the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

as a kid i thought i would graduate from kid problems like cleaning my room to adult problems like jobs and taxes. but instead i have a job and taxes and still have to clean my room. cleaning my room is a lifetime problem. i will never stop having to put my markers away before bedtime. this is a rude way for aging to work.

when u go to write a mentally ill person in ur story you are presented two options. the first option is to write your mental illness realistically as you actually experience it with all the ups and downs and people who are like you will resonate with it and feel seen. except every person who reads instagram infographics on mental health that uses the phrase narcicisst for anyone who does anything that crosses them and unironically call themself a dark empath will call you scary and tell you that youre demonizing mentally ill people

the second option is to lie and write inspiration porn for those people to get hard to

Dungeon Meshi, or as I like to call it, Marcille's-increasingly-difficult-to-ignore-revelations-that-her-endless-devotion-to-Falin-may-in-fact-be-more-rooted-in-lesbianism-than-she-originally-thought

more dragon

one of the very few to show the batch kindness back on kamino

Okay but on a serious note Con O'Neill ate in these first few episodes and left no fucking crumbs. Last season we ended on deranged Izzy; now we have an Izzy realizing how toxic things can really get and WISHING he could go back to the days when he was the only proper pirate among muppets. And he's TRYING so damn hard and it would be so easy to play that in a cheesy or insincere manner, but we have Con O'Neill swinging for the fences, crying, begging for death, disheveled, trying to undo everything he did to get us all in this mess and failing and looking both miserable and delighted in his misery because he's getting what he thinks he deserves.

And YET we also get the subtle tear in the eye when Stede finds out what they really did to Ed. Like. You can feel how utterly heartbroken the man is just from a glimmer in the corner of his eye.

Love Izzy, hate Izzy, it really doesn't matter, not when he's played so magnificently by Con, and I salute him for everything he's doing in this campy gay pirate show.

Don’t know if I ship it, but I do want them to have as many scenes together as possible…

let her go

I thought it fits Aang and Zuko.

Love that the new Good Omens Kiss Revelation ™️ basically boils down to “Yeah we had a whole scene choreographed but David and Michael just immediately started making out and wouldn’t stop so we deleted two takes out of embarrassment”

One day the kids wake up and they can’t find Steve. They search his house, the school track, the basketball courts, anywhere they can think of where they might find him and he’s nowhere to be found. When they go to Robin’s house, she’s missing too. Her parents haven’t seen her since she disgraced their family by proclaiming herself to be a lesbian.

Even Eddie hasn’t seen either of them and that’s particularly worrying since the three of them are always together.

Both Steve and Robin come back two weeks later with sunburns and matching tattoos on their wrists. They had been at one of the Harrington vacation homes in Florida getting drunk, checking out girls, and getting tattoos. It’s also when Steve realized he was interested in Eddie and plants a smooch on him as soon as he gets back to see Eddie checking out his ass.

to be honest i kind of think a lot of the people who say really fearmongery things about how media literacy is "in decline" and how the younger generations are worse at dealing with "uncomfortable topics" than those before them are blinded by forced generational lines and their own nostalgia. our tragic and unimpeachable past youth in which we were innocent victims of the social climate around us vs their banal and doomed current youth in which they are hopelessly weak-willed agents of societal downfall. And they're stupider than us and uglier too.

Sometimes you look something up for medical accuracy, understand the topic entirely, and then choose to ignore everything you just learned.

For the ✨drama ✨

Passed up on a pair of leather chaps I saw at the market. dreaming of what could have been . 🤠

Someone asked me to expand a little on a topic that was buried down in a big chain of reblogs, so I'm doing that here--it's about the use of the archaic "thee", "thou", "thy", etc. in LOTR and what it tells you about characters’ feelings for one another. (I am NOT an expert on this, so it's just what I've picked up over time!)

Like many (most?) modern English speakers, I grew up thinking of those old forms of 2nd person address as being extra formal. I think that's because my main exposure to them was in the Bible ("thou shall not...") and why wouldn't god, speaking as the ultimate authority, be using the most formal, official voice? But it turns out that for a huge chunk of the history of the English language, "thee," "thou," and "thy" were actually the informal/casual alternatives to the formal "you", “your”, “yours”. Like tú v. usted in Spanish!

With that in mind, Tolkien was very intentional about when he peppered in a "thee" or a "thou" in his dialogue. It only happens a handful of times. Most of those are when a jerk is trying to make clear that someone else is beneath them by treating them informally. Denethor "thou"s Gandalf when he’s pissed at him. The Witch King calls Éowyn "thee" to cut her down verbally before he cuts her down physically. And the Mouth of Sauron calls Aragorn and Gandalf "thou" as a way to show them that he has the upper hand. (Big oops by all 3 of these guys!)

The other times are the opposite--it's when someone starts to use the informal/casual form as a way to show their feeling of affection for someone else. Galadriel goes with the formal "you" all through the company's days in Lórien, but by the time they leave she has really taken them to heart. So when she sends them a message via Gandalf early in the Two Towers, she uses "thee" and "thou" in her words to Aragorn, Legolas and Gimli because now they're valued friends and allies. And--this is the big one, folks, that was already alluded to in my previous post--Éowyn starts aggressively "thou"ing Aragorn when she is begging him to take her along as he prepares to ride out of Dunharrow. She is very intentionally trying to communicate her feelings to him in her choice of pronoun--an "I wouldn't be calling you "thee" if I didn't love you" kind of thing. And he is just as intentionally using "you" in every single one of his responses in order to gently establish a boundary with her without having to state outright that he doesn't reciprocate her feelings. It's not until much later when her engagement to Faramir is announced that Aragorn finally busts out "I have wished thee joy ever since I first saw thee". Because now it is safe to acknowledge a relationship of closeness and familiarity with her without the risk that it will be misinterpreted. He absolutely wants to have that close, familiar relationship, but he saved it for when he knew she could accept it on his terms without getting hurt.

So, you know, like all things language-based...Tolkien made very purposeful decisions in his word choices down to a bonkers level of detail. I didn’t know about this pronoun thing until I was a whole ass adult, but that’s the joy of dealing with Tolkien. I still discover new things like this almost every time I re-read.