Randomly thinking about “tolerate it” (narrator voice: it was not random) and how under the cloak of fiction it is ostensibly inspired by works like “Rebecca” (which Taylor said she read during the 2020 lockdowns I believe?), with the line of “you’re so much older and wiser” indicating that the speaker is significantly younger and inexperienced compared to the person she’s speaking to and a pretty direct reference to the plot of the book.
But I saw something somewhere once that stuck with me about how it might not be referring to relative age between the characters but chronological age as in the passage of time in a relationship. And that made me think about how in a contemporary context, it might not necessarily be referencing an actual age gap between the two characters, but rather a sarcastic or cynical response to the man’s claims that he has matured (“you’re so much older and wiser [than you were before/than you were when we met/etc.]”), which then made me think about that line in relation to the woman. And that it could be taken like, “you act like you’ve matured so much in our time together and like you know everything, while I’m supposedly still stuck as the girl I was when we first met.”
Which then made me think of the “right where you left me” of it all and did you ever hear about the girl who got frozen time went on for everyone else she won’t know it and the bit in Miss Americana where she talks about how celebrities get frozen at the age at which they got famous, and how she’s had to play catch up in a lot of ways not just in her emotional growth but kind of in general. (Which also made me wonder if she’s ever been called out for immaturity/lack of curiosity/lack of education about things in her life…)
Which then made me think about the rest of the song, and @taylortruther’s posts yesterday about “seven” and “Daylight” and the way Taylor idealizes her youth yet contrasts it with an almost sinister reality in its wake, and the line, “I sit by the door like I’m just a kid,” because the discussion raised that her relationship let her recapture some of the childlike joy and wonder she’d lost. So this line is a double-edged sword: the speaker sits by the door with childlike hope that the person will come home and cherish her, but on the darker side, feels like the child dealing with the monsters she doesn’t have names for yet and the feelings of isolation she felt as she aged.
I’m not saying the song is necessarily autobiographical; like most of the songs on folkmore, it’s clearly a fictionalized story based on media she’d consumed and created, but we know a lot of the fictional songs were infused with her own feelings and experiences and… This idea swirling in my head picked up steam and now I kind of can’t stop thinking about it. Sorry but I’m a little obsessed now.
Like maybe it might start to shed light on why she identified so strongly with the novel in the first place…
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mtf omega stevie where everyone's like why bother transitioning you've already got the vagina and the uterus and everything. but stevies like listen. it's the principle of the thing. also sue me for wanting big naturals
meanwhile alpha eddie's losing his mind bc estrogen makes stevie smell so much sweeter, like honey and caramel, and he's trying not to be a total knothead about it but the 'big naturals' are. ho boy. they're there alright. and stevie already had 'childbearing hips' according to her mother, but the fat redistribution has basically turned her into some kind of fertility goddess, and eddie is so ready to get started on those six nuggets
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au where there's like a paperwork error and sasuke ends up on team eight. but no one else's placement changes. so kakashi has to deal with just naruto and sakura, who isn't filtering herself at all. or better yet, sasuke gets swapped with kiba, so kakashi has to deal with three loudmouth hotheads, one of whom can just track him down whenever he's late.
meanwhile kurenai's first lesson is homicide 101 and sasuke thinks he just hit the team jackpot
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Yong said the fuck word once around team Radical (one time, that’s right, one singular time), and was immediately grounded by Varian, Nuru, and Hugo.
He’s a baby, he’s not allowed to swear till he’s committed his first crime. That’s the rule.
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