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#sometimes they also [redacted]
majunju · 11 months
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heat pack
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formosusiniquis · 1 year
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When Mike Wheeler, red faced and still faintly tear stained, asks him how he knew he liked both Steve doesn’t know how to tell him it was his sister.
Before Nancy Wheeler it had only been boys. Before Nancy Wheeler Steve had been sure he was gay and knew well enough to keep it to himself; dating around enough to earn himself a protective reputation. Before Nancy Wheeler there’d been Marcus Summers, from the baseball team, during freshman year. Steve had gone to every game, and had been forced to make up excuses about schoolwork and his other commitments when asked why he hadn’t tried out for himself. Before Nancy Wheeler there’d been Tommy Hagan. The summer between seventh and eighth grade had been very kind to Tommy, he was sunkissed and boy next door sweet, Steve had wanted to hold his hand and count the freckles across the bridge of his nose. 
Before Nancy Wheeler there’d been his first love, a boy who only visited one summer, the year Steve turned ten. His name had changed every time they hung out but he’d favored E’s. Eli, Emmett, Elliott, Eric, Excalibur, Excelsior, and once for about an hour Wayne. His hair brushed his chin in pretty brown curls and his big brown eyes were always bright with excitement. He always got storm off mad when any of the other boys they’d played with that summer said he was acting like a girl, E would run off to the woods and Steve would always follow. E always came up with the best games anyway, he didn’t like playing soccer or HORSE or anything else with rules that couldn’t be bent; he preferred imagination games where they were knights or wizards. He didn’t laugh when Steve said he always liked playing house, but never wanted to be the dad because why would he want to be someone who never wanted to spend any time with his kids. E who, while insisting on being called Samwise all day, was his first kiss.
Cause he knows what Mike wants to hear. He’s seen the way Mike and Will have danced around each other since the last portal closed. He’s heard the things Mike has said to and about Will. He’s heard all about the week that Will was in the Upside Down. He’s heard all about the summer of ‘85. He’s heard all about the final off again that seems to officially mark the end of Mike and El romantically. He knows that Mike wants him to say that he’d never even thought about boys before he met Eddie. That there’s just something special about Eddie that makes him want to give up his lady killing ways. That Eddie was different. That it was okay that he was having these scary new thoughts, maybe Will was just an exception.
And Steve doesn’t know how to have that conversation. When he realized he liked both it was a relief, that maybe he could have something normal and wouldn't have to spend his life lying or hiding. 
But Eddie was different. Eddie was special. Eddie was probably it for Steve which is scary in a different way that he’s not ready to touch yet -- not when it’s only been three months.
There’s never been another girl since Nancy Wheeler, not really
There will never be another boy after Eddie Munson.
So he tries to help, as best he can. It’s easier with Eddie there, not quite dozing against his shoulder -- the kid’s emergencies always seem to come so late at night these days. “When I was ten, there was a boy whose name kept changing who decided prince charming should get to kiss his faithful knight. And when I was sixteen, your sister-”
Mike’s goodwill diminishes quickly as his sister gets introduced to the conversation.
“Stevie,” Eddie says. It’s not an admonishment for bringing up Nancy. It’s awestruck and watery. “You remember that?”
“Of course I remember the first boy I ever loved," that word catches up with him a second later. Remember. 
Cause there's Eddie with his riot of brown curls and his Bambi eyes. Eddie, who has explained why soft feminine words chafe against his skin leaving him itchy and anxious. Eddie, who has an Uncle in Hawkins. Eddie who moved to town the summer before he entered high school with a buzzed head and his mother's last name. Eddie who finally settled into an E he liked best.
"Wheeler, here's a tip from me to you," Eddie says, his advice is always better received than Steve's anyway, "if you have to ask you probably already know."
"Straight people don't really spend much time wondering if they aren't really straight," Steve agrees.
They don't rush Mike out the door, a crisis is a crisis and even in the wake of new discoveries Mike deserves to be heard out. Deserves a chance to cry and rage and feel those emotions someplace safe from his Reaganite father -- just as much as Will deserves to have someone who knows what they want come to him, deserves better than experimentation.
They cross the bridge from late into early by the time Mike sets off. The sun is creeping up over the horizon and Mike looks solid, certain; the dawn hints at the man he is growing up to be. Though every instinct of Steve's begs him to drive the kid home, Eddie's soft hand lingering at his hip holds him fast. They wave instead, encouraging Mike to go home and to bed before he does anything; knowing his front bike tire is already pointed toward the Byers-Hopper place.
"The first boy you ever loved, huh, Stevie?" Eddie teases before the door has even managed to click shut.
"And the last, I'm hoping, if I play my cards right."
"You were always pretty good at that. You were the only person that summer who called me by my name, except Wayne."
"It was your name." He knows that's too simple. Knows how hard Eddie has had it, continues to have it. But that summer it had been that simple, Eddie trying on names like shirts each one fitting until they didn't. "For what it's worth, I like Eddie a lot more than Excalibur."
"Oh fuck off, I was going through a fantasy knight phase. Which I know you remember."
"Right a phase, and how much longer is this fantasy 'phase' going to last?"
They're the kind of tired that makes you feel drunk, when Eddie tackles Steve and sends them both to the floor and to giggles. Eddie might not have been his bi awakening, but Steve is pretty fine with him being his everything else.
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gordonsicedcoffee · 1 month
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girl help I need to eat him for breakfast
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soup-scope · 1 year
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we finally got canon ages for some of the redacted boys!!!
Samuel Collins- 29 *when turned* (technically 44 ig)
Vincent Solaire - 20 *when turned* (technically 43 ig)
Avior- Coalesced 36 years ago
Gavin- Coalesced 33 years ago
Aaron- 33 years old
David Shaw- 30 years old
Asher Talbot- 30 years old
Milo Greer- 30 years old
Lasko Moore- 29 years old
Elliot- 29 years old(???) (timeline just states he was adopted 29 years ago)
Huxley- 26
Caelum- Coalesced 24 years ago (caelum is still very much mentally a child tho. don’t be weird)
Damien- 24 years old
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loversandantiheroes · 5 months
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Not to put too fine of a point on it, but if you're any sort of creative artist that struggles with mental health and the way it affects your ability to create the way you want to (and perhaps feel you need to), please play Alan Wake 2.
Sam Lake gets it.
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redactedresearch · 2 months
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I think Handsome Jack cried so hard he threw up once he really stood and acknowledged Angel's passing
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thelawsofdaylight · 6 months
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I'm sorry if this isn't approriate, but I don't really understand why you find Les Mis a good target for a climate protest? I get that the musical has themes that align with the protesters but like... what was the good outcome? Are there really People in that audience that don't know climate change is happening? How Will this change their mind? What action is meant to be brought on by trowing soup at paintings or disrupting a performance? Does that actually help the cause of combatting climate change at all? Does it help make people more aware, does it have an effect on the mechanisms of polluters? Isn't there anything more focused that these resources (both money and the incredible bravery and drive of the People themselves) could be better focused on. These protest feels so different from like, people chaining themselves to a private jet or the schoolchildren going up to parliaments by the thousand to demand policy chances to better their future. All of the JSO actions feels so performative, I just don't see how they are actually doing anything of even the mechanism by which they are meant to accomplish anything? Which doesn't mean that the people involved aren't great people or that the reaction of the Les Mis crowd wasn't fucked up. Just... what was even the goal?
Hey! I know it's been a while since I made that post supporting the JSO protestors but I've gotten a few asks like this in the time since (and am still getting them) so I'm responding to this as the most good-faith one in my inbox and hopefully it answers others that have been asked to me in the past couple weeks as well. Disclaimer: If I'm responding to things outside the remit of this ask, it's likely that it's because someone else sent an ask about it and I've been juggling them all in my head as I've been thinking on a response.
I think in order to answer the first part of the ask we have to tackle the second. 'What has this action achieved' only works as a comprehensive criticism if we look at it in isolation to all of JSO's other actions. What I mean by this is: JSO launched by blocking oil refineries for days on end. In the two years they've been active they've done similar actions, including but not limited to disrupting fuel distribution centres, petrol stations, interrupting fossil fuel conferences, and, most recently, trying to stop the relocation of asylum seekers to prison barges. Their actions go far beyond blocking roads and disruption of public events. I think this is important to establish as I don't know how much of a working knowledge anyone not in the UK Climate movement actually has about JSO and I think it's good we're all on the same page.
But if they do all that (effective, important) direct action, then why target Les Mis? What does a West End show have to do with fossil fuel companies and climate change? And in response to these questions I'll ask one of my own: were you aware of the fact that JSO tried to stop migrants from being deported until I mentioned it just now? A lot of these actions, the ones that actually target infrastructure and confront those directly responsible, get little to no media coverage. When news of the Les Mis action first broke out, I saw so many people on Twitter with the same reactionary takes: why target Les Mis when the Conservative Party Conference literally happened the same weekend? And that's a fair and valid point- if it wasn't for the fact that JSO were at the conference. I know this because I was there too. They had a huge bloc in the march and went on to do other actions in the city after the march had ended. The whole thing, the entire 10,000+ strong protest, got maybe 30 seconds coverage on the local news and not even a mention of JSO's presence (or of climate change in general for that matter.) JSO's previous actions directed at fossil fuel companied themselves get very little, if any, coverage compared to their big flashy sports/awards show/performance interruptions.
So yeah, some of JSOs actions are 'performative'. But I don't think it's unreasonable to suggest that even performative actions have their place within the wider struggle. I understand not liking public disruption as a tactic and I understand the issues with it, but I also think it's worth reflecting on why groups like JSO use it.
Editing my draft here to report that earlier today they smashed the frame of a painting that was previously vandalised by the Suffragette movement in 1914. That's a performative action, sure, but you have to admit it makes a point. Just like the tageting of Les Mis, a play about an unjust society and the people striving to change it, makes a point about hypocrisy. It gets the media coverage. We can debate all day about the usefulness of that coverage and if chasing media headlines should be our goal in the first place... but at the end of the day, it's been proven that JSOs membership grows every time they do something like this. It gets more people to join, which means next time it comes round to blocking key infrastructure, they'll be in a stronger position to succeed.
This isn't to say don't criticise them at all! I actually think criticisms like this one are a key part of organising and, done with care, can only make our movements stronger. I have my own issues with JSO- namely, the carelessness with which arrest is actively encouraged/promoted as the only valid form of resistance- but that's a whole other conversation and one that doesn't undermine my support and solidarity for the activists who are doing those actions (and sacrificing a whole lot in the process.) I think mass direct action movements are rarely ever perfect but I also think we need to show solidarity first and foremost when people are trying to do the right thing, especially if how they're doing it is in conjunction with or as a response to other tactics.
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phantomrose96 · 1 year
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Every so often someone will tag a post of mine with "hope this is okay to reblog"--which like, I appreciate the consideration certainly, but for me personally every post of mine is rebloggable. This is the Reblog Posts website to me. Sometimes I'll post the most deeply personal thing completely beneath a readmore and inevitably one or two people will reblog it, and I'll be like "yeah okay. sure. have fun with that"
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novabuns · 1 year
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more fanart of @14dayswithyou ada and rendacted, aka angel and her guard dog bf. 😌❤️
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shallowseeker · 7 months
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If you're a native Spanish speaker, wanna take a stab at the telenovela in 7x03? (It's very hard to hear under the main audio.) You can hear, My love, my love? I think I hear, no me dejes (Don't leave me) in the mix.
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I love that Ricardo, you know, has a bloody collar and smudge on his right brow, kind of like...you know:
///
7x01
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Ahem.
It also, of course, calls to mind John's death in 4x03, but only in how Mary cradles him.
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The rest is so-- [REDACTED]
And if you think Dean wasn't grieving in his prickly veneer of toughness, listen to his voice in that brief moment he thought Cas was back. His breathy little "Ca-as?" is sooo shaky.
Then, he and Bobby both grabbed onto him with the intention of getting him home (and working through what just happened, "Okay, one thing at a time.") It was so--
This is the same episode where Cas said he had no more nostalgia for Dean and threatened to snap him into bloody soup, and then Dean urged Death to kill Cas, and Cas looked somehow shocked, despite what he'd just threatened to do himself. They're so--
To say nothing of the look on Dean's face when the Leviathan says in clear words, "Cas is, hmm, gone. He's-- dead!"
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friendlyfaded · 1 year
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i, for one, don’t have a problem with the redacted boys being in their thirties. maybe it’s because i work with people who are in their 40s-60s but 30 is just not old? that’s not even halfway through life why do people think 30 is old?
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deus-ex-mona · 4 months
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when the lip differs from the lip
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suddencolds · 4 months
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writing a snzfic and realizing no one has sneezed in the last 500 words and scrolling anxiously up to find a place to fit a sneeze into the dialogue
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mattodore · 6 months
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this is what i do when i'm having bad days 🤺
#river dipping#mattodore as a coping mechanism 🧘#i'm actually having a better day than yesterday i'm just grumpy atm from lack of sleep 🚆🚶#i stayed up last night watching old jerma streams yk how it is#made a character page yesterday but i’m not sure if i want to keep it… the character pics are TEMPORARY!!! btw.#i gotta take new plain bg cas pics for it but i was thinking abt making my own cas poses first 🤔#finally went back to finish writing the [redacted] scene with mattodore#have been super slowly adding more aesthetically pleasing images to theo’s text heavy board 🚬#also this picrew having a blue and red background option 😋#anyway… that’s my little update 🫡#i’m going to make theo’s custom beauty marks today and then i’ll get in blender to make this mattodore pose that is.#just. dog motif. you know. you understand the dynamics i don’t need to say anything else.#i’d show it off but for some reason matthias’s ripped sims all are missing his teeth cc…? so. can’t. the teeth are important to the pose ☝️#i’ll share pics when i actually go in-game later#‘later’ <- when i feel like turning on my desktop#i should do it soon tho that way i can slap new pics onto that oc page and see if i like it or not#i decided to try it out since it’s mobile friendly like my actual blog theme#like if you open up a browser on your phone and type in my blog or this character page’s url they both look nice !#i hunted for my blog theme for agesss but i found this character page pretty fast#it’s nice… it’s relatively simple looking (the code isn’t tho lmao) which i like. sometimes character pages are just. a lot.#and i think i prefer simple over complicated atp
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wjtysghjfg · 5 months
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"why do u right like ur running out of time?"
Cuz I have the memory of a goldfish and I only have so long until I forgot the theories I literally just made.
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josephslittledeputy · 20 days
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Celeste & Lucian during Cel's baby vamp era || Celeste & Wes sometime during the late '70s/early '80s || Sparrow & Endymion (She's not wearing her eyepatch that seals him in so he's tormenting her <333 He's actually quite fond of her ok) Lacy & her beloved husband, Owen, years ago || Lacy & her guard dog Zeke in the present (Preventing him from tearing someone up bc they looked at her wrong) || My beloved worst couple Sid & Sel <333
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Kira Gallagher (TWD verses) Top Left: Teenage era, being a hellion || Top Right: Pre Zombie Apocalypse Bottom Left: Early Apocalypse, safe in shelter || Bottom Right: Present, post doing something that's necessary in the new world
Tagged by the lovely @carlosoliveiraa to do these cute picrews! 1 & 2
Tagging @socially-awkward-skeleton @direwombat @marivenah @alexxmason @henbased @simplegenius042 @inafieldofdaisies @skoll-sun-eater @cassietrn @clicheantagonist and anyone else who wants to participate! Sorry if you already have and I haven't seen it yet! It's been a while since I've been on here
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