Kingdom Hearts - Traverse Town

hehehehehhooo,, decided to draw some hermits as the mystery skulls animated gang!! why? uhhh mostly just 'cause.

special thanks to the ibaaf server for helping me pick the roles! gem is vivi,, false is arthur,, pearl is lewis,, and etho is mystery!!

better pic of pearl under the cut, where you can how lazy i am,,ms ksmsksjs

Fit: Pac– this isn't you, you're just– I know you're all happy and stuff, and this medicine is making you feel good, but it's not reality. It's not reality.

Pac: [Shouting] And what is reality, Fit?! What is reality?! The reality that we have is like, just wait until the Eggs show up, or just wait for something to happen! I'm cool with my medicine, you know? I'm cool with Cucurucho helping me! It's making me feel way more better! So that's the reality for me, you know. Reality is the thing that you accept, so I'm accepting this as my reality. [He sighs, then says in a quieter voice] Sorry, Fit. Sorry, I just– sorry. I didn't mean to scream at you, sorry.

Fit: No, listen Pac– you need help. I know you– do you even remember why you took this medicine in the first place?

Pac: [In a quiet voice] 'Cuz I didn't have any other choice, you know. I was hopeless. It was my only choice, to use the medicine. That's all. [In a quieter voice, starting to mumble] That's why I'm gonna- I'm gonna still- gonna use it.

Fit: Look Pac–

Pac: –until I forget what happened, and that's it! That's what I'm going to do.

Fit: I know you're still in there somewhere, Pac. I know you still remember everything. I need you to remember.

Pac: [Mumbled] ...I will remember– I won't– I don't want to, I don't want to. I just want to- to build my home alone, ok Fit? I'm- I'm sorry.

One bright morning changes all things.

Hozier, First Light | @catws-anniversary

I MISSED SHADOW BEING A SMUG LITTLE SHOWOFF SO MUCH

Something I think that a lot of writers get wrong about Shadow (whether it was influenced by Sega's strictness or not) is that they tend to write him as just an opposite character to Sonic, and he does have elements of that. But he's also supposed to be a parallel to him.

All that confidence and sass, the cheeky poses, the way he clearly delights in showing off his skills and having a good tussle? Those are all Sonic traits.

They're meant to be each other's match in not just their abilities, but also their attitudes. And they used to bring out their similarities in each other, too - in SA2, Shadow is all business and brooding except for when Sonic shows up. Then it's like a sleeper agent kicks in and he neglects everything he was just doing to mess with him and prove how cool he is, it's actually comical.

But for years now, we've mostly had Sonic be the only one of the two to have fun when they fight, or be snarky, while Shadow's just been. so serious all the time. Maybe they'll give him the occasional comment or one-liner, but it still felt kinda... off, somehow. And I think it's because they didn't really lean into his Sonic-isms as much.

Meanwhile, there are several poses/expressions he makes in this episode that are extremely easy for me to imagine Sonic doing too, and it's great! Shadow is having fun again!! That's all I've wanted for years!!

It's canon. The way I see it, the events taking place in the fic and after it aren't canon but a lot of them significantly mirror and overlap with what I've had in mind, so the line is blurry in places. Character details like the one you mentioned are accurate, or at least I can't think of any that aren't.

seven sentence sunday

tagged by @diazsdimples @daffi-990 💖

another lil snippet of the buck driving fic (that already has a title btw!) it's almost done, and as always it's gone off the rails bc eddie decided to start talking and can't shut up lol

prev snippet

___

“Buck, that’s not-” he cuts off, releases a frustrated breath. “This is not a conversation for a phone call. I wish I was there.” he says, and Buck kind of wishes it too. Eddie always makes everything better. In contrast to Buck, who always makes everything worse. Maybe that’s why they work so well, balancing each other out. All Buck’s good for is being a firefighter, and he’s grateful he at least has that, at least can help people. Because in his personal life he’s the biggest mess ever. When he doesn’t respond, Eddie continues, “You have to know how important you are to all of us, how you’re more than enough for all of us. I just- I wish I could make you believe that.” he whispers. “I wish you could see yourself the way we do. The way I do.”

___

no pressure tags: @elvensorceress @gaydiaz @diazass @thebravebitch @silentxxsoul @shortsighted-owl @eddiebabygirldiaz @arthursdent @911onabc @housewifebuck @watchyourbuck @underwater-ninja-13 @eowon @loserdiaz @evanbegins @ladydorian05 @wildlife4life @diazpatcher @lover-of-mine @monsterrae1 @thewolvesof1998 @puppyboybuckley @weewootruck @buckaroosheart @spagheddiediaz @steadfastsaturnsrings @rainbow-nerdss @malewifediaz @giddyupbuck @jeeyuns @epicbuddieficrecs @pirrusstuff @spotsandsocks @alliaskisthepossibilityoflove @hoodie-buck @nmcggg @jesuisici33 @exhuastedpigeon @rogerzsteven @honestlydarkprincess @hippolotamus @fortheloveofbuddie @disasterbuckdiaz @theotherbuckley @tizniz

Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...

You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.

And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?

(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)

Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?

You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.

You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.

Do you ever think about how Arya being left-handed most likely had an impact on her needlework and other tasks? And how she needed special attention not only because she wasn't as naturally gifted as her sister but because the way she was being taught fundamentally didn't work for her? And how instead of being given the attention she needed she was instead held to an unfair standard by her teacher and used as a measure for bad behavior? And how this all impacted her self-esteem and her views on being a Lady?

i've been dying for a poll option ever since i saw my followers' answers to that text post from february 2022 asking people whether they pronounce beloved as "be-lov-ed" or "be-loved". many people were emphatic about only using one option, and many others use both but were not always able to articulate when they use 2 syllables vs. 3. so out of the goodness of my heart and my insatiable lust for knowledge i have gone through the notes on that post and written down some likely contenders! you're welcome!!!!

BEFORE YOU ANSWER! think about how you would pronounce beloved in the following syntactic contexts:

noun, talking directly to the beloved: hey there beloved

noun, talking about rather than to the beloved: my beloved lives in a pineapple under the sea

adjective in a noun phrase: my beloved x lives in a pineapple under the sea

verb participle: x is beloved by y

okay poll time! there are no wrong answers!! and apologies in advance if i didn't capture your truth, i only had 10 options and life is a rich tapestry!!

VERY RAMBLY BUT I think rose and martha are like the inverse of one another in terms of narrative, in that they both meet a doctor who is deeply deeply hurt, but the doctor interacts with them about it so differently, because of where they're at with that hurt, and the doctor is like "hey, I'm suave and vulnerable beneath the surface, which is quite attractive, want to travel in space and time in my whimsical timeship?" and they both go "oh heck yes!" and then it's like splintered glass from that point on, like martha lives in a funhouse mirror of rose's story -- up until she makes it her own of course and she does call the doctor out on it relatively early on, although rose continues to have that haunting effect

so rose has this bubble created around her that is perfect and unchangeable almost, in which nothing bad can ever happen (except for all the times it does but huuush, we'll be together forever forrealsies don't look at that big ol hurricane hurtling our way), which then inevitably bursts, but is always there-as-memory, because rose becomes something of an impossible ideal to some extent

and martha isn't protected at all, and has all the badness spilling out on her because the doctor is unable to contain any of it (and maybe is relieved to finally give up on being strong), and subsequently all of the promise of wonder has an air of sourness to it, and the doctor will always feel incredibly guilty about how it all ended

but crucially there's a lot they have in common, that is quite different to, say, donna (who is woven in in her own, interesting, way) -- they both become attracted to this powerful, interesting, and suuuper traumatised being, they're both taken along on a journey of promised wonders, they're both incredibly reliable to the point that the narrative is retroactively fitted around how much the doctor's belief-systems revolve around belief in their companions, with many others from the past given their dues (starting with sarah-jane), and they both do see wonders beyond their comprehension (and so does donna, but again, there's something a bit different there to poke at in another post...),

except where for rose this wonder helps her break out of the path that was set down for her and become who she always had the potential to be in a way that is mostly framed as a positive (although with some -- I think -- under-analysed caveats...) and she will be forever thankful for the doctor arriving in her life, martha's is more like an awe that the universe is so hostile and so lonely and so heartbreaking, and so she needs to become more resilient and more ready to make choices that are terrible (from travelling the broken world for a year to the osterhagen key....), and so there's another story about someone who becomes strong and tough (just like rose) but it's because the doctor wasn't really able to be there for her, and while I don't think the show (from memory) ever has her totally regretting the doctor dropping into her life, there for sure is some solemnity to how her story ends, a bit of a dampener in comparison (even tbh in comparison to donna, who yeah, gets her memory taken, but is suggested -- now confirmed perhaps? -- to get more of her life in order/feel more self-confident, also partially because of that subliminal influence of her time with the doctor)

and this isn't to say that it's all-bad for martha! her working for UNIT and Torchwood has a lot of very interesting facets to it, and she is fulfilling her potential to be this impressive, capable person, but the ways all of this was built up to is so heartrending

rose coming in and "saving" the doctor, except it was a bit of a lie, because the second she wasn't there they crashed even harder than before, and martha coming in with the idea that she could save the doctor and walking away when realising what it was doing to her life, and both rose and martha irrevocably changed to the point that the person pre-doctor is barely recognisable in them anymore, both take on the doctor's self-sacrificial traits...

and also the idea that rose gets the fantasy, but it's the fantasy a-bit-to-the-left (funhouse again) because there's always something a bit disconcerting about the lengths the doctor goes to to maintain the bubble, to the point of offering up the alternate-him/tentoo so that she can still have it, even though the actual physical doctor that shared it with her isn't actually there! and martha gets the glimpse of the fantasy, and then has to come to terms with the fact that she's not the person it's "for" and reassess her relationship to the idea of a fantasy in the first place (it helps that martha is an incredibly practical, pragmatic person, but it's still so... ouch)

I don't think it was intentional, but this also fascinating from the perspective of rose as a white woman and martha as a black woman -- who is the fantasy for, to the extent that strange and universe-breaking events go into maintaining it, and who has to be practical and pragmatic and self-reliant?

and also, it's got more tragedy in both cases -- rose as a spectre/haunter of the narrative is always a little bit intangible when she's looked back on (even though in the story she's in she's incredibly real and well-rounded, every time I go back to s1 I am struck by how grounded she is in reality), and I think that's something interesting in terms of her mother's warning in s2, how if she travels with the doctor "forever" she'll become something else, something not her

and martha's mother warns her as well, although she's not completely sure of what, and in contrast to rose this warning comes into very painful fruition, harming her entire family (except, maybe her brother? I wonder if there's anything written about that), but where rose is so omnipresent, martha tries several times to take herself out

(also something about both of their mothers being their anchor-points)

there's something there that's at the centre of both rose's and martha's arcs:

is the change they're going through because of the doctor... good? good for them? good for their families? good as in they're becoming better people than before? good for the world they inhabit? is it good for the person they used to be? did they become better than that person? can they ever truly deal with or even begin to comprehend how these events made them who they are? can they even connect who they are now to who they were then? was this good?

they both become these larger-than-life people, somewhat without noticing on both parts (but the narrative does notice), one of them a ghost, and the other a soldier -- one of them an increasingly intangible, ever-present idea, and the other someone who has to fight every step of the way

it's just a bunch of things I've had going through my head that I can't quite formulate in coherent essay-like sentences, but for sure it's there

opposite sides of the coin, rose tyler and martha jones

I do wish they'd had space in the story for them to talk

kristoph painting ^^ his design is so calming to draw haha ✨ ID in alt!

I put another version with a spoilery joke under the cut, view at your own risk haha

PROLOGUE

TRANSCRIPT:

In a far corner of the world, there was a continent once torn apart by war and greed, fighting over old grudges and forgotten slights.

With time came new rulers, and against all odds, the neighboring empires built an alliance.

The unexpected love between an empress and an enemy prince brought on peace after decades of strife.

Together, they bravely fought for the future.

For themselves... and then for their children.

what do u think Farah, Kate, Valeria’s types are, like personality wise or physically? love ur stuff so much, there isn’t enough stuff for the cod women and it is the worse💋

Hey there! I don't think they have a type per se, to them it's more important to have a good connection with someone! So I only wrote about what I think they'd like their partner to be! I didn't write about any physical appearances, though, since I think that sort of thing doesn't matter at all! The chemistry is important to them more so than anything else!

Valeria’s, Farah’s and Laswell’s type

Valeria: She’d likely be into someone who knows what they want from the get go, who can get aggressive at times but knows when to be quiet as well. Someone intelligent, who knows not to mess with her and her business too much, willing to let a lot of morally interesting things slide. Someone who can be loud at the right time, who isn’t afraid to stand up for themselves. However, I think she’d also be into someone independent. She doesn’t have a lot of time for a relationship, always out and about somewhere, so she’d want someone who can take care of themself. Someone who knows how to do house chores is also a big plus. You don’t have to worry about her doing nothing, if she wants to she can hire a maid or something, but it’s sort of domestic to her to have a partner who knows how to cook and use a vacuum cleaner. That way she won’t have to worry too much about coming home to a messy home. Her ideal partner would be up for going out with her from time to time, and wouldn't be shy in front of other people either. Someone motivated would be nice as well. Just someone willing to do things with and for her. But the most important part would be loyalty. Someone who knows that what she does is wrong, but stays with her despite it. Valeria can’t allow someone to work against her, not even someone she loves.

Farah: She’d probably like someone chipper. She’s surrounded by war and death at all times, so having someone cheerful with her, who can lift her spirits when she’s feeling down, would be ideal to her. Besides, she loves the domestic parts of life as much as the next person, so she wouldn’t mind settling down somewhere with someone, but she also wants to be with someone willing to go out with her to maybe explore the surroundings a bit. Doesn’t have to be a lot either, just watching the sunset while going on a walk with her would suffice for her. Her ideal partner would be open for most things, from cultures to just some outings. And although it’s only a small part of her, she secretly does wish for someone who’s not straight. That way she can share her experiences with someone else and not feel as alone. Someone who can show her something new almost every day would also be appreciated. Farah is a very loyal person, so she’d love for her partner to be the same. Communication is key, so someone willing to talk to her if something bothers them, regardless of what it may be, would also be nice. It would also be nice if that person could stay calm during most parts of their life and not lose hope immediately, someone who trusts that Farah will come home safe and sound to them and not freak out about every small thing. 

Laswell: I think she’d be into someone calm. Someone a bit older, maybe even a few years older than her, who has seen the finer things life has to offer and who can appreciate them. Nothing would faze them and they would never raise their voice. Someone, who doesn’t need to see the world anymore, who has seen most of it. Someone stable and content. While Laswell could take care of someone, she doesn’t want someone reliant on her since she’s abroad more often than not and doesn’t have the time for someone like that always. While it would be nice if that person could speak up for themself, she doesn’t mind having to speak on their behalf from time to time. That person doesn’t have to be the next Einstein, but she’d love someone she can have sophisticated conversations with over a glass of wine. Someone willing to drink some wine with her in general would be nice. Laswell is too old to want very many complications, so she too would appreciate someone willing to say what bothers them so they can work it out together. Not everything needs to be perfect, but she’d prefer it if she could talk it out with them. Although she can splurge a little bit here and there, it’s important to her that her partner is responsible with money and doesn’t buy everything that comes to mind. She wants them to be well off, and that is, mostly, only possible if you know how to save money. She thinks butches are hot, but she’s not opposed to a cute femme either.

I have an idea for the requesttober, could you make Scriabin like an endermen? I feel that Scriabin would be an endermen if he were in Minecraft's world

Day 11 - No eye contact >:(

re: pokemans

o wait holdd on dfrifrij

WISHIWASHI YAKUMO 🤣😭😭

nah but for real may i offer u some creatures that are just. assigned. i do not imagine them as anything else anymore

(girafarig yakumo, rockruff garu, hisuian zoroark kuya)