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#so i was like fuck this im rewriting it
lunar-lair · 1 year
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so i have two (2) submas poems for you on this fine day. they are both in the exact same vein but the first works with the interpretation that ingo is truth and emmet is ideals and the other is vice versa. enjoy :)
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They are black.
And white.
And yin, and yang, and fire, and electricity.
Alone they are all color,
Or the lack of it.
Together, they are all and none,
Everything and nothing.
Grey, mixed together by the gods.
Mixed together by the legends.
Mixed together by the princes.
Mixed together by the boys themselves.
Grey, mixed.
They should have never been black and white again.
They never thought they could be.
They thought the gods the legends the princes their very own small learning fire-red and electric-yellow hands would hold it, hold it firm and steady and tight til the day their bones rotted in the earth.
They are black.
And white.
And god,
They are not grey.
The god,
What have you done?
What has your kin wrought?
Wrought law breaking undefinable, a curse neverending.
They are black.
And white.
And yin and yang and one and the other and they are alone.
There should have been no such thing as alone for the two of them.
One without the other is a terror they never thought they would face.
A dancer without their feet.
One without the other is a singer without their voice.
A piano without its bench.
A musician with no instrument.
A conductor with no train.
A trainer, with no Pokemon to care for.
Things that are easy to lose, things they never thought could compare to them, and yet and yet and yet.
Worthless, useless, missing missing missing.
The singer is without their voice.
The dancer is without their feet.
The bird is without its nest.
The musician is without their instrument.
The fire is without its electricity, staticky and bright. The electricity is without its fire, solid and warm. The grey has been impossibly, irrevocably, intrinsically torn, torn at the seams by a vengeful god, a vengeful world, one that wishes to defy all law. They are without their voice and their feet and their piano and their bench and their backyard tree and their lantern and bird and they are torn terrified
Frozen.
They are frozen.
Rotting slowly in the frigid cold of their separation, frostbitten and decomposing, burning and broken and alive.
Tears fall and turn to ice.
One dragon.
Two, and a hollow shell.
Grey, and the wretched mechanisms used to cleave it apart again.
Grey, and the horrible day it faded away.
Grey, and the horrible day one became everything. Everything they'd known, everything they'd remembered, every ideal they'd held.
Grey, and the horrible day one became nothing. Nothing of what he'd ever known, remembering nothing, knowing only the truth of this empty world around him.
The hollow third rests in the air. In their minds, on heavy shoulders, in ice grey eyes.
It is rotting them from the inside out.
Ice. Ice fire cannot melt, ice electricity cannot break.
The ice that rests betwixt their ribs. The ice that burns behind their eyes.
Omnipresent. Ever reminding of the other of themselves of the other. Ever wailing of the grey and its horrid misplacement, in the crevice of time, in the crevice of space, and truth and ideals and the chaos god, the Almighty himself.
The Almighty himself, who made them grey. The Almighty himself, who made them everything and nothing yet again. The Almighty himself, the bastard, the betrayer, the summoner of ice, forever and always and now and then.
Almighty Sinnoh, what have you done?
Arceus, what have you wrought?
Grey, never again.
They are black.
And white.
That is forever their binding fate.
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the god has torn them apart.
the god,
and his devil,
and his right hand men.
grey, wrenched impossibly into two.
grey, forced apart again into black and white.
grey, forced apart into ideals without truth,
forced apart into truth without ideals.
the fire rages without its static.
the electricity fizzles out without its flame.
the man in white mourns a brother lost.
the man in black wonders what is gone.
two princes once tore grey apart,
extracted black from white and white from black,
fought over one half and another,
and a hollow shell followed.
that was right.
that was natural.
that was a result of an argument ill made.
that was the consequences of ideals and truth, at war.
ideals and truth were one.
ideals and truth were a mirror.
ideals and truth were in harmony.
the twins were grey, a perfect shade.
but the god said no.
why?
why must you pilfer perfection?
why must you take it,
from our warm hands and our bright eyes and our grey, grey hearts?
they beat as one,
in time,
a dancer and their step,
a bird and their song,
a piano and their bench,
a time made and a beat kept.
but the god said no.
forsaken.
forbidden.
forgiven, for it was not his fault.
for the living, as they are.
the man in white mourns a brother lost.
the man in black wonders what is gone.
and the electricity fizzles out,
whispering into the night.
and the flame burns all around it,
crying out at the sky.
sinnoh.
arceus.
god.
what is the meaning of self-inflicted blasphemy?
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heartorbit · 2 months
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revstar emu save me
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tiredyke · 1 year
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every time queer discourse surges on this site everyone is so quick to jump to “it was actually the evil lesbians who divided us” because y’all heard the term “political lesbian” and never bothered to figure out what that meant
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jflxwr · 4 months
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the wings of fire books are not canon, but simply jsut reccomendations .
i will accept the lore i like as canon and will rewrite the bits i dont. survival of the fittest typa shit. best lore survives
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cloudysarts · 4 months
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this show would be good if literally everything about it was different
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the problem with all these white authors like rick riordan who are revealing their stances on the israel-palestine apartheid is that they barely do anything but virtue signal when they claim “i’m on the side against war” “i’m anti-violence” “i abhor terrorism.” zero people are going to disagree with you. zero people believe what hamas did is justified. zero people think israel shouldn’t have a right to defend itself against terrorism. but that isn’t what israel is doing when they collectively punish all of palestine, who doesn’t even have an official army. when rick riordan says some wishy-washy bullshit about the violence suffered on both sides of the conflict, and words his whole dumbass blog post like it’s violence that is in any way equal, that literally helps no one. in fact, it’s so damn negligent of the 75 years of violence that palestine has suffered and been oppressed for. yes, there are innocent civilians in israel who are suffering, no one is disagreeing with you. that doesn’t erase the fact that israel is a disgusting state that has used state-sanctioned violence on a systemic scale since its conception, and the oppressed people have responded to that in violent retaliation (because OBVIOUSLY they would). israel is built on the subjugation of palestine, there is no equal suffering between the two.
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amygdalae · 1 month
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it wld be really bad if i dropped my public speaking class but um im kind of fucked. im mkind of fucked
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the5n00k · 4 months
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An observation about TGAMM The End
Big big spoilers ahead, click away if you aren't caught up
This is also my first NEGATIVE TGAMM analysis post! Wowie! So if you don't want to see me bitch, also click off now
The End and how Molly McGee's character was disrespected
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The End is. An episode. I have many MANY thoughts about it but it would be far too long to put in one post so I'm going to explore one of my more reoccurring opinions. This episode recontextualized a lot of things but I'm going to talk about how it recontextualized Molly as a character. Most importantly as a MAIN character. A TITLE character. A character with her own past and personality and feelings. All of which this episode completely stomped all over, handed her the check, and said "figure it out"
I want to apologize to my friend who called this so SO much earlier into the series and that he had to listen to me watch this show on lethal amounts of copium. You were right but I knew neither of us wanted you to be.
Now let's get into the meat of it, shall we?
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All throughout season 1, Molly's history and relationship with the concept of friends is always treated with complete sincerity and the emotional pause it needs to sink in with the audience that she's been through it. Moving away and leaving friends is why she put so much importance on the "forever home" in the first place because she's had to leave so many people she loved. She had a rocky beginning with Scratch during the early season but quickly became on equal footing with him as they began to understand each other and their boundaries. Because she genuinely cares about him. Similarly, season 2 explores the boundaries of their friendship and shows Scratch more willing to participate in whatever Molly is doing, even begging sometimes to be included. And Molly is very patient and kind with him all throughout trying to help him regain memories of his past. And Scratch actually reciprocated a few times like helping her learn Thai and working with Libby to set her up with Ollie. They're the closest they've ever been and something I can confidently call true best friends, possibly the closest and healthiest friendship I've seen portrayed in media. Season 2 showcases how far either of them are willing to go to help each other.
Then The End happened.
Molly is the same understanding and supportive friend as she had been all season, almost to a fault. She encourages scratch to go back to his life, knowing the risks that come with it. Why did there need to be the risk of forgetting her when his spirit didn't immediately forget his living life? Don't know. Something to do with an unreleased episode although I doubt the rest of season 3 would have sweetened my opinion of this episode. Only she knew he was about to do this, she didn't talk to any of his other friends or family before he went out to Todd's house. They only found out after the fact and the next morning is when he left. None of them had any time to process that they just lost a family member, especially not Molly.
The scene where he's talking to her on the bench breaks my heart. Knowing your friend is no longer there and is replaced with this stranger. So much of this episode would have been fixed to just let him keep his memories. Considering how hard it was to pull his living memories out of his spirit, it's very likely that even the small fragments of her he remembers will slowly fade away. She had to do the one thing she never wanted to do again and repeat the same pain that's plagued her for the entire series. And it sucks! Why doesn't she get a happy ending? Hell, I'm not even convinced this was a "happy ending" for scratch since he can't remember any of the people he just spent the last two years with.
The biggest slap to the face is when Libby, Geoff, and the McGees come up behind Molly and just act like all of this is fine? They're treating scratch like this wild animal that deserved to be released into the wild because he could never fit in with society when he was PERFECTLY HAPPY with the McGees. He proudly displayed to the entire ghost world that he was an "honorary McGee" and told a ghost hunter to his face that him and Molly would do anything for each other despite their differences. Was all of that completely pointless? Because it sure feels that way. He had this entire new "life" he just completely abandoned because oh I guess I'm not really dead. Guess I better go reconnect with my childhood friend I haven't seen in person or had any meaningful conversations with in decades!!! See ya, chumps, hope you weren't attached to me or anything!
It's so disrespectful to the audience's investment in Molly and Scratch's friendship, the themes of friendship overcoming all odds and lasting forever, and Molly as a character. And to a lesser degree, it's even disrespectful to Scratch since most of the season he spent brooding over the fact that he didn't remember his past! Now he's forgotten a large portion of his "life" all over again. Now he's going to have to live with this nagging itch at the back of his mind that he's forgetting something until he manages to completely repress it too. And to rub salt in the wound, the credits don't have near sight nor mention of Molly McGee outside of a painted portrait of her and (spirit) scratch. All this does is tell me a LONG time has passed and neither of them have managed to successfully contact each other. The dream team is gone, this is a story about a girl and a ghost and none of it meant anything.
"he'll remember when he dies again!" Where does it say that
"he didn't forget, he said Moll! That means something!" The longer he spends away from the McGees and Brighton, the more likely he is to completely forget them altogether. The vague memories will eventually fade away and every "forever memory" will be worthless.
"it doesn't matter, this is Scratch's story" then why isn't it called 'scratch and the human girl'? Or 'the scratch show'? Why is Molly a title character if she's nothing but a plot device for his character development.
"Molly had to learn how to say goodbye." No she didn't. She's been doing that her entire life. She's pretty well aware of how to say goodbye. Making her relive 13 years of trauma from the other side of the vehicle doors is not a useful life skill. Pain is not necessary to grow up.
I don't care what the excuse is. This was a terrible ending for both characters and no amount of "he's happy now!" coping from both the fans and the writers is going to get me to see this any other way. If you enjoy the episode, great! I'm happy for you, there's a lot to love in the music and voice acting and breathtaking animation. But none of that could save me from this abysmal attempt at a series finale. I was so viscerally disgusting by this as a finale that I spent a good two days completely nauseous thinking about it. What a disaster. The sad part is I like the story potential! Him reuniting with Adia is what I've wanted for him all season so he could get closure. Molly and Scratch having to say goodbye is heartbreaking but understandable, a lot of shows nowadays end that way and I half expected it. But him completely forgetting the girl he owes his new lease on life to? My gosh it's just a deal breaker. It is such a cruel end for these characters and I cannot wrap my head around why they thought it was a good idea outside of cheap angst.
I wanted to like this episode and I still do. But they just did so much wrong when one thing could change and it would have completely flipped my opinion on the episode and series in general. But what do I know, I'm just a negative nancy.
Anyway idk how to end this off, justice for Molly McGee, Scratch deserved to be called Scratch McGee, kill Todd Mortenson, peace out
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aeb-art · 5 days
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this was really quick, but i was thinking about someone who worked at the pizzaplex reuniting with ruin after cricket fixes him up
and then i thought about them having a kid they brought along with them 🥰
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gitm au is by @venomous-qwille 🙇
bonus lmao
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fratboybeezer · 1 month
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some convos have lead me to get emotional about joel farabee so. enjoy. under read more because i may have went a little overboard idk you can judge that
i regularly think about his house, about how he lets (encourages) the young guys to stay with him, how he doesn’t want guys to have to stay at the hotel. how his first thought when he moved in and realized how much space he had was to fill it with teammates. he’s in philly in the offseason to train, and he’s making sure the guys staying with him train as well, but also they’re all having their fun at the same time. he practically adopted foery as his little brother, let’s foery drag him around philly all summer, keeping the kid entertained!!! even when guys aren’t living with him, he encourages them to stay at his place after going out. he cares so much about this team!!!! about his teammates!!! our love for the team does not compare to his love for the team!!
i genuinely think that sometime in the near future he will have a letter, idk if it’s going to be an A or a C (i’m super bias and want to see him with the C in the future) but i know he’s leadership potential. and it’s not just off ice, he’s talented as hell! he wouldn’t have made it to the nhl if he wasn’t good, but i don’t even think it’s me being bias when i say he’s one of our top guys. and he also defends guys on the ice when needed! he’s not one of our main fighters, but he’s gets scrappy when needed, one of those times being in january to defend york.
and he genuinely seems so fun to be around!! and so nice!! when i met him in october, it was like a 2 minute interaction and only a few words were exchanged, but listen he fucking gentle toned me. i almost died. he’s just a silly guy!! he’s just a dude!! and he’s our silly dude!!!!
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night-dark-woods · 1 month
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*stumbles out of the wip covered in blood* single paragraph of dialogue written :thumbsup:
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shrimp1y · 7 months
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Can someone with brains please please PLEASE talk about the disgusting portrayal of cops, crime, court proceedings, justice system and prison incarceration in genshin impact's fontaine update because I cannot SIT HERE and see people completely destroy their brain cells just so they could play a mediocre game and make some fictional men fuck in their mind
I'm deadass surprised there isn't more people talking about it??? I'm honestly so ??? It's literally presenting prison labour as a good thing. Wriothesley, the prison administrator, got rich off of making his inmates build police robots for the state AND HE'S PRAISED FOR IT. AND THEY'RE PAID IN COUPONS THAT CAN ONLY BE USED IN JAIL. HE WAS REWARDED FOR IT WITH HIS DUKE STATUS.
The fact that the fucking MC's mascot was like "oh the prisoners get one free meal a day? you're making life too good down here what if no one wants to leave :(" what in the bullshit. What in the. There's also a fighting ring in the prison, by the way, and you can bet on it with your coupons you just can't bet on both fighters.
The. This is a scene people think is hot. "But that's a bad guy!" THAT'S HOW THE NARRATIVE IS WRITTEN. THEY ARE ALWAYS THE BAD GUY IN FICTION. THAT'S HOW COPAGANDA WORKS, they make you think people in power can just beat the shit outta anyone and of course the person deserves it because they are clearly always the bad guys! And the people in power are always right! This is sarcasm btw.
Neuvillette and the magic judgement machine are literally seen as undeniable justice ordained by magic and NO ONE KNOWS HOW IT WORKS. NEUVILLETTE HIMSELF HAS NO CLUE WHAT HE'S DOING HE'S ACTIVELY FIGURING SHIT OUT AS WE SPEAK. And yet it's what sends people to The Worst Most Dangerous Super Scary Prison Ever Where There's No Laws [but 1 meal a day's great /s].
"But he feels bad!" Genshin has repeatedly chosen to highlight the pains and troubles of the oppressors [Eula] [Ei/Shogun] and there's literally never any repercussions for them aside from when they portray The Haterz clearly as villains or they turn it around and say "Well it was a misunderstanding all along! No one's to blame here!"
I'm not smart enough to go into details I'm just saying. This. needs to be talked about. I'm not telling you to stop the game bc Hyperfixations not really smth that can be controlled or whatever I get It I Got Back into the game when the first trailer dropped I drew neuvillette fanart and then everything just went downhill since then and I'm like why the fuck did I expect anything better than racist, pro cop dogshit from Mihoyo It needs to be talked about ESPECIALLY by people who still cares about it to critically. assess what the fuck you are absorbing because this shit isn't okay. This is literally paw patrol for weebs they just didn't call anyone a "cop"
PLEASE. TALK ABOUT IT.
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benkyoutobentou · 9 months
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How to study languages without studying
Whether you're just starting out and have had bad experiences with textbook learning in the past or are getting burnt out from prepping for the next proficiency test, it's never a bad idea to put the textbooks away for a time and just enjoy your target language. If you're new to the world of immersion, here are a few ways to get you started.
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Follow along with the lyrics of a song. Spotify's not-so-new-anymore lyrics feature is great for this, especially since it has timed lyrics, but it doesn't have every song.
Expert mode: Write out the lyrics and underline/highlight/make note of all the words and grammar structures you don't know. Learn these unknowns until you can understand the whole song!
Extra challenge: Translate a song from your target language. I usually tend to stay away from translations in my study, but for those of you who aspire to be translators (or already are!), the poetic nature of song lyrics can be a fun challenge.
Watch a show or movie. Netflix has now introduced a feature where you can sort by language! If there's nothing made in your language that you're interested in, it also gives the option to sort by shows and movies that have the audio or subtitles available. Internet Archive also tends to have lots of foreign films that I'm looking for.
Easy mode: Watch with English or your native language subtitles. When doing this, try to still listen to what's being said and pick up on words and phrases that you know, or match new words with their translation in the subtitles. Note: reading one language and listening to another is a skill in and of itself! Don't be discouraged if you can't do both at the same time yet, you're brain is still making the connections in intonation and cadence of the language.
Hard mode: Watch with captions in your target language. This helps you connect listening and reading, especially in languages where the spelling isn't exactly phonetic, or it uses a different alphabet than what you're used to.
Expert mode: No captions or subtitles! But who knows, maybe you're better at listening comprehension than I am. Make sure you're getting comprehensible input here; some shows and movies are much harder than others. But above all else, watch what keeps your interest. A movie where you can catch half the dialogue but is super engaging is better for you than an "easy" movie that you're going to spend your time ignoring.
Polyglot mode?: Watch something in your target language with subtitles in a different target language. This adds just one too many layers of obfuscation for me, but if you're into the challenge, more power to you.
Watch YouTube. You can change your language preference on YouTube, and with that, the Explore section will give you recommendations in your target language. Going into the trending tab with your target language can give you a good idea about what people are interested in in the countries where your target language is spoken.
Read something. It can be a book, it can be a comic. There are plenty of webcomics out there in a number of languages! There's also probably an English language listicle with recommendations of easier to understand webcomics for learners, too.
If you're just getting started in immersion, you can choose whether you focus on intensive reading or extensive reading (this actually goes for all kinds of immersion, but is easiest to control with reading since it happens at your own pace). Intensive reading is reading with the goal of understanding everything 100%. If you don't understand a word, or a grammar point, or the reading of a character, look it up. Extensive reading is reading just to get the gist of things. Look up words and grammar points only if they stop you from understanding the general meaning of the sentence or section. And of course, the more you immerse, the less you'll have to look things up, but remember that difficulty varies between materials, even within books of the same age range, genre, and medium.
A small digression: If you decide that you never want to open a textbook on your language learning journey, more power to you! It can be done and I know people who have gotten to proficient levels of their target language without textbooks. If you want this to be you, extensive immersion is your best friend. You also might want to get comfortable with the flashcard program anki, because, if this is your goal, all those unknown grammar points and words will probably end up there. But at the end of the day, language learning is an intensely personal journey, and what works for others won't necessarily work for you. Finding what works for you is just part of learning a language.
Play a game. Lots of games are region locked (hint: Pokemon Sun/Moon isn't! If you start a new game, you can choose which language you want to play it in), but there are plenty of free online games still lurking in the corners of the internet. With a bit of googling, you can probably find something in your target language. Just the other day, I went out to find one of those hidden item games in Japanese and ended up finding an entire site dedicated to user made browser games.
If you're learning Japanese or Korean, picrew might be fun to look through as well. I noticed that plenty of picrews have basic anatomy vocabulary. I'm not super familiar with picrew myself, but the ones I've seen tend to be in Korean and Japanese
And lastly, don't fully give up on textbooks before trying them out. Don't be discouraged if textbooks truly aren't your thing, but studying a language on your own time can feel much different than studying for school. Don't put too much pressure on yourself and just have fun with your language. Additionally, if you'd rather learn in a video format, many languages have full courses uploaded to YouTube for you to try. Finding these can be difficult for some languages though, so don't hesitate to reach out to other learners and see what they recommend!
Got your materials ready? Great! Now go forth and immerse!
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nocasdatsgay · 9 months
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I’m still throughly upset that Cassian has one of the most romantic lines in all the books and then in the following two books treats Nesta like shit.
Home girl needed to know she was worth it and be held for once in her life, but you listened to an old ass eldritch bitch who should have died in book 3 and waited until Nesta broke as a person and rebuilt herself in the image of the night court before you decided to love her.
Note: This is my onion and I will not be taking criticisms. I don’t hate nessian I’m just triggered and I know that’s a me problem 😂
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bibereangelum · 10 months
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What I'm saying is, jumping from 1960's X-men to the 80's to the Phoenix Five arc did irreperable damage to my psyche but such an attachment to Scott Summers that I actually feel so fucking sick. Like hate to break it to the girlies but it's incredibly easy to track Scott's arc from rule follower to him biting the hand that fed him and going full radical and it makes SENSE if you READ.
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mediumgayitalian · 3 months
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how do you have so many ideas constantly? i want to write more but i jus t dont really have a lot of ideas on what to write about and it stumps me a lot D:
well, partially because it consumes my life, but my real thing is dialogue and free writing tbh. i almost never have an actual plan when i start writing, i just pick a line to start with and go from there. i can do a little tutorial if that helps??
usually, i start with dialogue. my goal is to start with something interesting or dynamic enough to be read in a certain character’s voice, because that keeps people reading once it catches their eye. that’s why i don’t post titles or anything on my fics. dialogue is the easiest thing to start with, because it guarantees a second line — someone has to respond to that line. i might choose a first line that’s something like this:
“Woah, hey, I wanna try.”
now this can go ANYWHERE. very very open, but it does have restrictions: this dialogue tells us 1) the speaker is observing something, 2) they are observing someone else do it, 3) they are intrigued by the action, so 4) it must be kind of cool, and 5) they cannot yet do it, so 6) whoever they are observing might try and help them. i didn’t have to explain any of that, it’s inherent in the line, right? no matter what you imagine, those things hold up.
next is narrowing this down further. who is the speaker? who are they observing? what are they doing? where are they doing it? to some degree, you have total control here, but i find that in fanfic a lot of these questions are already answered for you. i’m writing solangelo fic, so this opening dialogue is likely from one of two characters (although, if i desired, i could totally go in a very different direction and choose someone else. adding more characters means a longer story, so if i was aiming for something longer, i would).
so who is more likely to be speaking this? who is more likely to speak up when they see something cool, and try it? who is more likely to be doing a cool new thing? to me, that solidifies the speaker as will pretty easily. great. now i have an opener from will, so i can work on nico’s response.
nico’s response can go a lot of ways, especially depending on the setting. if this is post-canon, it might be a little more relaxed, might be established relationship. when i read the dialogue in will’s voice, though, i did end up picturing a bit of a scene, and it went a very specific way. i’ll write some of it first and then explain what i did.
“Woah, hey, I wanna try.”
Nico startles at the voice, tiny bone falling from his hand and sinking back into the dirt.
“Aw.” Beat-up flip-flops slow to a stop right next to him, and Will plops himself down. He shoots a bright, too-wide smile in his direction, eyes crinkling. “Hi!”
“Hi,” Nico says warily, subtly inching away. Will, either oblivious or uncaring to his intention, just leans in closer, blue eyes watching him intently. “…What are you doing here?”
okay SO. with this alone, i’ve established both setting, some character info, and a good amount about their relationship, without stating too much outright. there’s some tension, right? a bit of imbalance! by making nico startle, a few more things become clear: 1) he was alone before Will came, 2) he was not expecting will to come, 3) he was probably no expecting anyone to come, 4) he was either focused or daydreaming, and 5) he is tense/uncomfortable enough to startle at a voice.
some of those questions are answered as the sentence goes on — he was playing around with a bone, probably a raised skeleton. not hard for him, so he was, probably, pretty spaced out. as the scene goes on, i make it clear that nico is absolutely not comfortable around will yet (although not so that he gets up and leaves entirely), so it’s pretty clear that this is right around the blood of olympus, after the three days. i also shove in some of my own small headcanons (like children of apollo being kind of off-putting to look at, too bright, like the sun) for funsies.
from there you can just go off. once you have a solid start like this, you can just write and see what comes up. maybe you like what you get, maybe you don’t! i’ll try and see.
“Woah, hey, I wanna try.”
Nico startles at the voice, tiny bone falling from his hand and sinking back into the dirt.
“Aw.” Beat-up flip-flops slow to a stop right next to him, and Will plops himself down. He shoots a bright, too-wide smile in his direction, eyes crinkling. “Hi!”
“Hi,” Nico says warily, subtly inching away. Will, either oblivious or uncaring to his intention, just leans in closer, blue eyes watching him intently. “…What are you doing here?”
“Hanging out with you. Duh. How did you do that?” He points to Nico’s hands.
Confused, Nico re-summons to the squirrel femur, dragging up the rest of the skeleton too. It chitters to life, nosing at the sliver of bare knee out from Nico’s ripped jeans, before bounding over to Will. He doesn’t even flinch, laughing as the little thing scampers up his arm and rests in his hair. Nico’s mouth twitches.
okay im gonna stop here because i ended up writing something decently solid and i want to post it lol. it spiralled & came pretty quickly!!
this is already way longer than i intended, and kind of rambly, so to answer your original question — i have so many ideas because i choose to. i make the active choice to write and post something every night before bed, regardless if i have something prepared. if i do — great! it can be a lot of fun to bring a scene from my head to life on paper. if not, it's still fun to watch a scene almost bring itself to life as i write. i promise that you just have to commit to doing it, commit to the actual act of writing, not writing something specifically. it gets way easier as you go on. when i first started doing this, two years ago for a different blog, i was writing things as short as 40 words. the skill came with practice, with heeding advice, with reading and analyzing what other writers do, but mostly with practice.
just write!! see what happens! and, of course, the best of luck to you!!
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