5 Great Wide Angle Lenses Under $1,000

Going on a vacation? Pick one of these up!

There are fantastic wide angle lenses that can be had very affordably. If you’re photographing the clouds over the city, one of these lenses is bound to be great for you. But that also means photographers walking through the forest, or capturing photos of fascinating buildings, or shooting at an event will also benefit. So we dove into our Reviews Index to find some of the best wide angle lenses…

View On WordPress

Названа дата старта продаж TAMRON 11-20mm F/2.8 Di III-A для FUJIFILM X

Компания TAMRON в феврале объявила о разработке... Читать дальше »

Tamron Releases 11-20mm f/2.8 Lens for Fuji Mount

In February, we reported Tamron’s development of an 11-20mm f/2.8 lens for Fuji X-mount, and this evening, the world’s largest lens maker has announced the official release of the lens. The 11-20mm F/2.8 Di III-A RXD (Model B060) will hit store shelves on May 30th at a cost of $829 USD. Those who have been waiting for the arrival of the lens are now able to pre-order at retailers such as B&H…

View On WordPress

Best Focal points For Nikon D3200

The Tokina 14-20mm f/2 is a top-level focal point for the Nikon D3200. This focal point offers staggering splendor, sharpness, and bokeh. Despite the fact that its f/5.6 max gap pursues it an unfortunate decision for shooting video, it's a sure thing for catching incredible shots. It likewise has a decent value and is minimized, making it simple to haul around. If you would rather not use auto mode with your D3200, you can likewise utilize a manual concentration. The pictures delivered are sharp, have adjusted colors, and have essentially no vignetting or bending. The central scope of the Nikon D3200 is perfect, and it can concentrate up to 4.9 feet away. Most Nikon D3200 focal points are zooms. While zooms are perfect for covering a large number of circumstances, prime focal points are more engaged and offer more prominent adaptability. In any case, in the event that you're a fledgling, you can begin with a solitary long range focal point. This will permit you to get familiar with everything of the exchange without burning through huge amount of cash. The Sigma 17-50mm f/2.8 focal point is another phenomenal decision. Its enormous gap and settled zoom capabilities make for more honed pictures, even in splendid daylight. Also, it has a high level USD ring-type engine and is lightweight and strong. The focal point additionally accompanies VC picture adjustment, which conveys more honed pictures and makes up for camera shake. In the event that you're searching for a wide-point focal point, the Tokina 11-16mm f/2.8 focal point will get the job done. This focal point has two aspheric and two low scattering components and a 77mm channel string. While it's anything but a top decision, it's a decent decision for the Nikon D3200. In the event that you're a photographic artist who has practical experience in pictures, you'll cherish this focal point. It produces wonderful pictures and astonishing bokeh. Besides, it's actual quick, so you can involve it in various settings. The focal point is additionally calm. As well as permitting you to concentrate exceptionally near your subject, the Nikon AF-S 85mm f/1.8G focal point is one of the most amazing primes for the Nikon D3200. The Nikon D3200 camera accompanies various focal points. You can pick the ones that turn out best for yourself as well as your circumstance. The 18-140mm f/3.5-5.6 focal point is an incredible travel zoom, and the 18-55mm focal point is incorporated with the body. While the Nikon D3200 is a somewhat old model, there are a lot of full-outline focal points for the model. Be that as it may, on the grounds that the D3200 has an edited sensor, these focal points are not ideal for the camera. Nikon focal points are known for the majority astounding highlights, including the Manual/Self-adjust mode switch, which allows you to control how much light the camera gets, and considerably more. The Nikon D3200 is an amazing passage level camera for fledglings. It has a 24.2-megapixel CMOS sensor, Full HD 1080P video capacity, and an incredible instructional exercise mode that can show you how to utilize the camera. It's additionally generally modest contrasted with numerous expert level DSLR cameras. It's a brilliant decision for novices and could in fact fulfill experts with the right focal points. Go to https://lensespro.org/best-lenses-for-nikon-d3200/ 

About us 

The Tamron 18-200mm F/3.5-6.3 focal point is one of the most mind-blowing focal points for the Nikon D3200. It gives brilliant focus sharpness, alongside negligible chromatic abnormalities and flare. It likewise has fantastic picture adjustment. This focal point is accessible at a sensible cost, as well. In the event that you're hoping to take dazzling pictures, the Nikon AF-S DX NIKKOR 85mm f/1.8 focal point is an extraordinary decision. Its great optical plan and quick most extreme gap of f/1.4 making it the best focal point for some circumstances. There are many focal points accessible for the Nikon D3200, and this guide will assist you with picking the right ones for your necessities. Probably the most ideal choices are long range focal points like the Tamron Auto Center 70-300mm f/4.0-5.6 Di LD. In any case, on the off chance that you're keen on taking photos of scenes, a great focal point like this might be best for your requirements. Most Nikon D3200 focal points are zoom models. While long range focal points offer excellent flexibility, prime focal points offer more honed pictures. Notwithstanding, a great many people can't manage the cost of numerous excellent focal points. Additionally, they don't offer sufficient adaptability. Long range focal points are the most ideal decision for fledglings since they give you the opportunity to move between central lengths while as yet partaking in the adaptability of zooming. The NIKKOR 55-300mm is quite possibly of the lightest focal point in its group. This focal point likewise includes a metal mount and outer self-adjust, which pursues it a decent decision for taking shots at significant distances. It is likewise one of the most outstanding full scale focal points for the Nikon D3200.

Contact us on https://lensespro.org/best-lenses-for-nikon-d3200/ 

Adobe camera raw cs4 download mac

Adobe camera raw cs4 download mac for mac#

Adobe camera raw cs4 download mac update#

Adobe camera raw cs4 download mac full#

Adobe camera raw cs4 download mac update#

Adobe Camera Raw runs on the following operating systems: Windows/Mac. The most current update of Adobe Camera Raw for Photoshop CS6 is 9.1.1 Photoshop CS5 (April 30, 2010) The most current version for Photoshop CS5 is 12.0.4 or 12.1 The most current version of Adobe Camera Raw for Photoshop CS5 is 6.7.1 Photoshop CS4 (October 15, 2008) The most current update for Photoshop CS4 is 11.0. It was initially added to our database on. The latest version of Adobe Camera Raw is 14.5, released on. (*) Lens corrections for the SIGMA dp1, dp2,and dp3 Quattro cameras are for JPEG images only.Host file block website list download. Adobe Camera Raw is a Freeware software in the category Graphics Applications developed by Adobe Systems Inc. Adobe has released an update to its Camera Raw Plug-in for Photoshop CS4. ZY Optics Mitakon Speedmaster 50mm f0.95 Pro 1 Photoshop CS4 (October 15, 2008) The most current update for Photoshop CS4 is 11. TAMRON SP 90mm F/2.8 Di MACRO 1:1 USD F004S Voigtlander SL II 28mm f/2.8 Color-Skopar Aspherical Voigtlander SL II 20mm f/3.5 Color-Skopar Aspherical Nikon AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II Voigtlander MFT 17.5mm f/0.95 Nokton Aspherical Voigtlander LTM 35mm f/1.7 Ultron Aspherical they should hit Adobe CS3, CS4 and CS5 first. Voigtlander LTM 28mm f/1.9 Ultron Aspherical Mac CS3 is no longer supported for Adobe Camera Raw and DNG Converter. Venus Optics 60mm f2.8 2X Ultra-Macro Lens

Adobe camera raw cs4 download mac for mac#

and the standard version for Mac and PC is currently available to download for free.

Adobe camera raw cs4 download mac full#

Adobe Animate CC provides more expressive tools, powerful. Direct integration with Bridge File renaming Full auto renumbering. You can view (in fullscreen) and manage Photoshop PSD, Camera RAW, Illustrator AI. Students can follow the book from start to finish or choose only those lessons that interest them.

Panasonic Lumix DMC-ZS50 (DMC-TZ70, DMC-TZ71) Block Adobe Activation Servers for CS4 and CS5 via HOSTS file.

To see the new Merge feature in action, check out these videos. Because of this, you no longer need to edit your photos before merging. If you are merging raw files, then the merge is performed using raw image data and the resulting DNG is just as much a raw file as the originals (and retains all the editing flexibility that comes with shooting raw). The merged result is a DNG file and is saved to disk alongside the input images. You can download the appropriate files from links below.ĭownload Camera Raw 9 for Photoshop CC/2014Ĭombine your photos to produce panoramas and HDR images in ACR. Update for Photoshop CC also includes the new features listed below. Camera Raw for Photoshop CS6 only include new camera support, lens profile support, and bug fixes. Links to the latest Adobe DNG Converters: DNG Converter for Mac and Windows.

Used Tamron 11-20mm f/2.8 Di III-A RXD Lens for Sony E (EX) (625415687)

This item is at our Southpark Meadows location, and will require an additional 24 hour processing time for orders that will be shipped.

Used Tamron 11-20mm f/2.8 Di III-A RXD Lens for Sony E

Fuji Rumors: Fujifilm’s Biggest Error is Now Fixed (and Waiting for Sigma) – Commentary

Fuji Rumors: Fujifilm’s Biggest Error is Now Fixed (and Waiting for Sigma) – Commentary

View On WordPress

Finally copped a Sony A6400! No more bags of noodles and 2 month waiting periods. I managed to snag one with a 50mm 2.0 for 750ish (820) after taxes. Ideally way more than I wanted to pay, but I hope to sell this lens for 180ish so in turn I would have only ended up spending 680ish for the body. Anything under 700 is a win in my book.

Ofc I found out afterwards that Sony had released a new camera that is 700 dollars and is even better than the A6400 in some ways, but it doesn’t have an EVF which I think looks ugly on the small bodies anyways but it comes in handy for photography.

At least this thing is built like a tank and only seems to have 6k actuations. I wish it had eye Auto focus for video but it’s not needed. I ended up spending another 700 on a 11-20mm Tamron lens.

Thankfully got that with 5% eBay bucks so only 3% tax in the end. Big investment but I’m liking how it looks so far. Probably be my camera set up for a while since the A7IV turned out to be an expensive rolling shutter machine. 

Original caption:

Ever since I started astrophotography I’ve waited to visit the dark skies of Chile. I took advantage of the total solar eclipse of July 2nd to give me a ‘good excuse’ to go there and shoot astrolapses as well. For a bit more than two weeks, Alyn Wallace and I roamed about some of the driest areas and darkest skies on the planet. This short films tells the tale of an otherworldly experience filled with many challenges and stunning scenery throughout the deserts of the South-American country.

Chile is unlike any other places on our beautiful planet. The climate there is very strange, especially coming from northern Europe. While the southern part of the country is colder and more humid, the northern part offers some of the sunniest and driest places thanks to the Andes blocking most of the clouds. The high plateaus (Altiplano) actually extends for miles from South to North and even in the winter time, the astrophotography possibilities are almost endless and seemingly easy to come by. During our two weeks around La Serena and Atacama, Alyn and I have almost not seen a single cloud or a major gust of wind. Moreover, despite the growing light pollution around the arid plains, the night remains one of the best on Earth. There, the nigh it is quite long (from 6:30PM till 6AM), and the air is thin and pure to allow less scattering and a clearer view on the stars. So theoretically it was possible to shoot every night.

But that’s in theory. In practice, Chile ended up being the most challenging environment to shoot in so far. It’s even more extreme than shooting the northern light by -35 degrees Celsius in Sweden! Even with a good acclimatization at 2500m, the altitude (~4300m sometimes), fatigue, cold (-11 C sometimes), the constant dust lifting off the ground took a serious toll on our health. In turn that prevented us from shooting every night for two weeks. After both falling sick several times, we simply had to give up even though we’re usually quite resistant and resilient. The desert is a serious hostile environment and unfortunately the movie does not show it. That’s without mentioning some of the other challenges we had, like puncturing a tire in the middle of nowhere, breaking my 70-300mm Tamron lens an hour before the eclipse, or almost having a fit at 4800m of altitude.

Fortunately though, the experience of being under such beauty and shooting it was well worth the trip. The film only features 2 sequences of the total solar eclipse, but the photos cannot do the real thing justice, even in an environment that looks like Mars. I tried my best to diversify the shots and compile them into this short to showcase how jaw-dropping the Chilean desert are at night. At the start of the movie, I featured my first ever night hyperlapse, which is quite hard to achieve, even under a full moon (uneven terrain, anchor points hard to find…). From the flowering cacti in front of the milky way galaxy to the turquoise slaty lagoons reflecting the stars, but also the arid but singular salt flats, the deserts of Chile truly are a unique place for nightscapes. I had two main shooting challenges this time though. Firstly the car lights (many tourists coming around the eclipse) which lit up some sequences (I had to remove some frames and some of the sequences got a bit laggy). The second problem was the difference of light between the sky and foreground. Indeed the sky was very bright and the ground very dark in comparison, so I often had to push the ISO to 10K and 12K, or bump up the exposure time, which in turn resulted in less clean sequences. 
> 
> All in all the experience was incredible and I am quite stunned by the results I got. I hope you enjoy this first opus in my new timelapse series ‘STARLIGHT’ dedicated to the darkest places on Earth. All content is copyrighted NightLightsFilms© (except sountrack licensed seperately), and no footage can be used in any way without the author’s permission. Please contact me for media and purchase inquiry. Please share and comment if you liked the video and follow me for more videos like this one! More at nightlightsfilms.com 
> Cameras: Sony a7s, 2 Canon 6D modded, Sony a7rII Motion control: Vixen Polarie, Syrp 3 axis system
> Lenses: Sigma 14mm f1.8, Sigma 20mm f1.4, Sigma 35mm f1.4, Sigma 50mm f1.4, Sigma 85mm f1.4, Samyang 135mm f2, Kenko extender HDPRO x2 (eclispe) Post-process: Adobe Lightroom, Timelapse+ STUDIO plug-in for Lr, Ps CS6, TDLF, Sequence, FCPX

3 APS-C Camera Lenses with Professional Level Image Quality

Here's one for those who love their APS-C cameras.

The statement for years was that APS-C cameras and lenses can’t produce professional results. And even though some photographers still think that way, it’s been long debunked. APS-C camera lenses have improved in the same way that the camera sensors and processors have. So if you want better quality from your APS-C camera, then consider these lenses. We spent a lot of time reviewing these and we…

View On WordPress

TAMRON анонсирует разработку 11-20mm F/2.8 Di III-A RXD (Model B060) для FUJIFILM X

TAMRON анонсировала разработку сверхширокоуголь... Читать дальше »

2018年レンズ別登場回数ランキング

前からやりたいと思っていたので、集計しました。

ちなみにカメラは、APS-CのPENTAX K-3Ⅱです。

ブログ登場回数

1位：19回：smc PENTAX-M 50mm/1.4：Kマウント

2位：18回：Rollei-HFT Planar 50mm/1.8：Ｍ４２マウント

3位：12回：MIL TOL By Kenko ED 400mm/6.7：Ｔマウント

4位：11回：RMC Tokina 17mm/3.5：Ｋマウント

　　　　　  MC Mir-47K 20mm/2.5：Ｋマウント

6位：10回：KIRON 28mm/2 MC：Ｋマウント

　　　　　  SMC TAKUMAR 28mm/3.5：Ｍ４２マウント

　　　　　  HELIOS 44-2 58mm/2：Ｍ４２マウント

　　　　　  PENTACON 200mm/4：Ｍ４２マウント

10位：8回：SAMYANG 10mm/2.8：Ｋマウント

　　　　　  Carl Zeiss Jena electric MC S 135mm/3.5：Ｍ４２マウント

12位：7回：CARL ZEISS JENA Ⅱ 24mm/2.8 MC MACRO：Ｍ４２マウント

　　　　　  TAMRON SP 90mm/2.5 52B：アダプトール２

14位：6回：ROKINON 14mm/2.8：Ｋマウント

　　　　　  MC ZENITAR-K 16mm/2.8：Ｋマウント

　　　　　  Carl Zeiss Jena Flektogon 35mm/2.8：Ｍ４２マウント

　　　　　  Mir-1B 37mm/2.8：Ｍ４２マウント

　　　　　  XR RIKENON 50mm/2：Ｋマウント

　　　　　  AUTO mamiya/sekor 55mm/1.4：Ｍ４２マウント

20位：5回：MIR-20M 20mm/3.5：Ｍ４２マウント

　　　　　  Super-Multi-Coated MACRO-TAKUMAR 50mm/4：Ｍ４２マウント

　　　　　  Super-Takumar 55mm/1.8：Ｍ４２マウント

　　　　　  MC JUPITER-9 85mm/2：Ｍ４２マウント

　　　　　  Cyclop T3C-2 100mm/2：Ｍ４２マウント

25位：4回：PENTACON electric 135mm/2.8 MC：Ｍ４２マウント

　　　　　  JUPITER-36B 250mm/3.5：ペンタコン６

27位：3回：Holga HL-P 60mm/8：Ｋマウント

　　　　　  MACRO YASHINON 60mm/2.8 TOMIOKA：Ｍ４２マウント

　　　　　  HELIOS-40 85mm/1.5：Ｍ３９マウント

30位：2回：PHOENIX/SAMYANG MC AUTO ZOOM 18-28mm/4.0-4.5：Ｋマウント

　　　　　  Rodenstock-Trinar 55mm/3.5：Ｍ４２マウント

　　　　　  PENTACON AV 80mm/2.8：Ｍ４２マウント

　　　　　  ISCO-GOTTINGEN EDIXA-ISCONAR 100mm/4.5：Ｍ４２マウント

　　　　　  RANK TAYLOR HOBSON 8.25INCH/4.5 XEROX：Ｍ４２マウント

35位：1回：SPIRATONE fish-eye 12mm/8：Ｍ４２マウント

　　　　　  smc PENTAX-M 40mm/2.8：Ｋマウント

　　　　　  INDUSTAR-50-2 50mm/3.5：Ｍ４２マウント

　　　　　  SMC PENTAX-DA 50mm/1.8：Ｋマウント

　　　　　  MC HELIOS-44-3M 58mm/2：Ｍ４２マウント

　　　　　  Carl Zeiss Jena Sonnar 180mm/2.8：Ｍ４２マウント

　　　　　  CARL ZEISS JENA DDR SONNAR AUTO 200mm/2.8 MC：Ｍ４２マウント

　　　　　  MC RUBINAR 1000mm/10 MACRO：Ｍ４２マウント

　　　　　  Lensbaby 3G：Ｋマウント

　　　　　  Rising Pinhole Wide V：Ｋマウント

　　　　　  SIGMA Art 18-35/1.8：Ｋマウント

46位：出番なし(笑)

Carl Zeiss Jena Flektogon 35mm/2.8 modified：Ｍ４２マウント

SPIRATONE MACRO 35mm/3.5：Ｍ４２マウント

MC RUBINAR 500mm/5.6 MACRO：Ｍ４２マウント

CARL ZEISS JENA DDR MC SONNAR 300mm/4：ペンタコン６

LENSBABY Circular Fisheye 5.8mm/3.5：Ｋマウント

COSINA 20mm/3.8 MC WIDE ANGLE：Ｋマウント

VOIGTLANDER 35-70/3.5-4.8 MACRO：Ｋマウント

PENTACON auto 29mm/2.8 MC：Ｍ４２マウント

PENTACON auto 50mm/1.8：Ｍ４２マウント

TAMRON 80-210/3.8-4.0：アダプトール２

多分５５本？？？

長文失礼しました・・・自己満足用です。

The debut of ....

The debut of ….

05032022 | Skudai, Johor Bahru, Johor The first debut of my new Tamron 11-20mm f2.8 on Sony a6300! Alhamdulillah. ☺️ 📸🌲 Instagram: @nurhanijauhar #TheStartWithHan #MyNextBigThing

View On WordPress

Tamron 11-20mm F2.8 Di III-A RXD Review

Tamron 11-20mm F2.8 Di III-A RXD Review

The Tamron 11-20mm F2.8 Di III-A RXD ($829) is the first direct competitor to Sony’s long-running 10-18mm F4 OSS. Tamron’s lens is better built, with the weather protection Sony’s wide zoom lacks, and brighter F2.8 optics. It’s the lens to get for your a6000-series camera if you’re looking for a broader view, though vloggers may still prefer the Sony 10-18mm for its stabilized optics. Made for…

View On WordPress

Used Tamron 11-20mm f/2.8 Di III-A RXD Lens for Sony E (EX) (625374835)

Used Tamron 11-20mm f/2.8 Di III-A RXD Lens for Sony E