5 Great Wide Angle Lenses Under $1,000

Going on a vacation? Pick one of these up!

There are fantastic wide angle lenses that can be had very affordably. If you’re photographing the clouds over the city, one of these lenses is bound to be great for you. But that also means photographers walking through the forest, or capturing photos of fascinating buildings, or shooting at an event will also benefit. So we dove into our Reviews Index to find some of the best wide angle lenses…

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South Gare evening (Quadtone B&W) 1980’s Tamron 24mm f/2.5 & Canon R6 #southgare #boats #rivertees #sunset #evening #northyorkshirephotographer #northyorkshirephotography #vintagelensphotography #vintagelensphotographer #landscapeinportrait #tamron #canonphotography #24mm #paulbradley #photography #paulbradleyphotography #scudmonkey #redcar #tranquility #quadtone #blackandwhitephotography #landscapephotography (at South Gare) https://www.instagram.com/p/Cif9WYwtQI_/?igshid=NGJjMDIxMWI=

Testing out my new 24mm lens on the Medieval Town Square set that launched to the public this weekend.

I swapped a bunch of lenses that I wasn't using anymore for this Sigma 24mm f/3.5, which I wanted for its 1:2 macro capability and compact size.

One of the lenses I traded was the Tamron 24mm f/2.8 which is half the price and a bit brighter than this one, but that 67mm filter size was too big for LEGO photography outdoors.

It got in the way a lot especially at ground level, felt bulky in my hands, and the focus was jumpy. I couldn't enjoy the shoot so I didn't use it a lot.

The Tamron wasn't a bad lens; it just wasn't a good fit for this use case, IMHO.

Gear 100% matters. If you don't like using what you have or it's a hindrance, the wrong gear can slow your growth and hurt your photography.

Change it if it's not working for you. (And buy or trade for second hand!)

暑さと年には勝てない

津南のひまわり畑に行ってきたけど、綺麗さの感動より暑さの疲労が勝ってしまって短時間で切り上げた。

前はこんなんじゃなかったのになぁとしみじみ思う…。

camera :α7Ⅲ α7RⅣ

lens : SIGMA 14-24mm F2.8 DG DN｜Art

TAMRON 50-400mm F/4.5-6.3 Di III VC VXD

Night Sky at Litchfield Lake

The night sky from our friend’s cottage at Lake Litchfied, QC. I’m always amazed at the colors the camera picks up from the different stars, especially in the milky way.

Two photos were used for this image, one of the stars, and the other of the trees light painted with an LED headlamp.

Camera: Pentax K-3

Lens: Tamron SP 10-24mm f/3.5 DI II

10mm / ƒ/3.5 / 60s / ISO 1600

Taken: June 22, 2022

🤩 ARTIST SPOTLIGHT: @rennerbricks Hello everyone! It's time to direct the spotlight toward our community members, and today we will get to know better @rennerbricks!

"Hi! I’m rennerbricks and I’m 23,from Japan.

I started LEGO photography six years ago.

I discovered samsofy.s and eat_my_bricks photos and I was very inspired by them.

My camera is Canon 6Dmk2, I often use a Tamron 90mm lens, Laowa 24mm and sigma 50mm. I use Lume cube LED light and Godox strobe. Lights are used differently depending on the scene and scale.

I usually start making a story. I think the most important thing for my photos is to make the minifigures look alive. To reach that goal, the most important part is having a story, then build a background and think about lighting. This because, in my opinion, is important not only to make a picture beautiful, but also to be sympathized with the story.

When I invert the process, thinking starting from lighting or sets, it often doesn't work.

Sometimes I draw sketches and think about the necessary minifigures, facial expressions, clothes, and backgrounds, and finally i build the setup after roughly deciding the angle.

The concept of my photo is to express the beauty of everyday life.

I want you to see a picture as if you've entered the LEGO world and feel its charm!"

Thank you for accepting our invitation and let the community knows you better!

If you want some insights on the exclusive picture and for a better view of the others, head to our blog at https://brickentral.net/.

- @theaphol, Community Outreach Manager

Sony RX100 VII Thoughts After Two Months

PROS:

Stacked sensors are the future. Well, technically the present considering that Canon, Nikon, Sony, Fuji, and OM Systems all use stacked sensors in their top of the line cameras. Either way, finally getting to experience shooting with one on a daily basis has made me want one in pretty much any camera going forward. The benefits are twofold: Not only do you get shutter speeds up to 20 frames per second, and without a mechanical shutter flipping in the way obscuring your view in between shots, but you also get no rolling shutter while doing it. Pretty much every Sony camera can shoot 10 fps bursts with the silent shutter, but any movement can give you a jello-like effect since the sensor reads out so slow on non-stacked cameras. The only con, at least on this camera, is that you can’t shoot flash at higher than 1/100 with the electronic shutter. That’s still plenty fast for a lot of stuff, but well below the 1/2000 you get when shooting the mechanical shutter. 

The fast frame rate wouldn’t make much of a difference if the camera was bad at autofocusing, but this camera is great at it. It has a lot of the same fancy focusing stuff that my full frame Sony has like human/animal eye autofocus and all the tracking modes I’m used to. It actually makes the camera pretty solid for wildlife if you can get close enough at the 200mm end. 

Speaking of that, the 24-200mm equivalent is a great range, and one that I missed a lot since I traded away my Tamron 28-200 to help cover the cost of my A7RIV. The small size and extra 4mm on the wide end actually makes it even more convenient than that Tamron. 

Aside from covering a broader range than the 24-70 equivalent lens from the older RX100 cameras, this lens also seems noticeably sharper. The last RX100 model I had, the Mk. IV, just didn’t seem as crispy as this lens is. 

It has a touchscreen! It’s wild to think that the previous RX100 cameras I owned didn’t have this basic ass feature, but Sony was very late in putting touch screens in their cameras. Ironically, I don’t really use it in this one because the AF is good enough that I can just do focus and recompose with tracking. 

CONS:

It’s still only a 1” style sensor so high ISO isn’t the cameras strong suit. Programs like DXO PureRAW help a lot and let you get somewhat usable images at ISO 6400 in a pinch, but you’re kinda pushing things at that point. 

While the lens is sharper and covers a wider range than the older models, it’s also significantly slower. At 24mm equivalent it’s already at f/2.8 where the old cameras were f/1.8. It’s f/3.2 at 25mm, f/3.5 at 33mm, and f/4 at 40mm. From 109mm to 200mm you’re at f/4.5. The relative slowness of the lens combined with the small sensor means that this can struggle getting quality images in low light without a tripod or something. 

No USB-C. My Fuji, Ricoh, and larger Sony all have USB-C charging, which is amazingly convenient when traveling. I haven’t really gone anywhere with this camera yet, but having to account for a micro USB cable is annoying since pretty much everything aside from my iPhone uses USB-C. 

It’s expensive. Just like my Mk III and Mk IV I got it used so it was cheaper than retail, but the copy I got cost about twice what I paid for the previous models. 

Start up time is just a tad bit slower than I’d like. The GRIII and X100V both beat it that regards, albeit those aren’t zoom lens so I have to cut the Sony some slack. 

SAMPLE PHOTOS: 

(The sample photos were edited in Lightroom Classic and DXO PureRAW2. Also, the sensor creates a roughly 2.7x crop factor, so the 9-72mm lens equates to 24-200ish)

Young Bird | ISO 160. 72mm. f/4.5. 1/200. 

Graffiti Shot from a Car | ISO 100. 33.98mm. f/4. 1/400.

Stickers | ISO 100. 29.67mm. f/4.5. 1/100.

City Hall | ISO 100. 38.13mm. f/4.5. 1/200. 

Flip Up Screen Selfie with My Friend Hanae | ISO 3200. 9mm. f/2.8. 1/40. 

Zoomed in Graffiti | ISO 640. 72mm. f/4.5. 1/500. 

Fishing Store Neon | ISO 800. 28.67mm. f/8. 1/200. 

Flowers | ISO 200. 72mm. f/5. 1/640.

Selfie Shots with My Sister | ISO 3200. 9mm. f/2.8. 1/100. 

What is the best lens for wedding photography?

Wedding pictures are particular in that it encompasses numerous genres of pictures: fashion, portrait, architectural, product, macro, family, and every so often even journey pictures. Few genres call for extra from photographers and their gear. 

Here is a subjective listing of 6 must-have lenses for any given wedding ceremony that the best wedding photographers in Madurai recommend.

1. 70-200mm

This is my preferred lens. It creates lovely bokeh (blur) at f/2.eight, and the compression you get while you’re zoomed in from 150-200mm offers your photo a glance that’s tough to gain with some other lens. It additionally lets you get in near the motion without disrupting the moment.

DSLR Options

Canon 70-200mm f/2.8L IS III USM Lens

Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR Lens

Sigma 70-200mm f/2.eight EX DG APO OS HSM Lens for Canon EF

Tamron SP 70-200mm f/2.eight Di VC USD G2 Lens for Canon EF

Mirrorless Options

Sony FE 70-200mm f/2.eight GM OSS Lens

Canon RF 70-200mm f/2.eight L IS USM Lens

Nikon NIKKOR Z 70-200mm f/2.eight VR S Lens

2. 50mm

This is some other one in all my preferred lenses. The 50mm focal duration is terrific for portraits, and it may store the day while the mild begins off evolved to drop; the broader aperture lets you rely much less on for your flash and it creates a softer, extra herbal search for your subjects.

DSLR Options

Canon EF 50mm f/1.2L USM Lens

Nikon AF-S NIKKOR 50mm f/1.8G Lens

Sigma 50mm f/1.four DG HSM Art Lens for Canon EF

Mirrorless Options

Sony Planar T* FE 50mm f/1.four ZA Lens

Canon RF 50mm f/1.2L USM Lens

Nikon NIKKOR Z 50mm f/1.2 S Lens

Sigma 50mm f/1.four DG HSM Art Lens for Sony E

Rokinon AF 50mm f/1.four FE Lens for Sony E

3. 24-70mm

The versatility of the 24-70mm zoom lens is crucial for smaller spaces. For example, a tea rite at a Vietnamese wedding ceremony is typically held in a dwelling room. The 70-200mm might be too compressed for this situation, and the 50mm might now no longer offer sufficient versatility, as you usually don’t have lots of room for movement.

DSLR Options

Canon EF 24-70mm f/2.8L II USM Lens

Nikon AF-S Nikkor 24-70mm f/2.8E ED VR Lens

Sigma 24-70mm f/2.eight DG OS HSM Art Lens for Canon EF

Tamron SP 24.-70mm f/2.eight Di VC USD G2 Lens for Canon EF

Mirrorless Options

Sony FE 24-70mm f/2.eight GM Lens

Canon RF 24-70mm f/2.8L IS USM Lens

Nikon NIKKOR Z 24-70mm f/2.eight S Lens

Sigma 24-70mm f/2.eight DG DN Art Lens for Sony E

Tamron 28-75mm f/2.eight Di III RXD Lens for Sony E

4. 100mm Macro

If your bride and groom are spending hundreds of bucks at the info of a wedding ceremony, they may be positive to comprehend you taking pictures of the occasion in element. With the 100mm Macro, you may seize distinctive pictures with the equal best element as product classified ads in magazines. Add your contact of lighting fixtures and creativity, and also you get ring pictures just like the one below. Contact Capicture for best wedding photography in Madurai 

DSLR Options

Canon EF 100mm f/2.8L Macro IS USM Lens

Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED Lens

Sigma 105mm f/2.eight EX DG OS HSM Macro Lens for Canon EOS

Tamron SP 90mm f/2.eight Di Macro 1:1 VC USD Lens for Canon EF

Mirrorless Options

Sony FE 90mm f/2.eight Macro G OSS Lens

Tokina FiRIN 100mm f/2.eight FE Macro Lens for Sony E

5. 16-35mm

Sometimes the 24-70mm lens simply isn’t extensive sufficient to seize the whole lot you want. The extremely extensive perspective facilitates you to seize the environment. Venue and panorama pictures additionally offer a terrific addition for your wedding ceremony day coverage, as they set the scene for the day and let you take complete benefit of the scenery, in particular at lovely venues.

DSLR Options

Canon EF 16-35mm f/2.8L III USM Lens

Nikon AF-S Nikkor 16-35mm f/4G ED VR Lens

Sigma 18-35mm f/1.eight DC HSM Art Lens for Canon EF

Mirrorless Options

Sony FE 16-35mm f/2.eight GM Lens

Canon RF 15-35mm f/2.8L IS USM Lens

Nikon NIKKOR Z 14-24mm f/2.eight S Lens

6. 85mm

When this newsletter turned into first posted in 2009, the 85mm f/1.2 turned into in our honourable point-out category, however, we’ve fallen in love with this focal duration. The 85mm lens is a real portrait lens that doesn’t distort the photo the manner that a few wider-perspective lenses do (together with the 24mm or 35mm), in particular alongside the rims of the frame. This lens additionally gives terrific compression and historical past bokeh at wider apertures.

DSLR Options

Canon EF 85mm f/1.4L IS USM Lens

Nikon AF-S Nikkor 85mm f/1.8G Lens

Sigma 85mm f/1.four DG HSM Art Lens for Canon EF

Tamron SP 85mm f/1.eight Di VC USD Lens for Canon EF

Mirrorless Options

Sony FE 85mm f/1.eight Lens

Canon RF 85mm f/1.2L USM DS Lens

Nikon NIKKOR Z 85mm f/1.eight S Lens

The authentic article additionally covered the 15mm f/2.eight Fisheye lens which we now no longer use. Funny how speedy developments can change!

What do you think? What are your must-have lenses? If you haven’t executed so already, test out our Lens Wars series, the closing visible manual to actual international variations among an entire host of Canon expert zoom lenses and primes. In total, we examined 25 Canon lenses worth over $40,000 greenbacks beginning from 17mm to 300mm focal duration. For more information visit Capicture and contact us for wedding photography in Madurai

滑津大滝　Waterfall

TAMRON SP 24-70mm f2.8 Di VC USD A007

24mm f2.8 1/800 ISO100

Our Guide to Tamron Prime Lenses Got an Important Update

Give one of these a try.

With various Tamron deals being available and flash sales during different months, we thought it made sense to update our guide to Tamron prime lenses. Granted, they haven’t released a prime lens in a while. However, what’s available is truly great. The guide includes not only the newest lenses available for mirrorless cameras, but also their DSLR lenses. And if you still shoot DSLRs or want to…

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Luxury Travel Gear for Photographers – Essential Equipment for Shooting in Thailand’s Heat

Capturing the Essence of Thailand's Beauty Thailand is a land of beauty and wonder, from its stunning beaches to its vibrant cities, from its ancient temples to its lush jungles. With such a diverse range of natural and cultural attractions, Thailand offers endless opportunities for photographers who wish to capture its essence and create stunning images that will delight and amaze their viewers. Beaches and Islands For photographers looking to capture the beauty of Thailand's beaches and islands, the essentials are neutral density filters and a sturdy tripod. With these tools, photographers can create stunning long-exposure shots that capture both the movement of the waves and the colors of the sunset or sunrise. The islands of Phuket and Koh Samui offer some of the most picturesque beaches in Thailand, while the Phi Phi Islands offer dramatic cliffs and clear waters. Cities and Architecture For photographers interested in capturing the urban landscape and architecture of Thailand, the essential equipment includes a wide-angle lens and a fast prime lens. A tripod is also necessary for low-light shots and long-exposures. Bangkok, with its temples, palaces, and iconic skyline, is a photographer's dream, while the ancient city of Ayutthaya offers opportunities to capture the ruins of ancient temples and palaces. Nature and Wildlife For photographers who want to capture the natural beauty and wildlife of Thailand, a telephoto lens and a steady hand are essential. Whether it's the elephants of Chiang Mai, the monkeys of Lopburi, or the birds of Khao Yai National Park, the key is to capture the details and emotions of these creatures in their natural habitat. Thailand is a fascinating and beautiful country that offers endless opportunities for photographers to capture its essence. Whether you're shooting beaches, cities, or nature, the essential equipment is always a combination of creativity, knowledge, and the right gear. With the right tools and techniques, you can capture the beauty and wonder of Thailand in all its glory. Cameras and Lenses for the Tropics Cameras When choosing a camera for tropical environments, look for compact and rugged models that can handle the heat, humidity, and moisture. The Olympus Tough TG-6 and the Fujifilm FinePix XP140 are two excellent options. They are waterproof, shockproof, and freeze-proof, making them ideal for adventurous photographers. For those who prefer a more advanced camera, the Sony A7R IV and the Nikon Z7 are both excellent full-frame options. With high-resolution sensors, fast autofocus, and weather-sealed bodies, they are perfect for capturing stunning images of Thailand's lush landscapes and wildlife. Lenses When it comes to lenses, it's essential to have a versatile range to capture a variety of subjects in different lighting conditions. A wide-angle lens such as the Canon EF 16-35mm f/2.8L III or the Nikon AF-S Nikkor 14-24mm f/2.8G ED is perfect for capturing expansive landscapes. A telephoto lens such as the Nikon AF-S Nikkor 70-200mm f/2.8E FL ED VR or the Canon EF 70-200mm f/2.8L IS III USM is ideal for capturing wildlife and portraits from a distance. A macro lens such as the Tamron SP 90mm f/2.8 Di Macro 1:1 VC USD or the Canon EF 100mm f/2.8L Macro IS USM is excellent for capturing intricate details of flora and fauna. Choosing the right camera and lenses for shooting in the tropics can make all the difference in the quality of your images. Look for compact and rugged models that can handle the heat and humidity, as well as versatile lenses to capture a variety of subjects in different lighting conditions. With the right equipment, you'll be able to capture stunning images of Thailand's natural beauty. When shooting in Thailand's heat and humidity, it's essential to protect your gear from moisture and high temperatures. A few simple precautions can help ensure your equipment's longevity and performance: Invest in a good camera bag A high-quality camera bag with airtight seals and moisture-wicking fabric is essential in Thailand's humid climate. Look for bags with padded compartments to safeguard your gear from jostling and bumps in transit. Use silica gel packs Place silica gel packs in your camera bag to absorb any excess moisture. These packs can be found in most camera stores and are an inexpensive way to protect your gear from humidity. Avoid direct sunlight UV rays and high temperatures from direct sunlight can damage your gear. Keep your equipment in the shade or use a protective covering when shooting in bright sunlight. Keep your gear dry Invest in a rain cover for your camera or carry a small towel to dry your gear in case of rain or sweat. Never wipe your lenses or camera body with your clothing, as this can scratch the lens or damage the camera's sensor. Use a dry cabinet A dry cabinet is a great investment for photographers in high humidity climates. These cabinets regulate the humidity inside, keeping your gear dry and safe from moisture damage. By following these simple precautions, you can ensure your gear stays in top condition while shooting in Thailand's heat and humidity. Essential Accessories for Outdoor Photography 1. Tripod A sturdy tripod is a must-have for any outdoor photographer. It allows you to keep your camera steady, especially in low-light conditions, and take longer exposures for beautiful landscape shots. Look for a lightweight but durable option that won't weigh you down while hiking. 2. Polarizing Filter A polarizing filter is essential for reducing glare and enhancing colors in outdoor photography. This filter can help you capture stunning blue skies and crystal clear water while minimizing reflections and atmospheric haze. 3. Extra Batteries and Memory Cards Don't let a dead battery or full memory card ruin your outdoor photography adventure. Always bring extra batteries and memory cards to ensure you can keep shooting all day long. 4. Lens Cleaning Kit Dust, smudges, and fingerprints can easily ruin your outdoor shots. A lens cleaning kit with a microfiber cloth, blower brush, and lens cleaning solution is essential for keeping your gear in top condition. 5. Rain Cover Don't let unexpected rain or moisture ruin your camera gear. A rain cover can protect your camera and accessories from the elements and allow you to keep shooting no matter the weather. 6. Remote Shutter Release A remote shutter release allows you to trigger your camera from a distance, perfect for capturing wildlife or self-portraits without disturbing the natural environment. By investing in these essential accessories, you'll be well-equipped to capture stunning outdoor photography in any environment. Don't forget to pack them in your gear bag before your next adventure! Lightweight Tripods for Stable Shots on the Go Why Lightweight Tripods Are Essential for Luxury Travel Photographers Photography equipment can be heavy and cumbersome, especially when traveling. However, a sturdy, lightweight tripod is a must-have for any luxury travel photographer. Lightweight tripods are designed to provide stability for your camera without adding excessive weight to your gear. They also make it easy to set up and capture stunning shots while on the go, without the hassle of bulky equipment. Features to Look for in a Lightweight Tripod When shopping for a lightweight tripod, there are several features to consider. Look for a tripod that is sturdy and well-built, yet lightweight and easy to carry. Carbon fiber is a popular material choice for lightweight tripods, as it is durable, lightweight, and can withstand the elements. Another feature to consider is the tripod's height and weight capacity. Make sure the tripod can support your camera and lens, and is tall enough to capture the shots you need. High-quality ball heads and quick-release systems also make it easy to adjust your camera and capture stable shots quickly. Top Picks for Lightweight Tripods There are many lightweight tripods on the market, but some stand out above the rest. The Gitzo GT1542 Mountaineer Series 1 Carbon Fiber Tripod is a top pick for luxury travel photographers. This tripod is made of carbon fiber, weighs just 2.2 pounds, and can support up to 22 pounds of gear. Another popular choice is the Manfrotto Befree GT Aluminum Travel Tripod. This tripod is made of aluminum, weighs just 3.9 pounds, and can support up to 22 pounds. It also features a compact design, making it easy to travel with. For a more affordable option, the Vanguard VEO 2 204AB Aluminum Tripod is a great choice. This tripod weighs just 2.6 pounds and has a maximum weight capacity of 8.8 pounds. It also features a unique design that allows the center column to be removed and turned into a monopod, making it even more versatile for travel photography. A lightweight tripod is an essential piece of equipment for any luxury travel photographer. Look for a tripod that is sturdy, well-built, and lightweight, with a high weight capacity and adjustable ball head. With the right tripod, you can capture stunning shots while on the go, without the hassle of bulky equipment. Staying Comfortable and Hydrated While Shooting When shooting in Thailand's heat, it's important to stay comfortable and hydrated to avoid exhaustion and heat stroke. Here are some tips and gear to keep you cool: Wear Breathable Clothing Choose lightweight, breathable fabrics like cotton or moisture-wicking materials. Avoid dark colors that absorb heat and opt for light-colored clothing to help reflect the sun's rays. Use Sun Protection Wearing a hat, sunglasses, and sunscreen will help protect you from the sun's harmful UV rays and prevent sunburn. Make sure to reapply sunscreen every few hours. Stay Hydrated Drink plenty of water to stay hydrated throughout the day. Consider using a hydration pack or water bottle with a built-in filter to easily refill as needed. You can also try adding electrolyte tablets to your water to replenish lost minerals. Invest in Cooling Gear Consider investing in cooling gear such as a cooling towel, fan, or misting bottle. These items can help lower your body temperature and provide relief from the heat. Take Breaks in the Shade Take frequent breaks in the shade to give your body a chance to cool down. Try to plan your shoot around the hottest part of the day and take breaks during this time. By following these tips and investing in the right gear, you can stay comfortable and hydrated while shooting in Thailand's heat. Packing and Organizing Your Gear for Travel Make a Checklist Before you start packing, make a checklist of all the essential items you will need for your trip. This will help you remember everything you need and avoid overpacking. Make sure to include items such as your camera, lenses, batteries, memory cards, and any other accessories you might need. Invest in a Good Camera Bag Investing in a good camera bag is important when traveling with photography gear. Look for a bag that is both durable and comfortable to carry. The bag should also have enough compartments to keep your gear organized and easily accessible. Protect Your Gear When traveling with your gear, it is important to protect it from impact, moisture, and extreme temperatures. Invest in padded camera inserts, lens pouches, and protective cases to keep your gear safe and secure. Maximize Space When packing your gear, aim to maximize space in your luggage. This will not only help you fit more gear but also make it easier to carry. Use packing cubes or ziplock bags to keep small items organized and make use of any empty spaces in your luggage. Be Prepared for Security Checks Be prepared for security checks when traveling with photography gear. Keep your gear easily accessible and organized, so it is quick and easy to unpack and repack for security checks. Make sure to also check local laws and regulations for photography gear and accessories in your destination. By following these tips, you can ensure that your photography gear is packed and organized efficiently for your trip to capture the best shots in Thailand's heat. Read the full article

South Gare evening 1980’s Tamron 24mm f/2.5 & Canon R6 #southgare #boats #rivertees #sunset #evening #northyorkshirephotographer #northyorkshirephotography #vintagelensphotography #vintagelensphotographer #landscapeinportrait #tamron #canonphotography #24mm #paulbradley #photography #paulbradleyphotography #scudmonkey #redcar #tranquility (at South Gare) https://www.instagram.com/p/CideeQYN3BF/?igshid=NGJjMDIxMWI=

レンズメーカー「タムロン」の公式ブログ「TAMRON MAG」にて、2019年12月から2020年1月にかけて発売されたソニーEマウント用の小型・軽量で気軽に使えるリーズナブルな広角単焦点レンズシリーズ3本(20mm F2.8、24mm F2.8、35mm F2.8）の中の、“広角の世界を自由に切り取る”と掲げた、焦点距離24mmの単焦点レンズ『TAMRON 24mm F/2.8 Di III OSD M1:2 (Model F051)』をカフェや夕暮れ時で使用したレビュー記事（撮影、執筆）を担当しています。

フォトグラファー 石川 望氏がタムロン24mm F2.8 (Model F051)で朝のカフェと夕暮れの河川敷に差し込む光を求めてスナップ撮影

TAMRON MAG／タムロン

The Gateway Arch, St Louis, Missouri. My daughter and I had fun traveling across the the country last summer including a stop the the arch. Since I was still recovering from a bought of COVID, we didn't go up into the arch, but I was doing well enough to be outside taking pictures. Despite the heat, it was a nice little stop. I've traveled across the country a couple of times before when I was young, but for various reasons I had just never passed through St Louis. So seeing the arch has been on my bucket list for all my life and I was glad to finally check it off. . Jun '22 . I show all my pics here, or you can follow JUST my travel pics at @DSKwanders. . Nikon D610, f2.8, 1/1000s, ISO-100, 24mm Tamron SP 24-70mm f2.8 Di VS USD G2 with Polorizer filter Adobe Lightroom enhancements . #DSKImagesNW #mydailypic #mydailyphoto #myphotooftheday #mypicoftheday #InstaDaily #InstaPic #myshots #myphotography #PicoftheDay #PhotooftheDay #PhotographyDaily #BestoftheDay #unique #perspective #throughmylens #PhotoAddict #InstaPhoto #InstaFocus #MeandMyCamera #Nikon #NikonPhotography #cameraready #whatISee #AlongthePath https://www.instagram.com/p/CqDYboyudnQ/?igshid=NGJjMDIxMWI=

Riot of Windblown Yellow

A riot of yellow windblown flowers.

I sat right at the edge of a large clump of these bright yellow flowers. My lens was maybe 20cm from the closest blooms. The slightest wind would cause them to blur; and when it really blew, they would just whip around in front of me.

Camera: Pentax K-3

Lens: Tamron SP 10-24mm f/3.5 DI II

10mm / ƒ/22 / 1/20s / ISO 100

Taken: June 17, 2022