Kristen is only 17 years old. Her parents abandoned her. She is looking for certainty and is only finding doubt. She's hurting and struggling and her brain feels like mush.
Cassandra is only 5 months old. Her creator is abandoning her, but won't actually let go. She is looking for love and is only finding doubt. She won't abandon her back. She's hurting and struggling and her chest feels like it's fracturing.
Kristen made her bed. And it's not a bed it's a person. And she has a responsibility to either hang on or let go. She can't do both. Executive dysfunction explains but does not excuse. Get her help.
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You guys just don’t understand
You can’t even begin to grasp the amount of pranks Danny could pull on super heros (is that one words? Superheros?)
Added a read more because I hate long posts
Danny as a ghost is so powerful. Like our boy can walk through walls, disappear, and fly! Do you even grasp how much more unique he is than the others guys??
Jokes aside just imagine if you will. Danny could leave batburger cups next to Batman all the time (he comes back later to toss em out of Big ol B doesn’t)
Like hell we talk about Danny just showing up basically stalking the heros but ok hear me out. He didn’t mean to figure out Batmans identity ok but he was in the right place at the right time and over heard some stuff. Now he follows Bruce Wayne around instead. Always spitting out if a batburger cup. Maybe Bruce makes eye contact with him and one time Danny just leans his drink out to as one does to offer a sip xD the man is horrified.
For the ?Robins? The other bats maybe he leaves gifts of sorts. Stuff they would like made from his ice or something. He can understand becoming a hero young and most (if not all) of them did that. He plays favourites with the younger Heros for sure. But hes still making them have there “God?? Is that you” moments like everyone else.
Hell he could follow Superman around and always make his cape flow against the wind and the Hero wouldn’t know wtf is going on. Maybe Superman hears a very slight snickering maybe but the prank is harmless enough so why worry too much. I mean it’s probably bad someone can do this without getting detected till they give themselves away by laughing but nothing harmful yet. (Yet would emphasise Batman)
I don’t know anything about GreenArrow but I assume he uses a bow and arrow so I could imagine Danny grabbing his arrows and making them fly in crazy wild paths before hitting their mark.
Idk honestly how he would fuck with GreenLatern besides like using his ghost powers to try and one up his ring. Like Lantern makes a shield? Danny makes a better one next to it or in front of it. Tbh it’s actually helping Danny get better at his powers so he does this a lot rip Hal (I did not know he was played by Ryan Reynolds maybe ill watch the newer movie)
He refuses to mess with Wonder Woman because the Phandom has told me she is his fav thus he refuses to prank her. He respects her too much and is a huge enough fan that hes too nervous to even approach. Thus she thinks she is this pranksters least favourite since she is never bothered.
Aqua-man (thx for the correction siri) is pretty fun to prank because Danny can follow the man underwater. Idk anything about science of it but imagine Danny like making a space he can talk in with his ice powers (making a bubble of sorts) to make spooky noises at ?Arthur? (R we seriously going with Arthur in this one?) like I assume without actual fish related powers, or with them I havent seen any thing aquaman, you can’t talk underwater. But also if Danny figures out his real name hes 100% gonna be playing the Hey Arthur theme at this man all the time.
He just lowkey overshadows cyborg. Not in a controlling way but just along for the ride kinda way. He was gonna make remarks about his tech but ended up being stunned by how good it is. “Fam I aint gonna lie. I came here to follow you around and make comments like a streamer but your tech is crazy cool. I mean you could have saved a little room with a more compact cooling unit but I mean this is probably some of the best stuff I have seen outside my family!” Or something idk. Maybe he goes full on antman in coldwar
As for the Flash thats pretty simple. He doesn’t let the Flash run from him. I don’t think Danny could keep up with the Flash at all. Like man cants have everyones powers (can’t he tho) but he just hangs on and pretends to have followed. I mean hes invisible the whole time so not like anyone can see lmao though if (idk who the flash is? So ill use Barry cause thats why google say) if Barry goes too fast he might get Danny to give up the game cause boy is on the side vomiting. Barry is pretty smug about probably being the first to throw the prankster for a loop but Danny is just on the side like “how can you go that fast and not be sick dude”
Like tbh I was gonna just make a list of pranks he pulls on Batman but yall seem to enjoy the Justice League so here go off I guess.
Honestly I had to charge my phone so I forget a lot of the post rip this kne
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@raventhekittycat
hi okay so I've been mulling this one over for the past day or two and I think I have the answer. not to be using hamburger to explain anything to an american but you're my detco mutual so I'm going to try and explain it in detco terms
There's a post going around recently about how if you've read detco and only detco, the first time hakuba shows up you're going to be totally flummoxed, because damn this guy is clearly important, he gets to be even cooler than Shinichi, he's got a half-page shot of him (in such a panel-dense series such as Detective Conan, no less!!) and he's got a fucking hawk. he's CLEARLY important. everything about the narrative is indicating that you need to PAY ATTENTION to hakuba and that he's the coolest guy and he's important!!!! and then he dies in the case lol (not for real. but still.)!! and you're like huh??? what was that. why did aoyama do that.
But with the context of magic kaito this totally makes sense. He's a beloved character that people have been waiting decades to see again. Of course Aoyama is going to hype him up!! It's his big moment after years of being locked in the backrooms!!!
Anyways reading birdmen for me was kind of like that. The author's previous series, Kekkaishi, was pretty one-dimensional at the beginning, and even after the main plot started picking up at around volume 6, it still felt quite understandable. I knew what she was trying to get at, and the spectacular job she did with the anthropocene and climate change metaphor towards the end of that series really made me interested in the rest of her works. That and the way she writes familial relationships is absolutely DEVASTATING. (I mean this with the highest of praise)
But when I read BIRDMEN for the first time, I was probably in... middle school, maybe? And I read it, sure, but I didn't get it. I could see what was literally happening on the page but the narrative choices were absolutely baffling at times. Why skip over the entire part of the plot where they figure out who the birdman that saved them was? She blatantly doesn't care about that. What does she care about then?? I knew I didn't get it, I knew there were parts of it that were important and I couldn't figure out why and THAT'S how it dug its pretty little claws into me. Even after I finished catching up it nagged at me a little bit, not often at all, but enough that every once in a while I go, huh, right, that was a thing, let me go read it again.
For the record this type of story haunting has happened to me twice. First time was the Heart of Thomas, second time was BIRDMEN. I think the thing is that these are both stories which are not what other people say they are and I think I came into both of these stories with a misconception, trying to look too hard for things that weren't important and therefore missing the things that were.
Because sure, BIRDMEN is about mental illness. Yeah, it's about an evil scientific organization growing mutants in a lab. Yeah, it's about what it means to leave your humanity behind. That's all technically correct, on a surface level, and the fandom at large likely agrees with these takes for the most part, but in my opinion none of that really delves into what the thematic messaging of the story is about.
There are cryptic conversations about authority and human extinction and peculiar outfit and ability choices. You can tell these choices weren't made to serve the purpose of "writing exciting shonen manga" because that was what she did for the most part in Kekkaishi and you can tell she wasn't putting her whole pussy into doing that here. So what was she doing? What's like. All of this. Waves my hands at this.
The short answer is that it's really about the interplay between capitalism (represented by humanity) and communism (represented by birdmen), and explores the role institutional white supremacy (EDEN) plays in enforcing capitalism. It is ALSO about queer liberation and the importance of community, but hey, that double-stacks conveniently with the communism metaphor.
But also take this opinion of mine with a grain of salt. As far as I know I'm the only one who really truly deeply believes that it is not only AN interpretation of the work, but one that was fully intended by the author.
So basically, I like it, because I think it says something true and beautiful that I also believe in, even if I didn't have the words for it the first time I read it. But I don't really think that's what people really look for in a media recommendation.
Do I like it? Yes, I love it. Will I recommend it to others? Yeah, sure. But do I think it's deeply flawed? Yeah, absolutely. It's flawed in the same ways as The Witch from Mercury— a rushed ending, too many threads that were opened and never tied together. The pacing and characterization is perfect in the beginning, and too rushed at the end. There are prerequisites you basically HAVE to read in order to understand the story (tempest for G-Witch and the communist manifesto for birdmen). I think a truly good story wouldn't have any of these things so if people don't like it I never blame them.
It's my personal experiences that make birdmen so profound to me. If you are not queer I just don't think Eishi coming out as a birdman to his mom will hit the same, just as an example. Sorry that I wasn't the kid you wanted me to be. I know you love me and you just want the best for me and that's why you're so controlling, because you think I can be saved by conforming to societal expectations. But I can't live like that. I can't be like that. And that's why I must go. etc.
Aesthetically I do love birdmen a lot. If I had to describe it in a few words it would probably be "chilling", "beautiful", and "powerful", which nicely coincides with the type of things I personally like to draw. It's also silly to a small degree but it's so serious and I know Tanabe can be way way way funnier (read kekkaishi for this. kekkaishi and hanazakari no kimitachi he were foundational to my sense of sequential art humor) so that's not really the standout trait of this series.
I can't let it go because I'm chewing this series like a bone. And it's taking me years but I am getting that sweet sweet marrow. By god. We are on year 3 of this shit and I am GOING to understand this series. and I'm going to make 3 video essays about it
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