so shiver, but shiver with a friend
1034 words
the boat is creaking.
that's not even remotely abnormal; the boat spends more time creaking than it does staying silent—gem built it so it would do that. sure, it took a lil' getting used to, but it didn’t take long for the rhythmic rocking and gentle creaking to become conducive to sleep, and now gem finds it far more difficult to sleep in silence. after all, silence means something is wrong—the engine rumbles if it's working, the waves splash against the sides of the boat if it's still afloat. a creaky boat means gem is still alive, and the boat is still running.
but this isn’t your average ambient creaking. like she said, gem knows the noises of her little fishing boat like the back of her hand, and this is not a normal creak. this is a suspicious creak. and- sure, that might sound silly, but have you memorised every sound this boat can make? didn’t think so.
this fic exists for two reasons, which are stiff stiffyck's love for qpr elven duo (gem and scar) and also me overthinking scar's wheelchair worldbuilding in the hermitcraft world
this could be a lot better but alas I have been consumed by depression writers block, so honestly i'm just proud this ended up as a finished fic
btw this is one of my first times writing wheelchairs, and whilst it is fantasy so things are gonna be a little different, I would appreciate if someone could tell me if I did something wrong/insensitively!
the boat is creaking.
that's not even remotely abnormal; the boat spends more time creaking than it does staying silent—gem built it so it would do that. sure, it took a lil' getting used to, but it didn’t take long for the rhythmic rocking and gentle creaking to become conducive to sleep, and now gem finds it far more difficult to sleep in silence. after all, silence means something is wrong—the engine rumbles if it's working, the waves splash against the sides of the boat if it's still afloat. a creaky boat means gem is still alive, and the boat is still running.
but this isn’t your average ambient creaking. like she said, gem knows the noises of her little fishing boat like the back of her hand, and this is not a normal creak. this is a suspicious creak. and- sure, that might sound silly, but have you memorised every sound this boat can make? didn’t think so.
anyway, all of this to say that gem is pretty sure someone is on her boat at the middle of the night for what she deeply hopes are not nefarious reasons. although, she cannot think of any reason someone would be sneaking onto her boat at two in the morning—nefarious or otherwise. maybe it's grian trying to lag some things out of her chests? but why on earth he wouldn't do that in the day when she wasn't on board, gem has no clue.
there's a new noise now, one that suggests against the idea of nefarious deeds, but only confuses gem more: a kind of squeaking, like a rubber ring being taken off, or an air mattress being slept on. okay, that doesn’t rule anything out at all, and only serves to make everything far more complicated. who is bringing a rubber something onto her boat at 2am? what is happening here?
overtaken by an amounting curiosity to whatever the hell is actually going on, gem climbs out of bed and pads softly along the floorboards in her slippers to her door. she regrets not installing one of those peepholes, because now she actually has to engage with the something that's happening outside in order to investigate. gem is sure there isn’t anything especially dangerous that could be going on, but she pulls out her sword preemptively as she opens the door slowly to find-
to find..
well, she's not sure what she's found.
"gem!" says a cheery scar, who is. on her boat? how is he on her boat- he uses a wheelchair, and the boat is in the middle of the river.
except- no, hang on, his wheelchair seems to be completely lacking wheels, which gem would argue is the main point of a wheelchair. where the wheels should otherwise be, there are floatation devices—seemingly rubber, which explains the noises gem was hearing earlier—in patented hotguy colours, so she assumes that's intentional. okay, that's- that sure is something.
"you-" gem scrambles for any words to express how bizarre this situation is and fails miserably. "you’re on my boat." is all she manages. void, it is way too late (early?) to be trying to figure this out.
"I am on your boat!" scar says, looking rather proud of himself. it's kind of sweet, to be fair—even as it only adds to the crazy situation. "y’know, I didn't think i’d actually manage it. last time I tried, I sunk."
gem blinks, giving up on making sense of the situation now and letting herself just go with the bizarre. "yeah, I can imagine why scar." she gestures at the rubber wheels (they look a bit like wheels, anyway). "how did you get those?"
"cub helped me!" scar smiles, as if this was a normal conversation to be having. does he even realise how strange this situation is, or is this just normal for him now? "see- you know how my chair has an elytra mode?"
"uh huh."
"well, now it has a swimming mode!" scar says, and he clicks a button on the underside of the seat. within an instant, the floatation devices deflate, replaced swiftly by the regular wheels. "ta da!"
"that- I mean, that's very cool." gem says, and she means it, despite how unenthusiastic she knows she must sound. in her defence, it is the middle of the night. "I just- why are you here?"
something changes in scar's expression immediately, and gem panics a little until scar says meekly, "it- okay, well. now it sounds silly."
gem snorts. "because showing off your inflatable wheelchair at two in the morning is normal?" she tilts her head, and her voice is fond when she says, "you know you can tell me anything, right?"
a smile tugs at the corners of scar's lips, and gem feels something warm in her chest to see it. "I know, I know." he hesitates for a second, before giving a huff of exasperation. "I wanted a hug." scar admits, glancing at the floor.
"wh- scar." gem finds herself beginning to smile. "do you really think I would ever turn down a hug from you?"
scars grin is almost shy as he opens his arms, and gem practically falls into them, burying her face in his jacket. man, she has missed hugs from scar; she loves the way they fit together so well, like pieces of a puzzle, perfectly matched to one another. there are very few places where gem feels entirely at home—she's been pretty much everywhere, so she knows what home feels like—and scar is closer to home than any place has ever felt to her.
before she knows it, scar has scooted forward just enough to unbalance her, and she lands on top of him. gem scoffs playfully as scar laughs to himself, holding her closer.
"I can't hug you properly if you’re stood up, y’know." scar mumbles into her hair.
gem rolls her eyes, fond as anything. "well, i’m not complaining." she's quiet for a moment, letting herself appreciate the moment—breathing it all in. "I love you." gem murmurs.
scar squeezes her, and gem can almost hear his smile when he says, "I love you too."
336 notes
·
View notes
hey it's nanowrimo. i have tips bc i've done it about 34 times.
Don't edit. Ever. Stop it. If you just decide to start a new project half thru this one with all new characters, no problem. pick up and keep writing as if you'd already written the first half of that.
"but i spelled it wrong" whatever. "but the grammar" whatever. make it exist first. no time for sense. think like you're working on a typewriter. no backspace. only forward go.
Don't re-read further than a paragraph or two backwards. "did i mention the gun before?" listen - it doesn't matter. if you need there to be a gun there, the gun is there. put it back in once you finish the book.
"i forgot the specifics of X thing i already wrote" whatever. change it, make a note/comment to figure it out later, and just write what makes sense for the moment. "no raquel it's legit the characters name and origin" idc that character is now reborn as Claudius from Elsewhere. it's fine.
only you see your mistakes. nobody else knows. one of the ways writing and dance overlap - only you know the choreography. nobody else will know if you miss a step, so just keep dancing and pretend you meant to do it like that.
it's an illusion that you need to write linearly - from point A to point B to point C. Nah; that's just timeline propaganda. I've written a LOT of books out of order and just reordered them once i've finished. if you have a scene you'd LOVE to write but can't get there yet because of plot, just fuckin write the scene. I've always found its easier to establish "point F" "point J" and "Point A" and then wiggle my way between those scenes.
write what you WANT to write. 230 pages of smut? of well-researched discussion on bread? whatever. the point is to strengthen muscles however you can.
if you miss a day, a week, whatever. not the end of the world. we all have dry days. also time is a myth so u can do this challenge whenever u want.
as soon as you try to write for a specific audience, you kill your voice. you are writing for yourself. stop thinking about how people will take ur book. it don't matter. what matter is u, enjoying writing. i luv u.
play to your strengths. i have characters talk so much because i don't know how to write a plot if it kills me but i'm really good at dialogue so.
i love a flight of fancy. write a poem in there. shift tactics and write in code. keep it fun for yourself.
see what happens if you shift something major about ur main characters - gender, wealth, superpowers. or if you change point-of-view. or if you kill everyone in a big explosion. do NOT edit anything before this or after it. often these little weird one-off exercises teach me what interests me about what i'm working on. it is never what i thought. plus it is a fun way to add like 1k words.
stretch.
it's for fun and for practice. stop doing that project if it's giving you anxiety. once my nano was literally 50k words of half-started stories. just things i tried and tried and tried and wasn't able to flesh out. oops. but i am now 50k words of a better writer.
add dragons?
read books/listen to books on tape/etc. people often make the mistake of "buckling down" to just write. you need inspiration. you need to like. fill up on words. you need to remember how it feels to lose yourself in a story.
i don't have the time or space to really talk about this in this post but a lot of creative people turn to drugs/alcohol because it can help you be more creative. this is harmful, and walking a blade that only cuts deep. if you notice you and your loved ones are turning more to substances, please know i love you and i hope you are able to get help soon. i feel like this almost never gets mentioned because it's kind of a hazy underbelly to art. you are always more important than the work.
on that note. drink your fukin. water.
don't talk about a story until you've finished it. once you tell the story, it exists already, and isn't about discovery. i usually have a very canned "haha we'll see" response.
grapes :) tasty snack.
i love you be free.
2K notes
·
View notes
I’ve been wanting to post these for a while!!
BEHOLD! tWO ANOMALY AUS!!!!
((Anomaly by @htsan!!!!))
to be honest, either concept could just be for a reader in general, but the first thing I thought of was sansnomaly so!!! yeah
feel free to ask me stuff about either of these AUs!! The general info is down below but I do have more ideas for these! Depending on how well this does I might make more drawings, but if you want more feel free to ask!!!!
So the Hades AU is pretty simple. Sans is our Persephone, getting dragged down to the underworld with us!! I chose to make my Hades anomaly a lonely and nervous person, but the anomaly is literally us, so the personality is up to you!!! You can choose to follow the stuff I put in text, or not. Either way it’s more sansnomaly :)
The second one is a little more obscure- it’s a Coraline AU! We give Sans this little world where he can be happy for a while before he returns (we aren’t gonna hurt him or anything like the Other Mother dw!!!) to his own! Also, there are multiple anomalies!! Unfortunately, we’re all stuck in the Other World. This causes some anomalies to… become a little unhinged. They still don’t hurt Sans, but they take on more and more spiderlike qualities as they get more and more possessive of Sans :( The anomalies who have more doll-like attributes still want Sans to stay with them, but if he is put in harm’s way they will let him go.
Also, yes the spider anomalies have the Other Mother’s hands. Those things are fucking gorgeous how could I not
193 notes
·
View notes
if dorian didn't show up, do you think louis would have shot minnie?
I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.
Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.
Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.
Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.
Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.
Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.
If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.
So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.
30 notes
·
View notes