.)

The same mindset fuels Nishiki's interest in fashion. Yeah, part of it is that he's ribbing Kiryu, but I think it goes deeper than Kiryu wearing ugly shirts. Nishiki doesn't want people to look at him and see what's missing. Fashion isn't a means of personal expression for him, really. It's a message. It's the interplay of knowledge and resources and presentation: knowing what clothes read as successful and trendy and expensive, being able to afford those things, and convincing people that your successful important outfit makes you a successful important person. And he's not wrong about the social dimensions of fashion.

NISHIKI: Try sporting a suit that runs 500 grand for once. Trust me, you’ll see the world in a whole new light. KIRYU: Fashion’s not my thing. Besides, Kazama-san never wore flashy clothes. NISHIKI: You do realize he’s the family captain, right? Number two in the whole Dojima operation? You get to that level, you can wear whatever you damn well please. But for the rest of us, “flashy” is part of the business. KIRYU: So that fancy new car you bought was just “business”. NISHIKI: Yeah, and that fancy lighter of mine, too. Which you still haven’t given back. KIRYU: You want to play the rich guy, quit being so stingy. NISHIKI: But you get what I’m saying, right? People see the expensive car, the designer jacket, and the gleam of that little Dojima pin, they pay attention. A yakuza’s only as good as his image. [...] Take your buddy today. These squeaky-clean idiots, borrowing money just to blow on tits and booze… Nobody in this town gives a crap about substance. What you see is what you get.

That's our first take on one of the major themes of the game: what does it mean to be yakuza? Again, there is truth to what Nishiki's saying here, particularly in terms of the ethos of the eighties. I'm not an expert on the bubble era, but the worldbuilding in the game speaks for itself. People hail taxis with 10,000-yen bills. You punch money out of punks during random street battles. Nishiki keeps a personal bottle of high-end booze at a bar he's visited twice, mostly because he "can’t stand being taken for a bum." The act of spending is important, not what you're spending it on.

Nishiki's outfit in Y0 is perfectly suited (heh) to that outlook. And look, I might be inviting controversy here, but in context, I think it's a werq. Yes, it's loud. But the silhouette -- squared shoulders, single breasted, thinner peaked lapel -- is right on trend for the time period, and it fits him well. The colors look good on him. The bold pattern (no, it's not animal print) under the solid maroon is a risk, but he pulls it off. And excess aside, he knows when to pull back on the accessories. It's bright and confident and memorable, and boy would Nishiki like to be all of those things.

Also -- and importantly -- Kiryu would never go out dressed like that. Because we can't talk about Nishiki and Kiryu without talking about Nishiki's Mt. Fuji-sized inferiority complex. Mastering image doesn't just make Nishiki stand out; it makes him stand out from Kiryu. Let's go back to the beginning of the game.

NISHIKI: I’ll admit, though, you’re finally starting to look the part. You make a pretty convincing yakuza. You’re done with collections today, right? KIRYU: Yeah. NISHIKI: Good. That should put Kazama-san’s mind at ease a bit. KIRYU: Heh, dunno about that. But he always knew all I could do is fight. You’re the one who’s good at the dance.

Nishiki then calls attention to the "rags" that Kiryu's wearing, which...is not an unfair assessment. (TUCK IN YOUR SHIRT, KIRYU. HEM YOUR PANTS.) As the two of them walk around Kamurocho, Nishiki offers Kiryu plenty of hot tips, from meeting girls to making big bucks to cozying up to the brass. But even when Nishiki's opining on his area of expertise, there's a competitive edge to it. "You asking me to pick out clothes for you means you admit you have terrible taste," he tells Kiryu on the way to the suit shop. Kiryu tells him to shut up, but there's no actual hurt behind it. Kiryu doesn't really care that his taste in clothes sucks. Fashion isn't important to him. Most of the things Nishiki knows so much about don't really matter to Kiryu. And that makes Nishiki feel more insecure! Because if Kiryu rolls out of bed looking like a yakuza, if Nishiki's image counseling sessions aren't helpful or meaningful, if Kiryu can skip the dance and get to the top on the strength of his fists and convictions, then who cares about Nishiki's 500 grand suit or his hourlong hair care routine? If image isn't what makes a yakuza, what does that make Nishiki?

At the end of Chapter 6, Nishiki tries to look out for Kiryu again -- this time, by granting him a merciful death before the Dojima Family drags him to the Hole. It's one of my favorite scenes in the game. Nishiki's crying too hard to aim the gun properly; Kiryu tells him to man up and shoot. Finally, Nishiki collapses.

NISHIKI: Can’t do it… How could I shoot you!? Without you, I’ll always be nothing. Can’t make it as a yakuza… No. I wouldn’t even still be alive now if I didn’t have you beside me! I’m just… If you’re not with me, I’m useless! Nothing means anything!

Mastering image hasn't granted Nishiki anything of substance. At the end of the day, Nishiki's playing dress-up, and he knows it.

And I'm almost certainly getting into overthinking-this territory now (if I haven't gotten there already), but I kind of like the spin this puts on Nishiki ripping his expensive suit off in Chapter 14 when he decides to fight the Dojima Family at Kiryu's side. Like yes, ripping off your outer layers to get at the naked (so to speak) truth -- your irezumi, and what it represents -- is just Yakuza Storytelling 101. It's decisive, it's kind of dumb, it's great, it gets me hyped every time. But I like that Nishiki's honest answer to "what does it mean to be a yakuza?" isn't about looking the part. I am genuinely trying not to end this paragraph by saying that Nishiki must become like a dragon, but like...you get where I'm going with this.

Of course, Nishiki's back to playing dress-up in Y1/Kiwami. I'm not the first to call the Patriarch Nishikiyama look a glow-down (though I like the patterned white tie). Like, fashion-conscious Nishiki would look good in a Hedi Slimane/Tom Ford-esque skinny black suit. But he picks a silhouette you'd expect to see on a much older man, torso-swallowing pants and all. The slicked-back hair doesn't help. He's just so transparently trying to look bigger and broader and older, and he doesn't pull it off. Big Bad Patriarch isn't a good look for him, in any sense of the phrase.

A final thought: Kiryu's clothes, and Nishiki's commentary on them, are the subject of their first conversation in Y0 -- and of their last. Kiryu's costume progression in Y0 is a pretty obvious commentary on his journey, to the point where Kiryu and Nishiki explicitly call attention to the color connotations in their final exchange. As a Dojima grunt, he wears black, and it doesn't look good on him because "brutish thug who keeps his head down and does what he's told" isn't a role he's comfortable with. He wears white when he works in real estate, but the change in color isn't enough to sell anyone on his transformation into a civilian. Although it's a little rich for Oda "Red Clown Shoes" Jun to chide someone for not wearing a proper suit. At the end of the game, Kiryu's in his classic grey suit, and well, the game spells it out:

KIRYU: I’m not feeling black or white these days. This is where I’m at right now. I chose it myself. I’m making it a fresh start. NISHIKI: Fine, fine. See if I care! Wear it the rest of your life!

Nishiki, dismayed, tells Kiryu that the grey suit already looks dated, but for Kiryu, "fresh start" doesn't mean "on trend". His image might be out of step with how other yakuza view themselves, or want to be seen, but if he's always going to look like a yakuza, he might as well stake his claim on what being a yakuza means. Still, it's telling that, even as a young man, Kiryu looks like a throwback to an earlier era. As the series progresses, the games hammer this home more and more. How many antagonists tell Kiryu that he's out of touch with the modern world, that he represents a version of the yakuza that no longer exists, that it's time for him to make way for the next generation?

"Wear it the rest of your life!" is a funny little in-joke, yeah, but...it's a little sad when you think about it, isn't it? Kiryu gets new outfits from Y3 on -- and in every game, he ultimately puts the suit back on and heads to Kamurocho. It's exactly of a piece with how Kiryu views being yakuza. We, and he, can debate the exact extent of his retirement from the Tojo Clan's affairs, but the yakuza isn't a career for Kiryu, it's a set of beliefs he carries with him. He wears the suit the same way he wears the dragon on his back: as an indelible part of his self-image.

#yakuza #ryu ga gotoku #yakuza meta #kiryu kazuma #nishikiyama akira #kazuma kiryu #akira nishikiyama #i've been poking at this thing intermittently for months but a certain tournament really got my mental gears going again #yakuza's just really fun to put under a microscope #i'm interested in the way the games do things even when i don't like what they do #(although to be clear i *do* generally like how rgg dresses its cast)#(even the outfits i make fun of are usually like...coherently delivering a statement about the character wearing them)#genuinely did not think i'd spend so much time writing this but hey #maybe i'll do these kinds of posts more than like...biannually...if they're sufficiently interesting #meta

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swordsandarms · 4 months

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There's nothing more self-inserting in this fandom than the people who actually hate Rhaegar Targaryen (and sometimes by extension Lyanna and Daenerys and other Targaryens).

But with Rhaegar it's very peculiar. With either Rhaegar positive or neutral fans, you can discuss things like connections he has with characters in actual canon, by actually canon references, that give him some depth whatsoever in turn. Love RxL shippers with all the actually newer clues highlighted compared to your typical "Jon's parentage" checklists because it gives more character interiority. Love the Jon and Dany fans who've given more attention to the connections clearly drawn on purpose by the author that are also doing that.

But people who outright hate this tertiary character? The emotionally driven rants as if this man was their own boyfriend or father and wronged them specifically and that's all the focus of it? Only ever writing in "depth" about him in scenarios that are clearly made up and can only be explained as projection from some baggage none of us trying to read some book are interested in? Very odd behaviour.

#asoiaf #lyanna stark #rhaegar targaryen #jon snow #it's also how you know #people like me come and go onto the topic #write something when there's something to add to whatever actually useful discussion there is in that sense #but those people #they just keep re-popping up to screech a variation of the same enraged broken record statement #and just keep doing that over the years #never getting over it #like idk #you've clearly got something to unpack #but it's definitely not about this small fantasy character #and as I said also with Dany or Jon or Arya or Lyanna etc #there's usual the self inserting people in Sansa or Catelyn or such #with veeeeeery weird opinions about things in general (aka women or children) and an opinion about the character they self insert in #that have nothing to do with their canon depiction most of time #or only being interested in that side of it they self insert in if that makes sense #so like Sansa is somehow a representative of girl next door suddenly cause she's not relevant to magic in a magic book #or Catelyn is some ever suffering wife who needs to feel validated in taking out her frustrations as some stressed out #21st century local mother with a shitty husband and stressed by taking care of children on her own #like hm #I see you and what you're doing but also #I don't care #I'm here for a book not for your personal shit

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Untitled

kirumi-tojo-is-my-prime-minister

Cleaning up the trash