Op… you make a lot of interesting claims in this post. To get the facts straight before I go on a rant… 1) George claims that Rhaegar was a love struck prince 2) the books don’t mention anything about any marriages being annulled/anyone being set aside 3) seems like Dorne has no issue with Rhaegar and 4) Ned literally never thinks anything bad about Rhaegar… but thinks ill of Robert.
First off, a man trapped in a duty bound marriage and finding love outside that marriage is completely different from a whoremonger shouting about his love while visiting brothels whenever he could. And guess what… Ned straight up thinks that Rhaegar didn’t seem like someone who’d visit brothels. Robert and Rhaegar couldn’t be any more different.
And when did Lyanna want to be wild and free? When is it ever said that Rhaegar locked her in the tower of joy and that Lyanna was a prisoner?
Ned never even alludes to there being any truth in any of these claims. What we do know is that Lyanna greatly resembles Arya in looks and personality… and Arya wants to be a high septon and kings counselor, meaning Arya wants to have a position of power and not be reduced to a baby making machine. Going off of that… it seems like Lyanna didn’t want to be “wild and free,” she just wanted to be treated with respect. The only reason Arya is even treated like she’s wild is because she doesn’t conform to the Westerosi standards for highborn women.
And of course she’d feel miserable when she heard Aerys killed her brother and father. Aerys. Not Rhaegar. I wouldn’t even be surprised if she felt guilt about what happened, but in the end it was Aerys who brutally killed them. And then Rhaegar goes to protect his family and dies, and then Rhaegar’s family is brutally killed and then Lyanna dies. George did claim that the greatest love stories are the tragedies (i may be misremembering but i know he said something along the lines of that lmao).
Op, you claim that Rhaelyas love would’ve died after getting news of the Starks deaths, and then you try to suggest that Rhaegar may have been keeping Lyanna isolated from news in Dorne… like please pick a story to go with! And Rhaelyas love dying or Lyanna not being kept updated on what was going on outside of Dorne just doesn’t seem to be true. When reading Neds chapters, it seems like Lyanna was fully aware of what happened to Rhaegar’s children and Elia… as Lyanna pleaded with Ned like how Sansa pleaded with Ned to not kill Lady (hope i’m not misremembering here lol). And Rhaegar dying with a woman’s name on his lips (likely Lyanna’s name) and Lyanna clutching a winter rose (this may just be symbolism for baby Jon tbh) until she passed away seems to contradict your belief that their love died.
Also, where are you getting the “Rhaegar would suggest to set aside his kids and wife to marry Lyanna” from? The show? You mention how Lyanna would not be okay with this, and I agree that Lyanna would never be fine with setting Elia and Elia’s children aside. But even thinking that Rhaegar would ever even suggest setting aside Elia and his children is bonkers. Like seriously… there was so much tension between Aerys and Rhaegar that the Royal court was said to have begun looking like the situation before the Dance of the Dragons. And Dorne was Rhaegar’s greatest support! Why would it make any sense for him to annul his marriage with Elia? And please remember that during the sack Rhaenys hid under her fathers bed. The text supports him loving his kids/his child who wasn’t a baby seeking to be protected by him so why would he endanger them and their positions? (and no, disappearing with Lyanna for awhile isn’t him endangering his family. Aerys was the one who endangered his family (hot take brandon was the one who endangered the starks like wth was he thinking???). and tbh it seems like Aerys knew exactly where to find Rhaegar so did Rhaegar and Lyanna even disappear? or were they just keeping their location a secret from the rebels? the rebels who ended up killing Rhaegar’s family?)
I will say that how op first started to characterize Lyanna is something I agree with, her being principled, noble, honorable, and just with a sensitive side seems to be true, but then op goes on to continue to claim that Lyanna was wild and that she had little regard as to how other people perceived her. There’s no reason for us to believe that she didn’t care about what others thought of her or that she was wild and wanted freedom more than anything, it just seems like she dared to tread away from what was expected of Westerosi highborn women and that she didn’t want to be married to Robert. And guess what… Robert ended up being an abuser! *gasp* Lyanna dear… you clocked Robert right away.
And seriously… how does any of what op mentioned back up their claim that Lyanna would never resign herself to the position of a mistress? Is being a mistress/paramour really that bad? Does it truly seem like Lyanna would look down on those women? Her mini me Arya doesn’t look down on the courtesans of Braavos who occupy a similar position as mistresses in society. And it seems like plenty of noblewomen have been mistresses in the past and they are still as respected as a woman can be in Westerosi society. Missy Blackwood and Elaena Targaryen are right there. And Op, if Lyanna was Rhaegar’s mistress, why would you think that Lyanna couldn’t have been happy? Are we going to doubt Ellarias happiness and her love of Oberyn because they weren’t married? Should I doubt Rhaenyra and Harwins happiness because Rhaenyra was married to Laenor? Rhaegar and Elias marriage was not a love match. And if Rhaegar and Lyanna did marry… ever wonder if polygamy was introduced as a Valyrian practice by George to hint at Rhaegar taking a second wife? Should I now doubt Rhaenys and Aegons happiness and love because Rhaenys was Aegons second wife?
Now can we please stop acting like two people married due to duty have any reason to love each other? Nedcat seems to be an exception in Westeros. Lyanna and Rhaegar falling in love isn’t ruining Elia and Rhaegar’s marriage when love wasn’t there in the first place.
haha my whole post is a bit messy i just wanted to get my thoughts out :)
fuckkkk i want to tag more (my tags are a mess lmao no i’ve not gone through them and no they will not make any sense)
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I really like the Thenamesh Actor prompts so I have a request!
Gil always makes sure that Thena is comfortable in interviews . So what if on their new movie both of them and Eros are in a interview and throughout Eros, out of jealousy and frustration of their incredible chemistry (and because he can’t get closer to Thena) he says something humiliating disguised as jokes about Gil. Gil being polite just laughs about it but Thena can clearly see how uncomfortable his jokes/humiliations makes him and how awfully quiet he slowly gets and Thena (you know the goddes of war clearly) protects him!
"Gil!" Thena chastised, although she was laughing a bit hard for it to sound like she meant it. "Stop it!"
The whole panel had been like this. They were doing one of the first interviews with all of them assembled as a cast, but Gil and Thena had been thus far dominating the interview. It wasn't odd - they were technically the leads of the film - but it was hard to get answers between their whispering things to each other and joking and laughing.
Eros couldn't get a word in edgewise.
"What?" Gil chuckled along with her, nudging her next to him. "It's true! I was a huge fan of yours before we met!"
"Speak for yourself," she smiled at him, leaning her head against her hand. "I've stated plenty of times that I've seen a good number of your films."
"Have you seen all of them?"
"I think it would be quite impossible to see all of them," she shook her head, pulling her attention back to the audience of press interviewing them. "But I was shown some of his early work and I suppose I was hooked from there."
"Likewise," Gil jumped in next, wiggling his thumb between them, although it brushed against her forearm, their chairs being so close that their armrests were actually touching. "I've always thought about what it might be like to work with her."
"Eros, this is actually your first time working with both of them, isn't it?"
"Yeah, yeah," he mumbled, sitting forward in his seat, finally with some opportunity to speak. "I've never worked with Gil before, and I've only ever worked on the same project as Thena once or twice. I've never had the immense privilege to work opposite her."
The audience was obliging in his flattery. Eros looked down the long table's white cloth, only to find he wasn't actually being listened to--at least not by a certain leading lady.
Gil was listening, looking down the line at Eros. But from his viewpoint, Eros could see very clearly, that Thena wasn't looking at him. She was looking at Gilgamesh.
Eros cleared his throat, "he really is great to work with, stunt-wise."
Gil waved off Eros' kindness with a bashful smile, toying with his microphone in his hands. Thena poked him, urging him to accept the well-deserved compliment. He caught her poking index finger with his pinky. "I'm not union or anything. But I've been doing my own stunts long enough that I guess I like to offer my advice when I can."
"Right, I heard about a rather nasty spill," Eros tilted his head down at the older actor. "You know, there's no shame in needing a double as time goes on."
He said it lightly--with enough of a laugh in his voice for it to appear friendly. The audience chuckled obligingly.
Thena was not laughing. "That was a very serious incident."
Gil caught onto the tone in her voice immediately and smiled, "i-it wasn't that bad, really-"
"And it was an equipment malfunction," she added with even more of a bite to it. The tone in the room shifted quickly, of course at Thena's protest and not at the original joke cracked at Gil's expense. But she glared at the head of the table. "Gil does his own stunts when it makes more sense to for the filming process. He's just that sweet and considerate of people."
"Of course!" the original asker of the question jumped in, hoping to save the atmosphere of the interview as a whole. "His fans were quite distressed to learn of his injury."
"Not your first, right?" Eros asked, his thin veil of asking out of kindness growing thinner and thinner.
"Well, yeah, it happens," Gil shrugged, either not catching onto Eros' attacks or choosing to let them roll off him. "Can't always avoid little accidents here and there. The fans who have followed my career know this is far from my first set injury, and far from the worst, too."
"I've heard about them," Thena added vaguely, always vigilant about not giving the press too much exposure to Sprite. "And he's always back to work as soon as possible--far too dedicated to his work."
Gil was immediately looking at Thena again, smiling and chatting with her as if they were the only ones in the room (and just happened to be holding microphones). "As if she didn't learn flawless Russian for her summer action blockbuster from a few years ago?"
"Gil," she gave him that little headshake again, like a wife scolding her husband for embarrassing her.
"I mean flawless," Gil insisted, though, grinning as the praise for her spewed from him like a fountain. "I'm no expert, but I've seen accent coaches and other actors react to it, and they all say it's perfect--just like her."
The audience gasped and 'ooh'ed and giggled like children.
Thena blushed, "far too sweet."
"I remember that film, it was," Eros paused, leaning over further to give Thena a look that she was sure his hordes of fangirls loved. He raised a brow at her, "magnificent."
"Thena, have you followed any of Eros' work?"
"I can't say I have," she answered a little too quickly and eagerly.
"Well, you have a younger sister, right? What about-"
"No," she snapped, and was joined by Gil in glaring at the interviewer who either hadn't been informed that she didn't answer questions about her sister or had ignored it.
Eros ran a hand through his very famous hair, leaning back in his chair.
"But," Thena smiled again, her eyes drifting beside her (what a surprise). "She is a fan of Gil's."
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It's been wonderful being able to talk about these things for me too! I haven't really had the opportunity since Y7 came out, so I'm positively buzzing. And no worries about the tone of your post about Daigo's article haha, I appreciate it when issues are pointed that I might've missed otherwise since that's at least something actionable.
But I'm obviously not going to stop anyone from venting frustrations with the wiki or with Fandom as a platform; I frequently find myself frustrated too! It's one of the things that keeps people editing the wiki. I'm honestly fine with whatever as long as it's not accusing us of being fujoshi for the billionth time lol, but for better or worse I do like to clarify what we're trying to do if there's any confusion.
Speaking of, Mine's relationship tags are kind of a funny story! So a lot of them have these dotted underlines and question marks, right? You're supposed to be able to hover over underlined terms to see a short definition (on desktop) and click the question mark to see an article with all the definitions on mobile, since hover actions aren't possible on a touchscreen.
But since the article was and still is under construction, Fandom doesn't show the link to logged-out users. So I had no idea it just looks like we're saying the tag is ambiguous lol. It's up now though, so it's hopefully easier to understand what we're trying to do!
I just found it funny I specifically added that feature to reduce confusion. Half the grief we get over Mine's "romantic interest" tag is because people assume we're saying it's mutual (we chose the term to try and avoid the "mutual" connotations of "love interest," but I guess that didn't work out). I also thought it might help with somewhat esoteric tags like "co-parent" (which was put in place for Jo and Arakawa and then I kept thinking of others) and "surrogate son." Turns out it's tough to boil complex relationships down to one term!
I definitely have SO many questions about New Year's Day and I probably always will; for the space of only one night, it's a huge blank. I certainly do have to wonder if shipping Masato off to America was decided then and there. There's a lot that could possibly be expanded on in RGGO (further interactions between Arakawa and Jo included lol), so I've got hope for that too now that we're back to random events. I'd be really interested to see how you'd portray it someday!
Talking about Nakai and Tsutsumi reminded me, Nakai mentioned he read the whole script in a day so he "wouldn't do a disservice to Arakawa or Sawashiro's characters." That kind of stuck out to me precisely because there are so few scenes between them compared to like, Arakawa and Ichi, and they're all relatively low-impact in comparison.
Of course, it could be marketing on account of him and Tsutsumi getting to co-star again, or the scenes could simply have stood out to him more for that reason, or he could've had a different impression of the ratios having read the script rather than played the game. But the part of me that makes me want to go Off The Deep End speculating is kind of wondering if there were other scenes planned?
And absolutely! I'm not able to reblog often because the post editor's been crashing whenever I try to tag my posts, but I hope you know I love your work and I'll support pretty much anything you put out! I'm very excited to share my findings as well.
A lot of it's to do with Mine's relationship to Western culture vs. Japanese culture (his "westabooism," basically), so that's specific to him, but there a lot of interesting concepts and theories in Japanese psychology regarding familial bonds, met and unmet emotional needs. They work as an explanation for his probable feelings of alienation from Japanese culture, but I feel they would make for an interesting lens to examine the Arakawas through as well.
I actually hadn't ever considered the similarity with regard to Mine and Jo's dads, but that makes so much sense! If I were to take it a step further, I think feelings of "abandonment" by their fathers have had long-lasting effects on both them and Masato. Jo we've been talking about, his father was technically still "there," but he wasn't in his corner, which feels much the same as abandonment to a child.
I think Mine's internalized a lot of the same feelings even though his father never meant to abandon him (I guess Jo's may not have, necessarily; alcoholism can destroy a family whether the individual wants that to happen or not). Like, unfairness, displacement, lack of control, the loss of the only support you have and so on. I think dwelling on that is what sent Mine's mental state spiraling, and what made it imperative to just believe Daigo was "dead" to try and move on as soon as possible. He didn't want to be hurt the same way again.
It's also probably what he was projecting in his ridiculous villain speech during The Orphanage Scene; the reason offering kids support in the way Kiryu does is a form of "victimization" in his eyes, at that moment, is because that support can be ripped away from you at any time. The scene is kind of hilarious to me because it's like, "okay we need Mine to have a kick-the-dog moment, his actions have been too understandable," but I do get it from that angle.
Similarly, I think those feelings of abandonment are why Arakawa faces the brunt of Aoki's abuse, because it's like, "YOUR negligence is why I had to go through all of that." So I get why Jo, like your sister, wouldn't want the finger pointed at him, but at the same time… damn. Perhaps if Arakawa had never had that talk with Masato, things might've been different. I get the impression he wouldn't be able to endure keeping things to himself for as long as Jo, though, given things like the letter he sent Ichi in prison.
Oh, yeah, Jo is CRAZY protective of Masato too! "If anything happens to him, killing you a thousand times would be insufficient!" I think part of his overreaction to having Masato's money is also that if Ichi can't listen to orders that fundamental, who's to say he listened to the orders to keep Masato safe? I guess if you see Ichiban as incompetent to the point of almost being a malicious actor, you might think that.
I'm sooo so glad you've noticed the rest of those similarities haha, I've been rotating them around in my brain like a cube for ages. A Venn diagram would be so fun to see! That's such an insightful look at the differences between Mine and Jo's offices too. I was a little confused about the placement of the social spaces, or even that they're there, but if you look at it as clearly separate from his personal spaces, it does make sense.
Also, not to harp on the books in the offices too much, but I compared the textures a little earlier. Mine's are basically all (very expensive) encyclopedias and language phrasebooks in English, Italian, French, and German, in contrast to Jo's discrete hardcovers and series of art history books. They're probably all stock assets lol, but I think they're surprisingly good fits; Mine dumping considerable time, money, and energy into his fascination with Western culture and Jo being the type to not want people to know what he's reading totally works for me.
But yes! It's kind of funny, because Yokoyama wasn't much of a Mine fan in his early days, but I hope he and the others keep on writing characters like him. I think of it as Mine's "legacy" in a series where past characters aren't acknowledged too often; the most I can recall are that Hakuho mention in 4 and the fencing around the Touto roof perimeter.
Speaking of, I love Mine's missed shots in the finale specifically because he's an excellent marksman in his Okinawa character story. Why? How? Who Knows, He's Perfect. (Probably not as good of a shot as Daigo though lol)
And yeahhh, there are other interviews, but it ain't the same! It was the most in-depth one I know of. I think this is one of the only remnants, and I shall entrust it to you.
But yes, exactly! And I'm also glad Y7 introduced more people to them (myself included), Tsutsumi's my favorite actor of all time and Nakai's brilliant. They make a great combi! Of the things I've seen where they co-star, I think Princess Toyotomi and Hero SP are both solid; the latter is a special for a longer show, but I honestly didn't even notice lol. Musashi I wasn't personally able to get through even though I've read the book, so I'm not sure how it plays out between them.
Also I DIDN'T KNOW TORU DIED IN PURE??? That came out of nowhere oh my god T___T But if you're ever looking for anything rare, feel free to ask! I might know a guy (gender neutral) with a stash, Fly, Daddy, Fly included.
OH MAN MINE'S WIKI ENTRY I've definitely made my opinions about it known, but now knowing the truth behind it it's kind of funny and still so unfortunate. I'd almost want to recommend a section dedicated to the topic since it's such an integral part of his character, though I also understand wanting to keep the wiki strictly to factual information and to exclude speculation (or "speculation" anyhow- it's definitely more of a concrete situation, especially going off of the information provided in your pinned post on the topic. If anything, that sort of information would belong to the "Trivia" tab wouldn't it- but again, it's such a deep situation it can't really be summarized in one or two sentences) and the topic being too niche to have a page dedicated to it. It's nice to know that the subject isn't trying to be brushed under the rug though and it's just a matter of awkward formatting/incomplete work!
Furthermore on The New Years Event, I would LOVE RGGO to expand on the topic since they've been so liberal with the stories they make and the depth those stories add to the characters. Honestly, I was expecting Masato's card to have that as its accompanying character story, so it's unfortunate that he doesn't get it or any story as far as I'm aware (or maybe he does have one and my poor pull luck has just prevented me from getting the card to find out myself, but I've looked as much as I could and couldn't find an upload of it). Oh well, I guess it's the old "if you want something done you gotta do it yourself-" not that anything I could make could ever be up to scratch, so I'm glad I do have people interested in what I have in mind :)
About Nakai, I wouldn't feel wrong trying to accredit his comment to a time before he knew the full plot or saw the full game and was just debriefed on the general story/character relationships, and I also wouldn't put it past RGG to have deleted scenes/ideas (if those do exist, RGG please let me in your vault I'd like to take a peak...)!
The psychology of Mine is another topic I've been wanting to officially tackle for a while now, so I'm glad I have this chance to share some of what I have mental bullet points for.
Moreover, Mine's dad and how he "left" Mine undeniably impacted him significantly beyond physically leaving him alone, and it definitely manifests in The Orphanage Scene and his idea that killing Daigo would be "putting him out of his misery". In those instances, he sees Daigo and the orphans as victims of an unfair reality, Daigo being comatose, and the orphans having the endure the struggles of being orphans (and that added-on, projected anxiety that their comfortable lives now could vanish at any second like it did for Mine). Mine's mustache-twirling villainy is funny for its absurdity, but I also genuinely appreciate it since it lets us peak into his warps philosophy better. It doesn't justify his actions by any means, but it explains to us why he can justify his actions as from a place of love or pity as opposed to thoughtless evil.
To add on, Mine's relationship with his father, from what we're allowed to gather, was healthy and positive. Because of their positive relationship, the removal of such adds credence as to why Mine's desperate to get that love again. It especially makes sense considering Japan's horrendous attitude and negligence towards orphaned children that was even demonstrated during Mine's childhood while his father was alive.
And as an inverse aside, Jo's relationship with his dad was toxic, whether it was due to blatant abuse or combined negligence. It's fair to assume that Jo never got to experience genuine, secure love growing up, so as a result, it's not something he actively seeks out. He's been without it long enough that it's not something he necessarily craves like Mine who used to have it until it was taken from him.
Masato certainly makes it clear he felt isolated despite the efforts Jo and Arakawa repeatedly went through for him, and it's apparent it's an unfortunate side affect of internalized ableism. It definitely doesn't help anyone's case that Masato had seemingly been informed of the night of his birthday's events (from Arakawa's point of view, obviously), and it's clear that knowledge gives ammunition as to why he resents him.
You're right on Jo potentially seeing Ichi as a bad actor, it's not as if he has disdain for him for no reason! Like even if Ichiban hadn't taken Masato's money the way Jo could have imagined, the idea that Ichi can't be responsible in one avenue can easily lead back to Ichi having the potential to look after Masato, especially when he seems to be the one who predominately looks after him when he's tasked to.
I've already got my program open to make my little chart and have my reference pictures ready, so hopefully I can have that silly thing out soon haha- I'm glad you're interested in seeing it, and I hope other people will like to see it too! Jo and Mine really are my favorite antagonists, so it's funny (and I guess not surprising) that they have parallels to them.
To add on to that though, I think it's fun to look at the extra details, no matter how small; I'm probably more happy than I should be that you looked at their office's books, but I can't help be a fan of the details you found (whether they're generic models or not, I'm running with them- I've done more with less before lmao)! Mine having language books is definitely in-line with his interests, but Jo having art history books is weirdly endearing (and dare I say another point for "these are the same picture" comparing it to Mine's own love for art). Jo being so private to the point of blocking out the binds of the books he owns is so accurate to him and his secrecy, and the concept that he likes to read about art in his spare time is a new favorite concept for me.
Mine really isn't acknowledged much after 4; in comparison to Ryuji and Nishiki, he's remembered throughout the series the least (you can argue the same for Ryuji, but considering he gets a whole new life in Dead Souls, I think it's fair to say that makes up for the mainline series forgetting about him. Though I guess the same could be Mine getting a prominent role as Hijikata in Ishin... Definitely not as cool of a spot as to be a playable protagonist with a machine gun arm if I'm honest). In that, it's great that his likelihood can exist in future characters, and I hope they continue the trend of phenomenal antagonists in LaD8 and onward!
I'm eternally grateful for this frame you've gifted me thank you so much- Nakai's smile is such a blessing honestly, I'm glad if anything survived from the interview it can be this shot at least.
I've got Princess Toyotomi and Hero SP added to my watch list, DEFINITELY something I'll be excited to check out as a reward once I have all my important business taken care of this week! Honestly, I haven't seen Musashi either: while I was looking through their filmography I saw it was a project they did, but I've always been bad at watching long series so I didn't take the time to see their performance together.
For things I have seen though... yeah he dies SORRY IF THAT WAS HOW YOU FOUND OUT </3</3 Honestly I didn't expect myself to love the series as much as I did (admittedly it was predominately because of the leads and their relationship), but when it happened I was both- dare I say crushed- a little humored a little funny in a dark-comedy way.
And if you do have access to harder-to-get films, I'd absolutely be interested in hearing about it. One of Nakai's movies Good Morning Show has been haunting me for weeks: it sounds like such a fun movie yet I can't find it anywhere </3
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