Hello! i saw your kimono drawing guide, and i have some questions.
I saw this art and was wondering about a few things:
what is the tied knot& tassel things on the sleeves for?
and, what hairstyle is the lady wearing?
If you know, please tell me!
If you don't know, could it be possible to direct me to someone that might? Thank you for taking the time to answer, if you're able! Have a lovely night/day!
Hi and thank you for your question :) The ukiyoe you are sharing is by Utagawa Kunisada and titled Genji rokujo no hana (源氏六條の花), or "Cherry Blossoms at Genji's Rokujô Mansion". It is part of a three prints set:
It depicts an imaginary scenery from The tale of Genji, and the young lady playing with her pet cat is the princess Onna San no Miya.
Characters are not shown wearing period accurate clothes (from Heian era), but luscious Edo period attires. Because of her rank, the young princess is wearing what Edo princesses would, especially the trademark hairstyle named fukiya 吹輪.
You'll find below a translation from a costume photobook I did a while ago. Note the big bridge style front hairpin, and the drum like one in the back. Princesses from the buke (samurai class) would also have dangling locks called aikyôge (I also found the term okurege), but I am not sure kuge princesses (noble class) wore them too.
There is a whole dispute about this hairstyle, as we are not actually sure it was worn as such by actual princesses. This style may have in fact started as a somehow cliché bunraku/kabuki costume used to depict princesses (think a bit like Western Cinderella-types princess gowns). Nowadays, it is found only as a theater style, or worn by Maiko during Setsubun season.
For comparison, here is character Shizuka Gozen from kabuki play Yoshitsune Senbon Zakura:
As for the dangling cords, I covered those in a past ask about kamuro that you can find here (part 1 / part 2). TL:DR: I am still not sure what is the exact name for those decorations (kazari himo? sode no himo?).
But their use is pretty much linked to 3 things:
1) luck + protection (knots have auspicous meanings),
2) reinforcing weak points of garnment (here: sleeves wrist opening)
3) cuteness impact, as much like furisode (long sleeves kimono) those dangling ribbons were mostly seen on girls/young unmarried ladies by the Edo period
All the design elements chosen by Utagawa Kunisada for his Onna San no Miya stress own young and carefree she is still (which considering her narrative arc is in fact a bit sad... like all Genji Monogatari stories). BUT: bonus points for pet cat!
Hope that helps :)
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🌟My non-WoLs🌟
Valtyrja Eruyt
meaning: The slain God. From the village of Eruyt.
A Fran expy, clearly. For undetermined reasons, she did not give up her forest name when she left Dalmasca. Has a complicated relationship with the Green Word who she sees as both mother and God.
Viera who leave their forest homes are forsaken by them, but she can hear plants and the Elementals who deign to speak with her still.
She is quiet, until she is rough and blunt. A possible Warrior main because a Viera with an axe has a kind of je ne sais quoi.
(Tsuna inherited all the traits she was supposed to have. The free trial didn't allow Viera.)
Cerise Vierge
meaning: Yeah, it's a bad joke. But also a Xenogears reference.
A possible Gridanian Elezen, who is possibly tied to Mother Miounne. She is an archer-- maybe a part of the Adders. I don't have much for her. 🤷
EDIT: IM A FOOL she could have served House Dartancours i.e. Lady Amandine...🧍
Shizuka Gozen
meaning: She was named after a famous courtdancer who was the mistress of Yoshitsune.
Originally created because I just wanted a baddie midlander. Now she might have been one of Tsuna's sisters in the Okiya, or was her Okiya 'Mother'-- though I am tempted to make the latter a Roe.
She has Hatsumomo vibes?? and is Ada Wong flavoured.
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Event | Act 3.5 Event - NEW ERA GARDEN | Chapter 4
*Contains spoilers for Act 12 - eternal moment*
Kasumi: “Toshi-san, I heard a strange rumor from your sister.”
Kasumi: …Getting this intonation right is hard. Need more emphasis here…
Kasumi: “Kondou-san, I’ll defend here! I won’t let anyone escape!”
Kaede: Papa, are you playing a woman?
Tsubaki: Or a man?
Sakura: Which is it~?
Kasumi: Uuh… actually…
· • —– ٠ ✤ ٠ —– • ·
Kasumi: …Y-Yukio-san, this… is a mistake, right…?
Yukio: It’s not a mistake.
Kasumi: EEH!? B-But why am I the only one that’s double-casted…?
Yukio: Because I wanted to see you both as Kimigiku and Toudou Heisuke.
Yukio: You just played Shizuka Gozen in “Traces of a Dreams,” so it’d be boring if you were only the beautiful Kimigiku this time around, wouldn’t it?
Yukio: And we needed more people for the Ikedaya scene anyway.
Kasumi: Nonononono! I would be fine if it was just the female role, but it’s been so long there’s no way I can do the Ikedaya sword fight…!
Kasumi: It’s like sending the neighborhood kid to get into a fight with a yakuza boss!
Yukio: It’ll be okay. Yuzo said he’d help you.
Yuzo: …Yeah. Leave it to me. I’ve done this whole Shinsengumi thing before.
Kasumi: !!!
· • —– ٠ ✤ ٠ —– • ·
Kasumi: (…Yuzo looked like a total bully then.)
Kasumi: This time, Papa has two roles, so it’s going to be a lot of work.
Kaede: Then you’re gonna have to practice a lot. We always practice dancing a lot at daycare.
Tsubaki: You gotta do it everyday. That’s how you get really good at it.
Sakura: You can do it if you just keep practicing a lot.
Kaede: We’ll go over there and play so we don’t get in your way.
Tsubaki: Yeah!
Sakuya: Good luck, Papa~.
Kasumi: T-Thank you…
Kasumi: …Phew.
*Page turns*
Kasumi: …
Kasumi: (It’s been a while since I played the female role of Shizuka Gozen, but I had so many people compliment me for it that I’m looking forward to playing Kimigiku.)
Kasumi: (The problem is Toudou Heisuke… I guess just practicing… is a good place to start.)
Kasumi: (That reminds me of the disaster that my first time sword fighting on stage was…)
· • —– ٠ ✤ ٠ —– • ·
“…Haah, haah, I’m sorry…”
After I fell to my knees, I struggled to get back up.
My body ached all over and felt as heavy as lead.
It’s like gravity had changed only in the area surrounding me.
“…Ain’t much to be said if the leader is like this. Shouldn’t we find someone else for the role?”
Syu-san’s words were as blunt as usual, but in that moment, they cut deeper than ever.
I felt so pathetic and sorry for myself that I couldn’t even face him.
It was the first time I was assigned a role that involved sword fighting, but no matter how hard I practiced, I couldn’t remember any of the moves.
Even when I tried to follow the movements slowly, it would just end up looking like a Bon Festival dance or something, nothing like a sword fight.
It was no wonder why Syu-san, who was trying to teach me, was so disappointed in me.
“Well, how about we just call it here for the sword fighting practice today, okay?”
I bowed my head slightly as I heard Yukio-san’s kind voice call out.
I was completely devastated by my own inadequacy.
“…”
Yuzo looked at me as if he wanted to say something, but felt like I couldn’t take even the softest of words now, so I just left practice as if to just run away from the situation.
· • —– ٠ ✤ ٠ —– • ·
“…I have to get some things down today.”
The next morning, I headed to the practice room early, determined as ever.
“You’re here pretty early.”
“Eh, Yuzo? Why are you…?”
Suddenly appearing before me, Yuzo throws a wooden sword at me.
As I hurried to catch it, Yuzo spoke again.
“Grip it.”
Without knowing why, I grasped the wooden sword just as Syu-san taught me.
“Try and follow my movements.”
“But your role is…”
“I’ll keep your movements in mind, Kasumi. I’ll do it at a speed that you can keep up with.”
“--T-Thank you.”
It was only after repeating the process over and over again and gradually increasing the speed that--.
“Yay! I did it!”
I was finally able to keep up with the speed of the rest of the group.
The joy of being able to do what I had been unable to do for so long welled up deep inside me.
“This is just the beginning, Make sure you tell Syu-san that this role is yours.”
“…Yeah!”
Yuzo has always been harsh to me, but when I’m in trouble, he comes and helps me so casually like this.
He’s a really reliable childhood friend.
I’ll definitely make this role my own in order to repay the debt of gratitude for all of the help he gave me.
I had made up my mind and got back into the swing of things.
· • —– ٠ ✤ ٠ —– • ·
Kasumi: (Back then, there was a feeling I had that I had to do well as the Spring Troupe leader.)
Kasumi: (…I wonder if Sakuya-kun had any difficulties with his first time sword fighting.)
Kasumi: Wait, won’t Sakuya-kun definitely come to see this play…!?
Kasumi: (I can’t possibly let Sakuya-kun see an uncool sword fight. He adores me as the first-gen Spring Troupe leader…)
Kasumi: Sigh…
Kasumi: (I have no other choice but to accept my fate and let Yuzo push me around a bit…)
Kasumi: (But still… in this story, Kimigiku supports the Shinsengumi from the shadows and Toudou Heisuke leaves the Shinsengumi later on…)
Kasumi: (And I want to support MANKAI from the shadows in my own way, and I couldn’t help but overlap with them even after I left the company.)
Kasumi: …I always knew Yukio-san was still amazing.
Kasumi: (He’s truly like a wizard.)
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