I hate my mom. So fucking much
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Okay but the Justice League finds out their new baby hero teammate Phantom is the Ghost King by virtue of the Fright Night showing up while they're in the middle of a meeting, looking terrifying and such and scaring the shit out of everyone- even more so when Constantine starts freaking out over the fact that the sworn night of the King of the Infinite Realms is in the Watchtower what the fuck that's apocalyptically bad Pariah Dark is supposed to be locked the fuck up forever - but instead of trying to smite them all or yeet them into the nightmare dimension he just pulls out a space themed packed lunch??? And gives it to Phantom??
And the mildly eldritch giant murder ghost is talking about how "The Queen Mother commanded me to ensure you ate my Lord, she says you missed your morning meal."
And Phantom is just grumbling about over protective sisters and "there's a cafeteria i would have been fine" what the fuck is happening right now?
What do you mean "oops you forgot" Phantom I thought the ghost thing was just a theme!
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Lilith came back from heaven!!
I'm not sure if I like the wings covering them or not, so here's the version without wings.
They will be the death of me
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Same As The Day I Lost You
I...
This came to me as I'm making dinner so I'll be quick.
What if we mix deaged Danny and twin/older sibling (either one works) Damian, AND he gets tossed to his sibling in a last minute escape.
Like what if he was fighting Vlad who was doing his whole "denounce your father and join me as my son Daniel!" Thing while in the Zone and knocks Danny into something that's floating in the Zone with the ability to deage or was hit by a new Fenton or Plasmius invention while fighting in town that accidentally deages him.
Danny, who in this was adopted, gets put back to the age of six. The same age he had been found by Jazz in a 'haunted' forest Jack and Maddie were visiting/investigating while also using that time as a family vacation. (They were shocked to see a little boy with a stab wound bleeding out and rushed him to the nearby town, almost completely forgetting about the glowing green tiny puddle they found nearby and bagged most of it as evidence when they heard Jazz's scream of terror over finding the hurt little boy)
The sudden revert into that traumatized age, along with the child response to a fight or flight scenario, and add Danny's deepest need/wish to be protected his child fogged mind wishes to go to the one person who always made him feel safe.
His twin/older brother.
Just as quick as it was with Danny being turned into a child, his ghost powers ripped open a portal and sent Danny to the person he wants to be with...
Only he didn't know that right at that moment his seventeen year old twin/older brother is currently fighting the League with his family's help (his mother was trying to convince him to return to the League and be it's heir) in Nanda Parbat (the very place Damian lost the last/only person he knew loved him without any strings attached.)
So imagine everyone's face when a portal opened up, some muttering its a new pit being formed before them or something, and crawling out of it is a very scared and confused six year old Danny.
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Katsuki misses when his daughter was younger, and he could fix her boo-boos with a bandage and a kiss. He could carry her in his arms, clean the scrapes she received while playing at the playground, smack on a cute Hello Kitty bandage, kiss it and get her to giggle. But now that she was older, she did not have scratches and scrapes to worry about. Her boo-boos came in other forms- Boys and heartbreaks, to be specific.
He'd just come home from work to find his daughter cuddled into you, the teenager bawling her eyes out because some stupid guy she was seeing dumped her for no apparent reason. His heart shattered, watching her wipe her eyes with hiccups leaving her chest. He didn't enter the room. He just stood there, and his daughter caught his eye, quickly looking away and burying her head in her mother's hair.
You shot him a pointed look, reminding him not to say something that would make her cry even more. Bakugo's fists clenched on his sides, crimson eyes bubbling with anger. His daughter peeked at him, wondering if he was mad at her. Her heart sank when he turned around and left.
"Now Papa's mad at me too," She sniffled.
"No, he's not," You stroke her hair, trying to calm her down. "Just give him some time, alright?"
"Mhm..." She lets you comfort her some more before you leave.
She buried herself under the blanket and scrolled through her socials, blocking that dumb ex of hers from everywhere. Maybe Papa did know best after all. Maybe she should've listened when her father said the guy didn't give him good vibes. She sighed and pushed the phone under her pillow, trying to go to sleep to escape all the tears.
Just as she started to drift off, she heard the door open a creak and poked her head out of the blanket to see her father standing in the doorway with a plastic bag in hand, still in full hero gear.
"Can I come inside?" He asked. She sat up and wrapped the blanket around her shoulders, nodding.
Katsuki shuffled to her bed and cleared his throat, taking out all his daughter's favourite snacks from the plastic bag, "Erm- thought you'd like some... saw your favourite chocolate, so I bought that too. There's some of that crappy ramen you like. It's shit, but I'll allow it for now."
His daughter can't help but smile at him. So that's why he left without a word. To get her snacks and try to cheer her up. Or so she thinks, "Thank you, papa."
"'S nothin'" He stared at her awkwardly, not sure what to do next. He knew just snacks wouldn't fix a broken heart. He opened his arms for her, and she shifted closer to him, resting her head on his shoulder. Bakugo can't remember the last time he held her like this. It's been a while. This reminded him that no matter how old she was, he'd always be able to hold her like his little girl. He kissed her forehead and wiped tears from her eyes.
"Don't waste yer tears, squirt," He said, "That asshole ain't worth yer pretty tears. Now open the snacks. I wanna try some."
Bakugo grins when she breaks into a goofy smile and opens a packet of spicy chips. He doesn't really eat this stuff, especially before dinner, but he'll make an exception for his little girl. He takes a chip and pops it into his mouth, glad she is smiling now. He held back a smirk when he thought of how she'd be rolling on the floor laughing when she saw her ex come to school with a bandage on his nose and a bruise on his cheek.
Sure, he did not know how to fix her boo-boos anymore, but he sure did know how to beat the shit out of people who gave her the boo-boos. Even if it was a teenage boy far younger than him.
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look at this pic i found on twitter
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WHY IS NO ONE TALKING ABOUT THE FACT THAT CHAOS’ NEW DESIGN LOOKS UNCANNILY SIMILAR TO MEG???? WHEN I FIRST SAW IT I GENUINELY THOUGHT IT WAS MEGAERA I CANT BE THE ONLY ONE WHO NOTICED IT?? THE PONY TAIL THE COLOR SCHEME THE SINGLE WING?? LIKE DID SHE SOME HOW BECOME APART OF CHAOS IS SHE OK ???
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One day when i have time to deal with inevitable backlash I will write a post about how actually Taylor Kelly is one of the most compelling minor characters on 911 with a heartbreaking backstory that fully explains (but doesn’t excuse) why she does the things she does and ALSO that i think she & Lucy Donato should be in lesbians together
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Sometimes I think about Urianger's role in and feelings on the Thancred-Ryne dynamic and I think watching it kills him a bit inside. For several reasons.
Like, to begin with there's the guilt he's been carrying with him since he ushered Minfilia to the first, how he effectively killed the person Thancred cared about the most in the world and who's "death" ended up causing Ryne's entire Situation. He looks at what's happening between them and can only think "I caused this" even though that's not really true. No one person is responsible for this outcome, it's a culmination of several circumstances and the consequences of them. Logically, Urianger knows this. But it doesn't matter, because his guilt is overpowering his logic.
And also, like. What Thancred is doing here, the way he's knowingly letting Ryne be and stay hurt because he literally cannot bring himself to tell her his feelings, is the exact same mistake Urianger made with Moenbryda. Of course, the circumstances are vastly different, and the potential consequences to Thancred telling Ryne the wrong things or her misinterperating it is far greater (being a matter of literal life or death), it's still the same sort of paralysis they are trapped in.
And he knows it. He sees it. But he can't say or do anything about it, he doesn't have the right to. He acknowledges the mistake, but he hasn't really improved upon it yet. He still doesn't voice his thoughts and feelings as he should. He's also non-confrontational by nature, he doesn't argue or try to change peoples minds, he probably doesn't think he has any place to.
So, he tries to help in what little ways he can. Because he doesn't want it to become Monebryda again, he doesn't want to know he stole not one but two people from Thancred. So he does what he can. He tells Ryne little tidbits about Thancred, things that help her understand him but are safe to share. Nothing too deep, nothing too personal. Just small things, things that are purely factual, because he can't afford to give her a false image of who Thancred is. He teacher her fun and interesting things, because Thancred isn't in the mindset to provide her with non-essential skills.
I like to think Urianger has brought it up with Thancred at least once, during one of his stays. But nothing would've come of it. Not really. Unlike Y'shtola, Urianger isn't pushy, he'll bring it up once or twice and when he sees this won't go anywhere, he gives up. He wants to help, but he knows that persistance only does do much, and he is not the person who has the resiliance needed to push and push until Thancred finally budges (because he won't budge, it won't help anything but to sour things further by adding aditional stress to an already strained dynamic).
And like. Urianger gets it. He gets it because he's been the same way- not saying what he should to someone he loves more than anything else because she was meant to figure her life out herself, and 'steering' her in any direction by telling her his feelings (regardless of if the 'steering' is intention or not) will go against that. He gets it. He gets it and it's all the more painful for it. He knows it can't just be fixed by acknowledging it or with encouragement, something needs to happen to break the stasis.
I think this is probably why he stayed behind while they went off to Nabaath Areng. This is the very last chance they have to say what they want to, and he can't afford to be the anchor anymore. This is about them, not him, he can't let their resolution be buffed by his presence, so he stays behind. Which was probably for the best. Ryne got nervous when Urianger said he's staying behind, probably not too excited about being alone with Thancred (well, not alone, but WoL doesn't count) so soon after she had ran away crying. But she needs to be nervous. For anything positive to come out of this Thancred and Ryne both can't afford to be too relaxed. As sad as it is, the stress is necessary for anything to happen. He knows it. Does he like it? Absolutely not, but nor does he like his other plots. At least no one dies this time if it goes right.
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Maybe it's a 'study finds water is wet' type of thought, but
considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill
Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"
But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.
They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.
It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.
I don't know I just think it's particularly neat
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Say what you will about the DC timeline but we all know the truth, Jason Todd uses AO3 and has an account despite not understanding these new fangle technological advancements (hes fucking with Tim he understands what cookies are, it pisses off Tim more than anything else Jason has done)
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yeah so i'm falling for @weevmo's Guys... they're so neat! i dig their vibes and can't wait to see what Corduroy Stew is all about <3
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they fucking got charlottan?? WHY
edit: turning off rbs, check replies, just a temp ban for url hoarding 👍 w/ this stuff peoples' blogs are usually reinstated as soon as the unused blogs are deleted
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Anyway so if you go back and watch Laudna’s breakdown of everything they went through in Issylra, Imogen touches her forehead several times…
Imogen realizes she can’t hear Laudna’s thoughts so she missed that she was in distress. The next time Imogen speaks up she apologizes for not being able to hear her thoughts. She makes it so abundantly clear that she hates everyone’s thoughts but Laudna’s.
You can not tell me those two are not soulmates.
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Yeahlow
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☆ love; heretical and divine
{☆} characters tsaritsa
{☆} notes cult au, yandere, drabble, gender neutral reader
{☆} warnings blood
{☆} word count 0.8k
To love a God is heretical. It is an act of blasphemy– it is to drag them down from their throne of hollow gold, to topple the pedestal the worshipers uphold on their shoulders like lambs at the herders heel. It is the act of forcing them to their knees and ripping that beating heart of glorious gold and beautiful, cruel divinity from their chest, so pure it burns.
To love a God is to make them sin. To make them painfully, horribly human.
To love a God is to sin.
The love of a worshiper is no love at all, brilliant in its raw purity, untainted by sin. It is fear and obedience masked by adoration so overpowering it corrupts. It makes the lamb so unquestioning in it's faith it will never question the knife that cuts, the teeth that rip, the claws that tear. If the Creator deemed them unworthy of the very life crafted by their hands, then they must have committed a sin so grave there lay no salvation for their horrid soul.
But she is no worshiper– her lips speak of heresy as easily as she breathes, her words nothing but lies, cold and cruel like the ice that crawls along her skin like webs.
She loves a God like a lover should.
A damned sinner reaching longingly for the heavens.
She loves a God in the subtle brush of their lips, their muffled voices behind closed doors as they indulge in curiosity untamed. She is a sinner through and through, but she feels herself fall further with every brush of her hand across their cheeks, every touch she bestows upon them like a lover. She memorizes the imperfections of their body like memorizing a map– every scar, every mark, every line drawn on their body like a canvas, her touch the brush that stains the pristine white.
No devoted lamb shall ever see the painting they create in these stolen moments– it is for the eyes of a heretic so vile it makes them shudder, their body dirtied by the love of a woman so vile even their divinity is obscured by the ice.
The lambs may be satisfied with fleeting glimpses of gold and empty words from lips that guide them to the jaws of the wolves, but she is not. Her hands crave them like a starving hound, aching to touch that imperfect skin hidden by the veil of gold that obscures the painfully human body beneath. She longs to free them from the golden cage that binds them– to see their wings blot out the sky, their divinity tainted by sin and making them all the more beautiful for it.
It is a longing that leaves a festering wound that cannot heal, will not heal. Even if it could, she would not let it.
For as much as she tries, deny it as she may, she is no better then the blind lambs following the herder who holds a blade in their hand, glittering like gold in the sun, stained by dull red.
She is a fool, and what a fool they make of her with the touch of their hands against her skin– so cold it leaves frost on their fingertips. Yet they do not fear the cold, mapping out every inch of her imperfections, carved into her body by her own hands.
She has always been a heretic, cursing the divine until she could speak no more, but if divinity can be found in them – in this love that consumes, that burns her hands and her lips – then she is a Saint, praying at the altar until her throat bled.
But in the end, she has and will always be a cold woman with hands stained with blood. Until it is all she can taste, until it is all she can smell, until it is all she can feel. These hands of hers, heretical and divine, will bleed the God from their veins– she will become the wolf to their lamb until the rivers of Teyvat run gold with their ichor, until the gold bleeds into red, the taste of their divinity on her tongue.
Until she drags a God from their lofty throne and makes of them a monster.
There is no greater triumph to the heretic then to love a God into sin. To make a God sin to love.
To love is to be human, and they are no God.
Even if she must tear the gold from their very being until all that's left is something human. Even if Teyvat crumbles and decays, even if it begins over and over again..
She will do it again and again, until the gold can bleed no longer. Until her sins grow too great for Teyvat to contain.
To love a God is to devour, and be devoured. An endless cycle of sin that dulls the glow of gold into something new– something horrifying and divine, in it's own right. Something just as horrid as her, just as divinely corrupted by the sins she carries on her shoulders like a trophy, as gold as the sun and as cold as ice.
Divinity, carved into something human by love all consuming, until it all bleeds away and they begin their dance anew, for as many cycles as it takes.
An eternity, if she must, of dooming this world of theirs to fire and decay for a glimpse of the being snared by their golden shackles.
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