I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.
This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.
But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.
Or this little bit from one of the flashbacks:
This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.
And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.
Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.
Like him needing to leave. And leaving her behind.
He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.
She was 9 when he left for school, and he was 11.
Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.
Both of these kids deserved so much better from the world.
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
Speaking of Akemi - guess who else is compared to a bird!
The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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So, Danny was effectively homeless.
His parents are dead, his sister is dead, his friends are dead. Hell, even Vlad, Vlad kicked the fucking bucket which, Danny genuinely never expected.
Vlad was supposed to be his nemesis, his main bad guy, the guy Danny's supposed to constantly pull everything out against just to win. Not to mention how significant his presence was.
A part of him assumed that Vlad would always be there and him not being there and knowing he won't be there ever again is... weird.
So you're probably asking, how exactly did this happen?
Well you see, the nasty burger exploded, for one thing. Then when he was under Vlad's care both of them got outed for being ghosts to the GIW, which was technically Danny's fault, since he did something extremely stupid.
Somehow they got caught, and life under the GIW was not great in the slightest. The constant experiments, the dehumanization (Sometimes Danny doesn't even register himself as human), the amount of times their feelings were utterly disregarded, and so, so much more.
The GIW found Vlad to be more dangerous than Danny, even if he lacked the raw power Danny had his intellect made him dangerous and for good reason. For it was because of said intellect that Danny managed to escape.
Vlad didn't manage to do the same.
Danny hated reliving that memory. Because Vlad was a villain, evil and self-serving, he shouldn't be sacrificing himself for his literal greatest enemy to escape in his stead (Not that Vlad would say Danny was his greatest, he would probably say it was the person who refused him to buy the packers). It was just, so utterly stupid and out of character for him.
So, Danny managed to escape, Vlad died. He couldn't even say anything about Dani because she got destabilized in front of him, in front of both of them actually. It hurt to watch and, he didn't quite know the specifics between Dani and Vlad anymore, but he thinks they were getting... better.
Not how it was when Dani was first created, but Vlad was working on mending it. Which, honestly, just makes everything worse.
Danny isn't powerless but it's a damn close thing. He's far weaker than he normally would be, and he's injured on top of that too boot, his powers can barely work and it's just so stupid.
So here he was, hiding out in some random sewer because he didn't want to take the risk of being on the surface and he hates the smell, but he'll take that over being experimented on again. So, Danny spends most of his time in the sewers of this place called Gotham, he even managed to make his own little area with a couch he stole and a few other appliances that were thrown out.
He lacked a Tv or laptop, but he found a yo-yo! Most of his time was spent practicing various tricks with his yo-yo.
It got boring fast. But it was really the only safe thing he could do when waiting for his powers to come back. At least he's a god at yo-yoing now.
It was while doing various tricks with it in some random sewer path, that a literal, goddamn crocodile-man just splashed up from sewer water and half-laid on the edge, since his lower body was still in the water.
Danny looked at his yo-yo, the crocodile, and then slowly stepped on over and gently poked the crocodile dude.
He made a sound, so he was alive!
Finally! Someone to appreciate his godly yo-yoing skills!
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